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Review: ‘Misfits’

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Imagine if you will, being a teenage juvenile delinquent who suddenly acquires super powers. What would you do? The writers of [[[Misfits]]] (originally aired on E4 in late 2009, and now available on DVD via Amazon UK) obviously spent a lot of time considering this. The show follows five young people who have been sentenced to community service. A freak storm imbues them all with different powers. Each of the characters is trying to come to grips with his or her own new abilities while still dealing with the regular life issues that they experience every day. As this is a British program, the language and visuals are far more racy than American broadcast TV, and seems to fit genuine teenage behavior more accurately as a result.

Viewers might initially have to adjust to the shocking and rather obnoxious behavior of Nathan (played by Robert Sheehan), a young man who seems to act out to get attention after feeling neglected and ignored by his parents, but he grows on you as his character develops. Kelly (Lauren Socha) has some anger management issues triggered by the fact that people tend to make snap judgments and classist remarks aimed at her. Beautiful, spoiled daddy’s girl Alisha (Antonia Thomas) goes out of her way to ensure that every male present is fantasizing about her, and is especially interested in capturing the attention of Curtis (Nathan Stewart-Jarrett), a track star whose mistakes destroyed his chance for the Olympics and who is being punished heavily as an example. The fifth member of the group is Simon (Iwan Rheon), a socially awkward techno-geek who enjoys filming everything going on in the world around him.

While the standard setup for supers is to have a battle between Good and Evil, Misfits explores the way most people would realistically respond to such a situation. Everyone’s actions and motivations (and powers, which I will not spoil here) match his or her own personality and situation. Each episode presents a new challenge with the powers while regular situations are also being hashed out. For those viewers who like to see romantic situations explored, you will not be disappointed, either. Misfits is fun, fast-paced and well thought through – and more than a few scenes will leave most audiences rolling with laughter while still providing plenty of food for thought.

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Spider-Man has his Webb: Director named for ‘Spider-Man 4’

Here’s the press release from Sony:


CULVER CITY, Calif., January , 2010 – Marc Webb, the director of the Golden Globe nominated Best Picture (500) Days of Summer,
 will direct the next chapter in the Spider-Man franchise, set to hit
theaters summer 2012, it was jointly announced today by
Columbia Pictures and Marvel Studios.

Written
by James Vanderbilt, Webb will work closely with producers Avi Arad and
Laura Ziskin in developing the project, which will begin production
later this year.

Commenting on the announcement, Amy Pascal, co-chairman of Sony
Pictures Entertainment, and Matt Tolmach, president of Columbia
Pictures, said, “At its core, Spider-Man is a small, intimate human
story about an everyday teenager that takes place in an epic
super-human world. The key for us as we sought a new director was to
identify filmmakers who could give sharp focus to Peter Parker’s life.
We wanted someone who could capture the awe of being in Peter’s shoes
so the audience could experience his sense of discovery while giving
real heart to the emotion, anxiety, and recklessness of that age and
coupling all of that with the adrenaline of Spider-Man’s adventure. We
believe Marc Webb is the perfect choice to bring us on that journey.”

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‘Torchwood’ coming to the US?

The Hollywood Reporter says that Fox is developing a stateside version of the U.K. hit series Torchwood.The project is from BBC Worldwide Prods., with original series creator Russell T. Davies writing the script and the original producing team is on board. In addition
to Davies, exec producers include Davies’ producing partner Julie
Gardner (former head of drama at BBC Wales for the show’s first season)
and Jane Tranter (another BBC vet, now exec VP programming and
production at BBC Worldwide Prods. in the U.S.).

Also, some of
the current cast — most likely John Barrowman, who plays the immortal
Captain Jack Harkness — might star if Fox orders Torchwood to pilot.

As
for the new show’s plot, the U.S. version will contain a global story
line compared to the more localized sensibility of the first two BBC
seasons.

No word if this ends up being the fourth season of Torchwood that we talked about back during San Diego.

Robert B. Parker: 1932-2010

Robert B. Parker, the man behind the Spenser, Sunny Randall, and Jesse Stone mystery series, as well as the Appaloosa westerns, died this morning at his writing desk at the age of 77. Parker had written over sixty novels and won the Grand Master Edgar award from the Mystery Writers of America.

