Sylvain White (Stomp the Yard) replaces Tim Story (Fantastic Four) as director on the Warner Bros. adaptation of Vertigo’s Losers.

He inherits a script from James Vanderbilt (Zodiac) as production responsibilities move from a Warner Bros./Legendary Pictures co-production to one managed by Joel Silver’s Dark Castle Entertainment. Production is expected to begin in early 2009 according to Variety.  No casting or release date have been announced.

The Losers lasted 32 issues from 2003-2006 and was written by Andy Diggle and illustrated by Jock.  The story told of “band of black ops commandos who are set up to be killed by their own government. They barely survive and set out to get even.” The title derives from a feature that ran in Our Fighting Forces from 1970-1985, mostly handled by writer Robert Kanigher and artists Russ Heath and John Severin although a memorable run was done by Jack Kirby.

White is also attached to the film version of Frank Miller’s first creator-owned property, Ronin, which DC Comics published in the early 1980s, and Castlevania, a live-action version of the popular video game. Vanderbilt also wrote an early draft of Spider-Man 4 before being replaced.
 

The New York Post (I know, I know) reports that Jon Peters, the producer of Superman Returns and the Michael Keaton Batman films, has been charged with multiple violations of his parole stemming from a drunk-driving plea. Peters pleaded no contest to DUI after dozing off on the 101 Freeway in Ventura on Feb. 11, 2006. The Ventura County district attorney’s office told Page Six Peters is due in court on Jan. 16 to answer charges he failed to complete an alcohol-education program, or report to his probation officer, or complete community service.

What’s more, rumor has it a document submitted by the four-times-divorced filmmaker is being examined for alleged forgery, as it shows he did a required 40 hours of community service when he had finished only four. A Hollywood producer fudging numbers? Shocking.

Jon Peters, you may recall, is the bozo who wanted Kevin Smith to write a Superman script where Superman would never fly or appear in costume, and put the Sandman movie into development hell. And of course, the mechanical spiders. Here’s Smith’s take on the guy…

Fox announced a dramatically restructured midseason lineup, radically different than the schedule they outlined over the summer. They have revived the Friday night science fiction dumping ground, placing Terminator: The Sarah Connor Chronicles and Joss Whedon’s Dollhouse on that evening, beginning February 13, the beginning of a three-day weekend when viewership tends to drop anyway.

Other shifts sees House slip to Mondays, allowing the return of the American Idol juggernaut on Tuesdays, which makes for a marvelous lead-in to Fringe. Bones shifts from Wednesdays to Thursday pitting the series against Ugly Betty and Smallville.

The Friday night curse began with the genre-related The Adventures of Brisco County Jr. in 1993 and was following in subsequent years by MANTIS (1994), Strange Luck (1995), VR.5 (1995), Sliders (1996), Millennium (1996), The Visitor (1997), Harsh Realm (1999), Freakylinks (2000), Dark Angel (2000), The Lone Gunmen (2001), John Doe (2003), and Firefly (2003). (more…)

I warned you that we’d be back to high school before we knew it, but did you listen to me? (OK, maybe you did. I don’t really know, to be honest.) It’s that time again: to cavort with sword-swinging, vampire-snogging, dog-spirit-cavorting high school students! To see lots of stylized tears, food-gobbling binges, and unexpected nudity! To dive completely into fantasy worlds in between soul-crushing exams of our own! (The last may only apply to actual Japanese high school students.)

Inukami!, Vol. 1
Art by Mari Matsuzawa; Story by Mamizu Arisawa
Tor/Seven Seas, November 2008, $9.99

Take one boy, the surly, horny, self-important scion of a family that has been training Inukami dog-spirits, and using them to protect the world from evil spirits, for a long, long time. Add a spunky young Inukami, almost completely innocent about the outside world but utterly unwilling to follow that boy’s orders in anything. Mix together with gratuitous near-nudity and plenty of unresolved sexual tension (but surprisingly few panty shots). Warm to room temperature, and serve on a shelf with dozens of very similar works.

