The Mix : What are people talking about today?

REVIEW: Cleopatra in Space: The Thief and the Sword

Cleopatra in Space: The Thief and the Sword
By Mike Maihack
191 pages, Scholastic Graphix, $12.99

The Thief and the SwordWhen Scholastic brought Mike Maihack’s webcomic Cleopatra in Space to print, it seemed like a perfect fit for their line. Unfortunately, the protagonist had as much to do with the real life Cleopatra as does the Queen of England. Target Practice was an Egyptian-flavored space opera with an overly familiar feel to it, much like the overhyped Amulet series from Graphix.

We now have the second volume and it does little fresh or different. In fact, it does less than volume one, slowing things down. Considering the annual release pattern, young readers deserve stories with beginnings, middles, and ends. Here, we start in the middle and reach page 191 without too much happening, leaving us with a cliffhanger that will frustrate the audience and make parents feel as if they wasted their money.

Maihack clearly studied comics when the decompressed storytelling of the late 1990s and 2000s were all the rage. At the time, graphic novel collections were increasingly valuable to the bottom line and six issue collections were the sweet spot. That meant pacing went way down and things dragged out. Here, Maihack spends lots of time watching people run, jump, fight, and so on without much of consequence happening. Similarly, he never deepens the characters so they remain flat, two-dimensional types rather than complex beings.

Maihack clearly knows how to tell a story and his character designs are good. His color palette is interesting and he brings some nice emotion to his story but that’s as far as it goes and for the price, more is expected. Heck, I’ll say, it’s demanded.

Mike Gold: Airboy Takes Flight – Again

airboy-cover-4181640

This may be hard to believe, but every once in a while the good folks at ComicMix L.L.C. act as though we really are a corporation. Yeah, it’s hard for me to believe that, too.

Last Sunday, our “senior” staff (a phrase that has nothing to do with age, until August 4th) met at Martha Thomases’ plush Greenwich Village condo. Adriane Nash and I were there right on time, but Glenn Hauman was caught in traffic in the Lincoln Tunnel, an all-too-common experience for those trying to escape the land of Christie. Not a problem; Martha’s kittycat Selina (yep; Selina – fangirls, go know) was making a rare public appearance. The conversation turned to this week’s comic books. I started out bitching about Bizarro #1 and Martha defended it nicely. No, I did not complain about internal consistency. I stopped doing that around Adventure Comics #285. Then Martha asked:

“What did you think of Airboy #1?”

“I haven’t read it yet, but it’s at the top of my pile” I lied. Everybody knows I read my comics on my iPad. “I love the character, but I’m annoyed Chuck Dixon didn’t write it.”

Martha was about to say something like “Yes, but James Robinson did” but it is even better known that my opinion of James’ work is so high that if he were writing the back panels of milk cartons I’d sell my cow. So, instead, Martha said “Chuck Dixon could not have written this book.” Then she smiled that smile that would make the Cheshire Cat jealous.

Chuck Dixon has been writing Airboy off-and-on for 30 years for at least three different publishers. IDW has been Omnibusing it lately. Obviously, I like it. Indeed, I like the original Golden Age character. It was Dick Giordano’s favorite as a kid and we used to talk about it on the commuter train after leaving DC for the day, much to the chagrin of our fellow travelers who really didn’t care to eavesdrop on a couple of extreme fanboys.

I told Martha I was really looking forward to it, and she repeated “Chuck Dixon could not have written this book,” this time with a sort of Lauren Bacall delivery.

“Fine,” I replied. “You don’t have to ask me twice to read a James Robinson comic book.” Or a James Robinson milk carton. “I’ll give you a call when I’m done, probably around one in the morning.” Martha goes to sleep when the sun goes down, and she knew I was kidding. She knew I’d email her at one in the morning.

And I did. I sent her a screen dump of just one panel of the issue. I sent her this one.

airboy-panel-4793062

The naked guy is James Robinson. The clothed guy is Airboy artist Greg Hinkle. That was my review.

Martha was absolutely right. Chuck could not have written it.

I mean, he still could write Airboy and James even explains why in that very issue. But this one is something else. It reminds me of the script and layouts to the unpublished Sonic Disruptors #11, but only about three people would know that and one of them is dead.

Go buy the book. You’ll see.

