Category: News

Fight the downturn! Here’s how…

Yes, we know it’s getting ugly out there. If Robot 6 has a daily roundup called Food Or Comics, and we’re covering stuff that they’re missing, it’s just outright brutal.

So what to do about it? Kristine Kathryn Rusch, award-winning author and editor, posted the following to an email list regarding the shutdown of Realms Of Fantasy:

If you’re really worried about the magazines, subscribe to them.  If you already have a subscription, give a few gift subscriptions.  If you can afford it, ask if the magazine has lifetime subscription rates and buy one. Or purchase a five year subscription.

In this economy, an upturn in subscriptions will help any magazine.  If everyone on this list bought a subscription, either as a gift or for themselves, that would seriously help. 

If you read the information on Realms, it’s pretty clear that the downturn in the fourth quarter hit Sovereign Media hard.  Apparently, they rely heavily on newsstand sales.    This is one area where the digests have already suffered, so their losses in the fourth quarter won’t be as severe as other companies.  However, they’ll see a trickle downward of subscriptions as renewals don’t come in at the usual pace. 

So they have time—provided that people continue to renew or subscribe anew.

Just a thought in all the gloom and doom.

That’s good advice in general. If you are in a position to do so, subscribe to your favorite comics. If your local store has a pull list or subscription list, take advantage of it– if they know they’ll have some set income coming in, that will help them budget.

If there are online comics or websites you like, drop some cash in the tip jar.

If you’re downloading comics, buy paper editions as well. It’ll be good practice when MinuteMan loses his job and stops buying and scanning the comic that you were reading.

Compare and contrast…

From Salon:

A Wall Street retiree wearing a red latex bodysuit and a black hood is strapped to a table…. Talking to Daniel Bergner in his new book, "The Other Side of Desire," the man compares his masochistic ecstasy to having onion skins stripped off his psyche.

"Is this a weird way to deal with life?" he asks Bergner at one point. "Consider the man who bought Mark McGwire’s seventieth home-run ball for three million dollars. Who’s weirder?"

Let’s see, who bought that home-run ball? Oh yeah… Todd McFarlane.

No doubt about it. Todd’s much weirder.

And this quote comes on the day when Neil Gaiman wins the Newbery. Hey, does Neil own Todd’s balls yet?

Patrick Dempsey as Doctor Strange? Kevin McKidd as Thor? Jon Hamm as Green Lantern?

On Sunday, we wrote how inker Arne Starr had gone Hollywood, working on Grey’s Anatomy and Mad Men— except it turns out that with Hollywood gone comics crazy, he hasn’t put comics behind him. I’ll let Arne explain:

This all started when I found out from a friend who works on Grey’s Anatomy with me that Patrick Dempsey had gone to Marvel Studios to see about getting them to do Doctor Strange, with that certain synergistic connection of Dr. Strange starting out as a surgeon. So I did a piece of art that showed Patrick as the character. Since then, Kevin Feige of Marvel Studios has mentioned in an interview on MTV that we shouldn’t be surprised to see Dr. Strange on the 2012 movie slate.
At this time, I was also working on my other regular show, Mad Men, and brought this up to Jon Hamm, telling him I thought he’d be good as DC’s Hal Jordan/Green Lantern which was about to happen from Warner Bros.. When I brought Jon the preliminary pic (which is mostly the one here) he let me know he had run with it and actually had an appointment with the writer-director of Green Lantern [Greg Berlanti— GH] that week following the season’s wrap.

In the meantime, back on Grey’s, Kevin McKidd was introduced, and I had been a regular on his previous show Journeyman as well (though never playing the same thing twice) so we already knew each other. And it turned out he was already in the running for Thor… so I told him what I’d been doing and went forth and created TWO pictures (technically three) of him in character.

