Category: News

Look! Over in Indianapolis! It’s a patriot… it’s a giant… it’s Super Bowl!

Yes, it’s Super Bowl, strange visitor from another… oh, you know the drill.

If you’re like us, you’re watching the game for the trailers for all the comic book movies that are coming out in the next year… which ones do you think worked? Which ones got you excited? Consider this an open thread to discuss.

 

MOONSTONE AND NEMO PUBLISHING BRING CAPTAIN MIDNIGHT AND COMMANDER X TOGETHER!

New Captain Midnight Comic Book Coming in 2012

Take to the Skies with Captain Midnight and Commander X: New Comic Book on the Horizon from Moonstone Books and Nemo Publishing

cmcx01-9674100At the end of this year, Nemo Publishing and Moonstone Books will publish a cross-over one shot comic book featuring the legendary Captain Midnight and Commander X from Nemo Publishing’s “The Undersea Adventures of Capt’n Eli” graphic novel series. This 28 page, full-color book will be written by longtime DC Comics writer and editor Brian Augustyn. Artwork and co-plotting will be by Jay Piscopo, author and illustrator of “Capt’n Eli.”

“When real life casts long shadows over us and time seems to be running out, that’s the time to look to the skies for the antidote to modern worries,” said Augustyn. “I couldn’t be happier to be working with Moonstone, Nemo, and my great friend Jay Piscopo on this thrilling and timely project.”

This new book will feature guest stars from other Moonstone books, including Airboy and the Air Fighters, and will pay homage to the great heroes of yesteryear, particularly aviation heroes.

“I’m a huge fan of Captain Midnight and what Moonstone has done with the character. I see this as an opportunity to introduce new fans to this once very popular hero from American pop culture,” said Piscopo. “Working with a friend and a creator I admire so much and to team up with Moonstone is a dream come true.”

Captain Midnight is relevant today because he existed in a time similar to our own when the United States was in the midst of economic upheaval and the world was at war.

Augustyn noted “Captain Midnight has been a multimedia legend for 70 years and remains as vital today as when he first took wing. As ever, Cap delivers sky-high adventure and heroism in the classic style. Commander X is completely in sync with those ideals and will be the perfect partner in crime-fighting. Featuring the Air Fighters only makes it all that much more thrilling.”

Piscopo think it’s perfect timing to reawaken these WWII era characters and see what made them strong and interesting. “These characters stood for ideals; particularly the ideals of freedom, equality and fighting against fascism. The superhero genre blossomed during WWII because this is what they stood for.”

More about Moonstone Books: Moonstone publishes fine and distinct comic books, graphic novels, and prose featuring classic and new heroes in thrilling tales of adventure, mystery, and horror including wayward thriller-adventure heroes like Kolchak the Night Stalker, Buckaroo Banzai, Captain Action, The Green Hornet, The Avenger, The Spider, The Saint, The Justice Machine, Domino Lady, Zorro, The Phantom, Operator 5, G-8, The Green Lama, Honey West, Sherlock Holmes, Airboy, Zeroids, Secret Agent X, The Phantom Detective, and more. www.moonstonebooks.com

More about Brian Augustyn: Augustyn is an award-winning comic book editor and writer. He got his start in the industry in 1984 as an editor for Tru Studios’ “Trollords.” He then edited “Syphons” and “Speed Racer” for NOW Comics. In 1987, he joined DC Comics, starting out as a co-editor on “Action Comics” during its period as a weekly title. He then went on to edit “The Flash,” “Justice League” and the “Impact Comics” line of titles. Augustyn was recognized for his work in the industry with the Wizard Fan Award for Favorite Editor in 1994.

More about Jay Piscopo and Nemo Publishing: Piscopo is the author and illustrator of Nemo Publishing’s “The Undersea Adventures of Capt’n Eli” graphic novel series and “The Sea Ghost #1: The Sea Ghost in the Machine” comic book. Captain Midnight and Commander X are similar and unique in that they both were created as a vehicle for advertising a product. In the case of Captain Midnight, it was Ovaltine in the 1940s. Commander X is part of the Capt’n Eli universe of characters tied to the Capt’n Eli’s line of hand-crafted sodas from Portland Maine. Capt’n Eli is the namesake of real-life World War II veteran Eli Forsley who was also the inspiration for Capt’n Eli’s soda. Read the story behind the story at this link. On the web atwww.captneli.com and www.theseaghost.com.

