As we brace ourselves for the new Doctor Who specials, the return of Sarah Jane Adventures, and Matt Smith’s first season, here’s a little gasoline to pour on the fan-fire – my take on the six top moments on Doctor Who.
6.
Quiet Time
There’s a great moment in the Doctor Who teevee movie, one
that we had rarely seen (if ever) in the original series: the Doctor, in this
case Doctor Seven, quietly sitting in the TARDIS in his comphy chair, reading a
book. Of course, drama being what it is he quickly gets, well, killed. Fatally.
And then begins a difficult regeneration into Doctor Eight. That wasn’t the
worst thing that confronted him: he had to face Eric Roberts as the Master. He,
and his series of proposed telemovies, was doomed.
5.
The Ears Have It
There’s this great moment in Rose, the first of Doctor
Nine’s shows where Christopher Eccleston stops the action when he crosses a
mirror in the TARDIS. He peers into the mirror, thinks he’s kind of good
looking, but he’s not too sure about those ears. In one stroke, Russell T.
Davies established the Doctor had just reincarnated and, therefore, the fight
that destroyed the other Time Lords had “just” happened (however one defines
“just” in time travel) while, at the same time, revealing quite a lot about this
new Doctor’s personality. Nice moment.
4.
The One and Phony Master
Stephen Moffat is the current Doctor Who showrunner and,
along with Davies, the most significant writer of the new series. But between
this series and the original, the BBC aired a wonderful “Doctor Who” episode
called The Curse of Fatal Death. It was a charity fundraiser ten years ago, a
brilliant parody, and the Who debut of writer Moffat. It featured no less than
five new Doctors – played, sequentially, by Rowan Atkinson, Richard E. Grant,
Jim Broadbent, Hugh Grant and Joanna Lumley – and one stellar Master: the
gifted stage and film performer, Jonathan Pryce. Had one of those movie
projects ever gotten off the ground, he would have been perfect in the role and
might have given Delgado a run for his money. It isn’t easy being menacing in
such a broad parody, and it is to the credit of both Pryce and Moffat that it
comes off. (more…)