Happy 20th Anniversary, World Wide Web!
If it weren’t for the work of Tim Berners-Lee, you’d be reading these sites in a letter column somewhere, and out somewhere on a Saturday night. (Hat tip: Making Light.)
If it weren’t for the work of Tim Berners-Lee, you’d be reading these sites in a letter column somewhere, and out somewhere on a Saturday night. (Hat tip: Making Light.)
For those who couldn’t make the grand trek to PULPFEST, The Book Cave, the premiere podcast of Ric Croxton and Art Sippo, makes it possible to almost be there via your very own ears! Listen to the Pulpfests specials live from Summer’s Best Pulp Con as well as a pre con episode and several other recent pulpy type offerings from THE BOOK CAVE!
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Fri, 5 August 2011
Credit and thanks go to Art Sippo for this episode. Ron Fotier, SteamPunk and the Shadow star in this episode.
http://www.pulpfest.com/ |
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Thu, 4 August 2011
Credit and thanks go to Art Sippo for recording this episode. New Pulp, Bill Craig and Anthony Tollin are the stars of this episode.
http://www.pulpfest.com |
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Thu, 4 August 2011
Joel Jenkins joins Art and Ric to discuss his latest epic novel in the Dire Planet series.
Joel Jenkins’ blog: http://www.joeljenkins.com Strange Gods of the Dire Planet preview: http://www.pulpwork.com/2011/08/strange-gods-of-dire-planet-sneak.html Punch in the discount code of ZUEEWBQV to purchase Strange Gods of the Dire Planet with a 20% discount (until August 10th) at http://www.pulpwork.com/p/available-titles.html PulpWork Press: http://www.pulpwork.com Strange Gods on Kindle: http://www.amazon.com/Strange-Gods-Dire-Planet-ebook/dp/B005CDDE5S/ref=sr_1_2?ie=UTF8&qid=1312294899&sr=8-2 Strange God for all electronic readers: http://www.smashwords.com/books/view/73278 RJCroxton1@yahoo.com |
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Wed, 3 August 2011
Credit and thanks go to Jason Aiken for recording this epiaode. C.L. Moore, Steampunk, Walter Gibson and the Shadow are on this episode.
http://www.pulpfest.com/ |
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Tue, 2 August 2011
Credit and thanks goes to Jason Aiken for recording this episode. Included in this episode are PulpFest welcome, Shadow Radio, Pulp artists born in 1911 and granddaughters of Pulp.
http://www.pulpfest.com/ |
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Mon, 1 August 2011
Credit and thanks go to Art Sippo for recording this episode at PulpFest. This episode has Wayne Reinagel and Win Scott Eckert reading from their books. This week will feature several more recordings from PulpFest. If you weren’t able to attend, this is the next best thing.
http://www.pulpfest.com/ |
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Thu, 28 July 2011
Ron Fortier, Aaron Smith and andrew Salmon join Ric and Art to discuss the latest Sherlock Holmes anthology from Airship27.
http://homepage.mac.com/robmdavis/Airship27Hangar/index.html Amazon store: http://www.amazon.com/Andrew-Salmon/e/B002NS5KR0/ref=ntt_athr_dp_pel_pop_2 iPulp: http://ipulpfiction.com/books/SecretAgentX-Vol1-IcarusTerror/jacketNotes.php |
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Thu, 21 July 2011
Ed Hulse of Blood -N- Thunder magazine joins Ric and Art to discuss this year’s upcoming PulpFest.
http://www.pulpfest.com/ bnteditor@yahoo.com |
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Thu, 14 July 2011
Jeff Deischer returns to the Book Cave to discuss his newest book The Way They Were.
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&fiel d-keywords=westerntainment&x=19&y=21 |
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Thu, 7 July 2011
Van Plexico drops by The Book Cave to talk about his Sentinels books.
