Category: News

Fortier takes on CONAN THE BARBARIAN and Survives!!!

ALL PULP REVIEWS-Book Reviews by Ron Fortier

CONAN THE BARBARIAN

By Michael Stackpole

Berkeley Boulevard

Movie Tie-In

292 pages

It appears you just can’t keep a good barbarian down.  Conan the Barbarian is a hero and well known iconic figure in American fantasy. He was created by writer Robert E.Howard in 1932 via a series of fantasy stories sold to Weird Tales Magazine.  Howard was born and raised in Texas and spent most of his life in the town of Cross Plains.  As a boy he dreamed of becoming a writer of adventure fiction but was not successful until the age of twenty-three.

Howard’s Conan is a character whose literary imprint has been compared to such fiction greats as Tarzan, Count Dracula, Sherlock Holmes and James Bond.  With Conan, Howard created the genre known as sword and sorcery, inspiring a legion of imitators and giving him an influence in the fantasy field rivaled only by J.R.R. Tolkein.  On the eve of publishing his first novel, he committed suicide at the age of thirty. That he remains a highly read author, with his best works continuously reprinted speaks volumes for his place in the ranks of American masters.

As for Conan, he has appeared in hundreds of licensed paperbacks, Marvel comics, films, television programs, video games, roleplaying games, and even a board game.  In 1982 he came to big screen portrayed by bodybuilding champion turned actor, Arnold Schwarzenegger who recreated the role in the sequel several years later.  Producer John Milius had planned a trilogy, but the proposed third film, Conan the Conqueror was never produced.  Now, almost three decades later, the famous Cimmerian warrior from the mythological Hyborian age once again comes to the silver screen in a brand new production from Millenium Films, Lionsgate, and Paradox Entertainment.  And to promote what they hope will be a huge summer blockbuster, their marketing department commissioned a novelization of the screenplay by Thomas Dean Donnelly, Joshua Oppenheimer and Sean Hood.  The writer given the job was Michael Stackpole.

Many book lovers detest such novelizations believing them to be mere carbon copy retellings form the screenplays with nothing new to offer readers who plan on seeing the movie. In many cases, that is exactly all they get. On the other hand, when such a task is given to a true fan of the material, then what results is something much deeper and more complete than the screen treatment.  Stackpole is a gifted professional who clearly knows Conan and his original exploits as chronicled by Howard.  He not only tells the story laid out by the screenplay, but at the same time enriches it scene upon scene with authentic references to the Conan canon which totally elevates the narrative beyond being a mere reflection of the movie.

Born on a battlefield, young Conan grows up amongst the mountain people of Cimmeria and is taught to be a warrior from the day he can hold and wield a sword.  But as he matures, his father relates how his unique birth is regarded by seers as a powerful portent of the fate that awaits Conan. Not only will he be a great fighter amongst his people, but there are signs that he will one day be known throughout the civilized nations as mighty hero of unrivaled strength and daring.

As always, we have to assume that there will be people picking up this book who have absolutely no idea of who Conan is or Robert E.Howard, but have seen the trailers for the movie and are curious about it. For them, this is as good an introduction to Conan as any other that has come along in the past thirty years.  The book is fun and does its job well; it makes you want to go see the film.  So please, save me the aisle seat.

