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ComicMix Radio: Spike Hits With Watchmen

As you read earlier here on ComicMix, The 2008 Spike Awards gave comics their due and to add to it all, Warner Brothers will provide some Watchmen footage to run during tonight’s awards broadcast. We give your TiVo the tip, plus:

Deadpool blows out again at Marvel
Geoff Johns continues to make sense at DC
Big week for Bond fans

All that and Benny Hill, too – just  Press the Button!
 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-6885464 or RSS!

 

Studios Shuffle Holiday Schedules

As films falter in meeting their deadlines to make their scheduled release dates, studios are constantly shuffling the calendar.  This time of years the gamesmanship is especially tough as studios eye projects with the hopes of securing Academy Award nominations. The dominoes have been falling with particular speed in the last week so here’s a recap.

With The Weinstein Company most likely bumping The Road from November to December to 2009, it has put its marketing efforts behind The Reader.

This was seen as a good opportunity for Paramount which had a lot of faith in the Robert Downey Jr. film, The Soloist.  Instead, they surprised prognosticators and moved the film to March 13, 2009. Word is that test screenings did not go well and rather than spend extra dollars to rush, Paramount’s budget cutting has prompted the schedule shift.

The studio has also delayed Defiance, the World War II drama starring Daniel Craig, to open on December 31, just in time to qualify for the Oscars but away from the box office competition in the weeks leading up to Christmas.

What this does is also shift which performers will receive studio dollars behind Oscar bids.  As we wave farewell to Viggo Mortenson, Jamie Foxx and others, the field now turns to focus on Brad Pitt (The Curious Case of Benjamin Button), Mickey Rourke (Wrestler), Josh Brolin (W.), Frank Langella (Frost/Nixon) and Sean Penn (Milk).  Downey is likely to be pushed by Paramount for both Iron Man and more likely a supporting nod in Tropic Thunder while Warner Bros. will most certainly launch a major campaign for Heath Ledger’s role as the Joker in The Dark Knight.

The final bit of scheduling news also involves Downey as his Sherlock Holmes has been pencilled in for November 20 2009.

Green Directing ‘Freaks of the Heartland’

Pineapple Express director David Gordon Green has been tapped to direct Freaks of the Heartland, an adaptation of the Dark Horse graphic novel from Steve Niles and Greg Ruth, for Overture Films. The screenplay was written by Peter Sattler and Geoff Davey. Green will produce alongside Dark Horse Entertainment president Mike Richardson, with Steve Niles executive producing.

According to The Hollywood Reporter, the 2004 limited series centers on "the horrible secret of a rural Middle American town involves Trevor Owen’s attempts to protect his ‘monster’ of a 6-year-old younger brother and Gristlewood Valley’s other ‘freaks’ from their parents’ worst instincts."

Overture Films is currently developing other genre movies Pandorum and a remake of George A. Romero’s The Crazies. Their most recent release was the Al Pacino and Robert DeNiro starring Righteous Kill.

Freaks of the Heartland is the second of Steve Niles’ graphic novels to be adapted for film. 30 Days of Night, arguably Niles’ most commonly known work, was released in 2007 by director David Slade. Josh Hartnett, Melissa George, Danny Huston and Ben Foster starred in the film.

‘Star Trek: Countdown’ Begins in January

IDW has released details about the prequel comic book miniseries leading into next May’s Star Trek reboot. Entitled Star Trek: Countdown, it will focus on Nero, the villainous Romulan played by Eric Bana and said to be seen at the film’s beginning set in Trek’s present before the time travel elements kick in and we see the familiar crew of the U.S.S. Enterprise unite for the first time.

The miniseries will be written by Mike Johnson (Superman/Batman) and Tim Jones from a story crafted by Trek director J.J. Abrams and screenwriters Roberto Orci and Alex Kurtzman.  Art will come from Italian draftsman David Messina who has previously drawn for IDW’s Trek line.

Countdown launches in January and will run for four monthly issues with the trade collection already announced for April 29, just a week prior to the May 2 release of the feature film.

