‘Hancock’ Reviews Not Looking Too Good
A friend happened to catch an advance screening of Hancock recently and sent over some thoughts. I’ve been looking forward to Will Smith’s latest big summer movie, but my friend, Laura, came away none too impressed.
Here’s what she had to say:
It was disappointing. During the first half hour I had some high hopes, since the movie seemed to be bringing up all these interesting themes about what it means to be extraordinary, and have that extraordinariness isolate you from everyone else. Not to mention all these Ayn Randian ideas about how the un-extraordinary people (the looters, I guess) act as though they have a complete right over the talents of the extraordinary — they take it for granted and make bitchy demands of it, even though it doesn’t belong to them.
But then the latter half of the movie pretty much crapped all over its own promising beginnings, and ended up bringing up all this random shit that didn’t really get worked out. I was annoyed, and wouldn’t recommend seeing it.
Knowing almost nothing about the movie ahead of time, I think I let my expectations balloon up during that first 45 minutes or so — so if you go in not expecting more than a mindless fun ride, you might not be so disappointed. But even with adjusted expectations, I’d be surprised if anyone walked out of the theater all enraptured with it.
In case you think Laura might just be a Debbie Downer, the hate is coming for Hancock from plenty of others too. My favorite headlines so far: ‘Hancock’ a Super Zero and ‘Hancock’ is a Super Mess.
We’ll see if this leads to a spate of "Leave the comic book movies to comic book people" stories.

Writer and comics authority John Jackson Miller probably has one of the most enviable jobs in comics today. Starting off in the early ’90s as editor of Comics Retailer magazine, Miller went on to edit various other publications including Scrye and the Comics Buyer’s Guide. Later, stints on Marvel’s Crimson Dynamo and Iron Man led to his working for Dark Horse comics.
As we await the gourmet meal that The Dark Knight promises to be, a worthwhile hors d’ouevre to truly whet your appetite is
[EDITOR’S NOTE: My apologies for the late arrival of this week’s "Doctor Who in Review." We’ve been catching up after all of the Wizard World Chicago chaos! It’s times like these that I could really use a TARDIS. – RM]
It seems every month that a new comic comes out purporting to offer a new, more realistic slant on superheroes. From
The people over at The New York Times Magazine clearly have a great sense of the contemporary comic book scene. Earlier this year they picked up a new series by Jason (of I Killed Adolf Hitler fame), and now they’re debuting a new series by Rutu Modan, whose graphic novel Exit Wounds was one of the best books of 2007.
When Freshmen was first solicited by its publisher Top Cow, the series was promoted as "The adventures of college freshmen with extraordinary powers."
Sunday afternoon. Two hundred and four days left before he gallops on back to Texas and that consarn brush that always seems to need clearing.
The always worth reading Variety Bags and Boards blog has
Born in Brookline, Massachusetts in 1958, Shawn McManus got his comic book start in the early 1980s, working for Heavy Metal. He illustrated two issues of the Alan Moore run on Swamp Thing, then went on to draw most of the "A Game of You" storyline in Neil Gaiman’s The Sandman.
