The Mix : What are people talking about today?

Andrew Koenig: 1968-2010

Andrew Koenig, star of Growing Pains and son of Star Trek actor Walter Koenig, committed suicide. His boy was found in Vancouver, Canada on Thursday afternoon after being missing for almost two weeks.

Vancouver authorities held a press conference on Thursday just
hours after the discovery, during which a police spokesperson revealed
they had no reason to believe foul play was involved in Koenig’s death.

Walter fears his son’s battle with depression led him to take his own life. He and his wife Judy want to use the tragic news to warn
other parents to seek help if they believe their child is struggling
with their personal demons.

From 1985 to 1989, Koenig played a recurring role as Richard “Boner” Stabone, best friend to Kirk Cameron‘s character Mike Seaver in the first four seasons of the sitcom Growing Pains. During the same period, he guest starred on episodes of the sitcoms My Sister Sam and My Two Dads as well as the drama 21 Jump Street. In the early 1990s he provided a voice for the animated series G.I. Joe as Ambush and Night Creeper Leader, and had a minor role as Tumak in the 1993 Star Trek: Deep Space Nine episode “Sanctuary“.

For comic book fans, he may be best known for playing The Joker in the incredibly popular fan film Batman: Dead End.

Our condolences go out to the Koenig family and Andrew’s friends.

The Point Radio: Stan Lee Wants You – And Your Violin

A good portion of the success enjoyed by DC’s direct-to-DVD features belongs to the directing expertise of Andrea Romano. So how does she find thopse wonderful voices and which Hollywood A-Listers are on her “wish list”? Plus, Stan The Man is looking for a few good musicians – really, True Believer we’re not kidding!

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99 people in Star Trek costumes is a record? Klingon, please!

I call shenanigans. The article on Times Online:

Namco Bandai decided to organise a world record attempt for people
dressed as Star Trek characters on Valentine’s Day. After all, what
else would all these trekkies be doing?

The good news is that the world record is apparently in the bag. 99
people turned up at the Millennium Bridge in London on Sunday dressed
as characters from all generations of the pioneering TV show(s).

99 people in Star Trek garb is a world record? I’ve been to weddings with more people in Star Trek costumes.

Apparently, this is a world record because the nice people at Guinness never bothered to count before Namco Bandai wanted to promote Star Trek Online.

If nothing else, the group shot in Star Trek: The Motion Picture got hundreds of fans in Star Trek costumes, including David Gerrold and Bjo Trimble. (And before you say they were paid to be there, let it be known that originally the fans originally were there for free, and when told money had to change hands, a lot of the fans asked how much they would have to pay. Most of them never cashed the check they got for being extras.) 

I fully expect that this record will be demolished by a new gathering by the end of the summer.

Detective Comics #27 Sets New Record For Sale of a Comic Book

Didn’t take long now, did it?

A whopping three days after Action Comics #1 took in a cool $1,000,000, the Heritage Auction Galleries in Dallas reported to Comic Riffs that a copy of Detective Comics #27 sold for $1,075,500 last night. #27 you say? Why not #1? Well folks, don’t we all know that issue features the debut of a pointy eared vigilante who’s made a career out of being cooler than ole’ Big Blue. Just like it’s Action Comics counterpart, the issue was an 8.0 graded book by the CGC scale. With only 100-200 copies left in the world, this again marks a major sale in the aftermarket for comic books.

Richard Donner makes a great couple movies about you, Superman? Batman Begins and The Dark Knight was better. People thought you were so cool in Kingdom Come, oh Man of Steel? Face it, old Bruce kicked your keester in Dark Knight Returns. And you thought you had him there for a second, didn’t you, Clarky-poo. A million dollar comic sale! Well, this was a million-plus. Suck on that green kryptonite.

As for us here at ComicMix, we’re gonna go check on our aforementioned copies of Ultraforce #1 and the “Darkchylde Summer Swimsuit Spectacular”. Cause, well, you never know.