MARTHA THOMASES: George Lucas, Black History, and African-American Comics

thomases-column-art-120203-6924235In the hopes of beating the Black History Month rush, I went to see Red Tails last weekend. George Lucas had been making the interview rounds and he discussed how difficult it was for him to get this film made. He ended up paying for it himself, but then couldn’t find a studio to distribute or market it. Apparently, they felt there was no profitable market for a film with no white actors in the leads.

That is so offensive that I had to prove them wrong. However, I missed opening weekend, and therefore probably contributed to the studio’s bigotry. And, if the truth be known, I don’t particularly like going to movies that draw crowds because I find most audiences unspeakably rude. However, in this case, I would suck it up. And also, I went at one o’clock in the afternoon on a Sunday.

There weren’t a lot of people there, with maybe half the seats filled. The audience seemed to be mostly white and mostly male. The trailer that got the best response was for the Farrelly Brothers Three Stooges. Yes, that surprised me, too.

Lucas said he wanted Red Tails to feel like a movie made in 1944 that was just released this year. That’s a good description. To me, it felt like a Blackhawk comic or a Sgt. Rock comic brought to life. It was <a href=”

 as a movie. Awesome fight scenes, clear enemies (Nazis! Racists!), noble sacrifice and really entertaining characters. Screenwriters John Ridley and Aaron McGruder wrote an effective and economical (in terms of words, not budget) script. Yes, that’s Aaron McGruder of Boondocks fame.

On what planet would this movie be ghettoized? Oh, right. This one.

Which brings me to the comics portion of this column. I was lucky enough to get a review copy of African-American Classics from Eureka Productions. This anthology, edited by Tom Pomplum and Lance Tooks, takes the works of amazing writers like Langston Hughes, W. E. B. DuBois, Zora Neale Hurston and others and turns them into graphic story with artists that include Kyle Baker, Trevor von Eeden, Lance Tooks and more.

Like most anthologies, this one has stories I like and stories I don’t. In general, the ones I don’t like don’t have much story. They are instead mood pieces. My bias is against the genre, not the specifics here. In fact, if I’m going to read an illustrated mood piece, I’d prefer to read one with the unusual (to me) use of language here, and the vivid artwork.

I suspect this book will stay in print forever, a way to entice reluctant readers to seek out other works by these authors. It’s a great book to have on your shelves all year round, not just February.

SATURDAY: Big Daddy Marc Alan Fishman

GREEN HORNET: STILL AT LARGE READY FOR PRE-ORDER!

FROM WIN SCOTT ECKERT-

THE GREEN HORNET: STILL AT LARGE pre-order and final covers

The third volume of short stories from Moonstone
 Books about the 1960s Green Hornet and Kato
 continues to move forward. 
I revealed the final art for the limited edition 
ago, and now I’m pleased to also show off the 
trade softcover by Douglas Klauba! (I’m also 
thrilled that I was able to purchase this 
painting from Mr. Klauba, and it will hang 
proudly in my basement Cave of Geek. :-)

The Green Hornet: Still at Large is edited by Joe 
Gentile, Win Scott Eckert, and Matthew Baugh, and 
will be available either June 30, or July 17, 2012, depending on which 
listing you believe. :-)
    hornet3_procopio-1944196

  • Amazon – trade softcover (link coming soon)

Check out that discount on B&N! Get your 
pre-orders in now!

Howard Hopkins Remembered

A RETROSPECTIVE FOR HOWARD HOPKINS

This piece was arranged immediately following the announcement of the passing of Howard Hopkins, noted Pulp Writer/Editor.   It is published now as those participating have all completed their thoughts and remembrances.

