Category: News

Old-School Comics Art Gets A Lot Older

Remember Howard Chaykin’s American Flagg? Roy Crane’s Buz
Sawyer
and Captain Easy? Alex
Toth? How about much of that beautiful black and white art in Warren’s
magazines Creepy, Eerie and Blazing Combat?

The one thing they all had in common – along with a hell
of a lot of other great art – is the fact that they were drawn on Duoshade
boards. That’s a certain rather expensive type of paper that allowed an artist
to brush a developer solution over an inked drawing creating different types of
horizontal lines for shading. Originally, they boards replaced the painstaking
task of cutting and pasting the effect onto the original art. It allowed certain
types of dramatic shading and feathering techniques (that’s a line that
consists of teensy tiny lines, giving a softer edge to that line).

Note my use of the past tense.

Now Graphix, the company that makes Duoshade boards (as
well as the Unishade boards, which is a similar type of stuff) has discontinued
production because production has grown more difficult and costly to produce
and demand as declined over the years. Younger artists use their computers –
not necessarily a complete substitute – and many are unaware of the existence
of the product.

Sadly, this comes at a time when the reproduction of comic
art in America has never been better. In the past, some of these types of
effects would close up or turn to mud. With better printing and better paper,
Duoshade – when properly used – gave us some beautiful artwork.

Mark Millar To Rescue Superman After All?

It’s no secret that top comics writer Mark Millar wants to write the next Superman movie. He’s given lots of interviews, and ComicMix has run a whole bunch of news items about this going back over two years. The story stalled when it appeared such a move was not going to happen.

Now, maybe, yes.

It turns out Mark was misunderstood when it was reported Warner Bros. could not afford him. That seems logical for two reasons: 1) Warner Bros. can afford damn near anything, and 2) with the clock ticking loudly on their Superman movie rights and their miserable track record with this movie franchise, meeting the Wanted co-creator’s financial demands just might inure to everybody’s benefit.

Might. It’s Hollywood. No guarantees. According to Mark’s
board: “I don’t think I said they couldn’t afford me now. If I did I was joking
because writing Superman would be a massive payday so if I said that I was
obviously laughing at the time. It’s possible though as I like being glib.”

Mark had also stated “a very well-known American action director heard about my love of Superman, approached me and asked me to team-up with he (sic) and his producer to make a pitch.” Hmmm… I’m sure Warner Bros. appreciates the consideration.

Of course, there’s no word either way as to Warners’ feeling about the matter. We should know soon. In the Siegel estate fight, the courts mandated Warner Bros. produce a new Superman movie by 2011 or lose their rights to one of their brightest corporate jewels.

Stay tuned.

What about Jack? Kirby estate files notice of copyright reversion aainst Marvel, Disney, Sony, Universal, Paramount…

And now, the other shoe drops.

Jeff Trexler points to this New York Times piece saying that the Jack Kirby estate sent notice of copyright termination to Marvel, Disney, Sony
Pictures, Universal Pictures, 20th Century Fox, Paramount Pictures and
others who have been making films and other forms of entertainment
based on the characters Jack created or co-created for Marvel.

The Kirby estate lawyer is Marc Toberoff, the man representing the Siegel estate in the Superman copyright case, who has already done an excellent job of raking DC and Warner Brothers over the coals. Toberoff has an impressive winning tally; Nikki Finke reminds us that Toberoff has also won or settled lawsuits on Lassie, Get Smart, The Dukes of Hazzard, and The Wild Wild West.

Kirby battled Marvel for years over the return of the physical artwork to his comics,
and was asked to sign documents that would have irrevocable and
specifically signed away rights to the characters, something he refused
to do. This led to heavy coverage in the industry, including the ad at right from 1986.

Two immediate questions come to mind:

  1. Does this potentially sour the Disney-Marvel deal? Disney said in a statement, “The notices involved are an attempt to
    terminate rights seven to 10 years from now, and involve claims that
    were fully considered in the acquisition.” Really? You think Disney shareholders are ready to spend four billion dollars on intellectual properties they’re prepared to lose in seven years? Related: there’s a $140 million dollar kill fee Marvel has to pay if the deal doesn’t go through. Does this mean that Marvel has an extra 140 million reasons to settle with Jack’s kids?

  2. If the copyright reversion is settled with Marvel and/or Disney, does this give them additional leverage in breaking existing contracts with other movie studios? In other words, does that “right to make X-Men movies in perpetuity” hold up if they don’t control the rights to the underlying characters?

One more for the holiday…

…because when else will I get to run it?