 

The Point Radio: YOUNGER Really Is Better

Looking YOUNGER is just one of the many charms of talented actress Sutton Foster. If you haven’t seen her hit TV LAND series, catch up quick here and see the finale tonight at 10pm ET on TV Land. Sutton catches you up on what you may have missed plus gives her view on that much Tweeted-about GILMORE GIRLS reunion. Then Rhys Coiro goes from the world of ENTOURAGE to the wild west in The History Channel’s TEXAS RISING series and is truly living his dream job.

 We’re back in a couple of days with a look at DARK MATTER, headed from Dark Horse Comics to the SyFy Channel.

Box Office Democracy: “Spy”

spy-poster-2015-hd-wallpaper-8943850

I wonder how many excellent movies we’ve been cheated out of by Melissa McCarthy’s commitment to Mike & Molly. I understand the appeal of a regular paycheck and the success of the show has led to McCarty being the highest paid actress in Hollywood but Spy is such a good movie and couldn’t she be doing two or three of these per year instead of one and a season of bad television? Spy is the funniest movie I’ve seen in years and it isn’t close. I laughed so often and so hard I’m sure that I laughed over important dialogue and even other jokes. It’s the kind of movie that can shift the paradigm of movie comedy in the way the Judd Apatow movies of the early 2000s did and it can even be the movie you throw in your idiot friend’s face when he starts going on about how women just aren’t funny.

It is easy to praise McCarthy’s work in Spy. She’s effortlessly funny, she hits her dramatic moments, and she has an amazing physicality. I think she’s literally perfect for this role and I’m still worried I’m underselling her here. I’m also impressed at how competent they were willing to let her character be, it’s very easy to get cheap laughs out of someone being bad at their job but Susan Cooper is a good spy because she’s smart and because she’s trained very hard. A weaker movie would have been a string of pratfalls and idiot bungling. This movie doles out the bungling much more sparingly and is much better for it.

The buzz I had heard going in to this film was that Jason Statham was the breakout comic performance of the film and I didn’t think that was possible. I knew Jason Statham was funny, I had seen his work with Guy Ritchie, I has enjoyed his work in the Crank films, I thought he couldn’t surprise me in this way and I was 100% wrong. Jason Statham is funny for pretty much every second he’s on screen. I don’t think he has more than a couple lines that aren’t punchlines. His delivery is impeccable. I can’t decide if I think this is just incredible direction from Paul Feig, or if working with McCarthy brings out the best in people, or maybe we’ve all been deprived of years of work from the most unlikely comic star since it turned out Channing Tatum could steal 21 Jump Street from Jonah Hill.

I could write a gushing paragraph about every actor in Spy, the cast is so consistently amazing, but I don’t really have the space or inclination so let’s cover a bunch of people right here. Rose Byrne is terrific, between this and Bridesmaids I would be quite content to have her, McCarthy, and Feig just do movies together forever. She doesn’t have the most original comedic voice in the world but she does what she does so well. I was not familiar with Miranda Hart’s work in the UK so it’s an awful lot like a fully mature talent just sprung up at me from the ether. She’s a scene-stealer and, this might not seem remarkable, but a very big out-of-the-ordinary character that I’m never unhappy to see on screen. Jude Law looks great in a suit and is very handsome and that’s all this movie asks of him. Bobby Cannavale should really work more because I’ve never not liked him in something. I was very sure Morena Baccarin was going to be an important part of this movie when she was introduced and was very sad when she was used only sparingly.

There were a few things I thought worked less well. They go to the “You look like” joke construction a few times too often. It seems to be a McCarthy staple at this point and in a vacuum they’re all funny but at the end of a two-hour movie they aren’t hitting as hard. Peter Serafinowicz plays an aggressively flirty Italian agent that I thought was deserving of maybe 20% of the screen time he was allotted and I ended up cringing through most of his work. There are a couple jokes that use slurs for seemingly no reason other than to shock and that’s not a style of comedy I prefer. I thought a moment at the end where Cooper and Rayna Boyanov make nice was unearned and is just trading on the fact that we know the two actresses have a history. These are very small marks on an otherwise fantastic movie and nothing is ever going to connect with all of their jokes.

