The Mix : What are people talking about today?

Art Clokey, creator of ‘Gumby’ and ‘Davey & Goliath’: 1921-2009

art-clokey-1-9705386Art Clokey, whose bendable creations became a pop
culture phenomenon through countless satires, toys and revivals, has
died at age 88
.

Caretaker Chrisanne Wollett Clokey says Clokey died Friday in Los Osos on California’s Central Coast.

Clokey is best known for the creation of Gumby, the green clay character with his horse friend Pokey. Clokey first molded Gumby for a surreal student project at the
University of Southern California called “Gumbasia.” That led to his
making shorts for the Howdy Doody Show and several series through the
years. He said he based Gumby’s swooping head on the hairdo of his father, who died when Clokey was nine.

Clokey also created the moralizing and often satirized claymation duo Davey and Goliath, which became the direct inspriation for Adult Swim’s Moral Orel.

Eddie Murphy restored Gumby’s popularity in the 1980s with
his send-up of the character on “Saturday Night Live” as a
cigar-smoking primadonna. Other late-night revivals followed, including appearances on Canadian late-night television with Gumby being portrayed by comic-book artist Ty Templeton. Apparently, Ty’s portrayal of Gumby ended when he mentioned that one of the books he spent time walking through was Portnoy’s Complaint.

Gumby had a brief career in the comics, starting in 1986 with Blackthorne Publishing, then later Comico and Wildcard Ink.

Marvel Comics Sues Jack Kirby!

Yeah, I know. Jack’s long-gone. That doesn’t mean he can’t be sued – or, at least, his estate. To be fair, Jack started it.

A whole bunch of copyrights expire between 2014 and 2019,
and Kirby’s estate sent notices saying those copyrights will revert to from the House That Jack Built to Jack’s actual house.

These copyrights pretty much include everything Jack ever
touched at Marvel: Amazing Adventures, Amazing Fantasy, Amazing Spider-Man, Avengers, Fantastic Four, The Incredible
Hulk, Journey into Mystery, Rawhide Kid, Sgt. Fury and His Howling Commandos,
Strange Tales, Tales to Astonish, Tales of Suspense
and The X-Men.

This action follows similar claims made by Jerry Siegel
(Superman), Marty Nodell (Green Lantern) and Joe Simon (Captain America). All have met with some degree of success for the litigants.

Marvel, of course, claims all this stuff was created as work-for-hire and therefore belongs to Marvel. Or, actually, now, Disney. “It is a standard claim predictably made by comic book companies to deprive artists, writers, and other talent of all rights in their work,” according to Kirby’s attorney Marc Toberoff. “The Kirby children intend to vigorously defend against Marvel’s claims in the hope of finally vindicating their father’s work… Sadly, Jack died without proper compensation, credit or recognition for his lasting creative contributions.”

In the world of litigation, Newtonian physics reigns supreme. Marvel lawyer John Turitzin said in a statement that the heirs were
trying “to rewrite the history of Kirby’s relationship with Marvel,” adding “Everything about Kirby’s relationship with Marvel shows that his contributions were works made for hire and that all the copyright interests in them belong to Marvel.” He then sought a court ruling that the Kirby notices have no effect.

Marvel is now owned by Disney, and Disney’s got more
hard-ass lawyers than Harvard graduated in 200 years. If the Kirby estate were to win, the $4,000,000,000.00 Disney just spent for Marvel goes up in smoke. Expect a big bloody fight – or an amusing settlement.

Quotes
courtesy of the Associated Press.

Marvel Unveils New Iron Man Armor

As the worlds of film and comics grow ever closer, Marvel this afternoon released this image of Iron Man’s new armor. If it looks awfully similar to the movie version of shellhead, that’s no doubt intentional. Ryan Meinerding, designer on the Iron Man and Thor films helped adapt the movie suit for comics and this debuts in April’s Invincible Iron Man #25.

The series, written by Matt Fraction, has been acclaimed to the point where director Jon Favreau had Fraction consult on the sequel, conveniently due out just weeks later. With a new storyline kicking off, the new mission requires a new kind of armor.

“The inspiration for the new design came from thinking about a sleeker, leaner, tougher Iron Man,” Fraction said in a Marvel press release. “If technology is increasingly getting smaller and lighter it seems like the Iron Man should do the same: ergonomic and aerodynamic. We were looking for something that felt as sleek and glossy as a sports car Tony Stark would covet.  I love what we’ve come up with. It feels like the next evolutionary step in the Iron Man’s design.”