“[Star Trek: Countdown] is about how you connect the Next Generation era to our continuity, inspired by when we last saw Mr. Spock in ‘Unification’,” Orci told TrekMovie.com.

“I can assure you that we all (IDW and Bad Robot) are at work in order to be faithful to the spirit of Star Trek!” Messina enthusiastically posted at the site. “…and believe me, you can’t imagine how huge and picky is our ‘pre-production’ work for this book! Mike and Tim are great Star Trek fans, while even if I’m not a Trek’s guy, I’m a really great lover of Sci-Fi… I really hope that you’ll like our book, we are at work on it with great passion.”

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Female Black Panther to Debut in February

whoisthenewblackpanther-1322101The Washington Post, this morning, broke the news that Marvel intends to cancel Black Panther and reboot the series with someone new in the totemic Panther outfit.  This time, though, it will be a woman.

The timing of the relaunch is clearly tied to Black History Month, February 2009, and current writer, Reginald Hudlin, will be back. No artist was named.

Hudlin told the Post, "Over the course of 40 issues [over three years], we … really defined the character in a way that hadn’t been done before. … Having done that, you go: "How do we up the stakes?" Marvel is great about doing really shocking changes to their character — they don’t believe in just keeping everything as status quo."

Introduced by Stan Lee and Jack Kirby in Fantastic Four #52 in 1966, T’Challa was the first prominent black character in the Marvel Universe and was a popular supporting player until he received his own series in Jungle Tales in the 1970s.  The current title was first written for the Marvel Knights imprint by Christopher Priest before Hudlin took over.

Under Hudlin, the Panther married Storm from the X-Men and has defended his country of Wakanda from foreign and intergalactic invaders.

He has been challenged to be the Panther in the past but this time the change appears more than cosmetic. "There will be another after him," Hudlin said of T’Challa. "In the same way that he became the Black Panther because his father was assassinated and died before his time, the same could happen to T’Challa."

Marvel’s editor-in-chief, Joe Quesada, told the paper, "It was a very cool idea. Especially thinking about the legacy of the character," he says. "The fact that this is sort of a part of the Wakandan religion, and their royal family. It was a neat approach to the Black Panther, and I think it will add a wonderful twist to everything."

"Honestly, my entire run on the series has been controversial. Which is great," Hudlin added. "All the writers I admire are hotly debated online, and I feel like I’m always in great company in that situation. But more importantly, it means that people care about the book."

"That’s one of the goals I set: to broaden and diversify the comic book audience," Quesada said. "We’re breaking that gender barrier." Of course, this is far from the first time a prominent hero has been replaced by a female version dating back to the 1980s.

T’Challa will live on in animated form as his series remains scheduled to air on BET, where Hudlin recently resigned as head, in 2009

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Review: ‘Terminator: The Sarah Connor Chronicles’ Episode #206

206scc-jesse-8853691Note: Click here to relive the past episode!

This Week’s Operation: “The Tower Is Tall But The Fall Is Short
From Fox: “What would a T-1001 need with a Doctor? Sarah, John and Cameron may soon find out as they track down another name on their list. Elsewhere, a woman from Derek’s past surprises him in the present.”

Damage Analysis
“The Tower Is Tall But The Fall Is Short” is the first episode of [[[Terminator: The Sarah Connor Chronicles]]] in two weeks, and it’s about as good as the show typically offers. There’s interesting character development, including the introduction of a new player in the war against the machines.

The episode focuses largely on Catherine Weaver, the secret liquid metal Terminator in charge of ZeiraCorp. As per the episode summary, it looks like Weaver is not a T-1000, but a T-1001. Big difference, folks. It’s an established fact that Terminators can impersonate preexisting humans, but this episode insinuates that the Weaver we know has been impersonating the true Weaver for at least a couple of years. Catherine’s awkwardness around her daughter Savannah makes a lot of sense given that, well, she’s a robot and the kid’s a kid. Not exactly a match made in heaven, unless you’re Arnold Schwarzenegger. Shirley Manson might not have the sickest acting chops on the planet, but she pulls the part off serviceably, all the while adding an interesting new villain in the mix. And, once again, we feel awful for poor Savannah, who has no idea that mommy dearest has more in common with a toaster than she does with her.

