Kristen Bell may be about to learn how the extreme always seems to make an impression– by possibly starring in the musical adaptation of the darkly beloved 1988 cult classic Heathers, according to Eonline.
Kevin Murphy and Andy Fickman, part of the team behind the stage and teleplay edition of Reefer Madness is manning the film’s under-the-radar transition to the stage, with readings of the material taking place this week. Bell is taking the Winona Ryder-originated role of Veronica in the rehearsals, with her Reefer Madness co-star Christian Campbell playing Christian Slater’s role of J.D., according to the Hollywood Reporter.
While the actors aren’t locks to go with their characters when the show makes its Broadway debut, they are likely candidates to keep their gigs if they’re available.
And just to tie it back yet again to comics, did you know that Daniel Waters, the writer of Heathers, also wrote the screenplay for Batman Returns? Small world.
You may have waited as long as 25 years for a return to the greatness that was Ghostbusters, but that wait is almost over as the original cast reunites for the new game. We’ve got an exclusive preview, plus an invite to the Facebook ComicCon and Battlestar Meets CSI PRESS THE BUTTON to Get The Point!
Boy, is this week’s episode going to make Mike Gold happy…
In this week’s episode airing on Cartoon Network at 8:00 PM titled “Mystery in Space!”, Aquaman joins Batman in a thrilling space adventure on Adam Strange’s home planet of Rann. There our heroes join forces to battle Gordanian General Kreegaar and his reptilian horde. It’s the power of justice and a good old fashioned fight that resurrects Aquaman’s heroism as he leads the team to on a mission to destroy the Eye of Zared!
And this week’s teaser gives you a first look at the villainous Equinox and introduces the Question. Take a look…
Michael Netzer has taken it upon himself to organize the first comic convention on Facebook. The con has already started, and will run until Sunday– of course, being Facebook, it will never really go away. It currently has over 2500 members in the group, and will probably have many more by the end of the weekend.
Here’s the– what would you call this? Room assignments? Panel listings? Floor map? Anyway, here it is:
Poor Princess Ruruna is stressed out. With the king and queen away, she has to manage the Kingdom of Kod’s humongous fruit-selling empire. Overseas departments, scads of inventory, conflicting prices, and so many customers! It’s all such a confusing mess. But a mysterious book and a helpful fairy promise to solve her organizational problems—with the practical magic of databases!
Yes, The Manga Guide To Databases. Personally, as long as Bill Gates doesn’t use that fairy like he did Einstein and Clippy, I’m cool with it. In fact, there are some people here I should beat over the head with it lend it to.
You’ve probably heard the schoolyard snap: "Yo’mama’s so dumb she failed a Rorschach test." I never thought I’d find a case where it’s actually true, but lo and behold, Arne Starr pointed me to one.
Perhaps you know the old joke: A man goes to a psychologist and says, "Doc, I got a real problem… I can’t stop thinking about sex."
The psychologist says, "Well let’s see what we can find out", and pulls out his ink blots. "What is this a picture of?"
The man looks the picture upside down then turns it around and states, "That’s a man and a woman on a bed making love."
"Uh-huh. And what is this a picture of?"
"Well, that’s a man and a woman on a bicycle making love."
The psychologist tries again with the third ink blot. "What is this a picture of?"
"Obviously, that’s a man and a woman in a volcano making love."
The psychologist states, "Well, yes, you do seem to be obsessed with sex."
"Me? Doctor, you’re the one who keeps showing me the dirty pictures!"
Which brings us to Debbie Schlussel. Debbie is a conservative activist and occassional movie critic and she thinks that if you see Watchmen, you’re "probably a moron and a vapid, indecent human being."
She spends the first half of her review saying that the movie isn’t for children (no "kidding", Debbie, that’s why it has an R rating) and bemoans the fact that "plenty of clueless parents brought their young kids and kept them there for the entire almost three hour "experience" at the screening I attended". Now, her article went up on March 4th, so the only way that she could have seen it would have been at some sort of industry screening or press event. I’ve been to a few of them in my day, and I never remember children being present at such events.
She also decries the amounts of sex, violence, brutality, bad language, and other things that make her feel icky.
But most amazingly, she claims to be a great conservative thinker, and yet somehow never connects with the core question of the film. And that core question is this:
How far will you go to save your world?
It’s really a simple question, but it has very complicated answers.
Would you kill a child molester who fed his victim to his dogs? Obvious sexual deviancy, right? What about killing lesbians, then?
Would you break into prison to release a criminal? What if you knew he wasn’t a criminal, but couldn’t prove it?
Would you shoot police officers who were getting in your way of saving the world? How about if they were just preventing you from beating up on crooks?
Would you lie to bring down a presidential candidate, perhaps by accusing him of being a Muslim (like that’s bad in and of itself) in order to save the country? In Debbie’s case, we already know her answer to that question, character assassination is okay— so how about assassinating the President outright? Is that cool? Or assassinating reporters who might bring government misdeeds to light?
Would you kill a person to protect the world? How about killing someone in self-defense?