Sometimes, this is the way Hollywood works– somebody shows up at an audition in costume, or somebody has a piece of artwork attached that makes the project believable. And there’s a great bit of synergy going from Dr. McDreamy to Dr. Strange– heck, I could almost see that happening in Grey’s Anatomy continuity. I wonder if Ellen Pompeo would like to play Clea…

Arne was nice enough to provide all the drawings, they’re after the jump. (more…)

Neil Gaiman wins Newbery Award, ‘Moribito’ wins Bachelder

Many of you probably already know by now that Neil Gaiman picked up the 2009 Newbery Award for The Graveyard Book. If you’ve completely forgotten your unhappy childhood, I’ll remind you that the Newbery Medal is the most prestigious award given out in children’s publishing; all the books your parents’ friends gave you for your birthday and Christmas had the medal stamped on it.

But unless you’re connected to the children’s book world, you might not have paid attention to all the other awards the American Library Association handed out today. The Bachelder Award is given to the “most outstanding” book published in a foreign language. Moribito: Guardian of the Spirit by Nahoko Uehashi (published by, yes, Harry Potter’s American publisher, Arthur A. Levine) picked up the laurels this year. The award comes a week after the animated series based on the novel was yanked from the schedule at Cartoon Network.

This year marks the second year in a row that a novel translated from the Japanese has won the Bachelder; last year it was Miyuki Miyabe’s Brave Story, published by Viz, which had not previously been known for its non-media fiction.

Amy Goldschlager writes for FindingDulcinea.com.

The Point – January 26th, 2009

Watchmen toys at last! Just one of the five cool things in the comic shops this week, plus The Punisher headed to DVD, Hot exclusives headed to the New York ComicCon and why no one is headed to The Oscars this year.  

 

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Time Traveler Convention Advisory – May 7, 2005

WARNING: Denizens of Cynosure that are planning on attending the Time Traveler Convention held forty-four months ago are reminded that the Chronarch strictly forbids intentional time travel within Cynosure city limits; and that the early 21st Century is a generally unstable chronological era. Travelers should try the 100th anniversary convention in 2105 instead.

Yes, Rond Vidar and Michael Jon Carter, this means you.

Failure to heed this warning may result in a repeated time loop, possibly infinite.

Whatever happened to Arne Starr?

In the 80’s and 90’s, one of the busiest inkers in the comics business was Arne Starr. A protege of Dick Giordano, Arne’s work graced the pages of The Legion of Super-Heroes, Nexus, Star Trek, and Sachs & Violens (who are now showing up in Fallen Angel), even doing uncredited work on Crisis On Infinite Earths, and he was a mainstay of a lot of east coast conventions, usually running the movie previews. Then he left the business in the mid-nineties recession.

So how come you haven’t seen him lately?

Well, you probably have seen him– just not in places where you expected.

Arne Starr packed up his bags and moved to Beverly (Hills, that is) and has been doing lots of work as an actor, finding himself doing tremendous amounts of background work all over TV and movies. Some of his more recognizable appearances are as an Attending Physician on Grey’s Anatomy, and an artist at the Sterling Cooper agency on Mad Men, in a clear case of typecasting.

If you keep your eyes open, you can also spot him in episodes of CSI, Medium, Jericho, Sleeper Cell, Bones and as a semi-regular at the Crab Shack in My Name Is Earl. In movies, he shows up in Bedtime Stories, Frost/Nixon, as the Citizen Kane cinematographer Gregg Toland inMan In The Chair, and in a nod to his comic book roots, Iron Man.

Here’s a shot from an appearnce on Grey’s Anatomy:

It’s great to see Arne doing well. But more than anything else, I’m just amazed I got to a Hollywood comic book story before Mark Evanier did.

Handicapping the Best Costume Oscar

The Academy Awards are always a bit baffling in their nomination choices— who gets chosen, who gets overlooked— but the Best Costume category is a lot easier to predict. Historical dramas, unless they’ve really bollixed things up (think of the laughable attempts at historical garb in King Arthur or Robin Hood: Prince of Thieves), will invariably fill the nomination list.