Derrick Ferguson Ducks The Mighty Shield of CAPTAIN AMERICA

2011
Marvel Studios/Paramount Pictures
Directed by Joe Johnston
Produced by Kevin Feige
Screenplay by Christopher Markus and Stephen McFeely
Based on “Captain America” created by Joe Simon and Jack Kirby
Before we get into the review, please indulge me for a minute…hit it:
I had hopes that when Jon Favreau snuck in the 1960’s Iron Man theme song, they’d find a way to do it in other movies based on Marvel superheroes.  Such was not the case.  “Star-Spangled Man” was okay, but it can’t beat this song.  Maybe in the sequel.  And I have no doubt that there will be a sequel as CAPTAIN AMERICA is in my head, fighting “Iron Man” and “Thor” as the best Marvel superhero movie made to date.  Joe Johnston doesn’t get a single thing wrong in this movie which is actually two movies in one: it’s not only a superhero movie but it’s a World War II movie as well and never to the two elements clash with each other. 
4F Steve Rogers (Chris Evans) tries time and time again to enlist in the U.S. Army as he desperately wants to do his part and fight the Nazis.  But his list of physical aliments prevents that until chance puts him in the path of Professor Erskine (Stanley Tucci).  The professor left Germany to willingly work for the United States on his greatest experiment: The Super Soldier Serum which can transform a man into the perfect human.  Erskine wants to try his serum on Steve as he is impressed with the man’s heart and compassion.
Colonel Phillips (Tommy Lee Jones) the head of the Super Soldier Project isn’t so sure this scrawny specimen is the right man.  But Agent Peggy Carter (Hayley Atwell) of the Strategic Scientific Reserve agrees with Erskine and the experiment goes ahead.  Steve is endowed with enhanced strength, reflexes, heightened senses and a metabolism that heals him at a faster rate than normal.  Tragedy dims the success of the project and as a result Steve is regulated to being used a mere publicity tool to sell war bonds, going on USO tours as ‘Captain America’ dressed in a gaudy red, white and blue costume.
But over in Europe, the war isn’t waiting for Steve.  Johann Schmidt (Hugo Weaving) is the head of HYDRA, a separate organization within the Nazi party dedicated to developing advanced weaponry for its own purposes.  Schmidt is also known as The Red Skull, due to an unfortunate side effect of Erskine’s Super Soldier Serum which he took himself.  Along with his chief scientist Arnim Zola (Toby Jones) The Red Skull has his own plan of world domination that doesn’t involve Hitler.
Things really kick into high gear when Steve, fed up with being treated as a joke, goes on a one-man rescue mission behind enemies lines to rescue his best friend James Buchanan ‘Bucky’ Barnes (Sebastian Stan) and over four hundred prisoners of war, including a bunch of fightin’ fools known as The Howling Commandos (Neil McDonough, Derek Luke, Kenneth Choi, Bruno Ricci and J.J. Field).
Captain America, now a front line soldier with Bucky and The Howling Commandos backing him up as well as a new protective uniform and shield developed by genius inventor/industrialist/futurist Howard Stark (Dominic Cooper) is regarded as a genuine real American hero.  His battles are rapidly becoming the stuff of legend.  But it’s a legend that may be cut short when he finally confronts The Red Skull…
There are so many things that CAPTAIN AMERICA gets right I could easily take about an hour listing them.  Elements of the origin are moved around but the spirit of the character is intact.  Chris Evans finds exactly the right note for Steve Rogers/Captain America and never strays from it.  Just like when he played Johnny Storm/The Human Torch in the two “Fantastic Four” movies, I get the impression that he took the time to read the comics.
The only problem I have with Tommy Lee Jones is that his character wasn’t named “Happy Sam” Sawyer since to me that’s who he’s playing.  Neil McDonough is absolutely scary in how much he looks like “Dum Dum” Dugan.  And he sounds exactly like I always heard Dugan’s voice in my head while reading those “Sgt. Fury” comic books.  The changes in the relationship between Steve Rogers and Bucky Barnes is one I thought made that relationship even stronger.  I really liked how Tony Stark’s dad got in on a lot of the action and we get to see a lot of where Tony gets his swagger from.  Hugo Weaving and Toby Jones make for an effective pair of bad guys and Hayley Atwell steals every scene she’s in as Peggy Carter, a woman definitely ahead of her time.
But the star behind the scenes is Joe Johnston who I’ve been telling you folks for years now is a genius.  Hopefully the success of CAPTAIN AMERICA will cause people to finally acknowledge “The Rocketeer” as the masterpiece it is.  And “Jurassic Park III” and “The Wolfman” ain’t bad either.
So should you see CAPTAIN AMERICA?  Are you kidding me?  What are you waiting for?  

