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New York Anime Festival 2009 Wrap-up
Picture a world where people gather and interact in joy and
harmony, where groups of gaily-clad youths break into spontaneous song and
dance at regular intervals, where spontaneous conga lines of diverse peoples
stretch for blocks and wind through the market stalls, where merchants sell and
people buy with easy affability and business is brisk, where people debate the
topics of the day with great thoughtfulness and passion and the powers-that-be
listen to the people-at-large. The Twilight Zone? Are you some sort of philosopher,
or something? Well…no and yes. I just spent a weekend at my first New York
Anime Festival at the Javitz Center in Manhattan and I found myself
intermittently amused, bemused, overwhelmed, and overjoyed.
Think about it. Everyone has watched an animated something
in their lifetime, no matter how old. From Looney Tunes to Disney to
Hanna-Barbera to Pixar, we’ve experienced this media and it has been used for
everything from pure entertainment to social commentary. Much of what was seen
in America during the ‘60s and ‘70s was actually from Japan – Speed
Racer, Kimba the White Lion, Astro Boy, Gigantor, Tobor the 8th Man
– some of which are now known to a new generation only via CGI-heavy
feature films. Yet this is far from past-tense kiddie land. With the global
economy, the on-line connecting of the worlds, and all the ways we
cross-pollinate each other’s cultures, just as Americans seem to be everywhere,
so are the Japanese and the growing connections between East and West, from
McDonald’s to manga.
My professional friends, The Anime Chicks, brought me into
the anime fold only about three years ago with Rose of Versailles and The
Legend of Basara, and a wise one passed along to me the original Full Metal Alchemist (also see subbed on
hulu and other sites the new Full Metal
Alchemist: Brotherhood, now up to ep 26 in Japan, which follows the manga
more closely as anime and manga had diverged with the common delays between the
two medias), which is sometimes too great for words and, as I’ve happily
discovered, it’s consistently named in the top 5 anime ever in many fan and
professional polls. This encouraged me to explore more: Death Note, Trinity Blood
and, God help me, the never-ending Bleach,
all enabled by my colleagues, our very own Scooby Gang. This lead to Saturday all-nighters on Cartoon Network with Moribito, Ghost in the Shell: 2nd
Gig, Code Geass: LeLouche of the
Rebellion, Blood+, Big O (2nd season), and Cowboy BeBop. (more…)
It’s No New Comics Week
Back in the days before direct sales and specialty shops overwhelmed comic book sales, you couldn’t find a new comic book on the newsstands to save your soul. The theory was, nobody buys magazines between Christmas and New Years Day, and even now “weekly” magazines like Time and Newsweek skip that week. The fact was, the newsstand distributors and shippers thought that would be a swell week to take off, so they did.
Well, those sing-along days are back. Diamond will not be shipping anything the week of December 30, 2009. Nada. Zippo. Nothing.
There’s a bit of a difference between modern times and those thrilling days of yesteryear. Maybe the old mom and pop stores could survive selling Brylcream and Ipana, or maybe they’d take the week off as well. But today’s comics shop owners can’t afford to close down that week – yes, comic book selling is that marginal a business – and they’ve still got to pay the rent.
Expect a lot of in-store post-Christmas sales, which might be lucrative for those retailers whose customers get cash as holiday presents.
Manga Friday: Supernatural Teens
Where would comics be without the
stories of young people with amazing powers? Oh, sure, you could cobble
together a world canon of stories with no supernatural stuff at all, but it
would have to be a masterpiece of the gerrymanderer’s art. And why would you
want to – when you can have all of the moody, or conflicted, or ridiculously
innocent teenagers with amazing abilities you ever thought of? Like the main
characters of these three books, for example…
Wicked Lovely: Desert Tales, Volume 1: Sanctuary
Written by Melissa Marr; Art by
Xian Nu Studio
Tokyopop/HarperCollins, May 2009,
$12.99
Wicked Lovely is the name of a novel by Marr, and it also seems to be
the umbrella title for her novels about teens and faeries (and teen faeries,
and faerie teens) in the modern world. The novels seem to be about a girl named
Aislinn – no self-respecting teen-novel heroine ever has a name like Doris or
Mabel – and her travails in high school and the Faerie Courts. But this manga
volume – it says on its back cover that it’s “manga,” if you don’t believe me,
and never mind that it reads left-to-right and was written by an American – is set
somewhere in the western desert, where once-mortal Rika lives quietly, trying
to avoid both humans and the local faeries.
Rika was discovered and turned –
not exactly “seduced and abandoned,”
since she wasn’t able to give him what he wanted – many years ago by the Summer
King, Keenan, who turns up early in this book to give an excuse for some
backstory and to fail to get her to swear fealty to him. She refuses, of course
– she’s solitary now, and happy that way. What does it matter if most of the
solitary fay are nasty enough to make “mischievous” a very weak term to
describe them?