From Tommy Hancock
My friendship with Howard Hopkins, and I can definitely refer to it as that, was one of emails, keyboards, and computer screens. I’d only seen Howard in the occasional image on his Facebook page, most notably that pic of him leaned against a tree. But it was also a friendship founded on mutuality. We were both writers, we had a massive jones for Pulp and genre fiction in general, and we were both fairly active in pursuing that love for that sort of thing in our own ways. From my side, there was also a basis of reverence in a sense. That may sound corny, but it’s true. There have been a handful of writers I’ve looked up to for a long time, long before I was published or a publisher myself. Authors who I recognized were working in New Pulp before it even had that name attached directly to it. It was a short list initially, mind you one that has grown over time, but of the few names that were on that initial list, Howard Hopkins was one.
As sudden as Howard’s passing was, his effect on me and, as I’ve learned, other writers and I think in the long run on the field of Pulp fiction in general, has been a gradual, ever growin
g positive one. Whether or not he was tackling a known character from the vast library of Pulp and literature, editing the work of others putting their own brand on what has come before, or crafting all new tales to terrify, tantalize, and tease from his own expansive imagination, Howard always brought something extra to what he did.
There was a vitality, a strength, an ever present energy to Howard’s work, to even his email interactions. You could sense it, it was this palpable wave of excitement, of happiness to be digging his way into this work that wasn’t just a job, but more of a life’s work for

him. Our first long extensive correspondence began a few months ago as I was considering stepping up my efforts in the Western genre and, if you didn’t know this already, one of the strongest modern voices in that field as far as I’m concerned is Howard Hopkins. As he outlined for me his thoughts on how I could accomplish that and gave me tips and hints, he also did something else that I’m not even sure he was aware of. These emails, some of them simply a few lines in response to my queries, read to me like adventures all their own. The very sense of Howard’s true passion for the craft of writing and genre work bled through in each and every word. Even though he was looking at moving away from that corner of genre a bit and really wanting to put his effort into his other work, such as the Chloe Files, I still saw the burning need to write, the childlike giddiness of being a part of this field, that Howard had. He poured into his work, into his editing, into his Facebook statuses even.
And that doesn’t even touch the actual work itself. If you’ve never read a Howard Hopkins tale, you’ll find in it all the staples of whatever genre he decided to work in, but there’s more. Howard is in everything he wrote. And I don’t just mean the way that it’s assumed writers write from their own experiences and we pour a little bit of ourselves into the narrative. It’s that energy again, that exuberance, that unbridled love for what he crafted, it’s in everything I’ve ever read that Howard wrote and it’s the reason I kept reading things by Howard after the first one I’d ever read.

Some will think this retrospective is late, that it should have been done as most others were in the days just after Howard’s passing. I don’t apologize for that, it is coming when it was right for it to come for me. Others may see this as maudlin or ‘too much’ from someone who admittedly only knew Howard via the internet and from reading his books. To them, I’ll say this-What better way to know a writer than through that which he believed he was born to write?
Howard is fondly missed and will continue to be a presence in the Pulp world, as his wife has pledged to continue his work. I actually have a small part in that as I’m the editor on a collection that will contain one of the last pieces Howard submitted for publication. In times like this, we often say that an artist’s work will continue to live even after he has passed. How long that work has life, however, depends on how much life its creator gave it at the moment of its birth. Based on that, Howard Hopkins will be around long after the rest of us are gone.
From Martin Powell-
I still cannot bring myself to talk, or write, much about this. It is a profound, unexpected tragedy. Howard and I had known each other for several years and he was like a brother to me. We shared our ups and downs, and our thrills and frustrations. I last spoke with him Wednesday evening, a day before he died. How horrible. How unfair. Howard was a tireless professional and a genuine gentleman. It was a privilege to be his friend. He was one of those rarest of men, a real “good guy”, as loyal and true as the heroes he so vividly brought to life on the page. I’ll never stop missing him.
Martin Powell

TIME’S LAST GIFT BONUS MATERIAL ANNOUNCED!

From Chris Carey:

“I’m very excited to announce that I’ll be contributing a new, heavily Wold Newton-flavored afterword to Titan Books’ new edition of Time’s Last GiftPhilip José Farmer‘s classic novel of time travel. The Titan edition will also include a timeline by Wold Newton scholars Win Scott Eckert and Dennis E. Power detailing pertinent events in the long, long life of the book’s protagonist, John Gribardsun. I’m viewing the books in this new Wold Newton series as the definitive editions of these classic Farmerian works, so I’m encouraging folks who want to see more books like this down the line to preorder them or pick them up as soon as they’re published.

