
There’s been a lot of controversy about killing and resurrecting superheroes. I know that, because we’ve done a lot of that here on
ComicMix. It’s fun. Be that as it may, Steve Rogers is dead, deal with it; Bucky Barnes is alive, so we (meaning me) should deal with that, too.
Quite frankly, I would have been burning effigies of Joey Quesada for allowing ol’ Bucky to rise from the grave – if not for the simple fact that Ed Brubaker’s run in Captain America is so damn great. Any lesser achievement would have inflamed my wrath and you wouldn’t like me when I’m angry.
Well, maybe you would, but only from afar.
Wandering back towards the point, it’s perfectly fair for someone to inherit the mantle of a “dead” superhero. I did this when I was editing The Flash; management wanted a new person inside the suit, and I felt strongly that Wally West earned his stab at adulthood. If Bucky Barnes (now referred to as “James”) is alive and well, he deserves the shield and cowl. So it’s only appropriate that I comment on Bucky’s transcendence.
There’s an odd timeliness to the story, as it opens with the doubling of the price of gas and thousands of homes being foreclosed. That puts a sharp contemporary edge on a story about a guy who should be 80 years old and keeps on linking his feelings to those he experienced in The War. But the economic apocalypse is a story-point that establishes the role Captain America will play in this continuing story.
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