But they’re just there for spice;
this is a series for teenage girls, which means Rika has to see a cute boy –
Jace, who paints, like she does – and save him from those nasty fay, who try to
kill him for no good reason. He’s sweet and innocent enough to stare wide-eyed
at her abilities – those nasty wild fay don’t give up, or there wouldn’t be a
plot here other than “elf girl and artist boy meet cute and gaze into each
other’s eyes,” – and the book is low-key enough that they’re just mildly
kissing by the end. (Which seems awfully tame for a fairie who’s hundreds of
years old.)
Wicked Lovely: Desert
Tales: Sanctuary has too many
colons in its title and a thin plot, but I have to expect that it’s just the
kind of thing teen girls will want: a bit of angst, a wish to be alone that
doesn’t actually lead to loneliness, and a cute boy that the girl gets to
protect and pursue. I’m just twenty years too old and the wrong gender to
appreciate it properly. (more…)
Happy 50th Anniversary to ‘The Twilight Zone’!
On this day in 1959, Rod Serling and CBS introduced us to a fifth dimension, beyond that which is known to man. It is a
dimension as vast as space and as timeless as infinity. It is the
middle ground between light and shadow, between science and
superstition, and it lies between the pit of man’s fears and the summit
of his knowledge. This is the dimension of imagination. It is an area
which we call… the Twilight Zone.
The Twilight Zone ran for five seasons on CBS, then entered the dimension of infinite reruns to this very day– often with rerun marathons on July 4th and New Years Eve in local markets, a tradition that extends to its current home on the Syfy Channel. It won numerous Emmys and Writer’s Guild awards and spawned two series revivals, a movie, a song by Golden Earring, and countless other homages, and may be one of the most influential shows to air on television.
If you’re a fan, you can’t do better than the DVD compilations or Marc Scott Zicree’s Twilight Zone Companion. If you’ve never seen the show– how? Never mind, here’s the first episode for you on CBS’s web site.
Fathers and Sons: reviews of Danica Novgorodoff’s ‘Refresh, Refresh’ and ‘The Big Kahn’ by Neil Kleid and Nicolas Cinquegrani
I should start by quoting something weighty – the most
obvious would be that old Tolstoy saw about happy and unhappy families – but
let’s take that as written, shall we? Comics have given short shrift to
families for the past seventy years – at least, the American comic-book
industry has, though strip comics grew fat and bloated on the hijinks of
aggressively “relatable” families for that long and longer.
Even the undergrounds – typically about countercultural
types, who occasionally complain about their parents but try to avoid them as
much as possible – and the modern alt-comics movement (Alienated Loners R us!)
avoided family dynamics. Sure, there are exceptions, from Will Eisner to art
spiegelman, but the average American comics protagonist is an orphan – or wishes
he was.
Maybe that’s starting to change, or maybe I just have a couple
of anomalies on my hand. Either way, today, I have two books where that isn’t the case – not to say that these dads might not be
dead, absent, or problematic, but they’re definitely part of the story. And
their sons care who, and what – and where – their fathers are.
Refresh, Refresh
A graphic novel by Danica
Novgorodoff, adapted from a screenplay by James Ponsoldt based on the story by
Benjamin Percy
First Second, October 2009,
$17.99
What do men do? For many in the comics reviewing world,
that’s an easy question: men punch each other in the face. But they don’t have Refresh,
Refresh in mind when they say that. This graphic
novel is set in a small Oregon town, just a couple of years ago, where most of
the adult men are off fighting with the Marines in Iraq. And their sons –
mostly Cody and Josh and Gordon, three highschool-aged boys who are at the core
of this particular story – talk about joining up when they’re old enough, or
working in the local factory, or maybe even getting out.
But Refresh, Refresh
is based on a literary short story, and if there’s one thing we all know, it’s
that there’s no getting out of a story like that – it’s all doom and gloom
until the moment-of-clarity ending. So this town is stifling and without any
options, the boys drifting – from backyard boxing to underage drinking in bars
to racing around on motorbikes and sleds – as they rebel without any fathers to
drag them into line. (The narration – presumably taken from the original Percy
story; I don’t want to blame Novgorodoff for any of it – is particularly
heavy-handed in that area, such as this sequence from p.83: “We didn’t fully
understand the reason our fathers were fighting. We only understood that they
had to fight. ‘It’s all part of the game,’ my grandfather said. ‘It’s just the
way it is.’ We could only cross our fingers and wish on stars and hit refresh,
refresh, hoping they would return to us.”)
What they hit “refresh, refresh” on is their e-mail
in-boxes; that scene recurs several times in the story. Oddly, though, it’s the
only incursion of modern technology into a story that could otherwise be
Vietnam-era. They don’t follow their fathers’ platoon on CNN.com or an Armed
Forces website; don’t call each other on cellphones; don’t think about or track
or seem to notice the war on TV or the Internet; even their laptops seem to be
screwed down to tables, for all the moving they do.