Van Allen Plexico http://www.plexico.net Links to all of my books, info, and other sites can be found there, including to my Amazon author’s page. The SENTINELS site: Info, images, and links to buy any of the books in paperback or for e-reader. http://www.whiterocketbooks.com/sentinels White Rocket Books http://www.whiterocketbooks.com Includes the Sentinels plus the Avengers ASSEMBLED! books and more. My Airship 27 books: LUCIAN: DARK GOD’S HOMECOMING http://www.amazon.com/Lucian-Homecoming-Van-Allen-Plexico/dp/1934935441 GIDEON CAIN: DEMON HUNTER http://www.amazon.com/Gideon-Cain-Van-Allen-Plexico/dp/1934935743 LANCE STAR: SKY RANGER Vol. 2 http://www.amazon.com/Lance-Star-Sky-Ranger-2/dp/1934935611 PDF copies of any of my Airship 27 books for just $3: http://homepage.mac.com/robmdavis/Airship27Hangar/index.html — |
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Thu, 30 June 2011
Will Murray, Roger Ritner and Michael McConnohie join the Book Cave crew to discuss Python Isle and future audio books.
Will Murray – www.adventuresinbronze.com On Facebook: The Wild Adventures of Doc Savage. Radioarchives.com Michael McConnohie Credits: www.imdb.com Web Site: www.michaelmcconnohie.com |
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Thu, 23 June 2011
Shelby Vick of the online Pulp magazine Planetary joins the Book Cave crew to talk about his site.
http://www.planetarystories.com/ After the first one — www.planetarystories.com/wonerlust.htm — the other links are www.planetarystories.com/W2.htm — www.planetarystories.com/W3.htm — www.planetarystories.com/W4.htm — www.planetarystories.com/W5.htm — www.planetarystories.com/W6.htm Also, I left out someone really important: Ron N Butler, of the Atlanta Radio group, turned up by Jerry Page. Ron has developed Rory Rammer, Space Marshal as, for instance, in www.planetarystories.com/rammer.htm and www.planetarystories.com/planetoid.htm for instance. Rory Rammer is PERFECT for Planetary Stories. our Associate Editor is Robert Kennedy |
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We told you a while back that the animated series M.A.S.K. was coming to DVD at long last. For those less familiar with the series, our friends at Shout! Factory provided us with this slide show.
M.A.S.K.: The Complete Original Series DVD box set debuts on August 9, 2011 from Shout! Factory, in collaboration with FremantleMedia Enterprises. Poised to attract an audience of kids, young adults and parents who grew up with this animated series, this 12-DVD box set contains all 65 action-packed episodes – known to fans as the original series aired in 1985, as well as insightful bonus features.
Led by multimillionaire Matt Trakker, the Mobile Armored Strike Kommand — better known simply as M.A.S.K. — defends the world against Miles Mayhem and his nefarious international criminal organization V.E.N.O.M., the very same group responsible for the death of Trakker’s teenage brother. With his own son, Scott, and a secret strike force including his friends — engineer Bruce Sato, courageous historian Hondo MacLean, mechanic Buddy Hawks, rocker Brad Turner, computer expert Alex Sector, stunt driver Dusty Hayes and beautiful martial artist Gloria Baker — it’s up to Trakker, equipped with special power-granting masks and a garage of special militarized vehicles, to keep the world safe from Mayhem and the villainy of V.E.N.O.M (Vicious Evil Network of Mayhem).
Throughout the years, M.A.S.K. boasts a large fan following and spawned a series of toy line, comic books and video games. The complete original series of M.A.S.K. has been sub-licensed to home video distribution to Shout! Factory by FremantleMedia Enterprises.
Who didn’t love HUMAN TARGET? Well, we at least are getting Chi McBride back in an extended run on TNT‘s HAWTHORNE. Chi tells us how it all happened and why speaking his mind has worked so well for him. Plus a “new/old” Hitchcock film is found?
The POINT RADIO 24/7 Feed is coming back – 8am next Wednesday (Aug 10th). You can listen FREE on any computer or mobile device at The Point Radio – and please check us out on Facebookright here & toss us a “like”.
