Category: News

Handicapping the Best Costume Oscar

The Academy Awards are always a bit baffling in their nomination choices— who gets chosen, who gets overlooked— but the Best Costume category is a lot easier to predict. Historical dramas, unless they’ve really bollixed things up (think of the laughable attempts at historical garb in King Arthur or Robin Hood: Prince of Thieves), will invariably fill the nomination list.

This year we have Australia, a World War II epic; The Curious Case of Benjamin Button, in which Brad Pitt lives backwards from the early 20th century to the present day; The Duchess, set in 18th century England—I think everyone would have been shocked if this one hadn’t been nominated—Revolutionary Road, set in the 1950s; and…

Milk. Okay, apparently the 1970s are now long ago enough that they qualify for a historical costume drama. I feel old. Then again, looking back at the 1970s, much of the fashion was as outlandish in its own way as panniers and three-foot powdered wigs, so I suppose it’s really not that much of a stretch.

Shamefully overlooked were any of the year’s many science fiction, fantasy, and comic-book related movies. In particular, it is shocking that Hellboy II: The Golden Army did not get a Best Costume nomination for its visual feast of elves, trolls, demons, and fish-creatures. The Makeup nomination hardly seems adequate. But then, this is nothing new; none of the Star Wars prequels received so much as a nomination for their incredibly detailed and inventive costumes.

Which leads to an interesting question: why does the Academy tend to nominate and honor movies whose costumes are based on history over movies whose costumes are entirely invented—created (pardon the expression) out of whole cloth, rather than copied from the history books? There are exceptions, of course; The Fellowship of the Ring was nominated, and The Return of the King was not only nominated but actually took home the award. Still, one would think that the creativity and imagination that goes into designing an original fantasy or science fiction costume would trump historical recreation. (Though having done both I can say that to do either one well requires a fair amount of skill.)

To answer this, let’s take a look at each of the 2009 nominees. (more…)

Happy silver anniversary, Macintosh!

Twenty-five years ago today, on January 24, 1984, two days after the famous "1984" Super Bowl commercial directed by Ridley Scott right after Blade Runner, the first Apple Macintosh– the Macintosh 128– first went on sale.

From this humble beginning, the comics industry would never be the same. From the earliest experiements in MacPaint to the first comic created completely in a computer, Shatter (and First comic, for that matter) Macintoshes have evolved and are now used in every single aspect of comics today– and most times, you don’t even know it.

So if you still remember doing everything on a 400k 3.5" disk, black and white screen, no hard drive, no modem, no MS Word– man, don’t you feel old.

Here’s that original commercial:

The Fan’s Guide to the Oscars

The 2009 Oscar nominations are in, and they include a gratifying number of comic book adaptations and other geekly delights. First and most obvious is The Dark Knight. In addition to Heath Ledger’s highly anticipated posthumous Best Supporting Actor nod for his reinvention of the Joker, The Dark Knight has also gathered a slew of technical nominations: Best Art Direction, Best Cinematography, Best Sound Mixing and Sound Editing, Best Film Editing, and Best Visual Effects.

But the Batman isn’t the only comic hero to get Oscar’s nod. Iron Man was nominated for Best Sound Editing and Best Visual Effects (though sadly, Robert Downey Jr. received no recognition for his splendid portrayal of the eponymous douchebag hero. His nomination for Tropic Thunder is a small consolation, as comedies and comic roles get snubbed by the Academy almost as much as fantasy and science fiction.) Wanted, based on Mark Millar and J.G. Jones’ comic miniseries, was nominated for Best Sound Mixing. And Hellboy II: The Golden Army got a nod for Best Makeup. No nominations at all for The Incredible Hulk – thought I wouldn’t want to be the one breaking the news to Ed Norton.

You may notice a pattern here: except for Ledger’s Best Supporting Actor nomination, all the comic book movie nominations are for technical awards: music, sound, visual effects, makeup. And even those seem a bit skimpy – where is The Golden Army’s costume or visual effects nomination? Makeup alone does not begin to cover Guillermo del Toro’s stunning visual feast. It’s sad that in a year delivering so many knockout performances and stories from the comic book world, the Academy continues to marginalize them in favor of heavy real-world dramas. (more…)

Mark Wheatley painting ‘Lone Justice: Crash!’ video

Lone Justice: Crash! is the new graphic novel from the Harvey award nominated team of Robert Tinnell and Mark Wheatley. Regular visitors to ComicMix also know Mark Wheatley as the co-creator (also along with Robert Tinnell) of EZ Street, as well as Frankenstein Mobster on his own.

