The Mix : What are people talking about today?

F*** the FCC, say the courts

From AP: An appeals court said a new federal policy against accidentally aired profanities on TV and radio was invalid, noting that vulgar language had become so common that even President Bush has been heard using expletives.

The 2nd U.S. Circuit Court of Appeals ruled Monday in favor of a Fox Television-led challenge to the policy and returned the case to the Federal Communications Commission to let the agency try to explain how its policy was not "arbitrary and capricious." The court said it doubted the FCC could.The broadcasters had asked the appeals court last year to invalidate the FCC’s conclusion that profanity-laced broadcasts on four shows were indecent, even though no fines were issued. The FCC said the "F-word" in any context "inherently has a sexual connotation" and can be subject to enforcement action.

The appeals court said some of the FCC’s explanations for its new policy, reversing a more lenient policy in place for nearly three decades, were "divorced from reality." The court noted that even President Bush was heard one day telling British Prime Minister Tony Blair that the United Nations needed to "get Syria to get Hezbollah to stop doing this s—."

FCC Chairman Kevin Martin told The Associated Press that the ruling will make it difficult to impose fines for indecency. "Practically, this makes it difficult to go forward on a lot of the cases that are in front of us," he said. An appeal was being considered, he said.

The FCC found its ban was violated by a Dec. 9, 2002, broadcast of the Billboard Music Awards in which singer Cher used the phrase "F— ’em" and a Dec. 10, 2003, Billboard awards show in which reality show star Nicole Richie said, "Have you ever tried to get cow s— out of a Prada purse? It’s not so f—— simple."

In a majority opinion written by Judge Rosemary Pooler, the appeals court questioned whether the FCC’s indecency test could survive First Amendment scrutiny. "We are sympathetic to the networks’ contention that the FCC’s indecency test is undefined, indiscernible, inconsistent and consequently unconstitutionally vague," she wrote.

Fox Broadcasting praised the ruling, saying "government regulation of content serves no purpose other than to chill artistic expression in violation of the First Amendment." It said viewers can decide appropriate viewing content for themselves, using parental control technologies.

The new policy was put in place after a January 2003 NBC broadcast of the Golden Globes awards show, in which U2 lead singer Bono uttered the phrase "f—— brilliant."

FCC Commissioner Michael J. Copps said the decision was disappointing to him and millions of parents but "doesn’t change the FCC’s legal obligation to enforce the indecency statute." "So any broadcaster who sees this decision as a green light to send more gratuitous sex and violence into our homes would be making a huge mistake," Copps said. "The FCC has a duty to find a way to breathe life into the laws that protect our kids."

Why do we mention this? Well, we’re all really big First Amendment types over here at ComicMix, and Thursday is the 36th anniversary of Cohen vs. California, the Supreme Court ruling that overturned Paul Cohen’s conviction for wearing a jacket that read "F— the Draft", but mainly it’s a great excuse to run this:

Deborah Pratt’s New Quest

51zgo6xcoll-_ss500_-5530275Cadet Kai reporting in from Splicer Facility on Atlantia in the Vision Quest World.  My main trait is camouflage and have an aura for passion.

That sounds a wee bit like a personal ad, but it’s my character on Deborah Pratt’s (of Quantum Leap fame) newest endeavor TheVisionQuest.com.  The Emmy-nominated writer and voice of Ziggy for the hit sci-fi series Quantum Leap, Pratt has created a major new multi-platform science fiction series. An actress with starring roles in popular TV series such as Airwolf and Magnum PI, Pratt brought a new creation to life: The Vision Quest – Book One: The Age of Light. The book will be released on August 1st.

The first book in a trilogy, The Vision Quest tells of an Earth set 130 years into the future as experienced through the adventures of hero Cole "Lazer" Lazerman and his friends.  I could tell you more about this fantastic journey, but you would be missing out the experiencing it yourself, so log onto TheVisionQuest.com, read the book and look for other formats of Deborah’s new world that will covered in multiple platforms including games for Nintendo’s Wii and Microsoft’s Xbox, on-line webisodes, short animated features and a the complete trilogy in feature films. 

You can see a picture of Deborah and hear the first of Mike Raub’s three-part interview withher on the Big ComicMix Broadcast. In addition to discussing Vision Quest, Pratt "reveals" what’s next for Quantum Leap.

Double-takes

Closing open windows — You all know the old chestnut that somewhere out there, your exact double exists? A few of those crossed my inbox today.

First, we have this girl, who seems to be a dead ringer for Joe Michael Linsner’s Dawn:

dawnreal-5292719dawnlinsner-2445889

And then, via tipster Lisa Sullivan, we have CB2 from JapanProbe, which looks disturbingly like the tinkertoys from I, Robot:

irobot-7202226

Sure, they look friendly now. But then comes the hidden commands, and the robot uprisings, and then we have to wait for Magnus to come and save us…

Omega Flight’s Oeming, Detective’s Faucher, & Quantum Leap’s Pratt

pratt-6059766It’s the start of a new week and The Big ComicMix Broadcast is more than loaded up with Pop Culture goodness!  We start our week-long visit with Quantum Leap actress & head writer, Deborah Pratt, on the verge of a major new sci-fi venture, and we cover buckets o’ news, this week’s latest comics & DVDs, chat with Omega Flight’s Mike Oeming & Wayne Faucher from Detective Comics, and then take a minute for a song that EPSN just loves!!!