I’d seen a few episodes of the 80’s TV series Spenser For Hire with Robert Urich and Avery Brooks (Spen-sah!) when it first aired, but I was introduced to Parker’s writing by DC Comics. The Spenser novels were a secret passion of a lot of the editors and writers there because of Parker’s elegant and compact style. I picked up on them and devoured them all.

I suspect one of the hidden appeals of the Spenser novels to comics writers wasn’t the mysteries themselves– Parker once said that his mysteries weren’t hard to figure out– but the moral dilemmas and character choices that came out of them. They weren’t so much whodunnits as whatthehelldowedoaboutits.

For many people around the world, the names Spenser, Susan Silverman, Sunny Randall, and Jesse Stone evoke more of Massachusetts than the Kennedy name does– and that’s saying a great deal.

I met Parker a few times, and he was just about what you would have expected from his prose or his appearances in some of the Spenser TV movies– thoughtful and cordial, yet without pretense. I am saddened by his passing, and wonder how I’m going to be able to reliably tell in the future when spring has come without a new RBP novel to mark it. My sympathies to his wife Joan, and his children David and Daniel.

An open letter to Jeph Loeb

When
I first saw your name, sir, it had been attached to one of the best
“young” Batman books to ever hit my shelf. Then you delivered to me a Superman For All Seasons. And to find your run on the Challengers of the Unknown?
Oy, how awesome it was! When friends would name drop their favorite
creators, I was quick to say your name. I mean, for Rao’s sake… you
helped create Teen Wolf, and to a much lesser degree, Teen Wolf Too!
And as the decade began, you gave us Dark Victory. I remember finishing
the series with just the slightest hint of bitter aftertaste in my
throat. Had you “gone to the well” too quickly, to deliver something
too much like The Long Halloween? Nay. Nay I said.Without fail, the hype machine forced my young and malleable mind to commit to Batman: Hush.
And why not? It had Jim Lee! Drawing every Bat Villain! Superman and
Batman Fighting!  A possible Jason Todd resurrection! Catwoman’s boobs!
Man, you sure got me. I bought every issue with mindless fervor. One
year later… the mystery ended, and there it was again, Jeph. That
strange… bitter taste… telling me something didn’t sit quite right
in my gut. But hey, the sales figures said otherwise, right?

Not long after that, the hype machine whispered in my ear again.

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Shooting Begins on ‘Red’

Flush with cash from the Twilight films, Summit Entertainment is moving ahead with other projects and today announced work has begun on Red.

January 12, 2010 — Toronto, Canada – Principal photography has begun in Toronto on Summit Entertainment’s spy-thriller Red, based on the WildStorm graphic novel of the same name by Warren Ellis and Cully Hamner.

Joining previously announced stars Bruce Willis, Mary-Louise Parker and Academy Award-winners Helen Mirren and Morgan Freeman, are two-time Academy Award-nominee John Malkovich, Karl Urban, Brian Cox, Academy Award-winners Richard Dreyfuss and Ernest Borgnine, Julian McMahon, James Remar and Rebecca Pidgeon.

Red is the story of Frank Moses (Willis), a former black-ops CIA agent, who is now living a quiet life.  That is, until the day a hi-tech assassin shows up intent on killing him.  With his identity compromised and the life of the woman he cares for, Sarah (Parker), endangered, Frank reassembles his old team (Freeman, Malkovich and Mirren) in a last ditch effort to survive.

Directed by Robert Schwentke (The Time Traveler’s Wife, Flightplan) from a screenplay by Jon Hoeber and Erich Hoeber (Whiteout), the film is produced by di Bonaventura Pictures’ Lorenzo di Bonaventura and Mark Vahradian (Salt, Transformers, Transformers: Revenge of the Fallen).  Executive producers are Jake Myers (Shanghai, Hollywoodland) and Gregory Noveck (Jonah Hex).  Di Bonaventura Pictures’ production executive David Ready serves as co-producer.

Red reunites director Schwentke with director of photography Florian Ballhaus (Marley & Me, The Devil Wears Prada) and Oscar-winning film editor Thom Noble (Witness, Thelma & Louise) who collaborated with Schwentke on The Time Traveler’s Wife and Flightplan.  Additionally, Red production designer Alec Hammond (Donnie Darko) and costume designer Susan Lyall (Rachel Getting Married) lent their talents to Schwentke’s Flightplan as well.

“I’m so excited at the phenomenal cast that Robert and our script have attracted,” said di Boneventura.  “I think audiences are going to have a great time.”