Derrick Ferguson Rides With COWBOYS & ALIENS

2011
Universal Pictures
Directed by Jon Favreau
Produced by Brian Grazer, Ron Howard, Alex Kurtzman, Damon Lindelof, Roberto Orci, Scott Mitchell Rosenberg
Screenplay by Mark Fergus and Hawk Ostby
Story by Steve Oedekerk
Based on the graphic novel “Cowboys & Aliens” created by Scott Mitchell Rosenberg, written by Fred Van Lente and Andrew Foley with pencils by Luciana Lima
I’ll tell you right up front so if you don’t want to be bothered reading the rest of the review, you don’t have to.  I enjoyed COWBOYS & ALIENS a lot.  It’s a very well made movie with performances I enjoyed and an entertaining premise.  However, I have to say this: the parts of the movie with the cowboys are so entertaining that when I got to the parts of the movie with the aliens, I was wishing I was back with the cowboys.
A man with no memory (Daniel Craig) waked up in the desert with no idea of how he got there.  He does have a picture of a beautiful woman and a strange metal bracelet on his arm he can’t remove.  The man makes his way to the boom town of Absolution which has gone bust.  The town is so bust it depends on the cattle baron Colonel Woodrow Dolarhyde (Harrison Ford).  Which means suffering the drunken tantrums of his son Percy (Paul Dano)
The man runs afoul of Percy, attracting the attention of Sheriff John Taggert (Keith Carradine) who identifies the man as Jake Lonergan, notorious outlaw.  Taggert intends to ship Lonergan off to federal prison along with Percy when Dolarhyde shows up.  His intentions are simple: he wants his son back and he wants Lonergan as well.  Seems as if Lonergan has been helping himself to Dolarhyde’s gold.  Dolarhyde means to shoot up the town if his wishes aren’t met.  But he’s beaten to the punch by alien spacecraft that not only blow the town to splinters but kidnap a sizeable number of citizens.
Dolarhyde aims to go after the varmints who took his son and he needs Lonergan because the bracelet on his wrist turns out to be an extraordinarily powerful weapon.  The town doctor/bartender Doc (Sam Rockwell) wants to get his wife back.  Also going along is the grandson of the sheriff (Noah Ringer) Nat Colorado (Adam Beach) Dolarhyde’s right hand man and the town preacher (Clancy Brown) Rounding out this crew is the mysterious Ella (Olivia Wilde) who packs a mean shootin’ iron of her own and knows way more about the aliens than anybody else.
The road to the alien camp is one that made me wish that Jon Favreau was doing a straight-up western.  If Daniel Craig keeps making westerns I don’t give two hoots if he never makes another James Bond movie again.  Both he and Olivia Wilde look right at home in the genre.  And this is the best performance Harrison Ford has given since I dunno when.  In fact, I don’t think there was a performance in this movie I didn’t enjoy.
And Jon Favreau knows that even in an action movie you need moments where an audience can catch their breath and maybe get to know the characters a little bit better.  He’s good enough to do that and he’s also good enough to know how to rev the action back up to 11 after a slowdown.  My respect for him as a director continues to grow with every movie he makes.
So should you see COWBOYS & ALIENS?  I say yes.  It’s got truth in advertising as if has Cowboys and it has Aliens.  It’s not going to become known as a classic of the genre but it’s good, solid entertainment with a cast that knows what they’re doing and a director working at the top of his game.  Enjoy.

PRO SE PRESS RETURNS TO MAGAZINES WITH PRO SE PRESENTS#1!

Breaking into the New Pulp field a year ago, Pro Se Productions. initially a two man small press publisher, first made its mark with a line of New Pulp magazines.   Due to various reasons, Pro Se made the decision in March, 2011 to end its three magazines and to focus exclusively on books and anthologies/collections.  Even though that choice has been significantly positive for Pro Se, New Pulp fans have asked almost since the day the last issue was published when the next Pro Se magazine would hit the streets.  Tommy Hancock, partner and Editor in Chief at Pro Se, revealed that that day would be extremely soon.

“Yes, we’ve listened,” Hancock stated, “We’ve had requests and questions about our magazines almost literally since we decided to go a different direction.  People want to see their favorite characters continue, to read writers that they love do new sorts of things, and to hold that monthly issue to see what’s coming next from Pro Se.  Well, they’re going to get that, slightly different than we’ve done it in the past, but Pro Se is definitely back in the monthly magazine business.”

