Michael Davis: I’m not that guy
I’m a pretty simple guy. I see clear distinctions between right and wrong, good and evil, love and hate and Republican and Democrat. In this age of political correctness and doing the right thing I don’t make decisions because they’re popular. I make decisions because I think something is right.
Remember the days when someone punched you in the face and you could punch him (or her) right back without having much to worry about — well, besides getting your ass kicked. After the fight (or, in my case, ass whipping) you and the other party would decide to be friends or continue to hate each other. Either way you knew where you stood with that person. NOW if someone punches you in the face — YOU may get sued — and worst, with the current state of our world you don’t know where you stand. I don’t know about you but I would like to know where I stand after I’m punched in the face.
I grew up in the projects in New York City during the days when a threat sounded like this: “I’m going to kick your ass, Davis.” Back then my response was “You will have to find me first, lady.” Now I simply call my lawyers. (more…)

At my age (insert obligatory “hey you kids, get out of my store!, what do you think this is, a reading room?” here) the blasts from the past seem to blow with ever increasing frequency and velocity. I’m used to various elements of my past circling back on me, as my forays into pop culture hobbies always seem to result in intersecting circles of friends and acquaintances. A number of the same people who used to write for
Back in a previous life I was a very struggling actor in Chicago. One summer I was working with a small troupe that, among other things, did children’s plays outdoors and in various venues. This particular show we were doing was called Wiley and the Hairy Man, based upon a children’s book. I played the Hairy Man – a swamp-man/boogeyman – and, while I kept getting chased offstage by the Wiley in the title, my character kept sneaking back in. It was not a part of particular subtlety but it did require some finesse. I was the monster in a children’s play which meant I couldn’t be too scary; just enough to produce the tinglies and a lot of laughs.
