Category: News

‘Heroes’ to Simplify for Volume Four

At the Screenwriters Expo in Los Angeles, Heroes’ creator Tim Kring addressed the criticism heaped on not only the second but the current third season of the NBC series.

“The problem is you run into a whole series of issues,” he said. “Where show and business run into each other. The network falls in love with characters, the audience falls in love with characters, the press falls in love with characters. And it’s contractually hard to get people onboard for a brief period… You find yourself writing for characters you thought would be gone.”

As a result, characters intended to be short-lived have gained prolong life. He does like having a large cast of characters to work with since it allows storytelling flexibility. “An hour of television should have the vibe as a day of your life,” he said.

He assured fans that the oft-used time travel elements would be dropped after the current volume, “Villains”, concludes next month. Kring called the serialized format, which he was working with the first time an “absolute bear of a thing. The serialized story is so Writers Room-intensive and requires an ‘all hands on deck’ quality to it; you’re often just carrying the water for the next storyline.”

After discussions with NBC and the dismissal of Jesse Alexander and Jeph Loeb, Kring said the series would continue to break the season into volumes to ensure compact storytelling and allowing different characters to be spotlighted.  As a result, viewers who might have found the mythos off-putting can sample each new arc.

“You can hop on the train and you won’t have missed too much."
 

Jeffrey Katzenberg Sees the Future in 3-D

Jeffrey Katzenberg firmly believes in 3-D and told the audience at the inaugural 3DX Film and Entertainment Technology Festival, "In five to seven years, all films, regardless of budgets or type, will be made in 3-D."

As seen this year and reported yesterday, more and more animated films and concert films are being shot for 3-D using improved technology.  Katzenberg, according to The Hollywood Reporter, continued to say, "3-D is how we see, how we take things in. It’s natural. This is not a gimmick; it’s an opportunity to immerse the audience, to heighten the experience."

The DreamWorks co-founder and former Disney executive foresees a day when 3-D technology will be available on mobile phones and laptops. "This is not my father’s 3-D," he said. "There’s no ghosting, no eye strain and best of all, you don’t throw up. Throwing up is not good for anyone’s business."

Producer John Landau added that 3-D would "do for cinema what stereo did for the audio industry." He says the immediate challenge is to get movie audiences to see 3-D as something other than a gimmick from B-films and the 1950s. Once accepted, he says the sky’s the limit.

"Consumers clearly prefer 3-D if they have a choice," Katzenberg said. 3-D films are estimated as being able to earn two to three times the business of a standard 2-D release.

Disney leads the pack with eleven films currently scheduled for release between 2009 and 2010. DreamWorks’ next 3-D offering will be March’s Monsters vs. Aliens and Katzenberg estimates nearly 40% of the ticket sales will come from 3-D fans. He predicts the percentage will jump to over 80 for Shrek 4 in 2010.

Stressing the technical advances that made the latest incarnation of 3-D different from past efforts, Katzenberg said 3-D "will bring people back to the movies who have stopped going."

Arnold Just May Be Back in ‘Terminator Salvation’

Arnold Schwarzenegger may well have shot a cameo for McG’s Terminator Salvation film according to Total FIlm.

“We’re trying to synthesize a human character with a CGI character and that may or may not have something to do with the T800,” McG told the site. “At the moment it’s not good enough,” he said. “And we’re running out of time.”

The synthesis being attempted by Industrial Light & Magic have not been deemed successful.

Meantime, Moviehole says that McG took advantage of the film’s ending being leaked to alter so there will be surprises. “That is not the ending. John Connor is not the machine. We did discuss that idea, but that is not the ending, I can say that right now.”
 

ComicMix Radio: Making A Dream Come True

More than likely you or someone you know would love to make a film, but those first steps are the hardest. Meet Yasmine Zapp who got her horror film, Darksound, on the screen and she shares the secrets here, plus:

  • New Harry Potter Trailer this weekend
  • A Thor cartoon
  • X-Men First Class the movie

Press the Button or we will tell the Boogy Man where you live!

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-9175593 or RSS!

 

A Good Day for ‘Monty Python’ Fans

It’s a good day for Monty Python fans.  First, Amazon is offering the just-released box set of the entire pioneering television deeply discounted for 24 hours. The normal $99.99 list price is down to a mere $39.99 until midnight.

Meantime, the Monty Python troupe now has a YouTube channel featuring about 24 collections of clips, outtakes and interviews with the gang. And instead of pretending its all about getting to know its audience, the group admits the channel is a direct ploy to sell Monty Python DVDs and merchandise, utilizing YouTube’s new partnership with Amazon (see above).
 

A Look at Marvel’s Softcover Masterworks

Marvel’s David Gabriel and Cory Sedlmeier spoke with the Marvel Masterworks fansite about their collected editions plans for 2009, as Marvel kicks off its 70th anniversary plans. The biggest news is that the 20 year old Masterwork program will add softcover editions beginning in January.

