Life, in Pictures — Review

OK, so you all know Will Eisner is a genius of comics – inventor of The Spirit, possibe coiner of the “graphic novel” term, namesake of awards, grandfather of every autobio cartoonist of the last three decades – right? But how many of you have actually read his stuff recently?
(Or is it just me – am I the only one who had spent more time reading about Eisner than actually reading his works?)
Eisner, at the end of his life (he died in early 2005), made a deal for much of his extensive backlist to be republished by the very classy – and previous not open to comics – publisher W.W. Norton. They published his last graphic novel, the not entirely successful The Plot, are in the process of reprinting many of his works, and, in particular, assembled three big omnibuses of Eisner’s best stories. The Contract With God Trilogy came out in early 2006, Will Eisner’s New York in late 2006, and now Life, in Pictures collects three of his most autobiographical graphic novels (and a couple of shorter stories).
Eisner was born in 1917, and turned back to comics after his retirement in the mid-‘70s, so it shouldn’t be surprising that there’s something old-fashioned about his stories. But yet these stories are so relentlessly old-fashioned, and so steeped in a New York that was obsolete before I was born, that it needs to be noted. (The story set the closest to modern times in Life, in Pictures is the earliest story, “A Sunset in Sunshine City,” set roughly contemporaneous to its 1985 publication. Other than that, the stories here reach up to WW II at best – and, then, only at the very end of a long story.

Hong Kong is generally considered to be one of the most polluted major cities in the world. Its beautiful skyline is virtually invisible due to a permanent haze, and the water is so dismal that the producers of the next Batman film, The Dark Knight, killed a scene where Batman was to drop from a plane into the harbor because the water quality could pose a significant health risk to the stuntmen.
Back in the days of Usenet, I used to hear a lot of variations of “Why are there so many negative reviews and so few positive ones?” As one of those reviewers who not only discussed the art half of comic books but who also wrote a lot of positive reviews in my 4½ years of doing Pen-Elayne For Your Thoughts, I would see this manifest more as “Why are the threads responding to the few negative reviews so long, as opposed to those on the far more numerous positive reviews?”
Artist Paul Norris died yesterday at the age of 93.
Before we get to this week’s official topic, a continuation of our discussion of how superheroes have been evolving, I’d like to remind you all that ontogeny recapitulates phylogeny. I’m sure all you fans of the late 19th century biologist Ernst Haeckel – and I know you’re legion – remember that this means that the development of an organism exactly mirrors the evolutionary development of the species.
