Review: ‘Flight, Vol. 5’ edited by Kazu Kibuishi
Flight, Volume Five
Edited by Kazu Kibuishi
Villard/Random House, July 2008, $25.00
As always, the stories in the annual [[[Flight]]] volume are gorgeous and fun, created by a group of artists who worked on storyboards and other art for animated movies, and Flight is easily the most visually diverse of the new breed of mass-market comics anthologies.
But I can’t help but think that most of these stories are square watermelons – the products of creators trained and taught to run their imaginations down narrow channels to produce upbeat, kid-friendly stories with defined beats and clear morals. Nearly every story in Flight 5 could be seen as the treatment for a big-budget “family” animated movie, and many of them feel explicitly like the first scene or two of such a movie. Even once these guys – and all but two of them are guys, which some people may find notable – have been given the freedom of Flight, they continue to tell stories in that one, confined mode, like so many victims of Stockholm syndrome unwilling to leave their own prisons.
The stories are each well-told, but, as they pile up one after another, the number of naïf protagonists learning about the world (often under mortal peril) become just more variations on the same theme. There’s the fox-like world-saver of Michael Gagne’s “[[[The Broken Path]]],” the anthropomorphic fox-man of Reagan Lodge’s “[[[The Dragon]]],” the self-consciously ironic Bigdome of Paul Rivoche’s “[[[Flowers for Mama]]],” Dave Roman’s series of folks who could all be “The Chosen One,” the probably-delusional child Princess of Pluto in Svetlana Chmakova’s “On the Importance of Space Travel,” and – the youngest and most obvious lesson-telling of all of these – boy hero of Richard Pose’s “Beisbol 2.”


ICv2 reports that Warner Bros. has pushed back the release of the sixth film in the Harry Potter franchise, Harry Potter and the Half-Blood Prince, due to fallout from the recent Writers Guild strike. Instead of being released on November 21, 2008, the next Harry Potter film will appear in theaters on July 17, 2009. The move is the result of the studio not having any "tentpole" blockbusters scheduled for release during the all-important summer season, as such films’ production would have normally begun during the time period in which the strike occurred.
Filmmaker Matthew Vaughn recently announced plans to go the independent route with an adaptation of Mark Millar and John Romita Jr.’s gritty series Kick-Ass after studios balked at the ages of the characters and the level of violence in the story.
Already a children’s classic book and a worldwide TV success, Jane & The Dragon are now both a part of NBC’s Saturday morning line-up and the local DVD rack. Here’s what you are missing, plus:
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With all of the recent chatter about