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Review: ‘FlashForward’ Season One Part One on DVD

flashforwardseasononepartonedvd1-6000158You have wonder why ABC Studios released the first ten episodes of FlashForward
on DVD considering they’re already available either on their website or Hulu. And yet, the two-disc set came out this week, a convenient package for those who may have missed out on the fun. And, if you like what you see, the package contains a coupon good for saving $10 on the Complete First Season, advertised as coming in August.

There are just two bonus features contained here: Creating Catastrophe, a 7:06 look at filming the explosive opening scenes from the pilot; and A Look Ahead, 4:48 of enticing clips that focuses more on the relationships than the overall mystery.

The mystery, for those who have yet to discover the series, is how all of mankind blacked out for 2:17 at precisely the same moment (10 p.m. PST) and everyone experienced a glimpse into their future, April 29, 2010 to be exact. While a global phenomena, the show follows the investigation of an FBI task force headed up by Joseph Fiennes, apparently the people who gathered the most clues the fastest, so everyone else has seemingly backed off.

[[[FlashForward]]] is based on the 1999 novel by Robert J. Sawyer
which traces the incident to an accident caused by the CERN Super Collider and actually showed a future decades away. The cool concept is well executed in the book and offered the producers, Marc Guggenheim, David S. Goyer and Brannon Braga a starting point. Other than the basic concepts, the book (well recommended) and the show have nothing in common.

What they have done is nicely show the many ways people react to knowing what’s in store for them. Fiennes saw himself investigating and falling off the wagon; his partner John Cho discovers he’s dead; his fiancée comes to realize she’s attending his funeral; and so on. We have a suicidal man rededicate his life and Fiennes’ nanny comes to a spiritual rebirth. It’s a large, sprawling cast of investigators and their loved ones in addition to the people who may or may not be behind this incident (and potentially a previous limited test in Africa years before).

It could be that the cast is too large so we go weeks between seeing some of these people. As a result, their reactions are blunted and they feel disconnected from the main story. Threads are also added and dropped without much reason. For example, there is clearly a connection between Fiennes’ young daughter Charlie and Dylan, the autistic son of Lloyd Simcoe, the very man Fiennes’ wife, Olivia may have an affair with by spring. Lloyd, by the way, has something to do with the blackout and has a connection to Dominic Monaghan’s physicist. See, it gets messy after a while.

On the other hand, it’s nice to see a show dealing with characters and how they change based on this event. Most series refuse to let their characters grow and change this rapidly for fear audiences won’t grow attached to them. We’re also given a diverse cast, filled with many familiar genre performers but mostly getting larger-than-normal roles so that’s a plus.

The series stated off to great reviews and strong ratings but it slid quickly which prompted the network to suspend the series after these ten episodes and then return post-Olympics. The show will resume on March 18 with a two-hour premier and run uninterrupted until its conclusion with a two-hour finale on May 27 (well after Sweeps end and the new season has been announced).

This is a strong concept, but like [[[Lost]]], needs a resolution. In fact, this probably should have been a one-season show so the producers could have planned accordingly. Goyer hasn’t done much TV and certainly not been involved to this degree which may be why it felt and looked a little different at the outset.  Guggenheim, strong with ensembles, was the first to leave over creative differences with the network. Goyer became the new showrunner and his approach clearly didn’t please ABC since he departed during the hiatus and his wife, Executive Producer Jessika Borsiczky, moved over to take the reins. Her touch will be seen this spring.

The show is engaging thanks to the cast and the characters but the overall mystery remains too ill-defined and possibly even unnecessary. But its here and needs to be resolved. Since April 29 comes during this run, you have to wonder what the aftermath will be like before a new wrinkle is introduced for the hoped-for second season.

(more…)

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‘It’s A Bird… It’s A Plane… It’s Superman!’ the movie (musical)

its-a-bird-its-a-plane-its-superman-4139527We here at ComicMix would like to remind people, in the age of talks of Christopher Nolan consulting on the Superman movie franchise (with David S. Goyer rumored to have a script called The Man Of Steel) that Superman Returns wasn’t nearly as bad as it could have been.

