Category: News

Happy birthday, Uncle Sam!

On this day in 1766, Samuel Wilson was born. At the time of the War of 1812, he was a prosperous middle-aged meat-packer in Troy. He
obtained a contract to supply beef to the Army in its campaign further
north, which he shipped in barrels. The barrels, being government
property, were branded with the initials “U.S.”, but the soldiers would joke that the initials referred to “Uncle Sam”, who
supplied the product. Over time, it is believed, anything marked with
the same initials (as much Army property was) also became linked with
his name.

Later on, he’d become known for the most famous poster in the world, and became a comic book character, first for Quality Comics, then later for DC as the leader of the Freedom Fighters and as the star of a miniseries by Alex Ross.

Eating Your Favorite Film in Brooklyn

If you’ve ever craved cupcakes while watching your favorite movie or set out a themed feast for an afternoon with friends, or just happen to be in Brooklyn for today’s Brooklyn Book Festival, you should meet Daniellan Louie. She got her start baking confections for her friends and family and, in 2006, she opened Ivy Bakery. Now she has a menu with over 300 items, which she makes from scratch herself, specializes in custom orders, and has a list of many impressive clients including Marvel Comics, Columbia Pictures, and the Tribeca Film Festival.

I first ran across mention of Ivy Bakery on Twitter when some friends were tweeting about Princess Bride-themed cupcakes. Since then, I have been following the bakery on Twitter for daily updates on what she is baking ( today’s offerings include: “Red Velvet Cake with Vanilla Buttercream shaped like Kingdom of Hearts Key” ). I know that many people in fandom have dietary restrictions, and may be lamenting the lack of cupcakes in their lives, but Ivy Bakery also has many gluten-free, dairy free, vegan, and sugar free items as well as the traditional ones. I recently had a chance to ask Daniellan Louie a few questions about Ivy Bakery, and especially about her awesome movie-themed cupcakes – which she decorates by hand!

What movie-themed cupcakes have you made in the past?
I
just started making the movie-themed cupcakes this summer, but have
made many cakes related to movie/tv characters. The movie cupcake
collection currently consists of The Breakfast Club, Twilight, and The
Princess Bride, the next set coming in the fall will be The Little
Mermaid. I put a pause on the work because it’s been a very slow and
rough summer. I’ve also done characters like Yoda from Star Wars and
would definitely like to do several sets on popular Sci-Fi movies like
Back To The Future, Ghostbusters, Harry Potter.

If you were to make movie themed cupcakes just for yourself, what movie would you choose?
Hmmm,
one of them would be The Princess Bride, but I already made that. For
myself I’d actually be more interested in doing Mario Brothers theme or
classic video games from the past.

If you haven’t yet, would you ever do a Lord of the Rings trilogy triple batch of themed cupcakes?
Definitely,
I haven’t made them yet, but it’s on the to do list, along with Star
Wars, Twilight Series & the Harry Potter Series

Of all the themed items you have made, what was your favorite?
It
would probably be the first Twilight movie. I think the cupcakes came
out very well, I did a double batch with 24 cupcakes since there were
so many characters.

I saw on your site that you had a Pac-Man themed cake. Do you get a lot of 80’s pop-culture nostalgia orders?

I
do, the Pac-Man cake was one of my favorites to make. I’ve also done
Mario Brothers, Sesame Street and a few others that I can’t quite
remember off the top of my head.

 Anime and Manga are very big right now. Have you ever made a cake based on one?
I
haven’t yet, but it’s only a matter of time. I have a friend who
actually draws a lot of Anime and I’m always saying how we should get
together and do cupcakes or cake designs. It would be fun to do a
Sailor Moon cupcake set, I’m not sure if that’s cool or in, but I
remember watching that when I was younger.

Your client list
is impressive! I’m sure our readers are most interested in the fact
that you have baked for Marvel. Can you tell us what you made for them?

Ahh,
Marvel, I’ve never done any custom designs for them, it was all just
corporate orders, cupcakes, cookies, brownies for the office. But if I
was ever approached to do something I would love to. My friend who used
to work at Marvel suggested I do a set of Marvel/DC Logos for the
different heros and villians.

