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Graphics Noir: GrimJack Returns

gj-06-proof-8433220John Gaunt is GrimJack, a hard-bitten mercenary and private detective in Cynosure, a city at the nexus of dimensions. Raised in the Pits to fight for the amusement of the public, Gaunt lives by his finely honed wits. He can and does fight demons, sharpshooters, magicians and gangsters.

Since its first appearance as a back-up in Starslayer in 1983, GrimJack has been a fan favorite. The stories blend genres – the hard-boiled detective stories of Raymond Chandler and Dashiell Hammet get combined with the sword and sorcery of Robert E, Howard. GrimJack can and has done science fiction, horror, fantasy, and even westerns, with a streak of dark humor and strong, strange characters running all the way through.

In his newest adventure, exclusively on ComixMix.com every Tuesday starting October 2nd, Gaunt goes in search of The Manx Cat, a statuette made of fossilized dreams. Why do so many want to possess it? What happens when it “goes walkabout”? Why is Gaunt seemingly immune to it and how did he become that way? What price did he pay?

The saga of the Manx Cat has been part of the GrimJack legend since the very first story. Here, at last, Ostrander and Truman reveal the legend’s roots – as John Gaunt must attempt to declaw the Cat once and for all!

John Ostrander wrote some of the most important and influential comics of the past 25 years. After studying theology and training under Del Close at Chicago’s legendary Second City, he used this knowledge of story and character to bring a unique voice to the marketplace. Ostrander started his career as a professional writer as a playwright. He co-wrote his best known effort, Bloody Bess, with actor William J. Norris. The production, directed by the noted Stuart Gordon, starred Dennis Franz and Joe Mantegna. Bloody Bess has toured all over North America and Europe, and is frequently revived.

From Warp, his first published comics work in 1983, based on the series of science fiction adventure plays, he went on to create GrimJack with Timothy Truman. He’s since written Batman, The Spectre, Manhunter, Firestorm, Hawkman, Martian Manhunter, Suicide Squad, Justice League and more for DC Comics. At Marvel Comics, Ostrander has also worked on X-Men, Bishop, Quicksilver, Heroes for Hire and The Punisher. From the mid-1980s until her death from breast cancer in 1997, Ostrander frequently co-wrote with his wife Kim Yale. It was while working with her that he made what is probably his most lasting contribution to the DC Universe: the recasting of Barbara Gordon, the former Batgirl, into the information and computer specialist Oracle.

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Price Performs At Ammons Benefit

ammons-poster-2007-jpg-3048585If you happen to be in Chicago this coming Saturday (September 22nd), you can watch and hear musician and ComicMix writer Michael H. Price along with a legion of music stalwarts in tribute to Albert Ammons, one of the very best boogie-woogie pianists.  But I’ll let his granddaughter Lila give you the low-down:

"Albert Ammons was a gifted musician who helped spark the boogie-woogie craze and whose music has influenced such greats as Dr. John, Axel Zwingenberger, Hadda Brooks, and Dave Alexander. He was also my grandfather. This year marks the one-hundredth anniversary of his birth. Please join me, and a constellation of stellar performers, as we celebrate the life and music of this extraordinary artist." The event is being held at the Chicago Temple at 4:00 PM Saturday. Quite frankly, the $25.00 ticket price is worth it just to appreciate the venue’s awesome architecture. And it ‘s in the heart of the Chicago Loop overlooking Daley Plaza, site of the penultimate scene from The Blues Brothers – the one where the cops scale the County Building walls.

If you’re a blue, jazz, roots and/or rock fan, this is the place for you. For more information, check out their website. It’s gonna be kickin’.

ANDREW’S LINKS: Bikini Jeans

bikinijeans21-2503090

To start the week out on a pleasant note for about half of you – check out bikini jeans. [via Pat Cadigan]

Comics Links

The UK SF Book News Network talked to John Higgins, artist on a graphic novel adaptation of the old splatter-horror movie The Hills Have Eyes.

Estoreal reports on representing the Jack Kirby Museum at New York’s HOWL Festival in Tomkins Square Park.

The Baltimore Sun talks to Steven Parke, who uses a photo-manipulation style to create graphic novels.

A New York Times article on reality TV wandered off into graphic novel-land, talking about a book called The Homeless Channel.

Comics Reporter interviews Chris Brandt.

Comics Reviews

Library Journal’s current graphic novel reviews start out with the fourth volume of Kiyohiko Azuma’s Yotsuba&! (whose first volume recently confused me), and goes on to review a bunch of other things as well.

