Category: News

Review: Moonstruck

MoonstruckSome movies offer us incredible performances or great stories and then there are those that combine the elements with the right cast telling the right story for the right audience at the right time. That’s movie magic at its purest and can describe the enduring appeal of [[[Moonstruck]]], The 1987 film is finally out on a bare-bones Blu-ray disc courtesy of Twentieth Century Fox Home Entertainment.

Starring Cher at the height of her film popularity, it also featured Nicholas Cage as her lover and we’re reminded once more that this is a man of strong talent, who has chosen a career path that negates stretching himself as a performer. Bulking up for Con Air may have been the worst choice he ever made.

Directed by Norman Jewison, the story is a romantic comedy when the formula still worked. Cher, who won an Oscar as bookkeeper Loretta Castrorini, and her budding relationship with Cage’s younger and winning Ronny Cammareri forms the core of the story. John Patrick Shanley’s screenplay is a valentine to life in Manhattan and Jewison brings it to life with a strong supporting cast including Olympia Dukakis (who also won a Supporting Actress Oscar), Vincent Gardenia, and Danny Aiello. Shot in Brooklyn and around Little Italy, it is as lush to watch as it is fun to listen to. Scenes set at the Metropolitan Opera House give the city is glitz and grandeur.

The bookkeeper has been unlucky at love – and marriage – but wants to try again with Aiello’s unassuming Johnny Cammareri, until she realizes she can’t take her eyes off the younger brother. Her parents disapprove of their daughter’s choices, thinking she was better on her own. As they plan their wedding, things go awry and the estranged brother comes more into focus and his winning ways melts Loretta’s damaged heart. Cher is at first hard to believe as a nerdy accountant unlucky at love but she makes the character feel real and you can believe Gardenia and Dukakis as her Greek Chorus parents.

The acting is strong, led by Cher but also shows how good Cage can be when he wants to. The transfer was well handled so it looks great and sounds good. Extras include the original commentary from Jewison, Shanley, and Cher. Also carried over from the original DVD release is Moonstruck: At the Heart of an Italian Family, a look at the roots of the culture that led to the film.

There’s also the six-part[[[Pastas to Pastries: The Art of Fine Italian Food]]], which offer us looks at restaurants in Little Italy, including Grotta Azzurra (18:47); Italian Food Center (2:31); Ferrara Pastries (2:28); Piemonte Ravioli Co. (2:07); a gelato stand (1:02) and Florio’s Restaurant (1:24). New and fun to have are recipe cards for spadini Romana, bucatini all’Amatriciana and lamb de Elvino. “[[[The Music of Moonstruck]]]” (6:00) minute featurette that covers how important the score was and how a disastrous screening led to the original music being scrapped.

McDuffie Memento Mori

Dwayne McDuffie Milestone Funeral

We’ve found more things to point to in the wake of the passing of Dwayne McDuffie. First, we have the artwork above by James Mason on Dwayne’s passing. And Michael Davis, Dwayne’s co-founder of Milestone Media, presents what may be the last photo of the Milestone creative founders from the 2010 San Diego Comic-Con. From left to right: Denys Cowan, Dwayne McDuffie, Michael Davis.

Michael also writes about Dwayne:

‘Motherfucker’ was part of the way I used to describe Dwayne. The full description was, Dwayne McDuffie is the smartest motherfucker I’ve ever met.

I’m a smart guy, I’ve been to Ivy League schools and I have a PhD. Dwayne could destroy me without breaking a sweat on any subject.

ANY subject.

How in the world can we go on?

I mean it.

A world without that smartass motherfucker is a world I do not want to think about.  Denys Cowan told me that there is now a giant, GIANT hole in the industry not to mention the hole in our hearts, which we both mentioned because as badass as we act, we are really pussies.

How do we go on?

My best guess is we go on by honoring Dwayne for what he was, a fantastic writer a great friend and one badass motherfucker.

Mike Huckabee Scolds Natalie Portman

Apparently Mike Huckabee, Fox News host and theoretical presidential candidate, thinks that Natalie Portman, star of Thor, Black Swan, V for Vendetta and the Star Wars prequels is actually Murphy Brown.

