Mothership Connection, by Martha Thomases
There’s been a lot of conversation lately in the girls’ section of the comics blogosphere about the way women’s lives are depicted in superhero comics. Even so-called strong, independent female characters are little more than an excuse to show tits’n’ass. Some site evidence that female characters are used as plot points, citing the “women in refrigerators” syndrome. More recently, discussions have centered on the premise that married characters are boring.
A lot of this is a reflection of the larger pop culture, which is at least as male-dominated as comics. The people who can greenlight movies, or put a television show on a network, are most likely Penile-Americans. Book publishing tends to be more diverse because there are more women in positions of authority, and (this is related) book publishing tends to pay less than other mass media.
Most of it, however, is lazy pandering to the perceived target audience. It’s assumed that boys find the single life more glamorous and more exciting than marriage. Up to a point, I agree. The thrill of the chase is, well, a thrill. That said, even the new gets old after a while. Dashiell Hammett used Nick and Nora Charles to show that marriage can be sexy and fun. Why can’t comics? (more…)

The Hollywood Reporter has
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