Paul Feig is on quite a roll with his third consecutive very funny McCarthy-led hit. In a more cynical time I would wonder if one or the other of this pairing is leaning too hard on the other, if perhaps the success of one is a smokescreen created by the supreme talent of the other but that’s just not how I want to think about things anymore. This collaboration is something special and we ought to cherish it before one of the nefarious forces in Hollywood that destroys all good things comes for this one. I thought I couldn’t be more excited for Feig and McCarthy’s Ghostbusters remake but it appears I was wrong. Hell, Spy was so good you might even be able to get me to see The Peanuts Movie, God help us all.

Gotham Season One Comes to Home Video in September

1000543313brdlefo_9392df82-e1433692421569-9714343BURBANK, CA (June 4, 2015) – With an average of 9.6 million viewers per week, Gotham has captured and held the attention of audiences since the premiere episode which delivered FOX’s highest-rated fall drama debut in 14 years with Adults 18–49. Before the series returns to FOX for a second season this fall, fans can now enjoy all 22 episodes – plus nearly 2 hours of extras including new featurettes, unaired scenes and a gag reel – when Warner Bros. Home Entertainment releases Gotham: The Complete First Season on September 8, 2015. This season’s #2 broadcast drama among men 18-34 will be available on Blu-rayTM and DVD for $60.10/$59.98 SRP.

Before there was Batman, there was Gotham City. Everyone knows the name of Commissioner Gordon, but what of his rise from rookie detective to Police Commissioner? What did it take to navigate the layers of corruption in Gotham City, the spawning ground of the world’s most iconic villains? Gotham tells the story of the world’s most iconic DC Comics Super-Villains and vigilantes from the very beginning, revealing an entirely new chapter that has never been told. From executive producer Bruno Heller (The Mentalist, Rome), this crime drama follows GCPD Detective James Gordon’s rise through a dangerously corrupt city, while also chronicling the genesis of one of the most popular DC Comics Super Heroes of our time. Although the crime drama follows Gordon’s turbulent and singular career, it also focuses on his unlikely friendship with the young Bruce Wayne – with his mentorship a crucial element in developing the mythology of Gotham City.

“We are thrilled to release Gotham: The Complete First Season on Blu-ray and DVD for fans to explore the unique origin story of Gotham and its characters” said Rosemary Markson, WBHEG Senior Vice President, Television Marketing. “With this release, fans will be able to get acquainted with the early chapters of their favorite Super Hero prior to the premiere of season two.”

Gotham: The Complete First Season features a star-studded cast including Ben McKenzie (Southland, The O.C.) as Jim Gordon, Donal Logue (Vikings, Sons of Anarchy) as Detective Harvey Bullock, David Mazouz (Touch) as the young Bruce Wayne, Sean Pertwee (Elementary, Event Horizon) as Alfred Pennyworth, Robin Lord Taylor (The Walking Dead, Another Earth) as Oswald Cobblepot/Penguin and Jada Pinkett Smith (HawthoRNe, The Matrix Revolutions) as Fish Mooney, Also starring Zabryna Guevara, Erin Richards, Camren Bicondova, Cory Michael Smith, Victoria Cartagena, Andrew Stewart-Jones and John Doman, the drama series is produced by Warner Bros. Television. Based on the characters from DC Comics, Gotham is executive produced by Bruno Heller, Danny Cannon (Nikita, CSI series) and John Stephens (Gossip Girl).

SPECIAL FEATURES 

  • Gotham Invented: Building Our Gotham
  • Gotham Invented: Paving the Way for the Caped Crusader
  • Gotham Invented: Fractured Villains of Gotham
  • Designing the Fiction
  • The Game of Cobblepot
  • Gag Reel
  • Unaired Scenes
  • DC Comics Night at Comic-Con 2014 Presenting Gotham, The Flash, Constantine and Arrow
  • GOTHAM: The Legend Reborn
  • Character Profiles:
    • Detective Harvey Bullock
    • Detective James Gordon
    • Oswald Cobblepot
    • Bruce Wayne and Alfred Pennyworth
    • Fish Mooney
    • Leslie Thompkins
    • Killer Character

22 ONE-HOUR EPISODES 

  1. Pilot: Extended Version
  2. Selina Kyle
  3. The Balloonman
  4. Arkham
  5. Viper
  6. Spirit of the Goat
  7. Penguin’s Umbrella
  8. The Mask
  9. Harvey Dent
  10. Lovecraft
  11. Rogues’ Gallery
  12. What the Little Bird Told Him
  13. Welcome Back, Jim Gordon
  14. The Fearsome Dr. Crane
  15. The Scarecrow
  16. The Blind Fortune Teller
  17. Red Hood
  18. Everyone Has A Cobblepot
  19. Beasts of Prey
  20. Under the Knife
  21. The Anvil or the Hammer
  22. All Happy Families Are Alike

BASICS 
Street Date: September 8, 2015
Presented in 16×9 Widescreen Format
Running Time: Feature: 967 min /Enhanced Content: Approx. 151 min.