As a point of reference, we would like to show you what the state of the Superman franchise was like just a few years before Christopher Reeve took over the role. This is the televised version of the Broadway musical of It’s A Bird… It’s A Plane… It’s Superman! entitled, simply, Superman (and now I know why all the ads called it Superman The Movie).

If you’re at home on a snow day today, check it out.

Interestingly enough, MTV Splashpage reports that the play is being completely revised and updated (by setting it in the 1930s?) by Roberto Aguirre-Sacasa, a comic book writer going back to his roots as a playwright. It’s a Bird…It’s a Plane…It’s Superman will run June 18 – July 25, 2010 at the Dee and Charles Wyly Theatre in Dallas, Texas.

Crazy Sexy Geeks: The Series – Me Likes You

‘Action Comics’ #1 sets new high for sale at auction, breaking the million dollar mark

We’ve all had that argument with our mothers, haven’t we? “Why do you keep all those old comics in your bedroom?” …“Duh, mom, cause they’ll be worth tons of money one day, geez!”. And your mother, frugal as she is, looks at her collection of porcelain cat figurines, and laments. “They better be!”

Well, sleep well tonight. As it’s been widely reported across the inter-webs, a CGC graded 8.0 (Very Fine) copy of Action Comics #1, whih we all know contained the debut of Superman, was sold for (pinkies to your mouth, gentlemen…) one million dollars!

The sale was brokered by Stephen Fishler and Vincent Zurzolo of ComicConnect.com. As covered well here, the copy of Action Comics is only 1 of an estimated 100 left in existence. Of those out in the world, the CGC Census lists only 42 copies, including one unrestored copy sitting at 8.5 VF+, and three restored copies at 8.0 or higher.

So, what does all this mean? Consider that amidst a nation in recession, with high numbers of unemployed citizens, and general financial malaise rampant throughout the nation, one more feather can be placed in the ‘Recession-Proof’ aftermarket for printed comic books.  Sorry Apple enthusiasts; No iPad copy of Uncanny X-men will mint you one shiny nickel whilst there are printed copies and collectors out there. Now, obviously don’t expect all your copies of slabbed “Ultraforce” and “Darkchylde Summer Swimsuit Spectacular” are gonna mint you a cool Milly’… but hey, you never know. And your mother won’t know either.

Gina Torres, Superwoman

On Monday, I identified Gina Torres as giving the best vocal performance in this week’s Justice League: Crisis on Two Earths. Courtesy of Warner Home Video, here’s an interview with the women we know for her work on Alias, Angel, Firefly and countless other films and television series.

Torres had an unanticipated assist in bringing about the powerful, yet sultry voice of Superwoman, coming into the booth in the final days of a bad flu that slightly lowered her vocal range and added a smoky sexiness to the outstanding performance. Even more impressive is her perfect match with the voice of Owlman, James Woods – considering the two actors recorded on opposite coasts, weeks apart, and have never met each other.

Torres has also spent some time in the animated world, working with Warner Bros. Animation as Vixen on Justice League.

QUESTION: As you stepped into the sound booth to voice Superwoman, were you actually feeling wickedly sexy, delightfully cruel and ultimately powerful … or was that all just acting?

GINA TORRES: I’m so glad they called me to do Superwoman, (she laughs) because I was in the mood to get back in there and be a badass. Superwoman is one of those super heroes that knows her power, and is very comfortable in her power. And it’s all cat – it’s no mouse with her. She likes to bat around her prey and she really enjoys what she’s doing.

In the booth, you sort of have to become this person. When you’re not on stage with other actors and you’re not on camera, you really get to free up your body and do all kinds of things that maybe aren’t as pretty on camera. You get to have a good time getting your whole body involved in the interpretation. (more…)

Crazy Sexy Geeks at Midtown Comics – Valentine’s Day