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Spike Delivers Scream 2008 Awards

Tonight, Spike will air their Scream Awards, which were handed out on Saturday night. In case you’d rather watch something else, here is a full list of winners:

THE ULTIMATE SCREAM                                                                             
The Dark Knight   

BEST FANTASY MOVIE
Hellboy II: The Golden Army

BEST HORROR MOVIE   
Sweeney Todd: The Demon Barber of Fleet Street

BEST SCIENCE FICTION MOVIE
Iron Man

BEST TV SHOW
Dexter

BEST SUPER-HERO
Christian Bale as Batman; The Dark Knight

BEST ACTOR IN A FANTASY MOVIE
Heath Ledger; The Dark Knight
 
BEST ACTOR IN A HORROR MOVIE OR TV SHOW OR TV SHOW
Johnny Depp; Sweeney Todd: The Demon Barber of Fleet Street

BREAKOUT PERFORMANCE
 WALL-E; WALL-E
 
BEST ACTRESS IN A HORROR MOVIE OR TV SHOW
Liv Tyler; The Strangers

BEST VILLAIN
 Heath Ledger as The Joker; The Dark Knight

BEST ACTRESS IN A FANTASY MOVIE OR TV SHOW
Angelina Jolie; Wanted

BEST SUPPORTING PERFORMANCE
 Gary Oldman; The Dark Knight

THE HOLY S***! SCENE OF THE YEAR
-he Big Rig Flips Over; The Dark Knight

MOST MEMORABLE MUTILATION
Bitten By Vagina With Teeth; Teeth

BEST SCREAMPLAY
The Dark Knight; Christopher Nolan, Jonathan Nolan & David S. Goyer

BEST SCREAM TO COMIC ADAPTATION
Buffy the Vampire Slayer Season Eight

BEST SEQUEL
The Dark Knight

BEST DIRECTOR
Christopher Nolan; The Dark Knight

BEST REMAKE
Halloween

BEST ACTOR IN A SCIENCE FICTION MOVIE
Robert Downey Jr.; Iron Man

BEST ACTRESS IN A SCIENCE FICTION OR TV SHOW MOVIE OR TV SHOW
Milla Jovovich; Resident Evil: Extinction

BEST F/X
The Dark Knight

BEST COMIC BOOK
Y: The Last Man

BEST COMIC BOOK MOVIE
 The Dark Knight

BEST COMIC BOOK ARTIST
Gabriel Ba; The Umbrella Academy: Apocalypse Suite

BEST COMIC BOOK WRITER
Grant Morrison; Batman, Final Crisis

MOST SHOCKING COMIC BOOK PLOT TWIST
The X-Men Disband After Professor X Is Shot In The Head By Bishop; X-Men

BEST LINE
"I believe whatever doesn’t kill you makes you stranger" (The Joker); The Dark Knight

Moustache Wax, by Dennis O’Neil

My brother had a Sportsman McCain sticker on his car, but I wasn’t worried. The night before, a nice young man in a bookstore, a complete stranger, gave me a big peace button and with that pinned to my vest, I was pretty sure I was safe from the McCain vibes, even though we were in a red state.

I watched Sarah Palin on Saturday Night Live a few hours later, and although I thought she handled the comedy okay, and my dirty old man merit badge glowed just a tiny bit, I was and am not tempted to vote for her, no siree, and so I guess the peace button was potent even indoors.

Who might that nice young man have been? Merlin? Galahad? The ghost of Thomas Jefferson? Or, given that I was in St. Louis, land of the mighty arch and my childhood, the ghost of my own naïve, youthful dreams?

Ah well. No matter. What’s important is that the peace button/amulet did its stuff.

