Category: News

Superman’s Only Villain?

236715820_62a6cc8c84-5157448In keeping with the upcoming movie The Dark Knight, the next Superman movie will be titled Man of Steel. The villain…? Aww, you guessed it.

Kevin Spacey told Variety he will be back as Lex Luthor in Superman: Man of Steel. He met with director Bryan Singer and firmed up the deal to star in the movie, which is expected to feature a Michael Dougherty (Superman Returns, X-Men X2) screenplay. Hopefully, Superman: Man of Steel will sport an original plot and not be simply a warmed-over third-rate remake of a previous effort. C’mon, Warners, we’re talking about the family jewels here!

Production is expected to begin next year with a 2009 release.

ELAYNE RIGGS: Baseball, comics and all that jazz

elayne200-9141497It’s said that there are only a few established art and entertainment forms that America can truly call its own — baseball, jazz music and comic books.  It’s a bit of a hubristic statement, not surprising coming from a country as relatively young yet as vast as our own.  It almost sounds as if we’re trying to convince ourselves of our own cultural relevance — even more so because we realize that each of these things has its roots elsewhere.  But hey, so do most of us.  And just as this “nation of immigrants” has brought disparate peoples into a “melting pot” atmosphere wherein their contributions have mixed to form a melange all its own, so have jazz, comics and baseball taken previously existing elements and turned them into something new and unique.

Now, I don’t know much about jazz, so I leave that topic for someone more savvy than me to tackle. But speaking of tackling, George Carlin has a famous monologue where he contrasts the essential natures of baseball and (American) football, so I thought it would be interesting to compare baseball to “mainstream” (i.e., primarily “Big Two”) comics. I believe the two have more things in common than many people may realize. Both are team efforts in which individuals can excel and stand out, but which have the best outcome when everyone involved is working toward the same goal (in baseball, winning the game; in comics, telling the story). Both have bullpens and wacky nicknames (as Stan Lee well knew), and both have equally enthusiastic fan bases. And while the split between baseball fans and comics fans has always been presented as a “jocks versus nerds” scenario, both of those stereotypes have been pretty well dismantled in recent years. Despite American baseball still not being gender integrated (but hey, it only took a century from its inception to integrate the game racially) it boasts male and female aficionados of a wide age range. Despite American mainstream comics being largely created by and targeted to straight white post-adolescent males, they too have drawn in male and female readers and admirers of all ages.

There’s something quintessentially welcoming about the game, and the literature, of amazing visual possibilities and poetry – something that can’t be squelched by all the talk about contracts and exclusives and all the business stuff that’s extraneous to spectators, that’s beside the point of what happens between the white lines or the black borders. We all know it’s there, and admit it has its place, but that it’s more the realm of the voracious media who need their daily dose of sensationalist copy and crave the breaking story even when it’s a non-story. Mountains are made from minutiae – is this pitcher healthy? What about that book’s lateness? Did he really sign a 2-year contract for that much money, and will it include his creator-owned work? Was he on steroids when he drew that or what? (more…)

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F&SF News & Links

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Colleen Mondor has a long essay about mysterious houses in various genres. (That picture, by the way, is the very first result for "mysterious houses," though they don’t look terribly mysterious to me.)

SF Signal thinks about who the next Grand Masters of the Science Fiction Writers of America should be.

Cracked lists the seven lamest Transformers of all time. Oh, yeah…as if being a giant killer robot who can turn into something else isn’t pretty damn cool no matter what… [via Extra Life]

The UK SF Book News Network reports on the launch of Galaxiki – a wiki-editable virtual galaxy intended to become a gigantic collaborative writing project.

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Cartoonist Doug Marlette Dies In Crash

2777500744-7601044Pulitzer Prize-winning editorial cartoonist Doug Marlette, creator of the newspaper strip Kudzu, was killed in a car accident this morning in Mississippi.

According to the Associated Press, Marlette was a passenger in a car that struck a tree after skidding on a wet road. The car hydroplaned and struck the tree, killing the cartoonist. Marlette was working in Oxford, Mississippi, with a high school theatrical group that was mounting a musical version of Kudzu.

Big ComicMix Broadcast: 300 Packs TNT

It’s time to kick off The Big ComicMix Broadcast pre-game for the biggest pop culture event of the year – San Diego ComicCon 2007. Stick with us and you get a an upclose and personal, free ride for the show. Plus your wallet takes a hit (in a good way!) with some great comics and DVDs to grab this week. There’s news of 300 coming to cable and an important tip on what NOT to name your band!

Please Press The Button!  Why? Cause we said please!

Campbell and Sturgeon Award Winners

The 2006 John W. Campbell Memorial Award and 2006 Theodore Sturgeon Memorial Award were presented at the Campbell Conference this past weekend in Kansas City. Each award was voted for by a jury of experts.

The Campbell Award, for best science fiction novel, went to Ben Bova’s Titan.

The Sturgeon Award, for best science fiction short story, was given to Robert Charles Wilson’s "The Cartesian Theater," from the anthology Futureshocks.