Take a leap. PRESS THE BUTTON!

Sarah Jane’s Back

sarah5-2513050The second spin-off from the revived Doctor Who teevee series, The Sarah Jane Adventures, has finally completed casting and is now being written.

The show, starring Elisabeth Sladen as former Doctor Who companion Sarah Jane Smith (she co-starred with Jon Pertwee and Tom Baker from 1973 to 1976) plays an investigative journalist with a passion for extra-terrestial stories. Her previous life is only known to a trio of neighborhood children. Whereas the Doctor’s robotic dog K-9 appeared in the pilot, he/it is not expected to have a regular presence in this new series.

The pilot aired in England at the beginning of this year with a somewhat different cast. The Sarah Jane Adventures is oriented towards children in the way Torchwood is oriented towards adults, and is executive produced by Who honcho Russell T. Davies. No air date has been confirmed by the BBC.

Sladen has also played Sarah Jane in eight original full-cast audio adventures by Big Finish Productions.

Happy 30th anniversary, Apple II

appleii-2250173Thirty years ago today, the first Apple II went on sale at the West Coast Computer Faire.

It included color, sound, paddles for Pong and Breakout, a 6502 microprocessor running at 1 MHz, 4 KB of RAM, an audio cassette interface for loading programs and storing data, the Integer BASIC programming language built into the ROMs, a video controller that displayed 24 lines by 40 columns of upper-case-only text on the screen, with NTSC composite video output suitable for display on a monitor or on a TV set. The original retail price of the computer was US$1298 with 4 KB of RAM and US$2638 if you went for the maximum whopping 48 KB of RAM.

Not gigabytes, not even megabytes. 48 kilobytes.

By today’s standards, that’s what’s included in a cereal box giveaway. The computer I’m typing this on has a microprocessor that’s over two thousand times faster, with over forty-three thousand times more RAM. And it’s not even top of the line anymore, hasn’t been for almost a year.

DENNIS O’NEIL: Two-Fers, part two

All hail to thee, Pulpus. Praised be thy name.

What? You don’t know that you’re Pulpus, god of popular culture? Well, if I were you I’d get next to Shrinkus, god of psychotherapy, and do something about your identity crisis. Meanwhile – there are some questions I’d like to ask you.

I assume that part of your duties involve helping the content, as well as the venues, of popular narratives evolve. Now let’s say – we’re just blue-skying here – that there’s a cheaply published vehicle for a certain kind of heroic fiction. Call the vehicle… oh; I dunno – “funnybooks” and the central characters of the fiction… lemme think for a second – “superheroes.” Let’s further suppose that for a long time a lot of people who fancied themselves “respectable” thought that the words “funnybook” were a synonym for illiterate tripe.

Okay, carry our supposition a step further and say you’ve done your work well and both funnybooks and superheroes have become – here’s that word again – respectable. Say that the funny book-inspired kind of fantasy melodrama has become a mainstay of the world of motion pictures. So – as part of the form’s evolution, wouldn’t you want to eliminate the elements that gave “respectable” people an excuse to excoriate these funnybooks? Creative Writing 101 stuff like an overdependence on coincidences, not establishing elements crucial to the narrative, not showing and/or explaining how the good guy accomplishes what he accomplishes…

Being, as you are, the god of popular culture, you would be aware that the funnybooks were occasionally guilty of these sins against what is generally considered good fiction writing, for a number of reasons, including extreme deadline pressure; a lack of sophistication on the part of the funnybook creators, some of whom began in the business when they were quite young; the fact that funnybooks are an extremely compressed kind of storytelling; the further fact that funnybooks developed erratically, without anyone connected with them trying to really understand what they are and how they might best be employed, at least not until pretty recently; and, finally, the disrespect given them even by people whose living and lifestyle – sometimes a very handsome lifestyle, indeed – depended on them, which meant that nobody associated the word “quality” with them, not for a long time, and so nobody tried to define what quality in this context might be.

That was a painfully long sentence. But you’re a god, you can handle it.

Anyway, what I guess I’m asking is, even if certain narrative glitches have often been a part of the funnybook world, may even have contributed to funnybook charm, should they be carried forward and exported to other media doing funnybook-type material? Or would evolution demand that they be eliminated?

Beg pardon? You want to know if I’ve been to the movies recently? Matter of fact, I have. But what has that got to do with anything?

Oh, yeah, I almost forgot…All hail and praise be thy name.

