The Mix : What are people talking about today?

Camera Phone Zen, by Elayne Riggs

08-09-08-1407-1879103After the past two weeks, I think I’m seriously burned out on political chatter for now. And as it’s sort of a “between” time here at the Riggs Residence, with Robin’s DC work all out in shops and his IDW assignment not debuting for two months, I haven’t gotten terribly worked up over comics lately. (It doesn’t help that I have three months’ worth of DC comp boxes yet to read.) I adore September, particularly weather-wise, but I also think we’re in kind of a weird few weeks of stasis, with the baseball playoffs and the new TV season and lots of other things just over the horizon but not quite here yet.

So, what to discuss this week? By the end of last weekend I was still clueless, then Montezuma had a bit of revenge so I’m not feeling as creative as I’d hoped when meeting the Dreaded Deadline Doom. Fortunately, being married to an artist, I’ve learned that when you can’t dazzle ‘em with brilliance or baffle ‘em with bull, you can always point to the pretty pictures!

My friend and Aquaman maven extraordinaire Laura Gjovaag has started a series on her blog called Camera Phone Zen, her take on Jon Stewart’s "moments of zen" from The Daily Show. Up until now I haven’t been big on taking pictures using my phone — heck, as readers may recall I can’t even text, I’m one of those weird 20th century people who uses her telephone for, you know, phone calls. But small as it is, my digital camera still takes up enough room in my hip pack (yes, New Yorker and proud of it, my commuting uniform pretty much consists of work clothes, sneakers and hip pack) that I don’t feel like schlepping it around every day. And once I get the hang of how to actually snap the photo at the right moment, I’ll probably get a lot better with the camphone. (more…)

‘Heathcliff’ Licensed for new Round of Animation

Although he arrived first in 1973, Heathcliff was pretty quickly eclipsed as king of the cartoon cats by Garfield, who arrived just five years later.  Created by George Gately, the strip was filled with gentle humor and was quickly added to papers turning him into a quiet star. The strip can be found in over 1000 newspapers via the Creators Syndicate.

After Gately passed away, the strip as taken over by his nephew, Peter Gallagher in 1998. Now, FitzRoy media has signed a comprehensive licensing deal with Gallagher that will include  animated feature films, direct-to-DVD releases and location based entertainment projects.

The tabby has previously been seen in animated form starting with a 1980 animated series from Ruby-Spears which is noteworthy only because it was Mel Blanc’s last original voice role. DIC revived the character for a new series in 1984.

Additionally, Marvel’s Star Comics imprint release a comic book adaptation with new longer adventures which lasted for a healthy 56 issues.
 

D.J. Caruso, Asgard Bound?

Director D.J. Caruso, while out promoting his forthcoming Eagle Eye, has expressed interest in heading to Asgard for his next project.

While talking with IESB, he said, “You know…I would definitely tackle [Thor] and I sort of wrestled with it before and I was always a fan of Thor growing up as a kid. I know that they [Marvel] have a script, but there’s something, there’s a fear I have about Thor and depending on what Thor story you want to tell, whether you want to bring Thor into the modern world or if you want to go back to Asgard and get the history of what’s happening between him and his brother and dad. That’s one I’ve always been interested in and it also would be, it would be a monumental task so, I could definitely see myself getting myself into that.

“I have had some talks with Marvel about it but I have not seen a screenplay. It could be something that I am interested in.”

Caruso, who also directed Disturbia, is the first director attached to the project since Stardust’s Matthew Vaughn was associated with the project last year.  Thor remains on Marvel/Paramount’s schedule for a Summer 2010 release along with Iron Man 2.
 

Tech Report: E-Ink and Comic Covers

A few months back I had heard that Esquire magazine was going to celebrate their 75 anniversary with an experimental  electronic ink technology. Basically batteries are sewn into the cover that power a flexible LCD screen. I was interested but wanted to see how it came out. Well, issues are hitting the stands now. Take a look at the video below:

 

The “animation” is limited. Kind of like web page banner ads, not television. (Yet.) But the first thing that sprang to my mind was how long before a comic company puts out a special edition comic featuring this? Back issues bins are overstocked with prismatic, die-cut, hologram, lenticular special editions from the 90’s. Collectors may have been burned but those suckers sold for the publishers.

What comic covers that come to my mind immediately are an Iron Man cover with lots of parts lighting up. Or the Batmobile with motion blur background. Or seeing that star field effect seen with Donna Troy, Alexander Luthor, Captain Marvel and other cosmic characters actually twinkling.

The only drawback is that the batteries only last 90 days. But hey, put an E-ink comic cover in a comic shop front window and see how fast they’d sell anyway.

Harvey Pekar Interviews Collected

Harvey Pekar: Conversations is a new collection of interviews with the celebrated graphic novelist.  Now available from the University Press of Mississippi, the book spans 25 years of interviews that have been drawn from a wide variety of places, from fanzines and radio to The Washington Post. The book was assembled by Mike Rhode who is editor International Journal of Comic Art and blogs about comics.

The creator American Splendor and subject of a biopic, Pekar has a lot of conversations about life in this country that make for fascinating reading.  The 240-page book comes with 20 illustrations and is available in a $50 hardcover or $22 paperback.
 

Hoffman as Penguin is news to Hoffman

The problem with smash hit films is that everyone immediately begins speculating about the sequel.  After all, Hollywood is driven by success and “tent pole” films are necessary for business.  Its one reason, studios stake out release dates years in advance, sometimes before there’s even a script (see Spider-Man 4).