Also at the Campbell Conference, the Science Fiction Research Association presented several awards:

  • the Graduate Student Paper award, to Linda Wight for "Magic, Art, Religion, Science: Blurring the Boundaries of Science and Science Fiction in Marge Piercy’s Cyborgian Narrative"
  • the Mary Kay Bray Award, for the "best essay, interview, or extended review to appear in the SFRAReview during the year," to Ed Carmien for  his review of The Space Opera Renaissance edited by David G. Hartwell and Kathryn Cramer
  • the Thomas D. Clareson Award for Distinguished Service, for "outstanding service activities-promotion of SF teaching and study, editing, reviewing, editorial writing, publishing, organizing meetings, mentoring, and leadership in SF/fantasy organizations,"to Michael Levy
  • the Pioneer Award, for "best critical essay-length work of the year" to Amy J. Ransom for "Oppositional Postcolonialism in Québécois Science Fiction,"  from the July 2006 issue of Science Fiction Studies
  • and the Pilgrim Award, honoring "lifetime contributions to SF and fantasy scholarship," to Algis Budrys.

[via SF Scope]

DENNIS O’NEIL: (Hey, Dude, ain’t he ever gonna git done yakkin’ about) Continued Stories

Last week, we were discussing the cons of continued stories, specifically what’s wrong with them, and we posited that they have a major problem in the difficulty new readers (or audiences) have in understanding the plot and characters. I said that there were remedies for this problem and now I’ll suggest, a bit timidly, that though remedies exist, nothing is foolproof.

Which brings us to the second difficulty with this kind of narrative, one closely related to the first. A potential reader who knows that the entertainment in front of him is a serial and that he’s missed earlier installments might think he’s come to the party too late, and so he won’t be tempted to enter it. Admittedly, this has more to do with marketing than stortytelling, but anyone who thinks that sales departments and creative departments aren’t entwined tighter than the snakes on a ceduceus isn’t paying attention.

There are probably more cons, but let’s let the subject rest with those two – we don’t want to beat anything to death, do we? – and proceed on to the pros.

Pro number one: Serialized stories build audience/reader loyalty. If you like the story you’ll want to learn what happens next and how the problems are solved and you’ll keep returning to satisfy your curiosity.

Pro number two (and this, to me, is the biggie): Serials present storytelling opportunities rare in other forms, if they exist at all. Continued narratives allow the storyteller to present a complex plot and a lot of subplots, as well as stuff that might not directly relate to the plot(s) but is, well, amusing.

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SF Awards Announced at Readercon

One of the science fictional world’s classiest conventions, Readercon, was held this past weekend in the suburbs of Boston, and your intrepid reporter was there. There wasn’t anything much comics-related happening — Readercon famously concentrates on the written word to the excusion of everything else — but two awards were presented over the weekend, which may be of interest.

SF Scope has a full report on the winners of the Rhysling Award, for science fictional poetry. Rich Ristow’s “The Graven Idol’s Godheart” won in the short category (fewer than 50 lines), while the long category winner was Mike Allen’s “The Journey of Kalish.”

The Cordwainer Smith Rediscovery Award, funded by the heirs of Paul Linebarger (who wrote science fiction as Cordwainer Smith) to promote dead and obscure authors worthy of wider appreciation, went this year to Daniel F. Galouye, author of Dark Universe and Simulacron-3, which was filmed as 1999’s The Thirteenth Floor. (SF Scope, again, has a longer report.)

 

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Harry Potter Mania!

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It seems that every news outlet in the world is scrambling to keep up with the Harry Potter frenzy. And I know you people at home are wondering, "How can I keep up with all of these mildly diverting stories that all rehash the same three or four facts?" Well, friends, wonder no more, for we have gathered those stories for you, in the handy "hyperlink" format, for your clicking pleasure. Please, no applause…it’s what we’re here for.

The Boston Globe manages to find some doom-and-gloom in the story of how the Harry Potter books got millions of kids to read long, complicated books: some of those kids might not be reading much else! (Shock! Horror!)

Continuing the all-Harry-all-the-time drumbeat, the Minneapolis Star Tribune anatomizes the secrets of Harry’s appeal.

And the Arizona Republic ponders the musical question: Will Harry Potter become a classic?

The Austin Statesman-American worries that young fans will abandon books entirely after Deathly Hallows. (Just as millions of Americans have given up on television after the Sopranos finale.)

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F&SF News & Links

The Slush God quotes from a bunch of writers who have seen the Transformers movie, most notably Cherie Priest, who made me laugh out loud with things like “I think that now I can DIE OF AWESOME POISONING because that was more awesome than a whole SWIMMING POOL THAT HAS BEEN FILLED WITH AWESOME, and then someone shoves A PAIR OF GIANT DUELING ALIEN ROBOTS INTO THE SWIMMING POOL, and there’s a UNICORN STANDING IN THE BACKGROUND, GRANTING WISHES and SHITTING DIAMONDS.”

Maureen McHugh explains the attitude of a writer towards a work in progress, via this handy chart.

Jacob Weisman, publisher of Tachyon Publications, recently got married, and both Frank Wu and Susan Palwick were there. The best part: they recited the Green Lantern oath (the one written by Alfred Bester) to each other as part of the ceremony.

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