How we know that it’s the Age of the Geek, baby: Gawker defends con-goers

Yes, you read that right. Gawker, the website that spends an inordinate amount of time picking on the famous, the near famous, the near to the famous, and the need to be famous, has actually defended science fiction convention goers:

The show takes a lazy jab at nerds in Boba Fett, Storm Trooper, and
Star Trek costumes, making theories ranging from reasonable hypothesis,
to outside the box ingenuity, to television inspired, to the completely
ridiculous.

Please. The whole segment is just an excuse to make fun of nerds.

I think we have to redo the Geek Hierarchy chart now.

The Point Radio: Sam Neil Goes Really Evil In ‘Daybreakers’

Don’t let the subject matter fool you – this isn’t your standard vampire film. DAYBREAKERS is a disturbingly different take on genre and actor Sam Neil joins us to explain why he had a really good time being really bad. Plus Spider-Man’s movie gets stalled, but Thor makes a move.

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Manga Friday: Flashing Swords

One of the great symbols of Japan to a Western audience – equal to pagodas, kimonos, and that exaggerated white makeup – is the katana. (Well, any vaguely Japanese sword, to be honest – it doesn’t have to be precisely a katana as long as the profile is right and it’s declared to be incredibly sharp.) I suspect it’s the same for the Japanese themselves – that their traditional swords are one of their internal cultural markers, and part of the standard mental furniture that makes up “Japanese-ness” – since there’s a blizzard of the things in their comics stories. For example…

Crimson-Shell
By Jun Mochizuki
Yen Press, November 2009, $10.99

Surprisingly, this is a single-volume story, not the first volume of anything longer. But it’s paced like the first volume of a longer work, and the ending certainly leaves lots of room for a continuation. (I actually went back to the cover and copyright page after finishing the book, to make sure that it wasn’t “volume one.”) I would not be at all surprised if this was meant as a try-out for something longer, though I have no idea if any more will ever appear.

But, in this book, there’s a young woman, Claudia (also called the Rose Witch), who is the mascot/powerhouse of the secret organization Red Rose – she’s part of its Crimson-Shell division, which I gather is the field operation. The usual mad scientist discovered something called a black rose, which has infected lots of people to different effect: some turn into thorn-tentacled monsters almost immediately, while others keep their intelligence and human appearance for much longer, the better to infiltrate and destroy organizations like the Red Rose – which, as you might have guessed, has a mission to stop the Black Roses at all costs. Claudia is the requisite one person infected with the Black Rose who didn’t turn infected and evil; she instead has unspecified and varying powers over Black Roses.

The guy with the sword is her mentor/friend/savior, Xeno, who is the usual laconic master of violence (with artfully disarranged duster, long hair, and facial scruff to signpost that’s what he is), and he’s accused of being a Black Rose early on in the book. There is also a bewildering array of other characters, many of whom either are or are accused of being Black Rose agents, and that adds to the confusion (as well as the feeling that this is only the beginning of a longer story).

Claudia muddles through the plot without doing much – she’s one of those standard teenage-girl manga heroines, who can’t be too assertive without seeming unfeminine to the audience – and then there’s an ending that leaves a number of major questions. Crimson-Shell would have been an intriguing, if confusing, first volume of a longer series – the reader could assume that all of the unclear details would be explained further along – but it doesn’t work well at all as a single volume. (more…)

2010 home entertainment preview: not what you will be watching but how

The future for home video in 2010 is taking shape
and as 2009 winds down, ComicMix, like everyone else, is looking ahead. The VHS
tape is gone, replaced by DVD and that too is now quickly getting replaced by
the Blu-ray. The Digital Entertainment Group says Blu-ray Disc set-top player
sales grew 112 percent over the same period last year. Blu-ray devices are at
the top of many consumers’ holiday wish lists this year are projected to be in
15 million U.S. homes by the end of this year.

With players now as cheap as $150, the penetration rate is
skyrocketing and the studios are cognizant of this. They also know that people
are reluctant to pay more for Blu-ray discs to replace their standard DVDs so
these new discs are coming in fancier packages and with lots of extras.