Here’s Mike Huckabee, in 2011, on Natalie Portman having a child with her fiancee before they’re actually married:

“One of the most troubling things is that people see a Natalie Portman or some other Hollywood starlet that boasts of, hey look, we’re having children, we’re not married, but we’re having children and they’re doing just fine.”

“There aren’t really a lot of single moms out there that are making millions of dollars each year by being in a movie.”

“I think it gives a distorted image that not everybody hires nannies and caretakers and nurses. Most single moms are very poor, uneducated, can’t get a job, and if it weren’t for government assistance, their kids would be starving to death and would not get healthcare.”

However, it seems that Gov. Huckabee has a short and/or selective memory.

Here’s Mike Huckabee, in 2008, on Bristol Palin having a child with her fiancee before they’re actually married:

“It ought to be a reminder that here is a family that loves one another. They stuck with each other though the tough times and that’s what families do.” … Huckabee said the surprise pregnancy announcement should not affect vice presidential candidate Sarah Palin’s support in the conservative and religious right communities. … “I’m grateful for the way she’s being supported by her family.”

I presume the difference here is that Natalie Portman is Jewish, or Huckabee thinks the father of Portman’s child really is Darth Vader. It makes as much sense as any other reason he can come up with for his double standard.

Hat tip: Ta-Nehisi Coates at The Atlantic.

Review: Nausicaa of the Valley of the Wind

NausiccaI will stipulate upfront that I am a casual, at best, reader of [[[Manga]]] and barely watch any anime. It does not mean, though, that I am unaware of the essential titles and creators. As a result, I have been aware of [[[Nausicaa of the Valley of the Wind]]] and the work of the legendary Hayao Miyazaki. When the Blu-ray edition of the 1984 animated version of this post-apocalyptic became available to review, I seized the opportunity to immerse myself in this classic world. I was not disappointed. It certainly beat trying to read the lengthy Manga that began in 1982 and wrapped finally in 1994. Obviously, the film is based on the earliest chapters and no other anime adaptation has been attempted to complete the tale.

In short, we’re on another world that is more fantasy than science fiction. We open a millennium after the Seven Days of Fire which destroyed the ecosystem. There’s a gas mask-wearing princess (the air is poisoned) and a village being encroached on by something called the [[[Toxic Jungle]]], making this an eco-fable or cautionary tale. And of course, mutated giant insects – every story like this has to have some of those. When an alien craft lands, the story ignites as the new arrivals stir things up for Princess Nausicaa and her neighbors.

The story is a familiar one as people struggle to survive in a world that has turned against them in protest. We get a lot of explication in the early (narrated by Tony Jay) going but once we get past that, things pick up speed. All along, though, the visuals are stunning.

This, I’m told, is old school anime but to a newcomer, it remains a visual feast with strong character designs and imagery. The story is also a struggle in that it’s so on-the-nose with its themes and actions that moments intended to be iconic are just short of laughable. There’s plenty of action and many scenes are set in the skies above the village. Nausicaa loves to fly and tools around in her jet-powered glider called a Möwe. The aerial sequences are most impressive.

The score leaves much to be desired and we’ll leave it at that.

The English language voices are form the 2005 home video release with a cast that includes Alison Lohman, Patrick Stewart, Edward James Olmos, Chris Sarandon, Uma Thurman, Jodi Benson, the immortal Frank Welker, and a young Shia LaBeouf. All give good, solid performances, not overwhelming the story or animation. The high-definition transfer is not perfect but certainly a step up from previous editions according to technical reports.

The disc’s special features offer up the original Japanese storyboards and  a featurette on the production studio, “[[[World of Ghibli]]]”. This includes a subtitled interview with Miyazaki, whose influence is missed, and we learn that the film was pitched first and when rejected, he started the Manga which proved successful enough to get the feature greenlit. There’s another subtitled 30 minute offering from Japan called “The Birth Story of Studio Ghibli” which is a little self-congratulatory. “Behind the Microphone” is eight minutes spotlighting the voice cast.

On the set’s second disc is a lengthy, two hour step-by-step of the film’s storyboards which are a textbook for storytellers and would-be animators.

