Roger Corman’s ‘Fantastic Four’ Movie Climax
Science-fiction fan site io9 has posted a video clip in their "Found Footage" section featuring the climax of 1994’s live-action "Fantastic Four" film, which Roger Corman produced and Marvel Comics spent heaps of money to hide from the public.
Okay, I’ve never seen the full film, but I’m quite certain its depiction of Ben Grimm, The Thing, will live on in my nightmares. Oh, and check out the animation used in the "Johnny Storm flying off to stop the Destructo Ray" sequence – it’s wonderfully cheesy.
io9 has more on the background of the film’s production, as well as some of its more questionable plot choices (an angry space leprechaun, anyone?):
How did this disaster happen? A German production company owned the rights to make a Fantastic Four movie, but was unable to raise the $40 million it needed before the rights were due to expire. So the company turned to Roger Corman, who said he could make the movie cheap and quick. … At $1.4 million, this movie had a huge budget compared to a usual Corman spectacle. After the film was completed, Marvel paid a few million to suppress it. The team worked in secret to complete post-production on it, but then Marvel ordered all prints destroyed. So it’s a minor miracle that you’re able to suffer through this clip.

Just in case you haven’t been getting enough Star Wars in your diet lately, Lucasfilm has debuted a
The "Return of Captain America" media assault managed a few more parting shots this weekend, as the new Cap found his way onto an episode of "Good Morning America."

The new footage from "Iron Man" included quite a bit of Tony Stark (Robert Downey Jr.) in full Iron Man armor, and showcased some of the heavier CGI-driven scenes you can expect to see when the film hits theaters May 2, 2008.
On this “Super” weekend, ComicMix Radio is more than happy to offer a number of surfing options to keep you busy during the parts of the SuperBowl between the cool commercials.
This week I watched two DVDs that considered the same turbulent period, but from two wildly divergent vantage points.