Refresh, Refresh is a very traditional story about young men in
small towns; I could probably quote half-a-dozen Bruce Springsteen songs on
roughly the same topic, and with pretty much the same moral and tone. (And that’s
without diving into the world of the realist short story, where kitchen-sink
dramas almost require young men with promise to be squandered.) Novgorodoff
tells this version with a bit too much self-conscious artistry – too many deer
looking up at airplanes, too many of those explaining-the-theme narration boxes
– but she keeps the focus tight and specific, on these three boys and their
world, their choices and possibilities. A story like this is nearly always
about badchoices, though, so it
would be best to come to Refresh, Refresh with a MFA-teacher’s fatalism, and not expect anything so comic-booky
as a happy ending for the boys who punch each other in the face. (more…)
Media Short Takes
Olivia Wilde, who we adore on House and look forward to seeing in the sequel to Tron, will join The Ruins’ Jonathan Tucker in the cast of The Next Three Days, a thriller directed by Paul Haggis for Lionsgate. The cast already includes Russell Crowe and Elizabeth Banks, which is said to be the story of a woman (Banks) imprisoned for a murder she claims she didn’t commit while her husband (Crowe) who tries to vindicate her.
The Wizards of Waverly Place, the popular Disney Channel series, has received an order for an additional eight episodes. Now in its third season, the show was awarded an Emmy this month in the children’s programming category. It also scored huge ratings when a feature-length version aired in August. It’s no surprise that the show has a rabid following with Disney raking in bucks from consumer products ranging from video games to books and even clothing lines.
‘Terminator’ Rights Once More in Question
Pity Skynet. They rule the world of the future but can’t seem to get it right in the present. Rights to the Terminator franchise have been handed from one company to another and now Halcyon Holding Group is undergoing Chapter 11 reorganization which will affect plans for the Terminator.
Nikki Finke at Deadline Hollywood reports that Halcyon has retained FTI Capital Advisors to help them determine the best course of reorganizing. The production entity wound up this way after a dispute erupted between them and Pacificor, a Santa Barbara-based hedge fund.
“Based on our extensive due diligence, we believe the value of the Terminator franchise alone is substantially greater than the $30 million Halcyon paid for it in 2007,” Kevin W. Shultz, Senior Managing Director of FTI Capital Advisors, said in statement. “In our view, Halcyon enjoys a wide variety of strategic options and we intend to explore them all.”
In addition to the still-popular Terminator, Halcyon has first-look rights to the complete works of Philip K. Dick.
Terminator: Salvation suffered from weak reviews and poor box office, hoping to rake in some fresh cash when the DVD is released December 1. Producers from the television version, The Sarah Connor Chronicles, continue to hope to continue the saga in some new manner, possibly as direct-to-video tales. The second season DVD set was released last week.
MGM’s Cash Woes Imperils ‘The Hobbit’
Deadline Hollywood’s Nikki Finke broke the news that MGM is having severe cash flow issues and may have trouble financing eagerly awaited films starting with The Hobbit two-picture project along with the next installment in the revitalized James Bond franchise.
MGM execs held a conference call with their lenders and admitted this year’s releases missed their targets and left them short of operating capital. “The implication was that it’s teetering on bankruptcy,” one source told Finke. The studio reportedly stuck its hand out and begged for $20 million just to cover immediate needs plus the $150 million they budgeted for the Guillermo del Toro-directed adaptation of the J.R.R. Tolkien novel.
The call, she reported, did not go well. As a result, the equity holders have seemingly given up on the studio with bondholders suspecting the studio is overvalued given their poor track record and management. Bankruptcy is a possibility but no one wants to see the once venerable studio go under or lose valuable rights, such as Bond.
Should the unthinkable actually occur, studios are poised to swoop in and fund the existing projects. Pre-production continues Down Under with full casting for The Hobbit expected in the coming months. The next Bond film is also in the works with a 2011 release being eyed.
‘Primeval’ Gains Unexpected 13 Episode Renewal
Primeval, the much loved but low-rated British series has been given a fourth season order after ITV1 cut a deal with the digital channel Watch. According to a report in the Guardian, the series will be co-funded between the two with an order given for 13 new episodes, to be shown in two arcs.
After the third season aired earlier this year, ITV canceled the series, leaving production firm Impossible Pictures, scrambling to salvage the show which has a strong following as witnessed by licensed books, audio adventures and a possible American feature film to be produced by Warner Bros.
The shows will air in early 2011 with BBC Worldwide handling international distribution. American fans most recently watched the series on BBC America. The current season was released on DVD on September 15.
The Guardian noted, “Watch – which already airs sci fi shows Doctor Who and Torchwood – will repeat it soon after and then premiere the fifth series later the same year, followed by ITV1.”
The full cast is expected to return including Hannah Spearritt, Andrew-Lee Potts and Jason Flemyng. Adrian Hodge remains showrunner.