Outlining the new magazine line, now pared down to a single title, Hancock said, “Although we love the three titles we had before, it’s just more efficient for us at this point to have a single title.   PRO SE PRESENTS will be our single title, but our editorial staff will still follow the old three title model.  Lee Houston Jr. will edit stories that fall into the ‘Fantasy and Fear’ line while Frank Schildiner acts as editor on stories fitting the ‘Masked Gun Mystery’ label and Nancy Hansen rides lead as editor on “Peculiar Adventures’ type tales.  Barry Reese will continue his fine work as Submissions Editor.  Each magazine, when possible, will highlight a story of each type.  There will also be issues that focus specifically on one of the three divisions.”

“Another change is the format.   Our magazines will be fewer pages, around 70-80 monthly, and will be a smaller digest size.   This has to do with the price point as well as ease of reading and visual attractiveness.  PRO SE PRESENTS will be $6.00 for print issues.  E-issues will also be available at $1.99 each.   This change makes it possible for Pro Se to return to publishing magazines and will give readers a three-four story one-two punch of New Pulp action, adventure, and horror every single month.”

PRO SE PRESENTS #1 features three stories in its debut issue.  Sean Taylor presents a tale of the line between inspiration and horror in ‘Art Imitates Death.’  Don Thomas pens a tale of heroic fantasy with ‘Andar and the Farmer.’  And Ken Janssen’s Sherringford Bell returns to investigate ‘The Scandal of the Bohemian.”  Peter Cooper and Sean E. Ali provide art for this debut issue, Ali also responsible for design and format.

Coming in August, PRO SE PRESENTS #1 from Pro Se Press.   Pulp Magazines.  Monthly.  Just the way it should be.

Update on stolen Brent Anderson art

Here’s the complete hit list of missing art. You can see some of it here:

Art collectors, Art Sellers and Retailers,

Here is an update on the Green Lantern pages stolen from me on Monday July 25, 2011:

Green Lantern Stolen Art List

Green Lantern: Legacy pp. 3, 6, 7, 9, 11, 18, 20, 21, 24, 30-36, 38-40, 42-46, 48, 51-57, 60 67-69
All other pages between 1 and 70 sold prior to Monday July 25, 2011 are “safe” pages. If any person’s safe page is on the stolen list, email Brent Anderson at kneedeep@sonic.net with the page number and the location and date the page was purchased, and it will be recorded with the San Diego Police Department as safe and added to the Safe List.

Silver Age: Green Lantern #1 pp. 3, 5, 7, 8
All other pages sold prior to Monday July 25, 2011 are “safe” pages. If any person’s safe page is on the stolen list, email Brent Anderson at kneedeep@sonic.net with the page number and the location and date the page was purchased, and it will be recorded with the San Diego Police Department as safe and added to the Safe List.

Green Lantern/Plastic Man 1-Shot (1 of 2) pp. 3, 4, 19, 21, 22; (2 of 2)
pp. 1, 2, 7, 10, 14, 16
All other pages sold prior to Monday July 25, 2011 are “safe” pages. If any person’s safe page is on the stolen list, email Brent Anderson at kneedeep@sonic.net with the page number and the location and date the page was purchased, and it will be recorded with the San Diego Police Department as safe and added to the Safe List.

The Comic To Movie Trifecta: “Cowboys And Aliens”, “Smurfs”, “Captain America” Take Top 3

For the first time in movie history, the top three highest grossing films in a weekend are all adapted from comics.

LOS ANGELES (AP) — Little blue Smurfs and not-so-little green men from space are in a photo finish for the No. 1 spot at the weekend box office.

Daniel Craig and Harrison Ford’s sci-fi Western “Cowboys & Aliens” and the family adventure “The Smurfs” both opened with $36.2 million, according to studio estimates Sunday.

That leaves Sony’s “Smurfs” and Universal’s “Cowboys & Aliens” tied for the top spot. Figuring out the No. 1 movie will have to wait until final numbers are counted Monday.