Summit’s President of Production Erik Feig said, “Red is that classic project with a little bit of something for everyone.  We are thrilled to see it come to vivid life with an outstanding cast, incredibly talented director, and top notch producing team.  It’s gonna be a good one!””

Red will film in and around the Toronto metropolitan area for nine weeks before moving on to the road and ending in New Orleans in late March for the final two weeks of principal photography.  The film is scheduled for worldwide release on October 22, 2010.

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Review: ‘Robin Hood: Season Three’ on DVD

BBC’s retelling of the [[[Robin Hood]]] legend began in 2006 and quietly ended in 2009, never quite living up to the hype and expectations. The series was incredibly anachronistic and its budgetary limitations were clearly evident throughout its 36 episodes. When the series was good, it was highly entertaining and when it was less good, it was tolerable.

BBC Video has just released the third season on DVD in the states so if you missed it on BBC America, here’s your chance to see for yourself how it all wrapped up.

The series began teetering during its second season, especially when Lucy Griffiths chose to leave the show and they killed Maid Marian, making for a major departure from the legend. Then we heard that Robin himself, Jonas Armstrong, announced he was leaving after the third season. As a result, we began hearing them all chant “We are Robin Hood”, setting up the expectations that once Armstrong left, the Merrie Men would carry on, keeping his spirit (and the series) alive. The BBC went so far as to announce a producer had been asking for a fourth season revamp but the third season ratings changed their minds.

We open the third season with Robin and company returning from the Holy Land where Marian was buried. He’s still smoldering with hatred, wishing nothing more than to gain revenge against Gisborne (Richard Armitage) for his love’s murder. And here’s the problem, for two seasons now, Robin, Gisborne, and the Sheriff (Keith Allen) have all had one opportunity or another to dispatch the other, ending the misery. In every case, they back off or get thwarted and by episode 27, it’s gotten very tiresome. Similarly, I’ve lost track of the number of times the villagers have thought ill of Robin and the men when they know better. Then there are the anachronisms in dialogue to appeal to modern day viewers.

On the other hand, this season set up several threads that at least provided a more interesting spine to stir things up than the second season did. The arrival of Friar Tuck (David Harewood) and Gisborne being sent away to explain his failures to Prince John in person start things off nicely. The return of the Sheriff’s sister, Isabella (Lara Pulver) and seeing her replace her brother changed things up nicely. On the other hand, the later revelation that Gisborne and Robin shared a heretofore unknown half-brother, Archer (Clive Standen), doesn’t do anything but shift the focus away from the regulars.

And that’s been a consistent problem along with the earlier issue over the enmity between our hero and the Sheriff. The Merrie Men (Alan, John, and Much) have been ill-served with little time spent on their characters. They fight, get captured, get freed, argue, and bring supplies to the townsfolk. We never circle back to John’s wife and son or learn more about the others. The writers and producers certainly did these three actors (Joe Armstrong, Gordon Kennedy, and Sam Troughton respectively) a disservice. Also, the fun byplay between Robin and Sheriff from previous years is all but missing. If anything, the actor to really shine throughout the three seasons is Armitage who has been conflicted between his upbringing, his loyalty to the crown and the Sheriff, and the unrequited love for Marian.

The show builds up to a major climax, bigger than the previous seasons and actually adds a punctuation mark that nicely brings down the curtain on the series.

The five disc set comes with A Legend Reborn a self-congratulatory behind-the scenes featurette, A New Look (a nice piece on the costuming), a piece on the Trebuchet: Creating Chaos and video diaries that are mildly entertaining.

As this entertaining but less than satisfying series ends, we can turn our attentions to yet another look at the legend with the big budget Ridley Scott/Russell Crowe feature this spring.

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The Point Radio: Look Who’s Coming To ‘Supernatural’

Producer Eric Kripke reveals  a new cast member to SUPERNATURAL,  while Misha Collins tells us what it’s like coming into the show after four seasons. Plus Globe coverage, a new DC weekly and creators step up to aid Haiti.

And our live ON SITE coverage of The Golden Globes continues Sunday with free video clips & more right here

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New Year’s Lending Amnesty

questiontpb-9390178Somebody borrowed my runs of Denny O’Neil’s Question, Scott McCloud’s Zot!, and Mark Evanier’s Crossfire. And come to think of it, somebody’s got my copies of The Rampaging Hulk with all the Dominic Fortune appearances too. But you know what— just return them, and all will be forgiven.

