Interview: Todd McFarlane on the State of Comics
Yesterday, the first part of my interview with Spawn creator Todd McFarlane focused on issue 185 of the long-running comic and the changes in store for readers as he returns to active creative duty with Whilce Portacio and Brian Holguin.
Since part one ran, it has been announced that the shipping date has slipped a week and the issue, complete with previously unannounced variant covers, will now be in stores on October 29.
In the second part of our discussion, we chatted about approaching the big 200 mark, the comics landscape overall today and what it might look like in the future, as well as a few Spawn-related surprises.
ComicMix: With issue 200 on the horizon and the “end of Spawn” being teased, will Spawn continue past issue 200?
Todd McFarlane: Yeah, [Issue] 200 we’re already planning for. We’ve thrown enough ripples out already and that people will sort of go ‘whoa’ and have to pay attention to keep pace with it. And 200 will allow us to get to one of the big notes and it’s all sort of a Pandora’s Box; you close one door and another one opens. We’ll have a nice compelling story for 200.
CMix: The comic landscape has changed and continues to change in a lot of ways with all kinds of different formats on the shelves and walking into bookstores now with full sections devoted to trades and original graphic novels, as well as the rise of webcomics and digital formats on the Internet. What are your thoughts in general on these trends and new directions in comics as a medium?
TM: The medium of comic books, which is a combination of words and pictures, I don’t think that medium is ever going to go away. I believe what will evolve over our lifetimes and it’s been a slow evolution, is the delivery mechanism. Is it possible that some day everybody who reads a comic book will turn on a computer? I guess, but it’ll still be words and pictures, it just happens to be in digital form. The basic form of what a comic is will never die. The delivery mechanism, to me, is less important. If people want them in trade paperback, in book form, on their computers, on the back of cereal boxes, I mean, whatever, but it’d still be a comic book. So I’ll let the consumer tell us where they want to get their fix on this medium and then we’ll hopefully not be too far behind the curve and we can give it to them.
CMix: Do you see the monthly pamphlet format headed for extinction at some point as some people have suggested?
TM: It’s possible as long as someone can offset it with another business model that gets it to the consumer. Again, as long as you give people an option as to where they can get it. Change for change’s sake doesn’t make much sense. At some point, there might be an economic tipping point where you look at sales and see you’re selling 51% or more doing something a new way rather than the old way so you start putting all of your resources behind the new way like the transition from VHS to DVD at Blockbuster where [DVD] was 5% and then 10% and then it took over. If we’re going to go in that direction, I sort of see it being the same as other business models where it’ll simply be a slow transition. (more…)

As you read
As films falter in meeting their deadlines to make their scheduled release dates, studios are constantly shuffling the calendar. This time of years the gamesmanship is especially tough as studios eye projects with the hopes of securing Academy Award nominations. The dominoes have been falling with particular speed in the last week so here’s a recap.
Pineapple Express director David Gordon Green has been tapped to direct Freaks of the Heartland, an adaptation of the Dark Horse graphic novel from Steve Niles and Greg Ruth, for Overture Films. The screenplay was written by Peter Sattler and Geoff Davey. Green will produce alongside Dark Horse Entertainment president Mike Richardson, with Steve Niles executive producing.
IDW has released details about the prequel comic book miniseries leading into next May’s Star Trek reboot. Entitled Star Trek: Countdown, it will focus on Nero, the villainous Romulan played by Eric Bana and said to be seen at the film’s beginning set in Trek’s present before the time travel elements kick in and we see the familiar crew of the U.S.S. Enterprise unite for the first time.
The Washington Post
Note:
Tonight,

“I’m gonna direct