According to stories like this, there was quite the kerfuffle at this year’s San Diego Comic-Con about the decline in the number of female artists and writers on the new DC reboot.
Raising questions about this is guaranteed to get one labeled a bitch (or worse). Kudos to Batgirl for being the bitch. It’s a thankless job, but somebody has to do it. However, I’m disturbed by DC’s response. They claim they were looking for the “best available” talent. Apparently, the best indicator of talent is a penis.
Look, I understand that DC (and Marvel, and Dark Horse, and IDW and so on and so on) want to hire writers and artists with built-in fan followings. It’s a competitive market, and anything that helps to sell the product is desirable. I also understand that these publishers want to hire people who have demonstrated an ability to meet deadlines reliably, and the easiest way to do that is to employ people you’ve already employed.
But…
The entertainment media require a steady influx of new talent. Some, like music and movies, demand youth, and too much experience can be considered a drawback. Other branches of publishing, such as books and magazines, all have systems in place to not only keep successful writers, artists and photographers, but also to develop new ones.
Mainstream comics, not so much.
I got my break at Marvel because I hung out at the office a lot. This was back in the mid-1980s, before heinous security measures engulfed New York office buildings. I had interviewed Denny O’Neil for High Times magazine, and exploited our acquaintance (and subsequent friendship) so that I could hang out, use the photocopiers, and make free long-distance calls. Because of this, I was a familiar face, and when Larry Hama wanted to expand the kind of comics he was publishing, he took a chance on me, and we developed Dakota North with Tony Salmons.
No one has since taken a chance on me. Dwayne McDuffie once told me this was all the evidence he needed that comics is a sexist business. As things stand now, most people who enter the field of mainstream comics are former fans. The business won’t attract more women until it creates more comics that girls like. And it probably won’t create more comics that girls like until there are more people who used to be girls making comics. It’s a vicious circle.
The easiest way to break this chain is to make it less profitable. The first step in that direction, at least at DC, seems to be the failure of the Green Lantern movie to make a boatload of money. Geoff Johns, fanboy in chief, seems to be getting the blame. I admit that I kind of liked it, but that’s because I’ve been reading the comics for 50 years … and, also, Ryan Reynolds in a skintight suit. Most people who buy movie tickets don’t have my knowledge of the backstory, and so didn’t have the patience to sit through it.
Bringing in new perspectives isn’t easy. The old ways are easy. Unfortunately, the old ways inevitably produce the old results. Since this is comics, it doesn’t have the same impact as, say, firefighting, but the results of this laziness are the same – ostracizing newcomers and alienating the general public.
Comic book editors, look beyond your slush piles! Seek out new talent at places other than portfolio reviews at comic conventions! There’s a whole world of talent out there.
SATURDAY: Marc Alan Fishman
PULP CLASSIC- Reviews by Joshua Pantalleresco
TARZAN OF THE APES by Edgar Rice Burroughs
Ask me to pick my all time Edgar Rice Burroughs creation, and I think most people would say John Carter.  To me, however, Tarzan was Burroughs at his most refined. There is a level of sophistication in Tarzan that is unsurpassed with any other of Burroughsâ characters. In fact, Iâll go so far to say that Tarzan of The Apes is probably Edgar Rice Burroughsâ most complex book in terms of character development, as the Tarzan that starts the novel is not the Tarzan that finishes it. Part origin, part coming of age and part adventure,  Iâm amazed with just how layered Tarzan really was, and it makes me realize just why this character is still so popular to this day.
This facet of him is presented best when Jane enters the story. He sees her and feels an instant attraction. He starts communicating with her with the English he learns through letters. He is sprung into action when one of his local enemies captures Jane, which leads to Tarzan rescuing her. When he attempts to woo her with a very simplistic approach and is rebuked, he takes the first steps into becoming the gentleman English lord he is descended from. When she leaves, Tarzan seeks her out, learning more how to communicate, act like a man, and all the while making some acute observations about the ways of men he doesnât approve of.