Seriously. Don’t make me call these guys.

What about you? What things have gone missing from your collections? Feel free to use the thread to recall other strayed books, records, DVDs, and so on.

ComicMix Six: Favorites (and not-so-favorites) of the decade

blue-beetle-2-1621286And then one day you find ten years (and two weeks) have got behind you…

Since everybody thinks it’s the end of the decade, we’ll do a recap of the decade to go along with our recaps of 2009. This is
by no means a definitive list of “the best of the decade”, just our disparate takes
on what stuck out in the minds of everybody here at the Mix as to what happened in the last ten years. Backwards ho!

Best Ethnic Replacement for Milquetoast Hero of the Decade: Jaime Reyes, Blue BeetleTed Kord fans (yes, all 28 of you…) slow your roll! I am one of you! Need proof? I totally own the original Ted Kord action figure from back in the mid 90s! But let’s face it guys, Ted wasn’t doing much since his Justice League Extreme days now, was he? So, leave it to DC Architects Geoff Johns, Greg Rucka, and Judd Winick (ok, one architect, one great noir writer, and that guy from MTV) to give Ted a swansong, and smear his boring white-guy-noggin all over a castle wall. A short time later, yet-another-space-bound-artifact came crashing down into the DCU, at the feet of second generation Mexican immigrant Jaime Reyes. Poof! The DCU has this generation’s Vibe! Jaime is the perfect addition to DC’s general melange of milquetoast major leaugers. Jamie’s got “Benetton Ad” written all over him, as he lives in the southwest (El Paso, Texas, I tell ya whut.), is best friends with a slacker named Pedro, and all but spews Spanglish in between beetle battles. Jaime’s Blue Beetle is a far more marketable sort, trading Kord’s wits and a powerfully dorky light/air gun for slick alien techno-armor with a disposition for deadly demolition by way of any number of fun action-figure accessories. Jaime enjoyed an ongoing series for a few years, but has seen his stock rise with recent appearances on Batman: The Brave and the Bold cartoon series. And just to kick sand in our collective Ted-loving-faces? They gave Jaime Ted’s old ride. Ay, dios mio. –Marc Alan Fishman

Favorite Idea Wasted of the Decade: The Illinois Spaceknights, Civil War

We know the story well enough, don’t we? Nitro done blowed up Stamford, and Tony Stark done led ole’ congress to pass the Superhuman Registration Act. What with a plethora of newly discovered super-powered people… something had to be done with the excess. Welcome to The Initiative! Marvel opted to train every Tom, Dick, and Butterball with powers in a military style bootcamp. After graduation came placement into any one of 50+ super teams, each to be covered under the Fifty State Initiative. Now, it’s no secret I’m a loyal native son of the Chicagoland area… So, imagine my surprise that the state housing the nation’s third largest city would be protected by… The Spaceknights?

Now, color me confused here folks. Illinois has no connection to NASA, where one might THINK a connection to “Spaceknights” might be relevant. Since the Civil War ended in 2007, nothing else has come of the aforementioned Illinois superteam. But I guess they’re not alone. Wikipedia lists no less than 25 other states not only in the dark… but without totally horrible team names like “the Spaceknights”… Hell, at this point, I’d sooner hope they are disbanded, and redubbed “the Windbags”. Epic Fail anyone? –Marc Alan Fishman

Most Forgotten Book of the Decade: 1602

Remember this book? Neil Gaiman, Andy Kubert, gorgeous colors by Richard Isanove, did gangbuster sales? Now, alomst completely forgotten. Didn’t make many people’s best of decade lists, wasn’t mentioned in sales material for Whatever Happened To The Caped Crusader (okay, competing publishers, but still, that doesn’t matter to booksellers) and it seems to have dropped off the radar. Which is a shame, because it seemed more like the Marvel Universe I knew and loved than anything else Marvel published in 2007. —Glenn Hauman

Most overlooked of the decade: Street Fighter (UDON/Image)

Yeah, we know. A comic based on a fighting game series? But here’s the thing: UDON’s team borrows the best elements of a kung fu movie, layers on the manga-esque melodrama and soap operatic intertwining ensemble cast storylines, glues it together with a heaping dose of love for the source material, and then polishes it until it shines with stylish and flashy artwork. I can’t speak to how well it works if you don’t know the game, having known how to pull a Hadoken my entire life, but if you like Street Fighter even a little bit, it’s a heck of a ride. —Matthew Weinberger

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