Check out Win’s update about his and Dennis Power’s Time’s Last Gift timeline here.

This novel is of particular interest to me because it’s positioned as the prequel to the Khokarsa series (collected in the forthcoming Gods of Opar: Tales of Lost Khokarsa, due out this April from Subterranean Press). If you don’t know how the books are connected, you’ll just have wait and find out by reading Time’s Last Gift and my afterword.

The bonus pieces for the new Titan edition, due out this June, are as follows:

  • Afterword: “John Gribardsun and the Prehistoric Wold Newton Family” by Christopher Paul Carey
  • “Gribardsun through the Ages: A Chronology of Major Events Pertinent to Time’s Last Gift” by Win Scott Eckert and Dennis E. Power

The new edition of Time’s Last Gift can be preordered now at Amazon and Barnes & Noble.



From Win Scott Eckert:

In addition to Chris’ fine afterword, the new edition includes a piece which Wold Newton fans won’t want to miss: “Gribardsun through the Ages: A Chronology of Major Events Pertinent to Time’s Last Gift” by Win Scott Eckert and Dennis E. Power.
Time’s Last Gift, first published in 1972, and revised in 1977is one of Philip José Farmer’s finest novels, telling the tale of the mysterious time traveler John Gribardsun. It also serves as a prequel to Mr. Farmer’s series of books featuring the land of Khokarsa in Ancient Africa (Hadon of Ancient OparFlight to Opar, and the forthcoming The Song of Kwasin).
Time’s Last Gift is currently scheduled for release in June 2012, and is available for pre-order at major outlets such as Amazonand Barnes & Noble. Editions include trade paperback and digital (Kindle & Nook).
The book is second in Titan Books’ ongoing series of Wold Newton novels. More titles will follow, so keep following Mr. Farmer’s official website, and Facebook (Philip José Farmer | Win Scott Eckert) for more information.
Both Chris’ afterword and our timeline are exclusive to this edition:

  • Afterword: “John Gribardsun and the Prehistoric Wold Newton Family” by Christopher Paul Carey 
  • Gribardsun through the Ages: A Chronology of Major Events Pertinent to Time’s Last Gift” by Win Scott Eckert and Dennis E. Power

So hop over to Amazon or Barnes & Noble and place your pre-order now!


PRO SE PRESENTS #6-YOGUL, KITTY, MANTICORE, ALOHA, AND THE RAPIER!

Pro Se Presents #6 Kicks off the Year with ‘The Hand of Yogul’ From James Palmer and continues on with supernatural mystery from Ken Janssens, masked avenging from PJ Lozito, and the introduction of a brand new character by brand new writer Ashley Mangin! Also, A Comic written by Don Thomas-The Origin of the Rapier! All of this and more this month in Pro Se Presents #6! Puttin’ the Monthly Back into Pulp! And Coming Soon to Amazon!!!

CreateSpace eStore: https://www.createspace.com/3787209

Phil Morris reprises role of Vandal Savage in JUSTICE LEAGUE: DOOM

It’s a busy time for Phil Morris.

Easily recognizable to sitcom viewers as the hilariously slimy lawyer Jackie Chiles on Seinfeld, and renowned throughout the fanboy realm as J’onn J’onzz/Martian Manhunter on Smallville, Morris is splitting his time this February celebrating his latest triumphs.

Morris is a NAACP Image Award nominee in the category of Outstanding Actor in a Comedy Series for Love That Girl!  While he prepares for the awards ceremony and all of its requisite celebrity gatherings, Morris is also making time to attend both the New York (2/13) and Los Angeles (2/16) premieres of Justice League: Doom.

The consummate nice guy, Morris shifts to a darker, villainous approach for Justice League: Doom as he reprises his Justice League animated television series role as the immortal Vandal Savage. Morris is one of nine actors returning to the booth to record their original roles.

Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, the all-new, PG-13 rated Justice League: Doom arrives February 28, 2012 from Warner Home Video as a Blu-ray™ Combo Pack and DVD, On Demand and for Download. Both the Blu-Ray™ Combo Pack and DVD will include an UltraViiolet™ Digital Copy.