RECOMMENDED READING: Zen and the Art of Motorcycle Maintenance, by Robert M. Pirsig

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Rise of the Silver Surfer: Michael H. Price’s View

fantastic1-2608861Long before an emerging Marvel Comics Group dared to hope its upstart super-hero funnybooks might attract the attention of corporate Hollywood, the comics fans had started speculating about how The Fantastic Four – the colorful exploits of a circle of powerful misfits, united by reciprocal affections and resentments – might weather a transplant to film.

Dream-casting fantasies abounded during the early 1960s: How about Neville Brand or Jack Elam – popular favorites at portraying plug-ugly tough guys – as the misshapen Thing, test pilot-turned-musclebound rockpile? Or Peter Lorre, as a recurring villain known as the Puppet Master? (Something of an easy call, there, inasmuch as lead artist Jack Kirby had modeled the bug-eyed Puppet Master after Lorre in the first place.)

It took a while for such wonders to develop – well past the mortal spans of Lorre and Brand and Elam and a good many other wish-list players. And in the long interim, the Marvel line of costumed world-beaters made lesser leaps from page to screen in a variety of teevee spin-offs, both animated and live-action, that never quite seized the cinema-like intensity of the comic books themselves. A live-action Fantastic Four feature of 1994 fared unexpectedly well on a pinch-penny budget, although this version has gone largely unseen outside the bootleg-video circuit.

The Marvel-gone-Hollywood phenomenon escalated around the turn of the century (beyond all early-day fannish expectations) with a big-studio X-Men feature, concerning another team of misfits in cosmic conflict. Success on this front brought an onrush of adaptations.

Prominent among these, Sam Raimi’s Spider-Man series launched in 2002. X-Men has sequelized itself repeatedly. Ang Lee’s take on The Hulk proved as indebted to Nietzsche and Freud as to the Jekyll-and-Hyde bearings of the earlier comic books. A 2005 Fantastic Four feature won over the paying customers but irked a majority of the published critics: Bellwether reviewer Roger Ebert called that one no match for Spider-Man 2 or the DC Comics-licensed Batman Begins. No accounting for taste.

Now comes Fantastic Four: Rise of the Silver Surfer (due June 15), which raises the cosmic-menace stakes considerably while keeping the continuity anchored with director Tim Story and a familiar basic-ensemble cast. The story derives from the comics’ episodes about a planet-destroying being whose scout, the Silver Surfer, arrives to determine whether this particular planet is ripe for plunder.

If the notion of a surfboard-jockey space traveler sounds intolerably silly on first blush, consider that the character proved persuasively earnest from his first appearance – thanks to Jack Kirby’s vigorous drawings and Stan Lee’s gift for making arch dialogue seem right for the circumstances. As impersonated by Doug Jones (of Pan’s Labyrinth and the 1994 Hellboy) and voiced by Laurence Fishburne, the movie’s Silver Surver nails the spirit of the funnybooks. The Surfer’s attraction to the Fantastic Four’s Invisible Woman (Jessica Alba), who owes her greater loyalties to team boss Mr. Fantastic, lends a jolt of intimate conflict to the larger crisis.

The collaborative screenplay allows sharper exposure for Ben “Thing” Grimm (Michael Chiklis) and Ioan Gruffud’s Mr. Fantastic, along with a more richly conceived characterization for chronic villain Victor von Doom (Julian McMahon). Gruffud develops confidence and wisdom on a level with his character’s essential intelligence. Chris Evans remains fittingly temperamental as the Human Torch.

Improved visual effects stem from a refined job of make-up prosthetics for the Thing – Michael Chiklis’ tragicomic emoting comes across more effectively – and from the polished work of the Weta Digital CGI crew. The Silver Surfer tends to upstage the central characters in terms of spectacle, but the key performances are uniformly well matched. (more…)

Here come the Harveys

The Harvey Award nominations are out!  The full list can be found at the Harvey website, as well as pretty much everywhere else in the comic-o-news-o-blog-o-sphere.

harveys-7829278

Nominations for the Harveys Awards are selected exclusively by folks involved in a creative capacity in the comics field — as the site notes, "the only industry awards both nominated by and selected by the full body of comic book professionals.  Professionals who participate will be joining nearly 2,000 other comics professionals in honoring the outstanding comics achievements of 2006."

Final ballots are due Friday, August 3, and voting is open to anyone involved in a creative capacity within the comics field.  Your intrepid news editor will doubtless be kibbitzing over my local inker’s shoulder…

Opus Gets Classy

opus-2007-06-03-7195242Salon.com has added Berkeley Breathed’s weekly Bloom County spin-off Opus (or is Opus an Outland spin-off?) to its plethora of political and cultural features. Other comics on Salon.com include Tom The Dancing Bug, WayLay and The K Chronicles. To celebrate the occasion, our pal Douglas Wolk did up a major interview with Berkeley. where the Pulitizer Prize winning cartoonist reveals the details of his secret romance with Vice President Cheney.

Sadly, in every silver cloud a little rain must fall. The Opus movie, long in production, is a goner. This leaves Mr. Breathed with only two other movies in active development.

Artwork copyright Berkeley Breathed. All Rights Reserved.