A review of Damballa, by Charles Saunders.
Charles Saunders created Imaro, the first black sword and sorcery hero, over 30 years ago. He made history with that one, folks. Now, with his new novel, Damballa, Saunders has once again made historyâgiving us the first black crime-fighting superhero in pulp fiction. But this novel is a lot more than an action-adventure story. This one is set in the world of boxing, in 1938
Now let’s see – where were we? Last time we decided that parallel evolution caused a duplicate David Niven… well, almost duplicate; there is the matter of that magenta complexion… a duplicate David Niven to evolve on the planet Korugar, because parallel evolution will have its way and Sinestro’s mom was so smitten with the magenta Dave’s moustache that she insisted her son grow a similar one. Or something like that. (And from here, Freudians can have their field day.)
Let’s call the moustache question settled, even if it isn’t.
Just two more items on the Green Lantern movie agenda and we can tuck it into our memory banks, at least until the sequel appears.
First, the Guardians. I dimly remember that when I was writing the Green Lantern comic book, I had the tiniest bit of a niggle over the Guardians. I mean, these aren’t just any lower case-g guardians…these are the big, honkin’ Guardians Of The Universe. The wisest, smartest, most advanced beings in the…well – in the Universe! And yet – look at them! Little blue fellas in red night shirts. Stately? Majestic? Not a bit of it. They look like first cousins to Smurfs.
Okay, I know, I know…maybe the most powerful being in the universe, if such exists, is the size of a microbe and looks like Elmer Fudd. I’m a fan of Mr. Mind, the criminal genius who bedeviled Captain Marvel and who, when his identity was finally revealed, proved to be a worm. But aren’t we allowed a bit of imagination here? Can’t our Guardians resemble something we can relate to when we’re thinking ageless galactic savants?
Here, we must offer kudos to the Green Lantern film makers. Without changing the basic design of the Guardians – still little blue guys in red gowns – they art-directed a certain gloominess and gravitas into the fellas and, if my aging eyes did their job properly, at least one gal, and these worked for the characters and the narrative. Watching the film Guardians, I had one of those uncomfortable why didn’t we think of this moments.
In the what won’t thiey think of next department, we just received this release about Kitchen ware. Yes, when you’re ready to get back to baking as the summer heat fades, you can decorate your fall cupcakes for school with Marvel heroes. Interestingly, as seen in the graphic, classic Marvel Age artwork is being used, clearly appealing to an older demographic.
New York, NY, August 3, 2011 – Marvel Entertainment, LLC, a global character-based entertainment licensing company, and Williams-Sonoma, a member of the Williams-Sonoma, Inc. portfolio of brands, today announced the launch of an exclusive collection of Super Hero kitchen and bakeware merchandise exclusively sold at Williams-Sonoma. Designed exclusively for the retailer, the products include renowned Super Heroes from the Marvel Universe including Spider-Man, Hulk, Captain America and Iron Man. Featuring retro character art and graphics, the Williams-Sonoma collection captures the charm and artistry of the original Marvel Comics.
The program launches with an array of bakeware and kitchen essentials including Cookie Cutters, Pancake Molds, Adult and Child Aprons, Spatulas and Iced Cookies. Product will be available at all Williams-Sonoma stores in the U.S. and Canada, and also via catalog and online at www.williams-sonoma.com/.
“Building upon our incredibly successful relationship with Williams-Sonoma Inc., we are excited to launch a great new line of merchandise at Williams-Sonoma stores, bringing the Marvel brand to another audience and product segment,” said Paul Gitter, President of Consumer Products for North America, Marvel Entertainment. “We are working with Williams-Sonoma on helping kids and adults spend time together in the kitchen.
Sequential Pulp Comics, a highly anticipated new graphic-novel line distributed by Dark Horse, will launch in September!