Since the box office records shattered with The Dark Knight, everyone has been running around guessing who might be in the running for the third film from Christopher Nolan. Actors have let it be known they’re interested whether appropriate or not to the part.  The merest hint news sends news around the Internet in a nanosecond.

As a result, retractions, clarifications or denunciations follow just a tad slower.

No sooner did the dust settle from the Cher-as-Catwoman nonsense, MTV began reporting that Michael Caine received Warner Bros. confirmation that the next movie in the series will offer up Johnny Depp as The Riddler and Philip Seymour Hoffman as the Penguin.

Of course, Nolan insists he hasn’t thought once about the next film, preferring to concentrate on a non-Bat feature as a palette cleanser before returning to Gotham City.

Hoffman, who would be terrific in just about any part short of Catwoman, told The Stone Report that ”Some friend of mine told me he read that [rumor]", Hoffman reported from the Toronto Film Festival. "First I heard of it. I don’t think so.

"I grew up a comic book fan, so I love that stuff. I love going to that stuff. I think what they’re doing with that whole Batman story is really true to what that whole Batman thing has always been. It’s one of the darkest origins of a super-hero, to get all nerdy and geeky on you. That character sees his parents gunned down as a young child. I remember when I was a kid reading that story, so seeing it now come to life as the dark tale that it really is as an intense, really dark, very visceral, adult tale that they’re doing now, all the great work people are doing on it, of course I wouldn’t say, ‘Well, no, no no.’ But I don’t know the reality of it, so I wouldn’t say ‘yes’ to you."

Marvel isn’t immune from this nonsense either as they had to quickly stomp out the word that Will Smith was being cast as Steve Rogers in the Captain America movie.  Previously, rumor had it Cap would be played by Matthew McConnaughy.

 

‘Iron Man’ DVD Sneak Peek

With Iron Man coming out on DVD (in a variety of formats and editions) on September 30, Paramount Home Video has begun letting websites sneak peek some of the extras to be found on the discs.

We have three such links for you this morning.  First there’s one on the costume design, then one on flying, and finally one on Robert Downey, Jr. being prepped for the suit.

Enjoy.

marvel09teaser1-7760106

ComicMix Radio: Dark Reign Looms At Marvel

marvel09teaser1-7760106Marvel and Brian Michael Bendis have teased the follow up act to Secret Invasion – it’s  Dark Region and with it comes some some major titles changes as well, plus:

  • Tobey and Sam and Spider-Man 4
  • Seth McFarlane launches his web cartoons
  • Chuck Dixon leads The Joes back to comics

And we hit the comic stores and DVD racks for the good, the bad and the “they did what??” – just  Press the Button!
 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-5999276 or RSS!

 

Review: ‘The Lindbergh Child’ by Rick Geary

A Treasury of XXth Century Murder: The Lindbergh Child
By Rick Geary
NBM/ComicsLit, August 2008, $15.95

Rick Geary has been chronicling in comics form the crimes of past ages since “An Unsolved Murder,” one of his earliest stories. Most of those stories have been funneled into his “[[[Treasury of Victorian Murder]]]” series – first an album-sized book of short stories in 1987, later an additional seven slim books, each chronicling one famous murder of yore.

Those “Treasury of Victorian Murder” books have been coming, one every year or two, since 1995, but Geary’s varied his approach this year – the book is the same size, the format is very similar, but the story this time is part of the newly-named “[[[Treasury of XXth Century Murder]]].” And the crime is one of the many claimants to the throne of “[[[Crime of the Century]]]” – after Fatty Arbuckle and Sacco & Vanzetti but before the Manson Murders – though it didn’t start out to be a murder (and some people, even now, doubt that the Lindbergh baby really died). So now Geary has an entire new century of murder to work through – the pre-WWII years alone could keep him busy for years. (Particularly if he expands his plan slightly to allow larger crime sprees – like Bonnie & Clyde and the various Prohibition-era gangsters.)

Geary tells [[[The Lindbergh Child]]] in his usual detailed, nearly deadpan style – though hints of the Geary wit sneak through, particularly in the faces of his characters – starting off with maps and plans of the important locations and swiftly moving on to set the scene and get into the kidnapping itself.

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‘Schlock Mercenary: The Teraport Wars’ Coming in October

Schlock Mercenary: The Teraport Wars is now available for pre-order. The Teraport Wars is the fourth collection of Schlock Mercenary strips to make it into publication; in true George Lucas style, Book 3 and Book 4 were released first. This book fits between The Tub of Happiness and Under New Management, and with it the first 1000 strips are available four hard-copy volumes.

This 228-page volume is in full color on glossy paper, and contains all the strips and footnotes from November 12th of 2001 through March 8th of 2003. It also features some new footnotes, commentary, guest art, concept art, deck plans for the Post-Dated Check Loan, eleven pages of all-new bonus story, and an introduction by Brandon Sanderson. The book is expected to ship October 9.

Schlock Mercenary is a webcomic by Howard Tayler that follows the adventures of a mercenary company aboard a starship in a 31st-century space opera setting. Schlock Mercenary updates daily at http://www.schlockmercenary.com/, and has been doing so continuously since June of 2000, a near-unheard-of feat in webcomics. Schlock Mercenary was previously featured on Keenspot, and is now a member of the Blank Label Comics consortium.