Have you ever catered for a Science Fiction convention?
No, I haven’t, but I would love to, it would be a lot of fun I bet.

I love following your Twitter feed of what you are baking throughout
the day! Most bakeries don’t seem to be online.  Has your internet
presence made a difference for your business?

Definitely, I like
to keep up to date with what’s going on with pop culture in terms of
technology and the net. If everyone is on Facebook, Ivy Bakery has to
be on Facebook, same with Twitter and all the other networking sites.
Twitter has gotten me a number of new customers and exposure throughout
the country. I have so many people asking about my sweets from other
states and wishing that I was closer to them that I would love to go on
a baking tour and bake for anyone who wanted me to. All I need now is a
sponsor.

Disney Teams Up With Guillermo Del Toro – is this how Dr. Strange will appear?

Put the pieces together: Guillermo Del Toro was talking with Neil Gaiman about doing a Dr. Strange film as far back as February 2008. Now Del Toro is cutting a deal with Disney… and Disney now owns Marvel, which of course is the home of the good Doctor. Sounds like the stars are aligning… but we already had a recent animated Doctor Strange

Press release via Nikki Finke: Disney Toons Up With Guillermo Del Toro Under “Disney Double Dare You” Label

Anaheim, California — September 11, 2009 — The Walt Disney
Studios, in collaboration with acclaimed filmmaker Guillermo del Toro
(“Pan’s Labyrinth,” “The Hobbit”), is launching a new production label
called Disney Double Dare You, to create new animated films full of
chills and thrills for audiences of all ages, it was announced today at
the D23 Expo by Dick Cook, chairman of The Walt Disney Studios. All
films will be produced under the guidance of del Toro, who originated
the concept and the design of DDY and who will also direct certain
projects. The first project in development for the new label is called
“Trollhunters,” an original del Toro story which he will produce.

Commenting on the announcement, Cook said, “Guillermo is a brilliant
and visionary filmmaker, and we’re excited to be launching this new
label with him. His knowledge and appreciation for Disney films, along
with his penchant for creating worlds of fantasy, presented a great
opportunity for us to explore a whole new genre of filmmaking for
moviegoers of all ages. We have admired Guillermo’s imaginative
approach to filmmaking for some time, and now we’re proud to be working
with him to create films full of imaginative delights and lots of
thrills at the same time.”

Del Toro added, “As a director, I love to take audiences into
fantastic new worlds and provide them with some anxious moments in the
process. It is part of the Disney canon to create thrilling,
unforgettable moments and villains in all their classic films. It is my
privilege for DDY to continue in this tradition. To partner up with The
Walt Disney Studios, with the support of Dick Cook and John Lasseter,
is to belong to a storytelling partnership that I admire deeply. It is
a true honor. I look forward to coming up with fresh and original
stories that will take Disney films in a whole new direction. The
emphasis is on fun, and we have some great ideas already on the
storyboards.”

Del Toro’s Pan’s Labyrinth received six Academy Award® nominations
in 2007, including one for his original screenplay, and went on to win
three awards. That film also received a BAFTA Award for Best Film not
in the English language. His other directing credits include “Hellboy,”
“Hellboy II: The Golden Army,” “The Devil’s Backbone,” “Cronos,” and
“Mimic,” among others. Del Toro is currently directing back-to-back
feature film adaptations of the Tolkien classic, “The Hobbit,” for
release in 2011 and 2012.

(Hat tip to Arne Starr for the art, and Patrick Dempsey for the modeling.)

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Bob Greenberger on being in Paul Levitz’s office on Wednesday

paul-levitz-dc-3816246Want to know what was going on in Paul Levitz’s office on Wednesday? Bob Greenberger was there:

I had no inkling that going to DC Comics for meetings today would prove
a stroke of lucky timing. While meeting with Chris Cerasi on a project
we’ll talk about in a day or two, I received a call from DC’s President
and Publisher Paul Levitz. He heard I was around and could I stop up?