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains – orchestrated by Vandal Savage – discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid and Howard Porter’s much-heralded “JLA: Tower of Babel,” and scripted by the late Dwayne McDuffie.

Morris is more than just an actor with a tendency to perform in fanboy-centric productions – he is a devout fan of the genre and its comic book origins. His comics collection exceeds 20,000 and includes gems like a 1948 “Captain America,” issues 1-18 of “Silver Surfer,” the first 20 Barry Windsor-Smith issues of “Conan,” and many of the original run of the “Fantastic Four.” “It goes back pretty far,” Morris says. “I collect to this day.”

Prepping for the onslaught of reporters’ queries on the red carpets on both coasts prior to the premieres of Justice League: Doom, Morris welcomed the opportunity to answer a few questions about Vandal Savage, comics collecting, and the possibility of someday voicing his Smallville character Martian Manhunter in an animated form.

QUESTION: What’s the mindset of Vandal Savage, and what’s been the joy of playing this role?

PHIL MORRIS: Vandal Savage is an immortal who has been around the human species for all time. He’s extremely intelligent – he’s incredibly evolved because of contact with a meteor that landed in his village. And he’s always trying to overthrow the world. His vision is that the world should be his, as many of these despots feel. But he feels that because he’s lived so long, he’s entitled.

I love Vandal. I played Vandal for the Justice League series a few times, but this is a little bit of a different take on Vandal. Back on the series, he was more of a smooth criminal – he was more nuanced, he had more style. Now, I guess, he’s just had it. He’s kind of approaching things as if to say “I don’t have time to play with you.” He has no more guile left in him. He’s straight, no chaser, which makes him much more dangerous, much more evil, and much harder edged, especially in my vocal performance.

And I love this script. Dwayne (McDuffie) really made it a walloping good romp for the Justice League players. And then Vandal is a bit like the Lex Luthor of the show – it’s his mastermind, his ideas, his design that almost or does bring the world to its doom. You’ll have to watch to see. Vandal is very much the thrust of the evil of this show. That’s fun to play. (more…)

New Pulp’s Table Talk – Chatting About Character

Welcome back to Table Talk, a discussion between New Pulp authors Barry Reese, Bobby Nash, and Mike Bullock. This week, the guys tackle issues of character and character creation.

New Pulp’s Table Talk – Chatting About Character is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2012/02/table-talk-chatting-about-character.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the Table Talk Trio to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns ASAP.

Follow the Table Talk Trio on Twitter. @BarryReesePulp @BobbyNash @MikeABullock

"Watchmen 2: Watch Harder" by Marc Alan Fishman

DC Announces “Before Watchmen”

watch2-300x4201-9875660It’s official… From the DC Source blog:

This summer, DC Entertainment will publish all-new stories expanding on the acclaimed WATCHMEN universe. As highly anticipated as they are controversial, the seven inter-connected prequel mini-series will build on the foundation of the original WATCHMEN, the bestselling graphic novel of all time. BEFORE WATCHMEN will be the collective banner for all seven titles, from DC Comics.

“It’s our responsibility as publishers to find new ways to keep all of our characters relevant,” said DC Entertainment Co-Publishers Dan DiDio and Jim Lee. “After twenty five years, the Watchmen are classic characters whose time has come for new stories to be told. We sought out the best writers and artists in the industry to build on the complex mythology of the original.”

Stepping up to the challenge is a group of the comic book industry’s most iconoclastic writers and artists – including Brian Azzarello (100 BULLETS), Lee Bermejo (JOKER), Amanda Conner (POWER GIRL), Darwyn Cooke (JUSTICE LEAGUE: NEW FRONTIER), John Higgins (WATCHMEN), Adam Hughes (CATWOMAN), J.G. Jones (FINAL CRISIS), Andy Kubert (FLASHPOINT), Joe Kubert (SGT. ROCK), Jae Lee (BATMAN: JEKYLL AND HYDE), J. Michael Straczynski (SUPERMAN: EARTH ONE) and Len Wein (SWAMP THING).

(more…)