DVD Standard Features
Price: $59.98 SRP
6 DVD-9s
Language: English (5.1)
Subtitles: ESDH, Latin Spanish, French
Catalog # 1000543206
UPC # 883929458745

Blu-ray Features
Price: $60.10 SRP
4-Disc Elite (4 BD-50s)
DTS-HD Master Audio 5.1 – English, Spanish 2.0
Subtitles: ESDH, Latin Spanish, French
Catalog # 1000543313
UPC # 883929458943

Emily S. Whitten Interviews Jess Harnell

wakko-warner-5109837

As I mentioned last week, I got to interview some fantastically talented folks while at Awesome Con DC 2015; and now I get to share the first of those interviews with you. I started off my weekend by talking with the wonderful, warm, and funny voice actor and singer Jess Harnell, who graciously took time out of his busy convention schedule to chat with me behind the scenes; and let me tell you, it was a treat!

If you’re not familiar with Jess…well, you probably only think you’re not familiar with Jess. Because if I mention, oh, say, <a href=”

Warner of Animaniacs, <a href=”

Hero of Drawn Together, Ironhide of the Transformers movies, <a href=”

 of Doc McStuffins, <a href=”

 of The 7D, the Sewer Urchin of The Tick, or one of the other 274 credits on Jess’s IMDB page, I’m pretty sure you’ll realize you’ve heard this man in all kinds of TV shows, movies, and video games. And if you somehow haven’t…you really should. He’s immensely talented, and a super nice guy to boot.

But why spend time here with me when you could be watching and listening to the man himself? If you want to see Jess do a few of his famous voices (and all four of The Beatles!), and learn more about his early days in show biz, how he got into voice acting, his cool convention and fan experiences, what it’s like being a voice actor in Hollywood, how he came up with the idea for his band Rock Sugar, and more, check out our video interview <a href=”

here!

(And if you can’t watch video for some reason but would like the audio version, it’s here.)

And if you watch the video or listen to the interview and don’t come away knowing that Jess is super talented, and a really cool dude (seriously, I love this guy. Can you tell?) then I’ll eat…um…I’ll eat…um…Jess’s hair!

Well, okay, maybe not. That would truly be a feat of epic proportions. But I will be very surprised.

So go forth, be amazed by this awesome dude, and until next time, Servo Lectio!

REVIEW: The Baby-Sitter’s Club: Kristy’s Great Idea

The Baby-Sitter’s Club: Kristy’s Great Idea
By Raina Telgemeier
180 page, Scholastic Graphix, $10.99

kristys-great-idea-e1433702735165-6516692With the well-deserved success of Raina Telgemeier’s original graphic novels, it makes perfect sense for Scholastic to re-release her earlier efforts, adaptations of Ann M. Martin’s Baby-Sitters Club novels. Wisely, they freshened the 2006 material with added color from Braden Lamb and, like a fresh coat of paint, it feels brand new.

Martin launched her bestselling line of Young Adult novels in 1986, totaling 131 standard novels, an additional 15 Super Specials, plus assorted Mysteries, Super Mysteries, Special Edition Readers’ Requests and so on. The last original fiction was actually a prequel to this story, released in 2010.

In 2006, Scholastic hired Telgemeier to adapt the novels in the hopes of a new secondary line of works for readers. After four, sales didn’t meet expectations and they ended. But now they are back with volume one out now and the second due in July.

Telgemeier does a nice job visualizing the four main characters – Kristy, Mary Anne, Claudia, and Stacey. Her story moves breezily along, never dwelling too long on a scene or a baby-sitting experience. Some things get telegraphed such as newcomer Stacey’s secret but in keeping with Martin’s deft handling of teen issues, it plays out well.

