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Anton Yelchin on Becoming Star Trek’s Pavel Chekov

Anton Yelchin, the actor who will complete James T. Kirk’s away team on the upcoming Star Trek film by taking up the mantle of Pavel Chekov, recently opened up about taking the role in this interview with SuperHeroFlix.

It is weird being on a set where a lot of the actors, myself included, have no idea what a turbine engine is. Or what it might do when it explodes. You are looking at a green screen that is supposed to be a battlefield. But nothing is going on. It is fun. It really puts you into the frame of mind that you are making a movie. I had this feeling that I was on a big film. It is the old classic idea of what a film set is supposed to be.

The actor went on to discuss whether the original Chekov, Walter Koenig, has stopped by the set to give him any advice.

I was worried and freaked out that he would come on set and not like me. Then he would say may accent is awful.

Star Trek is scheduled for a December 2008 release.

 

Graphic Classics: Mark Twain Review

This is the second of the “Graphic Classics” series I’ve reviewed for ComicMix, and Mark Twain has essentially the same strengths and weaknesses as Bram Stoker. It’s exceptionally wordy and takes a while to read, since it incorporates big swaths of the original Twain stories as narration or extensive dialogue. I’m not sure if there’s a good way to avoid this in an adaptation into comics form; anyone who spends that much time working on a particular story will be doing so, presumably, because he really likes that story, and so he’ll want to get as much of the text in as possible. But comics with lots of words per page read slowly and can come across as just heavily-illustrated fiction, so it’s a tough line to walk.

All of the pieces in Graphic Classics: Mark Twain are wordy, and not all of them are equally successful, but the general result is entertaining and not just educational – it’s not just a book to give to your young nephew who doesn’t like reading “real” books, but something to read and enjoy yourself. It’s edited, like the whole series, by Tom Pomplun, and, like the Stoker book I saw a few months ago, is a second edition of a book published earlier. The cover is by George Sellas, illustrating a scene from the leadoff story, an adaptation of Twain’s Tom Sawyer Abroad.

Yes, Tom Sawyer Abroad. It’s instructive to remember that our age isn’t the first one in which creators cranked out ever-less-exciting sequels to well-loved stories – we may have Live Free or Die Hard and Final Crisis, but the 19th century had not only Tom Sawyer Abroad but its even more anemic sequel, Tom Sawyer, Detective. Abroad is far below the level of Huckleberry Finn, or even the original Tom Sawyer, but it’s a decent 19th century boys’ story, if you ignore its pedigree. Editor Pomplun adapts it here into a typically wordy Graphic Classics script, and Sellas illustrates it with a cartoony style with very precise lines that look computer-drawn. The story is silly, and it’s odd that Graphic Classics chose such a minor Twain work to anchor their book, but it’s fine for what it is. (more…)

Jason Statham as the Sub-Mariner?

Action-film star Jason Statham recently commented that he was involved in at least one meeting related to a Sub-Mariner feature film, and that he’d be more than happy to portray the big-screen counterpart of several comic-book characters.

According to this interview with IESB, the Transporter star "took a meeting" for Sub-Mariner, but expressed some uncertainty about his ability to fill the Marvel hero’s, umm… tights?

"I don’t know if I’d look right running around in a tight speedo with wings on my ankles," said Statham.

Along with expressing a desire to play The Hulk (but deferring to upcoming Incredible Hulk star, Edward Norton), Statham threw his name into the mix for a proposed remake of The Crow, the 1994 film whose star, Brandon Lee, met a tragic end while filming.

That was a good movie with Brandon Lee, although that was years ago. So if that one comes my way, bang! You know, there’s so many comic book movies out there and most of the time there’s only a handful of people who can do them any justice. Hopefully, they’ll come my way for one of them.

 

Honoring Jerry Siegel

Twelve years ago today, the writer and creator of Superman, Jerry Siegel, died.

Siegel and his artist friend, Joe Shuster, were the pioneers behind everyone’s favorite superhero. These days, it seems hard to believe that the character was initially rejected by all of the major newspaper syndicates at the time. Who would’ve guessed that an alien superhero sent to Earth in a space capsule and raised by an ordinary human family would resonate in the hearts and imaginations of the world?

After a long career as a comic book, then a newspaper strip, a radio series, a TV series, another TV series, a movie franchise and countless remakes, Superman remains one of the most iconic comic figures in history. All thanks to you, Mr. Siegel.

Quesada and Colbert – Together Again!

Well, given the writer’s strike and the fact that people have to cross picket lines in order to get in the building, The Colbert Report doesn’t  announce their guests in advance. But Marvel Comics does. 

Marvel Comics today announced that Joe Quesada, editor-in-chief, will be a guest on The Colbert Reporton Tuesday, January 29. In order to do so, he must cross the Writers Guild picket line outside the program’s mid-town Manhattan studio.

The WGA has been on strike since early November, seeking (among other things) a share of Internet revenue and a larger portion of DVD profits. Ironically, the Marvel film studio just signed an interim agreement with the WGA last week.

The last time Quesada appeared on the show, the gave Colbert Captain America’s shield. Since his appearance is the very night before the release of the return of Captain America (Bucky gets promoted), perhaps Joey needs it back.