The previous weekend’s top movie, “Captain America: The First Avenger,” slipped to No. 3 with $24.9 million and raised its domestic total to $116.8 million.

Now of course, the question– is this a trend that will last? Or is this the high water mark?

Also: ComicsBeat has a great take on what this means for Platinum Studios, complete with business accounts for those of us who like this sort of thing.

Reviews from the 86th Floor: Barry Reese looks at The Good, The Bad and The Unknown


The Good, The Bad and The Unknown
Written by Mike Frigon
Art by Verne Anderson
Wild Cat Books
ISBN 0982311680
276 pages, $13.50

This one’s an odd mix: a novel length tale of the Moon Man followed by short stories of Doctor Satan and then Secret Agent X. The Moon Man tale is an epic one and very exciting — it is definitely the standout tale of the bunch. It does lag a bit in the middle and I think the whole thing could have been trimmed a little to make it punchier but there are some great action sequences and the Moon Man and his cast are handled very well.

The Doctor Satan story is fun — it’s hard to get Satan wrong — and I enjoyed the twists and turns the story took.

The Secret Agent X story… eh. I’ve never cared for X so I’m a hard sell here. It’s well written and the notion of an “evil” Secret Agent X is a fun one. I think I honestly enjoyed this story more than any of the old Secret Agent X tales.

The art by Verne Anderson is interesting. It’s very different from traditional pulp artwork but it works here. There are 26 (!) pieces of art and some work far better than others but overall I really liked it. It’s cartoony in places but I don’t think that’s a bad thing at all. It’s fun to see a different take on Moon Man and Doctor Satan in particular.

I give it 3 out of 5 stars.

HANCOCK TIPS HIS HAT TO ‘THE WAY THEY WERE’!!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock



(I would like to extend a personal apology to Jeff Deischer, author of the book reviewed below.  I intended to have this review posted last week, but due to issues far beyond my control, I could not.  Doesn’t mean it’s right to break a promise, My sincerest apologies, Jeff.)

THE WAY THEY WERE: The Histories of Some of Adventure Fiction’s Most Famous Heroes and Villains

By Jeff Deischer


Published 2011 by Westerntainment





thewaytheywere-6430513One of the many fantastic things about literature in general and about Pulp specifically is the richness and variety woven into the novels, stories, and tales that make up the genre.   Not only are heroes good and larger than life and villains evil and over the top, but there is a depth to these characters and the events creators thrust them into, a depth that over years has been explored in a myriad of ways. 


One of the most fun of these, in my opinion, is the work of creators and scholars to not only establish timelines for these fictitious creations and their marvelous escapades.   Although many people might find actual history boring, there’s something inventive and exciting about taking a literary character and matching their exploits to a particular year or event, tying our fantasy into our reality.  And an even cooler step beyond that is finding connections between one character and others, connections that given the right phrasing and tweaking become familial or uncover possible links that could lead to here to yet untold adventures.   Several works of this type have been written in the last several decades, including chronologies, timelines, or just full on stories bringing characters you’d never imagine being drawn together into the same realm.


Jeff Deischer, author THE WAY THEY WERE, is one of those writers and creators who not only imagines the possibilities, but sets out to establish them, not simply by telling tales, but by providing thought provoking articles and essays.  Drawing first from his own interest as a fan and reader, Deischer adds in research and analysis as he takes on several questions that have plagued Pulp fans for years and, in other articles, he poses brand new theories and brings characters to mind that at least I as a reader hadn’t given much thought to in a while.


Deischer tackles well-traveled ground by covering points various and sundry about Doc Savage and The Avenger.  He also takes on famous characters from horror literature, tying Dracula and Frankenstein and the Phantom of the Opera to timeframes and situations.  Surprises lurk within these pages as well, including a multi article study of the works of Jules Verne and a most excellent essay about the use of Antarctica and Mars in early Pulp fiction.   Regardless of it being James Bond or Gullivar of Mars, Deischer brings new life to old characters, breathing into them questions and theories that show a different light on them.   One of Deischer’s strongest points is his willingness to present ideas that run totally the opposite of established concepts and then go on to back them up.   Add to that a writing skill that is both engaging and entertaining, THE WAY THEY WERE reads as much like a multi chapter pulp tale as it does a collection of essays.