Bob also takes the time to talk about the changes Paul’s departure means for DC Comics Entertainment:

DC has lost its last guardian. He was the last executive to have the
power to prevent misguided interpretations of the characters that
remain the building blocks for the company. The freelancers have lost
someone who has been scrupulous in seeing to it they get every nickel
they’re entitled to and helped craft the first royalty plan and creator
participation plan. His depth of knowledge of the company’s history and
much of the character histories will be gone from the halls, forcing
the company to compensate him every time they need to pick his memory,
which will no doubt continue to happen long after the transition is
gone.

The time may have come for the change but not all change is for the
better.  Personally, I suspect Paul will be fine, happily reading at
his leisure and writing some good, solid stories heavy on plot and
character. DC will be a far different place in the months ahead and
there’s no guarantee what will come next. Paul, like the rest of us,
will have to sit and watch from the sidelines.

NYCC and NYAF Sitting in a Tree

We just received word that next year’s New York Anime Festival and New York Comic Con are going to co-locate, with both conventions taking place October 8-10, 2010 in the Jacob K. Javits center in Manhattan. The full press release with all the details is after the jump, but here’s a highlight:

“Our decision to co-locate NYAF
with NYCC is the final installment of a strategic plan to place and
sequence our pop culture events in a manner that best serves the needs
of our fans and exhibitors,” notes Lance Fensterman, Vice President of
the Reed Exhibitions Pop Culture Group.

“We are launching the Chicago
Comic and Entetainment Expo (C2E2) in April 2010, and we have moved
NYCC to a permanent October date, thus providing a spring and fall
balance to these two key events which will remain in place as we move
forward.  Rather than create a third date for NYAF, it was decided a
co-location would be better for anime fans, professionals, exhibitors,
and partners.  We spoke to attendees and exhibitors of both shows
before making this decision, and everyone agrees that this will provide
an opportunity for both shows to further grow and prosper.”

What do you think? Can these two conventions join hands and sing in harmony? And even more, what does this do to the plans of Wizard with their convention in New York planned for the fall?

(more…)

Crazy Sexy Geeks Mini Episode: Tim Gunn and Phil Jiminez on ‘Models Inc.’

crazysexygeeks1-4926937Here’s a segment of an interview we conducted
with Tim Gunn during a signing he and writer/artist Phil Jimenez did at Midtown Comics last night for the new Marvel comic Models, Inc.

Coming soon: more interviews with Tim Gunn and Phil Jiminez, along with Rob Zombie, Edward James Olmos, Sheri Moon Zombie, Emma Caulfield and the American Gladiators!

The Apple story that didn’t happen (yet) to make it a full-blown comics apocalypse

Apple didn’t announce this yesterday, as many people were expecting.

If it had been, the comics industry as we know it would be completely changed in less than two weeks.

On the other hand– Steve Jobs, Apple’s CEO, is also the largest shareholder of Disney. Which now owns Marvel. Which makes comics that would be perfect to display on any hypothetical Apple Tablet.

Hang on tight, folks. The ride does not get slower.

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‘Paul is dead’ and other reactions to the DC Comics restructuring

paul-levitz-dc-3615037It’s ironic that on a day that many people in the world are talking about the Beatles in one form or another, people in the comics industry are asking if Paul is dead.

Certainly, you don’t see this amount of coverage of a man’s life until his funeral. It reminds one of Twain: “They say such nice things at a man’s funeral that it’s a shame I’m going to miss mine by only a couple of days.” Paul Levitz has had many, many nice things said about him. Mark Evanier may have the best post placing Paul’s place in historical context so far:

DC and Marvel could not now interface with Time-Warner and — assuming the deal goes through — Disney if they had not evolved from hot dog joints into real businesses.

Many have taken credit for that evolution, including some who fought it until it became inevitable and a few who resisted even after that time. Among those who honestly do deserve great credit is Paul Levitz.