Then again, perhaps it won’t be Joe Quesada. Maybe it’ll be a Skrull. Skrulls would cross picket lines.

The Colbert Report airs on Comedy Central 11:30 PM Eastern and Pacific.

Martha Thomases co-wrote this here article.

Mark Millar, Steve McNiven and Grandpa Wolverine

Marvel recently announced plans to reunite Civil War writer Mark Millar and artist Steve McNiven on an upcoming arc of Wolverine that takes the "ol’ Canuknucklehead" years into the future to a post-Apocalyptic Marvel Universe.

In this interview with IGN, Millar discusses the connections between Clint Eastwood, John Constantine, Hulk and Wolverine that influence his upcoming eight-issue storyline.

According to Millar, the arc begins with a Wolverine that has sheathed his claws and sworn off violence, but quickly becomes one of the bloodiest tales he’s ever scripted – quite the claim, given the page-after-page killing spree of Millar’s last turn on Wolverine, the ultra-violent "Enemy of the State" storyline.

I do have a theory on this. It’s that the guys that tend to do the funny animal comics in real life are really, really creepy. –laughs- They’re always really creepy! You feel uneasy around them like they’re undressing you with their eyes or something, you know? Whereas the guys that do the really violent stuff are always quite normal and quite nice. So I think we get it out whereas those guys that sit around drawing Bugs Bunny all day, you just end up a pervert. –laughs-

Millar goes on to hint at some of the current and future-born characters that will be making cameos in the arc, including Hawkeye, Bruce Banner and… Spider-Bitch?

Millar explains:

You see Spider-Man’s granddaughter in it. She’s called Spider-Bitch.

Check out IGN for the rest of the interview, as well as several pages of interior art.

 

Webcomic Interview of Persepolis Creator

Even though I don’t live in Portland, OR, where CulturePulp creator Mike Russell’s "journalism comic strip" is based, I find his work to be an endless source of amusement. That’s why I was so pleased to see this recent comic based on an interview with Marjane Satropi, the creator of the critically praised graphic novel Persepolis.

Over the course of the interview, Satrapi takes Russell on a philosophical tour of both her celebrated graphic novel and the animated film based on the book that opened this week. It’s a wonderful bit of comics-on-comics appreciationand contains this highly quotable, made-to-be-sloganized piece of wisdom, courtesy of Satrapi:

I know one thing: culture and instruction are really weapons of mass construction.

In addition to Russell’s comic-based version of the interview, he also provides the full transcript of his 40-minute discussion with Satrapi.

Also worth checking out: this 2005 CulturePulp strip  about the upcoming (at that time) release of the film Aeon Flux.

 

Depp to Replace Ledger in Imaginarium?

SciFi Wire is reporting that The Imaginarium of Doctor Parnassus director Terry Gilliam could be looking to actor Johnny Depp as a potential replacement for deceased actor Heath Ledger, who died during the filming of Imaginarium.

Quoting the British tabloid The Sun, SciFi Wire reported:

"There is a point in the film when Heath falls through a magic mirror," a studio source told the paper. "He could change into another character after that, and that is where Johnny would come in. It’s a weird, fantasy, time-travel movie, so Heath’s character could easily change appearance. It would be a poignant moment. Johnny’s not working at the moment, so everyone is praying he will do it."

As one astute ComicMix reader pointed out, this is only the latest in filmmaking troubles for Terry Gilliam. Depp was also involved in one of the director’s most notable film fallouts, a project initially titled The Man Who Killed Don Quixote. Gilliam’s tumultuous experience with Quixote was later documented in the film Lost in La Mancha – a great film for anyone who wants a behind-the-scenes peek at how a series of unfortunate events can completely derail a big-budget film.

 

Sex, by Mike Gold

I’ve been gallivanting across this fine country again like the high society bon vivant that I am, so I was a little late in scoring my family’s big box o’ comics. It was even heavier than usual, despite the fact that my wife and daughter are both big-time comics fans. I figure it was about four and one-half pounds heavier. That’s because Playboy Cover to Cover – The 50s, finally arrived. It was released as a Christmas item last November, no doubt under the belief that it would make for an excellent stocking stuffer should King Kong become a cross-dresser.

If you ask founder / publisher / editor Hugh Hefner, he’ll give you the impression he single-handedly invented the sexual revolution back in 1954. That’s okay; he’ll also give you the impression he has foursomes with The Girls Next Door. Whereas I think the creation of the birth control pill and the resultant sexual empowerment of women had a lot more to do with it than Hugh, he did take a lot of risk and paid some heavy dues. Remember, until 1965 laws prohibiting the distribution of information about contraception, and in some cases even the possession of contraception, were still on the books – and not just in the bible belt states. Connecticut was the last to fall. People still went to jail for publishing, owning or mailing stuff about sex.

From a sexual perspective, all Playboy’s success did was put some of the under-the-counter content out on the newsstand racks. By the time Penthouse and, later, Hustler came out Playboy was irrelevant from a pictorial point of view. Of course, later the Internets completely rendered Playboy magazine sexually impotent, as they supplied men the one thing any magazine could not: freedom from your own fist. No, sex is not the reason Playboy was hip. (more…)