It’s interesting to see how Telgemeier has grown as an artist in the last decade. Her style is easily recognizable but feels simpler here. Lamb’s color is a lovely layer to the storytelling and complements the artwork nicely.

The novels and this quartet of titles is clearly for a specific female audience but put it in their hands, and they will love it, coming back for more.

Batman Unlimited: Monster Mayhem Coming this August

1000518597BRDLEFOOPT_78d653BURBANK, CA (June 3, 2015) — The Dark Knight isn’t seeking tricks or treats when Gotham City’s most lethal villains take to the streets on Halloween night in the newest DC Comics animated film – Batman Unlimited: Monster Mayhem.  Produced by Warner Bros. Animation and DC Entertainment, the original movie arrives from Warner Bros. Home Entertainment on Blu-rayTM and DVD on August 18, 2015 for a $19.98 SRP, and via Digital HD on August 4.

It’s Halloween night in Gotham City and Scarecrow, Clayface, Silver Banshee and Solomon Grundy have hit the streets to stir up trouble! Batman is on the trail of the city’s spookiest villains while, further complicating matters, the clown prince of crime himself, The Joker, is ruling over this mysterious crew of misfit criminals. It’s up to the Dark Knight to stop this gruesome gang before they unleash “digital laughter,” a computer virus that’s part of a diabolical plan to jeopardize all of Gotham City’s vital technology. Batman, Green Arrow, Cyborg, Nightwing and Red Robin must combine forces to battle these baddies and save the city.

The stellar voice cast features Roger Craig Smith (Batman: Arkham Origins) as Batman, Troy Baker (Batman: Assault on Arkham) as Joker, Khary Payton (Teen Titans Go!) as Cyborg, Chris Diamantopoulos (Episodes, Silicon Valley) as Green Arrow, Will Friedle (Batman Beyond, Boy Meets World) as Nightwing, Yuri Lowenthal (Ben 10) as Red Robin, Kari Wuhrer (Sharknado 2, Justice League: Crisis on Two Earths) as Silver Banshee, Fred Tatasciore (LEGO Batman 3: Beyond Gotham) as Solomon Grundy, Brian T. Delaney (Mad, Halo 3 & 4) as Scarecrow, Dave B. Mitchell (World of Warcraft: Warlords of Draenor) as Clayface, Noel Fisher (Teenage Mutant Ninja Turtles, The Twilight Saga: Breaking Dawn – Part 2) as Gogo Shoto, and Alastair Duncan (Mass Effect games, The Girl with the Dragon Tattoo) reprising his The Batman TV series role as Alfred.

Batman Unlimited: Monster Mayhem is produced and directed by Butch Lukic (Batman Unlimited: Animal Instincts) from a script written by Heath Corson (Batman: Assault on Arkham). Executive Producer is Sam Register. Benjamin Melniker and Michael Uslan are Executive Producers.

Batman Unlimited: Monster Mayhem follows Batman Unlimited: Animal Instincts as the second release in a series of films rooted in Mattel’s popular Batman Unlimited merchandise line. The films feature characters, vehicles, designs and color schemes brought to life within this enthralling toy collection.

“We are thrilled to release Batman Unlimited: Monster Mayhem on Blu-rayTM Combo Pack, DVD and Digital HD. Batman fans of all ages can enjoy the newest DC Comics animated adventure,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “This original movie will provide family-friendly action and electrifying plot twists, and keep viewers on their toes until the very end.”

Batman Unlimited: Monster Mayhem DVD contains the following special features:

  • GOTHAM 2030: Designing a Future World – The artistic team responsible for bringing this future Gotham City to life will take you on an exploration of their creative process, from their earliest concept sketches through the final eye-popping landscapes. Welcome to a Gotham City of tomorrow!
  • Ten shorts from the popular DC Nation collection, including “SHAZAM! Courage,” “SHAZAM! Wisdom,” “SHAZAM! Stamina,” “Green Arrow: Onomotopoeia-Bot,” “Green Arrow: Brick,” “Green Arrow: Cupid,” “Deadman: Deadman Catch,” “Animal Man vs. Captain Cold,” “Animal Man vs. Black Manta” and “Riddler: Riddle Me This!”