The Indypendent reviews a graphic novel called Fat Free.

Brad Curran of Comics Should Be Good reviews recent comics, kicking off with Batman #668.

Curran, still at CSBG, also pokes his head into the world of Marvel’s all-ages comics.

At The Savage Critics, two critics unleash tag-team havoc on today’s comics:

Newsarama asks a bunch of comics critics why they don’t talk about the art. (When I don’t, personally, it’s usually because I simply forgot to mention it, or because there wasn’t anything interesting to say.)

Over on my personal blog, I went nuts with a overly long comparison of two art-comics anthologies from last year: Best American Comics 2006 and An Anthology of Graphic Fiction, Cartoons, and True Stories.

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Robert Jordan (James Oliver Rigney), 1948-2007

robert-jordan-6627197James Oliver Rigney, Jr. , who wrote under the names Robert Jordan and Reagan O’Neal and was best known as the author of the bestselling The Wheel of Time fantasy series, died yesterday from complications from cardiac amyloidosis. He was 58.

Jordan also wrote seven Conan novels, which have been kept in print by his longtime publisher, Tor Books.

He was best known for his massive Wheel of Time series, an eleven book series at the time of his passing. Early reports state that the twelfth book in the series, tenatively titled A Memory Of Light, will be finished by his editors and be published in 2009.

Our sympathies to his wife Harriet McDougal, and the rest of his family and friends.

Photo by Jeanne Collins, taken November 2, 2005.

MIKE GOLD: Look Who’s Writing Comics Now!

mike-gold-2-100-9853155There’s an exciting new trend in comics these days. Comic book writers are actually being hired to write comic books.

Recently, we’ve seen guys like Jim Shooter taking on The Legion of Super-Heroes, Marv Wolfman on sundry Teen Titans and the newer-still Vigilante, Tony Isabella told me he’s got a full schedule of assignments and our own John Ostrander is writing the new Suicide Squad mini-series. Go figure.

We’ve gone through a fad of hiring novelists and movie writers and directors. Some of these folks have turned in some great stuff. Others, not so great. Most, not so on-time. There’s nothing wrong with this. In fact, back in 1981 I brought on a playwright named John Ostrander under the belief that his training and background would inure to the benefit of the medium. In all modesty, that was one of my better decisions, I think.

Since then, John’s gone on to become one of the top writers in the medium. I know this because he’s writing three or four major projects for ComicMix while juggling his Star Wars and DC commitments. That’s because John devoted his full resources to the craft of writing comic books. It shows.

Comic book writing is not a part-time job. It requires discipline, experience and skill. In order to make a career out of it and remain fresh and innovative, comic book writing requires thought and enormous effort. Novelists and movie folks do not have the time to prioritize this medium. Movie folks in particular have to turn down stupid money to write for this medium which, by the way, pays pretty well if you’re fully employed.

Stan Lee, bless him, made it sound so easy. Back in the day, he frequently said anybody could write comics. That’s true… if you happen to be Stan Lee. A great many writers of the 1950s went the other way, from comics to “Hollywood” (movies and teevee), seeking what was then greater stability, better compensation, and a stronger sense of legitimacy during a time when society put comics creators on par with child pornographers. By and large, most found their storytelling skills inhibited by the commercial demands of these media, and they returned to the comics world.

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Happy birthday, Wile E. Coyote and Road Runner!

On this day in 1949, we had the premiere of Fast and Furry-ous, which brought us the first appearances of Wile E. (Ethelbert) Coyote and the Road Runner. And yes, Mark Evanier is responsible for the name Ethelbert. So come with us now and take a look while we try to figure out one question — why does Mel Blanc get a voice credit for this cartoon?

BIG BROADCAST’s Stories Behind The Stories

grimm-6330769Tick…tick…the countdown clock on the wall here at the Big ComicMix Broadcast Central shows less than 16 days until we launch Phase Two here on ComicMix.  There is so much is coming together in the next 2+ weeks and we are itching to share it all. First, though,  let’s cover a few things from our To Do List:

• If you are ready to add material from Top Cow to your mobile phone, go here. The folks at Zannel have it all set up with easy-to-follow instructions for this channel and the others they offer from current TV & movie properties.

• Those reprints of the first three issues of Grimm Fairy Tales may not hit comic stores until November, but you can preview the amazing cover art of #1 by Al Rio here. If you poke around, there are a few more pieces of Grimm art to drool over, too.