Gabriel explained, “They will be issued one per month in the original running order of release. There will be a regular edition and a variant that resembles the marble hardcover variants. The first edition is listed in the January previews, and we’re just putting February together now.” The first Masterwork was Amazing Spider-Man volume one and will retail at $24.99.

These softcovers will be added to the 16 new volumes planned for 2009, which will push Marvel’s Masterworks library to 126 volumes.  DC’s similar Archives library, in comparison, has only a handful of titles planned for 2009 and have reformatted the hardcovers as their Chronicles line.

Sedlmeier added, “As readers know, the softcover Masterworks will be mirroring the release order of the hardcover line begun all the way back in 1987. The approach taken back then was not to restore the original comics’ coloring, but to recolor the books in what was then a modern style. When the program was reignited with new editions in 2004, I felt historical accuracy was something readers valued above a bells-and-whistles reinterpretation.

“That approach is now law, so the softcovers will be seeing restoration to bring any material not restored to match the original comics’ coloring to up the level of quality and historical accuracy readers see in our new hardcovers each and every month.

“A lot has already been accomplished through the Omnibus line and the new printings the Masterworks hardcovers have seen over the course of 2007 and 2008, so there’s a lot less restoration work cut out for us than there would be if we were starting from scratch.”

The trade dress for the Masterworks evolved through the years from the original “marble” look to an interim design from Comicraft until the line was spruced up in 2002.  Currently, the current trade dress is available as the standard format while the marble look is offered as an alternative at a higher price to cover manufacturing costs.  The look of the softcover line will be a modification. (more…)

‘Jonah Hex’ Needs a New Director

Mark Neveldine and Brian Taylor, the team behind Crank, have withdrawn from Jonah Hex according to Variety. They wrote the script and intended to direct beginning in March with Josh Brolin (W.) in talks to play the disfigured bounty hunter.

The reason officially provided is that there were “creative differences” which could mean just about anything.

The studio told the trade they intended to replace the pair quickly to keep Brolin on board and still shoot in winter 2009. This is yet another setback to DC Comics getting films off the ground in a highly competitive marketplace.
 

Catalyst Games Wants WizKids’ Properties

ICv2 reports that Catalyst Games has submitted a bid for WizKids’ properties, including HeroClix, the Pirates PocketModel Game, Star Wars PocketModel TCG, BattleTech/MechWarrior, and Shadowrun. Yesterday, former employees announced the formation of Piñata Games in the hopes of acquiring HeroClix. 

Catalyst currently has licenses for BattleTech and Shadowrun games which they acquired from WizKids and those games will continue despite WizKids sudden closure.

“Catalyst has demonstrated our ability to manage large and important intellectual properties,” Catalyst majority owner Loren Coleman told the site.  Coleman recently met with Topps execs in New York to discuss the potential acquisition.
 

Could ‘Pirates 4’ be in 3-D?

David S. Cohen at Variety blogged the following:

“To date, other than James Cameron’s Avatar, there have been no announcements of a major franchise installment in live-action 3-D. No 3-D Batman, Superman, Spider-Man, Die Hard or Pirates of the Caribbean. We hear from people who’ve worked on live-action 3-D that there’s a learning curve involved, and that a company or studio should make a 3-D movie before diving into the format.

“With that in mind, though, we can’t help but notice that 1) Disney is heavily invested in 3-D, including live-action. 2) Gore Verbinski and Johnny Depp are making an animated 3-D movie together, Rango. and 3) Jerry Bruckheimer is making G Force in 3-D.

“Disney, Bruckheimer, Verbinski, Depp… Nobody at Disney is talking, but we wouldn’t be surprised to hear a P4 3-D announcement one of these days.”

‘Ironbow’ to Recount William Tell Legend

William Tell is finally getting his due as Justin Chadwick (Bleak House) has signed on to direct Ironbow: The Legend of William Tell. He will work from Jay Wolpert’s (The Count of Monte Cristo) script about the marksman who was forced to shoot an apple from atop his son’s head.

Spyglass will produce the film with no studio or release date announced. Casting is expected to begin shortly.

The Hollywood Reporter offered up a concise recap of the tale: “The William Tell legend centers on a crossbow marksman who, when he would not bow to Austrian rule, was forced to shoot an apple off his son’s head in exchange for freedom. The local overlord who commanded the act noticed that Tell had a second arrow in his quiver, which Tell told him was meant for the overlord if the son was killed. Tell was promptly arrested but eventually escaped and killed the overlord, sparking a rebellion that led to the formation of the Swiss Confederation.”

The story is now considered fiction by historians who can find no authoritative evidence of Tell’s existence.  He has remained an inspiration, his story told and retold from stage to screen. The first film adaptation came from French director Charles Pathé in 1900 while the most recent interpretation was the German-language Tell, in 2007.