One of the key differences between standard DVD and Blu-ray
is that the BD Live function allows studios to continue offering fresh content
even after the disc goes on sale. McG, for example, did a live screening of Terminator Salvation with questions from viewers. As more filmmakers figure out
how to gain maximum mileage from this direct communications, it will keep the
Blu-ray more vital.

Over the past year, Walt Disney has been collecting their
films in two and three packs. Like most studios these days, you get the DVD and
a digital copy presuming you wish to download the film to watch on your device
of choice. Disney then added the Blu-ray, DVD, and digital disc to form the
mega set, so there’s just one version to sell to one and all – of course,
up-priced so the profits are fatter.

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Review: ‘Missile Mouse: The Star Crusher’

Missile Mouse #1: The Star Crusher
By Jake Parker
Scholastic Graphix, 172 pages, $10.99

Introduced in the [[[Flight]]] anthology, M[[[Missile Mouse]]] is the plucky secret agent for the Galactic Security Agency, described as a “risk taker and a rule breaker”. Clad in his yellow and red flight suit, he performs missions that seem to earn him a broad reputation across the galaxy, which is odd considering he’s well, a secret agent.

Jake Parker, an animator for Blue Sky Studios, takes his resident rodent and produces his first graphic novel, [[[The Star Crusher]]], already billed as a series with a second volume due in January 2011. The question, though, is what is new and different here? Plucky, rule-breaking solo adventurer? Seen it before. In hot water with his blustery boss? Ditto. Thwarted time and again by his arch rival? Yep.

The brisk read pretty much is comfortable junk food, quickly consumed and easily forgotten. What is new – some of the science behind the MacGuffin — is not enough nor are the flashbacks which attempt to show us why Missile Mouse is the risk taker he is.

Instead, we get an anthropomorphized spaceworthy Indiana Jones or Buck Rogers adventure with not enough fresh thinking to the characters, story or storytelling to be worth the time and effort. For example, we’re told there’s a hidden asset at work for the villain but by then, it’s clear who it is given the small number of characters introduced so there’s zero suspense.

Parker’s storytelling is fine as are his character designs and use of color, which makes sense given his background. What he needed to do more of, especially given the page count, is show us more of how his universe works, the societal structure and why the need the GSA and why does the GSA need a rogue like Missile Mouse.

His page construction is interesting, with lots of smaller panels per page along with bigger ones, varied enough to be visually arresting. Parker should also have come up with a better cue for readers to know when Missile Mouse was experiencing a flashback. His lettering should be sharper and more distinct for a science fiction strip, paling in comparison with the vibrant use of color.   

An inauspicious debut story, Missile Mouse is certainly not mighty, atomic or marvelous enough to be enduring like his predecessors.

Not a dream! Not a hoax! Not 1959! Archie and… Valerie?

Sweet Christmas. Daaaamn.

A few thoughts:

  • Archie, you already can’t choose between Betty and Veronica.
  • The first person to say anything about Archie chasing strange pussy gets punched in the neck.
  • I don’t envy Archie Comics the amount of bigoted hate mail they’re going to get from a certain segment of the populace. And I applaud them for doing it. There are some people that deserve to be pissed off.
  • On the other hand, maybe they’re hoping to increase sales because they’ll be bought for bonfires.
  • This could be a very interesting story. Not to be confused with Stories, the 70’s one hit wonder best know for the song “Brother Louie”, which applies very well here. In fact, all you have to do is change Louie to Archie and see how little things have changed in 35 years:

She was black as the night

Archie was whiter than white


Danger, danger when you taste brown sugar


Archie fell in love overnight



Nothing bad, it was good


Archie had the best girl he could

When he took her home


To meet his mama and papa


Archie knew just where he stood



Archie Archie Archie, Archie
Archie Archie Archie, Arch-I
Archie Archie Archie, Archie
Archie Archie you’re gonna cry



There he stood in the night


Knowing what’s wrong from what’s right


He took her home to meet his mama and papa


Man, he had a terrible fright




Archie nearly caused a scene

Wishin’ it was a dream


Ain’t no diff’rence if you’re black or white


Brothers, you know what I mean



Archie Archie Archie, Archie
Archie Archie Archie, Arch-I
Archie Archie Archie, Archie

Archie Archie you’re gonna cry

PR after the jump.

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