Kurt Busiek also sums up:

Paul has been at the forefront of just about every industry
development of the last couple of decades, and has been key to how the
industry’s shaped itself over those years. Shifting from a
periodicals-only business to a strong backlist-oriented business with
trade paperbacks and hardcovers, adding imprints like Vertigo, creating
new opportunities for creators and for creator ownership, seeing that
DC gave a fair (or at least fairer) deal to the creators who originated
the concepts that turned up in DC-based movies, from Arkham Asylum and
Lucius Fox to Robin’s motorcycles (yeah, because they called Chris
O’Donnell’s ride the “Redbird” in one of the movies, Paul Levitz saw to
it that Chuck Dixon got money) and more, Paul was an important part of
a huge number of changes that DC’s seen, and that the whole industry’s
seen. Some of them big changes everyone’s noticed, some of them
behind-the-scenes stuff few people know about.

Heidi MacDonald, another one of us who toiled in the vineyards under Paul, said: “Paul is one of the smartest, kindest people I’ve ever worked with. He changed comics for the better in such vast ways that it’s hard to imagine where the industry would be without his stewardship. I wish him all the best.”

Marv Wolfman said: For years now, Paul has talked about retiring someday soon and
returning to writing, his first love. For that reason alone I am so
happy for him because I know that’s what he deeply cares about and has
been wanting. As readers, we are in for some major treats. I
can also say, without fear of rebuttal by anyone who is in the know,
Paul is probably the best, the smartest, the most creative and the most
moral Publisher the business has ever seen. Most fans have no idea how
important Paul is, not only to DC, but to the entire industry. I have
often said, and mean, that without Paul there very well might not be a
comics industry today. I am not speaking in hyperbole. I am being
literal; I mean exactly what I wrote.

And I’m fond of Rich Johnston’s comment: I asked Keith Giffen what was up with Ambush Bug. He told me “He’s taking Paul’s job.”

One more thing that I’ve been told that I haven’t seen mentioned: Paul contributed tremendous numbers of comics to Len Wein when he lost his collection in the recent fire. Huge numbers.

So now what? Me, I’m just waiting for those great Legion stories… hey, and what is it with guys who write Legion going on to become head honchos at comics companies? Paul Levitz, Jim Shooter with Marvel, Valiant and Defiant, Mark Waid at BOOM!… what makes it such a prerequisite?

Warner Bros Gobbles Up DC; Levitz Out

In a not-unexpected move, Warner Bros. has taken complete control of DC Comics, renaming the company DC Entertainment and promising to integrate the publishing house’s work into its existing divisions. 

President and publisher Paul Levitz, an employee of the company for nearly four decades, is relinquishing those roles and will go back to writing comic books for the company. He will also be serving as both an editorial consultant and as a transition consultant for the new operation.

Rumors, of course, run rampant, the most persistent being DC’s possible move to Los Angeles. Levitz has had an “I don’t have to move west” clause in his employment contract, which adds fuel to this fire.

Unlike the Disney / Marvel situation, Warner Bros. is clearly moving DC’s various operations into its mainstream, so it is logical to expect that a great many changes lie ahead. When Disney announced its purchase of Marvel, they said they were leaving its management team in place.

Full details from Warner Bros’ official press release follows.

WARNER BROS. CREATES DC ENTERTAINMENT

Diane Nelson to Serve as President, DC Entertainment

Paul Levitz to Segue from President & Publisher of DC Comics
To Writer, Contributing Editor and Overall Consultant to DC Entertainment

(Dateline – Burbank, CA) Warner Bros. Entertainment Inc. (WBEI) has created DC Entertainment Inc., a new company founded to fully realize the power and value of the DC Comics brand and characters across all media and platforms, to be run by Diane Nelson, it was announced today by Barry Meyer, Chairman & CEO, and Alan Horn, President & COO, Warner Bros.

DC Entertainment, a separate division of WBEI, will be charged with strategically integrating the DC Comics business, brand and characters deeply into Warner Bros. Entertainment and all its content and distribution businesses. DC Entertainment, which will work with each of the Warner Bros. divisions, will also tap into the tremendous expertise the Studio has in building and sustaining franchises and prioritize DC properties as key titles and growth drivers across all of the Studio, including feature films, television, interactive entertainment, direct-to-consumer platforms and consumer products. The DC Comics publishing business will remain the cornerstone of DC Entertainment, releasing approximately 90 comic books through its various imprints and 30 graphic novels a month and continuing to build on its creative leadership in the comic book industry.