As a shield against the dark enchantments of McCain and Palin, it did its stuff. In other areas…not so good. At this moment, our luggage is somewhere between White Plains Airport and Dulles, or between Dulles and Lambert Field, or in a terminal or storage facility in one of those three terminals. This provides me with an absolutely unnecessary reminder of one of several reasons why I hate commercial flying. Or – could it be? – our bags are in a sub-basement of the Republican National Headquarters where Palin herself is squirting my moustache wax from the little tube, seeking the secret of how I resisted her SNL appearance. (Rest easy: she won’t find it. The peace button was in my carryon.)

And what, the inquisitive among you might be asking, has any of this to do with comics, popular culture, or even real politics, for it seems to be less concerned with any of those things than an Andy Rooney kvetch about how expensive goods are nowadays has to do with the Gross National Product. Fair question. Answer? Let me see…Okay, try this.

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Seth Green Wants to Direct ‘The Freshmen’

“I’m gonna direct The Freshmen, which is a comic book that my friend Hugh Sterbakov and I created”, Seth Green told Moviehole.  “We have two graphic novels in the marketplace, and we conceived it as a feature.  But that’ll be the movie that I direct.”

“It is kids – it’s Revenge of the Nerds meets X-Men.  It’s kids in their first year of college, their first days of college, leaving the nest for the first time, awkwardly discovering their own identifies, trying to cast off all the things that have been placed on them throughout their scholastic career, and define their own identity in college.  And these kids are – you know, because of the overflow of the enrollment, they’re put into the science building, where they don’t even have permanent housing. And, you know, now this is a makeshift group they’re supposed to be best friends with, and they find themselves at a fraternity party where they are the butt of every joke and humiliated beyond their imagination.  And then they go back to the dorm and kind of mull over the notion of being trapped in this place for the next four years.  And then they are the victims of a scientific event, which gives them borderline useless superpowers.  So now in addition to being these outcasts of the outcasts, they are additi
onally alienated, with a physical deformity.”

The Top Cow series debuted in 2005 and has since seen two six-issue miniseries which have both been collected plus a Yearbook and most recently a Summer Vacation Special. Despite its success as a comic book, Green recognizes that he’ll need some help getting this turned into a film.

“You know, it’ll probably need a studio for release.  My estimation is to make this movie the way we want to make it, we’ll need independent financing.  But the nice thing about independent financing is, you know, a small-budget film is $35 million these days.  And that’s about what we’d need to make it”.

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Review: ‘Casino Royale’ 3-Disc Collector’s Edition DVD

I’m not objective when it comes to James Bond. [[[Dr. No]]] was the first “grown-up” movie I ever saw, and I’ve been writing about 007 in magazines and my books ever since.

Nor am I particularly dispassionate about [[[Casino Royale]]]. The New York premiere at the great Zeigfeld Theater was the best experience I’ve had in cinemas for the last few decades — and it was there that I ate humble pie because, to my shame, I had been dead set against Daniel Craig in the role prior to that (I had been rooting for runner-up Henry Cavill, and anyone who’s seen him as “Charles Brandon” in the second season of Showtime’s [[[The Tudors]]] can see why).

The only thing I wasn’t a big fan of was the original, cautious, DVD release that didn’t even include an audio commentary. Naturally, everyone knew that a big special edition would eventually appear, and, following record-breaking grosses and a Blu-ray release that really put the medium on the map, this is it.

The film remains exceptional but quibbliable (some nitpick at the central, drawn-out poker game, while I cavil [if you’ll excuse the expression] at the dispassionate off-screen dispatching of the main henchmen, to be hastily replaced by some generic thugs for 007 to slaughter at the climax).

The three-DVD status of this Special Edition (tomorrow) is also questionable, since the second disc only contains the extras found on the original release, promoted to their own disc apparently to make way for the previously absent audio commentaries. Even the DVD menus aren’t particularly distinguished.

However, the approximately nine hours of new Special Features made it worth the wait. Having done forty good, bad, or ugly audio commentaries myself, I know a great one when I hear it, and Casino Royale now has two. The first, with director Martin Campbell and producer Michael Wilson, is packed with illuminating info (including that the opening was inspired by The Ipcress File and the finale by Don’t Look Now), but the second is even better.

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