How about more than one person? How about three? Thirty? Three thousand? Three hundred thousand? Three million people? How many people is it okay to kill in order to protect the world? Would you fly a plane into a building? Would you invade a country? Would you nuke a city?
Who appoints themselves to make these decisions? And who watches over them?
All of these are valid questions brought up, implicitly or explicitly, in Watchmen. And if Ms. Schlussel was a deep thinker, or had any self-awareness at all, some of those questions might occur to her.
Poor Hitler. If only he’d made Mein Kampf into a comic book instead of an actual written screed. Then, the ovens of Auschwitz and the human lampshades would be all the rage and cool of kitsch.
As it happens, I happen to have Hitler’s thoughts on the matter:
A while back, there was a spate of Marvel characters that were having their stories retold for different countries, for example Spider-Man India, with Pavitr Prabhakar, his uncle Bhim and aunt Maya. Now Nikki Finke tells us that Marvel may be doing the same for their movies:
Marvel Entertainment announced today that it’s forming an "International Advisory Board" comprised of business leaders from key international growth markets to work with Marvel executives to explore opportunities for expanding the penetration of the key character brands in international markets. The Advisory Board is chaired by James Halpin, a Marvel director since March 1995; Peter Yip, Executive Vice Chairman and CEO of China’s CDC Corporation; and Bollywood film producer Manmohan Shetty, former chairman of India’s Adlabs Films. Marvel is in the process of filling two additional Advisory Board positions. Simon Philips, Marvel’s prez of Worldwide Consumer Products will serve as the primary company liaison to the Advisory Board.
If Alan Moore, in his alternate universe that is not so far from our own, invokes Nietzsche’s übermensch, the hyper-evolved, extra-moral being, each one of our main masks, individually, embodies some stage to that goal as we explore our Nite Owl’s-eye view of things as Moore presents them.
A central tenet of Aristotle’s outlook is that animals and we have souls, but we have rational souls and that’s what makes us human. Humans are beings of action, agents who act upon other things, instead of objects who are acted upon (see First Cause and The 4 Causes in Metaphysics). The result of all that – humanity and agency – yields responsibility through choice. So it’s an argument that starts with source and ends with aim (telos) – happiness, eudaimonia (as no sane being chooses unhappiness, but makes unfortunate choices due to ignorance and error – back to reason). And we gain happiness through the instrumental use of goods toward the ultimate good, which is true happiness (vs. illusory or merely apparent good). Ari posits that when the passions drive the bus, instead of reason, we are moved and that language reflects and helps to create our reality. Look at how we speak about things we experience: “It moved me.” That means we cared, we felt, we gave a damn. And the word “passion” means “to suffer,” and anyone who’s ever been in love knows that it’s both joy and suffering. So how do Moore’s characters move, instead of being moved as pawns in someone else’s game, not being masters of their own game?
Blake’s “understanding of the human condition… he understands perfectly… and he doesn’t care…” is seeing the world through dirt-colored glasses. There is no optimistic rose in Moore’s world – only blood-red, black, white, yellow, crap-brown amidst the chiaroscuro. Blake is never treated as a human, and so never behaves like one and exists by objectifying everyone, creating a never-ending supply of objects that he moves and who move him. He’s operating out of Id (impulse, desire), too far gone to notice and, like Rambo, rise up against his objectification, and so there is no opportunity for redemption. His heart is turned to stone and would fall into Hell on the Egyptian scales of balance vs. the feather. But he’s already been living there all his life, so he has no thought of that, either. Fearless. Contempt and grandiosity are all smoke screens for despair, ego death. Murder is a form of suicide, as part of our psyche can’t help but recognize our own humanity in the humanity of others, even if that part of our empathy (see Hume) and that of those around us is dead or severely damaged goods.
So Blake is totally incapable of making any ethical decisions because he obviously does not know right from wrong (the legal definition of insanity). He only knows how to destroy, feel crazed pain even as he emotionally anesthetizes himself – goes for the thrill to bury the ill. Sleight of hand. Distraction. Noise. The only even remotely good thing he ever created, and that was purely by biology buried under all the sludge of his struggle for power (one of the übermensch impulses), was Laurie. The fact that he never actively harmed her is the one good thing he’d ever done, however passive, before being tossed out that window.
From an Avedon Carol fanzine in 1986– yes, before Neil Gaiman ever wrote a single comic book, let alone write Coraline, Beowulf, or Stardust– he wrote and drew this:
As far as Neil knows, this is his first published illustration. Thanks to Rob Hansen for saving this all these years and posting it on his blog.
We’ve just received word that John Carbonaro passed away on February 25th at the age of 58.
John was a hard-core comic fan who acquired the rights to the T.H.U.N.D.E.R. Agents comic in 1981, which had been published in the sixties by Tower Comics. Robert J. Sodaro wrote up a long history of John and his time with the Agents in this article and only hints at some of the convoluted publishing history and legal messes (any series that shows up in both Thunder Bunny and Penthouse Comix has a weird publishing backstory.)
i only met John a few times, but he will be remembered.
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