For many of Mark’s fans and admirers, it is his painting and color work that set his art apart from others– and Mark has set up video cameras in his studio sanctum to document exactly what arcane methods he uses to create his color comics and illustrations. We’ve already shown you his drawing technique, now see how he finishes the work. Feel free to comment– Mark will be on hand to answer any questions.

The Point – January 23rd, 2009

pt0123-3659630We head into the weekend with a celebration of the great Joe Kubert, a look at the under appreciated humor of Lord Buckley, how LOST celebrated their return to prime time and what new celebs are joining in the NY ComicCon celebration. 
 

 

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Is Laura Hudson of Comic Foundry newfound royalty?

It’s a fairy tale story that could only happen in comics.

Recent photographic evidence has come to ComicMix that shows that Laura Hudson, late of Comic Foundry and currently of Cerebus: A Diablog, is the long lost twin sister of Queen Beth Lowery of Waukau, Wisconsin.

Beth Lowery, according to America’s Finest News Source, was recently chosen as the consort of the Mattress King James Koepke III, Lord and Master of a vast bed and box-spring empire in central Wisconsin.

As we all know, there has been no true royal powers exercised in the industry since the passing of King Jacob in 1994. The lack of a royal presence in comics since that time has been long and bleak, with poverty, despair, and widespread variant covers roaming the land.

It is unclear what new privileges her connection to royalty will bestow unto Laura. Royal pardons do seem to be within her portfolio, and it is suspected that she may have the power to grant new royal charters to new comics distributors.

We here at ComicMIx are happy to pay homage to the newly-discovered princess, and hope that she doesn’t turn out to be one of those mad royals who runs around conventions with an axe screaming, "Off with their heads!" We got enough of that when Larry Hama used to carry swords around the Marvel bullpen.

Watchmen: Ten Years of Dr. Manhattan

The Watchmen marketing is going full speed ahead, now that the lawsuits seem settled. Here’s some of the DVD bait that’s been showing up on http://www.thenewfrontiersman.net, an excerpt from a 1970 edition of NBS Nightly News (anchored by NBS stalwart Ted Philips) features a special report from co-anchor Jim Sizemore looking back at ten years of Dr Manhattan.

Superman and Spider-Man brought together by Obama’s call to service

In what has to go down as the ultimate expression of bipartisanship in a new political age, Barack Obama brought Superman and Spider-Man together to work for the good of the nation.

OK, so maybe it was actually Tobey Maguire and Brandon Routh. They were on hand at Abram Simon Elementary in Washington DC to perform some community service as part of Obama’s call to community action on the Martin Luther King Jr. holiday. But still, if he can bring these two together, peace in the Middle East can’t be far behind..

MTV News had great coverage of the meeting, including this little snippet:

Though Maguire was kept busy screwing panels of the shelves together, a short time later, as Routh pulled books from boxes to stack them in the newly built cubbies, he happened across a — no joke — Spider-Man book, and walked it over to his super-brethren.

“I think this is yours,” he said, handing Maguire the book. The web-slinger laughed, and the actors shook hands and chatted for a few moments before Routh walked back across the room to shelve “I Can Read: Spider-Man 3, Meet the Heroes and the Villains.”

“I think I can probably beat them all up,” Routh said. “Just kidding.” Crisis averted.

MTV also got video of the meeting, shown here.

 

lostcast-8667482

An open note to the writers of ‘Lost’

lostcast-9319870Congratulations on your return to the small screen tonight. It’s been a while, and I know many have been awaiting your return. However, a cautionary note:

In my job here at ComicMix, I spend a lot of time talking pop culture with a number of comics professionals. I recently found myself in a discussion with a writer about Lost, and he said, quote, “I used to follow the show, but they just had too many dangling plot threads and unresolved story elements– I stopped watching.”

Guys, when Chris Claremont says your series has too many dangling plotlines, you have a problem.

I mean, add a few super powers, and… hmm. Add superpowers to a convoluted plotline… didn’t I just get something about that? Why, yes I did:

Consider yourselves warned.

(Incidentally, Chris Claremont has a newly redesigned web site and blog, although he’s still working out the bugs of the migration and some of the redirects are still touchy. Go over and take a look, show him some love.)