This year we have Australia, a World War II epic; The Curious Case of Benjamin Button, in which Brad Pitt lives backwards from the early 20th century to the present day; The Duchess, set in 18th century England—I think everyone would have been shocked if this one hadn’t been nominated—Revolutionary Road, set in the 1950s; and…

Milk. Okay, apparently the 1970s are now long ago enough that they qualify for a historical costume drama. I feel old. Then again, looking back at the 1970s, much of the fashion was as outlandish in its own way as panniers and three-foot powdered wigs, so I suppose it’s really not that much of a stretch.

Shamefully overlooked were any of the year’s many science fiction, fantasy, and comic-book related movies. In particular, it is shocking that Hellboy II: The Golden Army did not get a Best Costume nomination for its visual feast of elves, trolls, demons, and fish-creatures. The Makeup nomination hardly seems adequate. But then, this is nothing new; none of the Star Wars prequels received so much as a nomination for their incredibly detailed and inventive costumes.

Which leads to an interesting question: why does the Academy tend to nominate and honor movies whose costumes are based on history over movies whose costumes are entirely invented—created (pardon the expression) out of whole cloth, rather than copied from the history books? There are exceptions, of course; The Fellowship of the Ring was nominated, and The Return of the King was not only nominated but actually took home the award. Still, one would think that the creativity and imagination that goes into designing an original fantasy or science fiction costume would trump historical recreation. (Though having done both I can say that to do either one well requires a fair amount of skill.)

To answer this, let’s take a look at each of the 2009 nominees. (more…)

Happy silver anniversary, Macintosh!

Twenty-five years ago today, on January 24, 1984, two days after the famous "1984" Super Bowl commercial directed by Ridley Scott right after Blade Runner, the first Apple Macintosh– the Macintosh 128– first went on sale.

From this humble beginning, the comics industry would never be the same. From the earliest experiements in MacPaint to the first comic created completely in a computer, Shatter (and First comic, for that matter) Macintoshes have evolved and are now used in every single aspect of comics today– and most times, you don’t even know it.

So if you still remember doing everything on a 400k 3.5" disk, black and white screen, no hard drive, no modem, no MS Word– man, don’t you feel old.

Here’s that original commercial:

The Fan’s Guide to the Oscars

The 2009 Oscar nominations are in, and they include a gratifying number of comic book adaptations and other geekly delights. First and most obvious is The Dark Knight. In addition to Heath Ledger’s highly anticipated posthumous Best Supporting Actor nod for his reinvention of the Joker, The Dark Knight has also gathered a slew of technical nominations: Best Art Direction, Best Cinematography, Best Sound Mixing and Sound Editing, Best Film Editing, and Best Visual Effects.

But the Batman isn’t the only comic hero to get Oscar’s nod. Iron Man was nominated for Best Sound Editing and Best Visual Effects (though sadly, Robert Downey Jr. received no recognition for his splendid portrayal of the eponymous douchebag hero. His nomination for Tropic Thunder is a small consolation, as comedies and comic roles get snubbed by the Academy almost as much as fantasy and science fiction.) Wanted, based on Mark Millar and J.G. Jones’ comic miniseries, was nominated for Best Sound Mixing. And Hellboy II: The Golden Army got a nod for Best Makeup. No nominations at all for The Incredible Hulk – thought I wouldn’t want to be the one breaking the news to Ed Norton.

You may notice a pattern here: except for Ledger’s Best Supporting Actor nomination, all the comic book movie nominations are for technical awards: music, sound, visual effects, makeup. And even those seem a bit skimpy – where is The Golden Army’s costume or visual effects nomination? Makeup alone does not begin to cover Guillermo del Toro’s stunning visual feast. It’s sad that in a year delivering so many knockout performances and stories from the comic book world, the Academy continues to marginalize them in favor of heavy real-world dramas. (more…)