
One connection leads to another and then another, whether via the proverbial Six Degrees of Separation or by means of random-chance Free Association. Which explains how the moviemaking Coen Bros., Joel and Ethan, and Ham Fisher’s strange trailblazer of a comic strip,
Joe Palooka, come to be mentioned in a single sentence.
The Coen Bros.’ current motion picture, No Country for Old Men, took Best Picture honors the other day in a vote amongst members of my regional (Texas) society of film critix. A re-screening seemed in order, particularly because the film – an unnerving combination of crime melodrama with Existential Quandary – contains a bizarre murder gimmick that had triggered a vague memory of some other movie from ’Way Back When. I figured that a fresh look might complete the connection between the lethal device in No Country for Old Men and whatever other picture I was recalling.
And sure enough: The compressed-air cattle-slaughtering implement that Javier Bardem wields in No Country proves akin in that respect to Charles Lamont’s A Shot in the Dark – a fairly conventional whodunit from 1935, rendered weird by the use of industrial machinery in lieu of conventional weaponry. George E. Turner and I had devoted a chapter to A Shot in the Dark in our first volume of the Forgotten Horrors movie-history library, figuring that although murder per se might or might not render a film horrific, murder by unconventional means is a strong qualifier.
That slight recollection, in turn, pointed toward a batch of other weird-gizmo murder pictures, leading at length to 1947’s Joe Palooka in the Knockout, part of a series of movies spun off the Fischer strip. When odder random associations are made, the Forgotten Horrors franchise will make ’em.
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