In her new role, Nelson will report to Jeff Robinov, President, Warner Bros. Pictures Group, in order to best capitalize on DC Entertainment’s theatrical development and production activities and their importance to drive its overall business with each of the divisions of Warner Bros.

Nelson will bring her expertise and more than 20 years’ experience in creative brand management, strategic marketing and content development and production to ensuring DC Entertainment’s dual mission of marshalling Warner Bros.’ resources to maximize the potential of the DC brand while remaining respectful of and collaborative with creators, talent, fans and source material. Additionally, Nelson will continue to oversee the franchise management of the Harry Potter property, which she has done since 2000, and also continue to represent the Studio’s interests with the author of the Harry Potter books, J.K. Rowling. Nelson will segue from her post as President, Warner Premiere but maintain oversight responsibilities of that division. (An executive succession plan for Warner Premiere will be announced shortly.)

Paul Levitz, who has served as President & Publisher of DC Comics since 2002, will segue from that role to return to his roots as a writer for DC and become a contributing editor and overall consultant to DCE. This transition will take place as expeditiously as possible without disrupting DC’s business operations.

In his new role, Levitz will be called upon for his deep knowledge and more than three-decade history with DC Comics, both as a comic creator and an executive. Besides serving as a writer on a number of DC Comics titles, he will be a contributing editor and consultant to DC Entertainment on projects in various media. Additionally, he will consult as needed on the transition and integration of the DC Comics organization into DC Entertainment and will utilize his unique experience, knowledge and relationships with the comics industry’s creative community to help achieve DC Entertainment’s goal of maximizing the value of DC properties. Further, Levitz will advise DC Entertainment on creative and rights-holder relationships, in particular regarding the legacy relationships that have been a part of DC Comics for decades.

Widely recognized and respected for his support of writers, artists and creators in the comics industry, Levitz is best known creatively for his work with DC Comics, having written most of the classic DC characters, including Batman, Wonder Woman and the Superman newspaper strip. At Comicon International in 2008, Levitz was awarded the Bob Clampett Humanitarian Award as part of the Will Eisner Comic Industry Awards, the only industry executive ever so honored.

“DC Comics and its super hero characters are truly touchstones of popular culture, and the formation of DC Entertainment is a major step in our company’s efforts to realize the full potential of this incredible wellspring of creative properties,” said Meyer. “Diane knows our studio as a creative executive, a marketer and a senior manager, and this varied background will help her effectively and creatively integrate the DC brand and properties across all our businesses. We’re also thrilled that Paul will remain involved with DC and we’ll be able to tap his expertise to help us reach our goals for this new business.”

“It’s no secret that DC has myriad rich and untapped possibilities from its deep library of iconic and lesser-known characters,” said Horn. “While we’ve had great success in films and television, the formation of DC Entertainment will help us to bring more DC properties across additional platforms to fans around the world, while maintaining brand integrit
y and authenticity. Diane is a terrific choice to lead DC Entertainment, and with Paul in his new role as a valued consultant and contributing editor, both our company and comic fans win.”

“Based on the great success we’ve had working with DC Comics to create some of the most popular and successful super hero films of all time, I’ve long believed that there was much more we could do across all of Warner Bros.’ businesses with this great body of characters and stories,” said Robinov. “The prioritization of DC and the creation of DC Entertainment is a great opportunity that reaches far beyond the film group. There are endless creative possibilities to build upon the many significant successes already achieved by my colleagues Kevin Tsujihara and the Home Entertainment Group in the videogame, home video and direct-to-platform arenas and Bruce Rosenblum and the Television Group in live-action, animated and digital series. Collectively, we have the ability to grow a body of properties highlighting the iconic characters and the diversity of the creative output of DC Comics.”

“The founding of DC Entertainment fully recognizes our desire to provide both the DC properties and fans the type of content that is only possible through a concerted cross-company, multi-platform effort,” said Nelson. “DC Entertainment will help us to formally take the great working relationships between DC Comics and various Warner Bros. businesses to the next level in order to maximize every opportunity to bring DC’s unrivalled collection of titles and characters to life.”