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p class=”text”>The Devil Ate My Blintzes, an illustrated poem,
tells the story of Goldie and Gus, who live in Dogpatch-like bliss and
sell “blintzes and wheel alignment” as well as “chicken soup and
transmission fluid.” The trouble (and fun) starts when the Devil finds
out about Goldie’s delicious blintzes and all hell breaks loose.

Do the forces of Evil and Destruction triumph over the forces of Goodness and Pot Cheese Filling?

Guess what today be, matey… aye, ’tis Talk Like A Pirate Day!

Yep, it’s that time of year again, it’s International Talk Like A Pirate Day, an important holiday in the Church Of The Flying Spaghetti Monster. Extra points if you conduct your Rosh Hashanah services while talking like a pirate.

If you need pointers, watch this:

In honor of this sacred day, I’m curling up with a bottle of rum.

Candace Bushnell’s comments on men and comics

Candace Bushnell, the writer whose Sex And The City columns were the inspiration for the TV series and movie, has bounced back from last year’s cancellation of Lipstick Jungle on NBC and chosen the web for her new venture– a new series called The Broadroom, starring Jennie Garth and Jennifer Esposito. (Warning: if you click there, your cursor turns into lipstick. You wish I was kidding.)

Now, I watched the series when it was on HBO– okay, my wife watched it and I was in the room a lot– so I decided to give this one a try, see where the revenue stream is, and so on. And just shy of 2:40 into the first episode, entitled “Husband Hijinks” I’m treated to this monologue:

Ahh… men. I know nothing about them. I haven’t had a date in, like, ten months. All my girlfriends are, like, where are the guys like us? Responsible, ambitious, normal… they’re in their parents’ basements trying to start up their comic book company, or they’ve suddenly decided to become a screenwriter at the age of thirty-nine. It’s awesome.

My first thoughts on hearing this:

  1. Yes, I started a comic book company in my basement. Mine. My house. I own it.
  2. I don’t have the time to do screenwriting, although everyone knows that comics are the way to break into movies nowadays anyway.
  3. Someone’s feeling a bit prickly that her film wasn’t in the top ten grossing films of 2008, and was beaten out by Iron Man and The Dark Knight.

Feel free to take a look for yourself:

And people wonder why there’s some worry about Diane Nelson.

‘Spider-Man 4’ announces concurrent IMAX release

To the surprise of few, IMAX Corp. and Columbia Pictures announced that Spider-Man 4 will be released to IMAX theatres simultaneously with the film’s worldwide release on May 5, 2011. Spidey 4 reunites director Sam Raimi with stars Tobey Maguire and Kirsten Dunst, and will be the first Spidey film under the new regime.

Hence the image.

Quite seriously, if you thought the Spidey-Cam was tough to move around before, just imagine what it’s going to be like to move a Spidey-IMAX-Cam…

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The DCAU Justice League returns in ‘Crisis on Two Earths’: UPDATED

justice-league-logo1-3987348Ain’t It Cool News is reporting that the next direct-to-DVD DC Comics movie after the upcoming Superman/Batman: Public Enemies will be a new release titled Justice League: Crisis on Two Earths, tentatively coming Spring 2010.

As you can glean from the title, it takes place on two different planet Earths: one protected by the Justice League, and one ruled over by the evil Crime Syndicate. When a heroic version of Lex Luthor steps over from that parallel Earth to ask the Justice League for help, a superhero fight breaks out. That last part is merely conjecture, but we’d put good money on it.

What we do know for sure is that Dwayne McDuffie, who masterminded the original Justice League cartoon and its Unlimited followup, will be writing the script, and that it’ll feature an all-star voice cast, including Gina Torres (Firefly) as Wonder Woman’s doppelganger Super Woman and James Woods (Ghosts of Mississippi, those episodes of Family Guy) as Good Lex Luthor.

The AICN article has the press release and full details, so go check it out.

UPDATE 9/17: Andrew Laubacher writes in comments:

Based on the image in the AICN article, this is NOT the DCAU Justice
League. Hal Jordan is Green Lantern and Wonder Woman is wearing the
costume from Lauren Montgomery’s WONDER WOMAN animated movie. If you
have some evidence for your assertion, please, give it up.

Well, everybody’s officially locked down for comments while promoting the current release of Superman/Batman: Public Enemies. However, someone close to the production confirmed that this is not strict JLU continuity.

On the other hand, since this is dealing with alternate earths, things could be up for grabs– and in fifteen years or so, we’re going to need a “Crisis On Animated Earths” to reconcile this, New Frontier, Challenge of the Super Friends, Swamp Thing, WildC.A.T.S., Krypto the Superdog, and the Superman/Aquaman Hour.