Twitter Updates for 2011-03-05

  • Today I Found Out What Happens When You Stick Your Head Into a Particle Accelerator http://ow.ly/47LFF #
Reading Is Fundamental

Reading Is Fundamental Funding Dies

logo_rif2-9027944In comics, we always have to keep an eye on where our next generations of readers will come from– and it’s just become a bit harder, as earlier this week Congress and President Obama eliminated funding for the literary organization, Reading Is Fundamental (RIF).

CEO Carol H. Rasco made this statement:

RIF’s ability to provide 4.4 million children with free books and reading encouragement from RIF programs at nearly 17,000 locations throughout the United States is in jeopardy. RIF programs are in schools, community centers, hospitals, military bases, and other locations that serve children from low-income families, children with disabilities, homeless children, and children without adequate access to libraries. For 44 years, RIF has provided millions of children the opportunity to choose free and high-quality books to read and keep for themselves.

But it’s okay– it’s not like comic sales are going down or anything. Besides, you don’t actually have to know how to read to read comics. Amirite?

via Reading Is Fundamental Funding Eliminated – GalleyCat.

Captain America Movie Red Skull Works For…?

red-skull-8168472Loyal and even semi-conscious comics fans know that Captain America’s arch-nemesis (love that phrase) the Red Skull was a big-time Nazi in the 1940s. The next decade, he was a Commie, proving you don’t have to be a Republican to conflate the two extreme opposites. In the 1960s – and ever since – he’s worked with (more or less) lots of organizations but was always in it for himself.

The movie Red Skull is a bit more confusing.

Entertainment Weekly released the above photo of Hugo Weaving as the Red Skull (a.k.a. Johann Schmidt) in this summer’s Captain America: The First Avenger, an origin story largely set in World War II. But if you take a close look at that belt buckle he’s wearing, it appears that at some point in the movie Skully gets… Hydrated.

red-skull-belt-7922777Unless the shot is actually from the 2012 Avengers movie.

ALL PULP’S A BOOK A DAY IS SPYING ON YOU!!!


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Before Bond, before Maxwell Smart and Mrs. Emma Peel, we’’ve enjoyed a wide variety of TV Spies. From 1951’’s Dangerous Assignment to today’’s Burn Notice, we’’ve watched cloak-and-dagger adventures from popular successes like Alias and Mission: Impossible to thoughtful mini-series like The Sandbaggers to cartoons and even live animals in shows like Lancelot Link, Secret Chimp. Our TV secret agents have worn masks and capes (Adventures of Zorro), fought in the historical past (Hogan’s Heroes, Jack of All Trades), been as stylish as Napoleon Solo in The Man From U.N.C.L.E., or have been as frumpy as George Smiley in Tinker, Tailor, Soldier, Spy.

No one knows more about the wide vista of these undercover operatives than Dr. Wesley Britton, author of the highly-acclaimed 2004 history of the genre, Spy Television. Now, Britton has compiled the first indispensable reference book on television espionage unveiling the secrets behind our beloved favorites, the nuggets we might have missed, and the programs that disappeared without a trace after their short original runs. Britton provides the behind-the-scenes creative process for TV spies drawn from both extensive research and his interviews with many participants. He uncovers the reasons why some dramas were either unforgettable hits or regrettable misses.

But The Encyclopedia of TV Spies is more than a historical overview—. Britton offers analysis of the elements that made key shows innovative and trend-setting and why some of the best productions ever made never jelled with the networks or audiences.

And, like a “Special Edition” DVD, The Encyclopedia of TV Spies also includes extra features including articles on tie-in novels and how to collect TV spy music.
In short, no entertainment library is complete without The Encyclopedia of TV Spies, and no fan of television should be without it. Every reader should expect to discover surprises and suggestions for their own viewing, and will find themselves seeking out the best dramas and comedies available on DVD or online.

ALL PULP’S SITE SPOTLIGHT TAKES A LOOK AT THEPULP.NET!

http://www.thepulp.net/

From the site-

Long before TV, when movies were silent and radio was rarely heard, the pulp magazines burst onto the scene. The cheaply produced magazines offered an eager populace with a pasttime that carried them to far–away places on adventures far beyond their everyday lives.

Those stories live on in the brittle pages of the aging pulp magazines. Collected on these virtual pages of ThePulp.Net are articles and information about the pulps and scores of links to sites with even more details.