“After so many roles at DC, it’s exciting to look forward to focusing on my writing and being able to remain a part of the company I love as it grows into its next stage,” said Levitz. “It’s a new golden age for comics and DC’s great characters, and I hope my new position will allow me to contribute to that magic time.”

DC Comics will celebrate its 75th anniversary in 2010 (NEW FUN COMICS #1, the first DC comic, began publishing in 1935), at which time more explicit details regarding DC Entertainment’s corporate and management structure, film and content release slate, creative roster and business objectives will be unveiled at a multi-faceted anniversary celebration and press conference in the first quarter of the year.

Current DC properties in development and/or production at Warner Bros. Entertainment include:

– “Human Target” is being produced by Warner Bros. Television for a mid-season debut on Fox.

– “Midnight Mass” is in series development at Warner Bros. Television for consideration for the 2010-11 season.

– “Jonah Hex,” Warner Bros. Pictures’ supernatural Western starring Josh Brolin, Megan Fox and John Malkovich, recently wrapped production in Louisiana.

– “The Losers,” Dark Castle/Warner Bros. Pictures’ action-adventure drama starring Jeffrey Dean Morgan, Zoe Saldana and Chris Evans, began principal photography mid-July in Puerto Rico.

– “The Green Lantern,” Warner Bros. Pictures’ next big superhero tentpole release, recently cast Ryan Reynolds as the titular character. The film has a projected second quarter 2011 release date.

– “Lobo,” based on the DC Comics anti-hero, has Guy Ritchie attached as a director; Joel Silver, Akiva Goldsman and Andrew Rona are producing for Silver Pictures and Warner Bros. Pictures.

– Warner Premiere’s direct-to-platform DVD animated release of “Green Lantern: First Flight” debuted July 28.

– Warner Bros. Animation currently produces “Batman: The Brave and the Bold,” which airs on Cartoon Network.

– Warner Bros. Interactive Entertainment released “Batman: Arkham Asylum” on August 25, a dark, action packed videogame adventure for Xbox 360 videogame and entertainment system, PlayStation3 computer entertainment system and Games for Windows.

Prior to being named President, DC Entertainment, Nelson most recently served as President, Warner Premiere since its founding in 2006. Warner Premiere is a Studio-based production company which develops and produces high-quality, direct-to-DVD and short-form digital content, including the highly successful line of DC Universe animated DVD titles, and also pioneered the development of the motion comics category. Under Nelson’s leadership, Warner Premiere functions as a full-service production entity with its own resources and release schedule, furthering the Studio’s mandate of being a destination for both established and up-and-coming talent to create stand-alone properties as well as experiment in new media.

Before that, Nelson served as Executive Vice President, Global Brand Management, Warner Bros. Entertainment, with the primary responsibility of working cross-divisionally and throughout Time Warner to maximize and optimize all the various windows and outlets available to the Studio’s signature franchises, brands and event properties on a global basis. In this post, Nelson’s primary focus was the management of the Harry Potter brand, which she has overseen since the brand’s launch at the Studio in 1999. These efforts have helped drive the success of the brand to become the most successful film franchise of all time, as well as a respected consumer property that has generated billions of dollars for the Studio.

At Global Brand Management, Nelson and her team of more than 15 employees worked in all media and platforms to support a number of other key franchise properties, including “The Matrix Reloaded,” “The Matrix Revolutions,” “Batman Begins,” “The Dark Knight,” “Happy Feet,” “Polar Express” and “Charlie and the Chocolate Factory,” among others.

Prior to overseeing Global Brand Management, Nelson had
served as Executive Vice President, Domestic Marketing, Warner Bros. Pictures. Nelson rose quickly through the ranks, having also served as Senior Vice President, Domestic Marketing, Warner Bros. Pictures and prior to that, Senior Vice President, Family Entertainment, Warner Bros. Corporate Worldwide Marketing and Planning. She was also Vice President, Worldwide Corporate Promotions, a post to which she was promoted in March 1998, after joining the Studio in September 1996 as Director of Worldwide Corporate Promotions.

Nelson came to the Studio from Walt Disney Records, where she served as Director of National Promotions. She is a graduate of Syracuse University’s Newhouse School of Communications.