He’s Keita. She’s Yoko. Together they…well, they don’t really fight crime, and they don’t even do much battling of demons. What they mostly do is squabble with each other. Keita demands that she obey him, totally and completely, and Yoko refuses. Actually, she doesn’t so much refuse as utterly ignore his every order, and push him around herself, with judicious uses of her power to teleport other items around. (Such as Keita’s clothes away from him, as happens several times.) She also gets him to wait on her hand and foot, even though he’s sure it’s supposed to be the other way around. (more…)

The announcement that Fangoria was returning to comic books came as a bit of a surprise so we decided to go right to the source.  Associate Editor Troy Brownfield chatted with us this week on the whys and wherefores.

ComicMix: Hey Troy, welcome to ComicMix.
 
Troy Brownfield:  Thanks, Bob.  It’s great of you to have us.
 
CMix: Fangoria Graphix failed last year and Scott blamed the lack of support from the magazine and website.  Since it was all owned by Tom DeFeo, how’d that happen?
 
TB: Love the easy questions first, Bob.  Let me first clarify a few things for everyone.  Fangoria Comics never failed; Fangoria Comics was ended.  How is that different?  Well, Fangoria Comics was performing at a sustainable level in the Direct Market, at a terrific level in mass market bookstore chains, and very well at conventions.  However, as anyone in comics knows, there is a certain cost associated with paying talent, printing, producing books, etc.  While we would have been doing fine as our own entity, by the end of summer 2007, it was apparent to all that the larger Fangoria Entertaiment was in financial trouble.

Tom DeFeo, who was merely a co-owner at the time (via Creative Group), tried his best to keep us going.  In fact, it was Tom, with our Executive Editor Scott Licina, who put together the comics line in the first place.  It essentially came down to a vote, and Fangoria Comics, along with other facets of the group’s operations, was simply shut down.  By March 2008, the entire conglomerate of interests (Creative Group, etc.) entered bankruptcy proceedings.  What came from that is that Tom DeFeo’s new company, The Brooklyn Company, emerged as the sole owner of Fangoria Entertainment.  Creative Group is no longer involved.

One of Tom’s first orders of business was to call Scott and get things back on track.  Since we’ll be doing more than just straight comics, it was decided to rename the segment Fangoria Graphix.

As to Scott’s remarks citing lack of support, that goes back to things that existed in the previous configuration.  The important thing now is that there is direct, daily communication between Scott, Tom, and Fangoria Magazine’s Editor-in-Chief Tony Timpone.  Managing Editor Mike Gingold, myself, and James Zahn from our New Media Development segment are involved with things as needed.  Scott, James and I talk frequently about what needs to be done with the comics, etc., and we’re all working on various ends of that. (more…)

After visiting Camelot, director John Boorman (Excalibur)  has decided to take a trip to see the Wizard.  He has signed to direct a CGI-animated adaptation of L. Frank Baum’s The Wonderful Wizard of Oz.

The film is budgeted at $25 million, according to Variety, and marks Boorman’s first animated project. The script will be a collaboration between Boorman, Rom Mita and Jim McClain. The project is already in development and they anticipate inviting audiences along for the ride during the summer of 2010.

Adaptations of the children’s book series have been around since the first motion pictures, best known for the 1939 musical starring Judy Garland. The adventures of Dorothy Gale and her companions have been continued in countless novels, comic books, movies, and television.  The most recent incarnation was Sci Fi’s celebrated Tinman miniseries last December.

A new comic book adaptation is coming in December from Marvel, written by Eric Shanower, who has previously adapted the material, and illustrated by Skottie Young.
 

Jack Black will tower over his co-stars in the remake of Gulliver’s Travels.  The 20th-Century Fox film, according to Variety, will be directed by Rob Letterman (Shark Tale) with a screenplay from Nicholas Stoller (Forgetting Sarah Marshall) and Joe Stillman (Shrek).

Lemuel Gulliver, a free-spirited travel writer who, on an assignment to the Bermuda Triangle, suddenly finds himself a giant among men when he washes ashore on the hidden island of Lilliput, home to a population of industrious, yet tiny, people.

Jonathan Swift’s 1726 satirical tale is formally known as Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of several Ships and was modified by the author in 1735.

The classic has been adapted previously, most notably by the Fleischer Bros. Studios in 1939. The most recent version was a 1996 miniseries which starred Ted Danson. Ross Martin and Richard Harris have also played the character. He was played by Bernard Horsfall in the 1968 serial, “The Mind Robber” on Doctor Who.

Shooting will begin in March with the studio planning a 2010 release date.