FOUR OUT OF FIVE TIPS OF HANCOCK’S HAT-Insight and detail add to the education into these fantastic characters that THE WAY THEY WERE provides.

PULPFEST-MUNSEY WINNER, NEW PULP, AND MORE!

pulpfest-6203744

Pulpfest 2011 has been another rousing success according to reports from many creators attending.  The winner of the 2011 Munsey has also been announced.  Congratulations to Anthony Tollin of Sanctum Books, the man responsible for reprints of THE SHADOW, THE AVENGER, and THE WHISPERER being available to fans today.  For full Pulpfest coverage on the Munsey this year, go to

http://www.pulpfest.com/2011/07/31/munsey-goes-to/

And for a bit more on the floor coverage from the viewpoint of one of the leading creators of New Pulp, Artist Rob Davis, Partner and Co-Publisher of Airship 27 Productions stated-

“Hey, to all our pals who aren’t in Columbus, Ohio for PulpFest. We are having a blast selling books and greeting people who come by the table. We had our best Friday ever sales-wise and Saturday was a very good day as well. Some old pals and new dropped by the table. I’d try to list them all, but I’m sure I’ll miss someone– Ron’s much better at remembering who he chatted with than I am. I’d venture to guess that this show is pulling bigger attendance than Windy City (no mean feat!) and sales are brisk for the dealers. Ron and I attended the “What is SteamPunk” panel Saturday night and couldn’t find seats! “

And from Win Scott Eckert-
I’m at the airport now, ready to head home. What a great show!

Friday night, although it was late, folks hung in there for FarmerCon’s Philip Jose Farmer/Wold Newton panel/presentation. Technology willing, we’ll have some video up on YouTube soon.

Ron did a fantastic job moderating the New Pulp panel on Saturday (thanks Ron!), and Duane, Bill, Greg, Wayne, and Art added a lot of insights to the writing process and why we love writing pulp, which the audience seemed to appreciate. My New Fictioneering reading was nerve-wracking, but fun.

The rest of the programming was great, with several presentations on the Shadow for the 80th anniversary, a presentation on steampunk, and on legendary pulp writer C.L. Moore.

The dealer room was excellent, and Meteor House did quite well with THE WORLDS OF PHILIP JOSE FARMER, volumes 1 & 2.

Although I made the list of final nominees for the Munsey Award, I knew I had no chance against the other great nominees, and the award went to a very deserving Anthony Tollin for his work on The Shadow, Doc Savage, Whisperer, and Avenger reprints. Anthony joined us for dinner a couple nights and regaled us with many stories. :-)

I brought a bunch of back stock of my various books, and they went like hotcakes. The PulpFest attendees were very gracious and extremely interested and supportive. I’ll definitely be back.
CONGRATULATIONS TO ANTHONY TOLLIN AND TO ALL THE VENDORS AND CREATORS FINDING SUCCESS AT PULPFEST 2011!  AND A TIP OF THE ALL PULP HAT TO THE ORGANIZERS OF THIS SEMINAL FANTASTIC PULP EVENT!

crazy-sexy-geeks-jennifer-ewing-alan-kister-tim-gunn-300x166-6567715

Crazy Sexy Geeks: Tim Gunn vs. Green Lantern, Part 2!

crazy-sexy-geeks-jennifer-ewing-alan-kister-tim-gunn-300x166-6567715Tim Gunn, well known his appearances for Project Runway and The Smurfs (seriously) continues his look at the Earth-born Green Lanterns, with actress Jennifer Ewing and actor/writer Alan Kistler (columnist of “Agent of S.T.Y.L.E.” on Newsarama).

Also check out weekly Crazy Sexy Geeks Podcast, available on iTunes. Feel free to donate to CSG via paypal to SizzlerKistler at gmail dot com.

A few seconds of music from “Ring Capacity” by Kirby Krackle was used in this video, out of love not out of a need to steal.