Review: ‘Australia’
Baz Luhrman is a visual director. Couple him with fellow Aussies Nicole Kidman and Hugh Jackman; one would expect a strong story with terrific scenery and fine performances.
Instead, we got a faded postcard called Australia. The overly long film, now out on DVD, is actually two predictable stories melded into one feature. The first half is a remake of [[[The African Queen]]] repurposed as an American western set in the outback. The second half is a World War II adventure that sort of pits Jackman against the Japanese. Given its highly obvious story points, it’s hard to believe this is a product from the man who gave us [[[Moulin Rouge]]] and a fresh take on [[[Romeo and Juliet]]].
About the only thing unique about the story is the plight of the half-Caucasian/half-Aborigines children taken away by missionaries during this era to have the “savage” beaten out of them. As a result, the most interesting characters in the film are the “creamy” Nullah and his silent grandfather King George (played by the veteran David Gulpilil).
Jackman may never win an Oscar for his work, but he’s a versatile, entertaining actor who handles action and romance with equal aplomb. His Droper smolders throughout the movie and his understanding of the aboriginal people is sympathetic in contrast to just about every other Caucasian in the movie.
Kidman’s Lady Sarah goes from spoiled Englishwoman to gun-toting, hard drinking native without any in-between steps and feels unnatural. Instead of a nuanced performance, which she’s capable of, she feels like she did this to work from home and not that she had any real affinity for the role or story.
Luhrman also seems more interested in the landscape of his native land than the performances which are more two-dimension than we’re used to. The pacing is languid, even for the action sequences, and overall the movie just lays there. It did not perform well at the box office and 20th Century-Fox apparently lost faith in the film which resulted in a DVD that comes with barely any extras. There are trailers (and not one for [[[Wolverine]]]) and two deleted scenes, neither of which substantively changes the movie.


A while back, there was a spate of Marvel characters that were having their stories retold for different countries, for example Spider-Man India, with Pavitr Prabhakar, his uncle Bhim and aunt Maya. Now
The current era of the super-hero movie can trace its roots to 1989 and the release of Tim Burton’s [[[Batman]]]. For the first time since Richard Donner’s [[[Superman]]], the comic book heroes were taken seriously and adapted for the screen with love and care. In between, there was failure after failure as no one in Hollywood seemed to understand the source material.


Today’s list of quick items– Watchmen, Watchmen everywhere:
We’ve just received word that John Carbonaro passed away on February 25th at the age of 58.
The numbers are in and WATCHMEN starts fast and ends at a jaunt, while David Faustino shares the future of his STAR-VING series, we predict what will be in your bag from the comic shop this week, PERRY BIBLE FELLOWSHIP hits hardcover and Mike Gold reviews the Watchmen reviews.
The Joker has always been Batman’s most iconic and popular villain. We can argue why this is so, but it’s been true since at least the ‘70s, and shows no sign of changing any time in the near future. And so, with a major movie coming out last year with a high-profile Joker (though no one knew just how high-profile it would eventually be, after Heath Ledger’s surprise death and a billion dollars at the box office), DC signed up some more Joker-centric projects. Who could blame them?