• With the recent "talent exodus" at The World Wrestling Federation and the renewal and expansion of TNA Wrestling on SpikeTV, you might want to see just what these "new" guys are all about by going here. They also do a daily internet video show – and, to bring it back to comics, they have strong connections with Marvel’s new licensed toy line. My guess is we will see some sort of Marvel/TNA project early in 2008.

This week, start watching for knock-your-socks-off previews of the original material coming to ComicMixFREE – on October 2nd. At the same time join us on the Broadcast as we let the creators share the excitement of their projects in their own words.

Oh yeah – and the Big ComicMix Broadcast hits the 100 mark, too! Whose bringing the cake??

MINI-REVIEW: Groo 25th Anniversary Special

Let’s see… we need a couple of sure-fire topics of humor. How about… child labor exploitation and the deadly thievery of Big Pharmaceutical makers? I’ll bet you’re giggling just thinking about that stuff.

Well, in the hands of Sergio Aragonés and Mark Evanier, or, more appropriately, in the hands of Groo, the laughs work out just fine.

These are two of the topics covered in the [[[Groo 25th Anniversary Special]]] released by Dark Horse last week, and as one of America’s pre-eminent creator-owned series it deserves serious recognition for its success. But when it comes to Groo, it’s so damned hard to be serious.

So, suffice it for us to shout a big Happy Anniversary to the intrepid bumbler, his dog Rufferto, and his chroniclers Sergio and Mark. It’s quite an achievement.

If you haven’t checked out the Groo 25th Anniversary Special, just go out and read a newspaper. Then you’ll really need Groo.

L’shana tova ComicMix!

Yeah, I’m psyched for this next year as well.  Even though I’m strictly a "Phase One" gal for now, ComicMix‘s next incarnation has me excited over lots of good reading ahead.  But let’s not let the weekly columns get lost in the shuffle:

Are we there yet, Mellifluous Mike Raub?  Almost to one hundred Big ComicMix Broadcasts:

May you all be inscribed in the Book of Much Nachas (that’s nachas, not nachos) for the sweetest and healthiest of years!

RIC MEYERS: Triad Tekkonkinkreet

triadelection-3860439“Sht runs dwnhill.” Those words of wisdom/warning were first spoken to me back in the mid-1980s, at lunch on the first day I started consulting for CBS-TV in California. The statement came back to me several times while watching this week’s offerings (as well as many, many times over the decades as I watched businesses run by productive people flourish, and companies run by “flawed” folk perish). 

In order of release, there’s Triad Election, which arrived in stores last Tuesday. It’s directed and co-produced by Johnnie To, today’s greatest Hong Kong filmmaker, whose eclectic, exceptional ability at a variety of genres has given the international film community some of the greatest movies of the last two decades, including Heroic Trio (superheroes), Lifeline (firefighters), Running Out of Time (cops ‘n’ robbers), The Mission (bodyguards), Fulltime Killer (assassins), Love on a Diet (romantic comedy), Running on Karma (existential mystery), Breaking News (media wars) and Throwdown (judo comedy/drama).

The last few years he’s joined the ranks of Coppola, Scorcese, and Chase (sounds like a law firm, doesn’t it?) by filling cinemas with multiple award-winning Chinese gangster sagas. Election (2005) played like a Hong Kong big-screen version of The Sopranos minus the final scene black-out. Election 2: Harmony is a Virtue (2006) was something else again. To paraphrase To (sic) from “The Making Of doc: Election was the set-up. Election 2 is the pay-off.

So Tartan Asia Extreme Video made a tough decision. Many people who liked Election might see Election 2. But everybody who loved Election 2 would definitely go back to check out Election. So rather than release the two movies in order, they decided to retitle Election 2 “Triad Election,” release it first, and then label Election its “prequel.”* For what it’s worth, I, personally, think they made the right call … although I might have gone a step or two forward in clarifying the issue.

The movie is great – not just for its stylish violence, psychological insight, and filmmaking prowess, but because of the aforementioned pay-off, which seems to be: China’s impersonal desire for order might be more cruel than Triad carnage. This was a bold, brave statement for To to (sic) make, but, as he also says during “The Making Of” featurette, he wanted to acknowledge the dismissive changes made since China’s takeover of Hong Kong’s lease. The city was like a seduced beauty that the government seemed to forget about as soon as its seduction was complete. All signs point to Shanghai now becoming the favored mistress, with Hong Kong the forgotten wife. (more…)