The Basics
Street Date: August 18, 2015
Order Due Date: July 14, 2015
Languages: English
Audio: Dolby Stereo
Color
Run Time: Approx. 72 minutes
Rating: NR

Mindy Newell: Oh Boy!

quantum-leap-5402233

“Theorizing that one could time travel within his own lifetime, Doctor Sam Beckett stepped into the Quantum Leap accelerator – and vanished. He awoke to find himself trapped in the past, facing mirror images that were not his own, and driven by an unknown force to change history for the better. His only guide on this journey is Al, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so Doctor Beckett finds himself leaping from life to life, striving to put right what once went wrong and hoping each time that his next leap – will be the leap home…”

Quantum Leap • Donald P. Bellasario, Creator • NBC, March 1989 – May 1993

I was cruising the channels on the Sunday before Memorial Day – which I still think of as May 31, not the last Monday of the month – when I discovered a marathon of Quantum Leap airing on Cozi, an obscure cable network which is broadcast as one of those extra local channels. (I’ve also discovered that it airs episodes of The Dick Van Dyke Show on weekday afternoons.) Being a rabid fan of the show back in the day, I sat back and enjoyed the view.

I’m obviously not well versed in quantum mechanics, but here’s an explanation of the term “quantum leap” by Jim Loy in 1996:

Some people think that a quantum leap is a particularly large leap. This is incorrect. In fact, in quantum physics, where the expression came from, a quantum leap is usually a very tiny leap indeed, often smaller than the diameter of the nucleus of an atom. So what is a quantum leap?

“A quantum leap is a leap from A to B, without passing through any of the points between A and B. Imagine that you enter a train in A-ville. You sit in your seat, and the train is instantly transported to your destination of B-ville. You just made a quantum leap. The train didn’t pass through any point between A-ville and B-ville.

“A train on tracks is essentially a one-dimensional system. The quantum leap idea works just as well in 2 to 3 dimensions. Something performs a quantum leap if it goes directly from some point A to some other point B, without passing through any other points from the time it left A to the time it arrived at B. Cartoon characters can perform quantum leaps, very easily. In fact, the art of cartooning is mainly involved in making the characters seem to move smoothly from A to B, instead of in leaps.

“Outside of cartoons, we don’t see quantum leaps in real life. We only see quantum leaps at the sub-atomic (or quantum) level. A sub-atomic particle (an electron, for example) can often go from A to B without passing through any other points. This is counter-intuitive. But, it happens. Besides leaping across a distance, sub-atomic particles can change by leaps in other ways. An electron can change energy from energy-level A to energy-level B in a leap, without having any of the intermediate values of energy. In fact, this is where the term “quantum” comes from. At the sub-atomic level, energy is created and used up in well-defined amounts called “quanta.” “Quanta” is plural, “quantum” is singular.

As you can now see, the quantum leaps in the TV series, Quantum Leap, were true quantum leaps. The main character did indeed leap through space and time, without passing through any of the intermediate space and time.”

Pretty cool, huh? And I bet all you professional and aspiring sequential storytelling – i.e., comics and cartooning – artists didn’t know you were quantum physicists, leaping your characters from panel to panel in your own bubble universe.

But can you and I experience a quantum leap in the real world? Maybe the answer is yes. Oh, I don’t mean the way Sam Beckett does – his theory is that “a person’s life is like a length of string; one end represents birth, the other represents death. If one were to tie the ends of the string together, their life becomes a loop. Next, by balling the loop together, the days in one’s life would touch one another out of sequence. Therefore, jumping from one part of the string to another would allow someone to travel back and forth within their own lifetime, thus making a “quantum leap” between each time period” – but have things ever happened to you that suddenly bring you to another level, another reality, another existence?

Like…you come home from work and the phone rings and you pick it up and there’s a man on the other end of the phone, and he asks you out, and you say yes, and as you hang up the phone you suddenly realize that you have “quantum leaped” into a new life.

Like…you sit down and write up a story because you’re bored and you mail it off and in a few weeks you’re sitting across the desk from the editor of a comics company who wants to publish your story and when you get on the elevator to go home just like that you suddenly realize that you have “quantum leaped” into a new life.

Like…you’re at work and your husband calls you and he tells you that he’s leaving you and the world goes upside down and inside out and just like that you suddenly realize that you have “quantum leaped” into a new life.

Like…you’re in the car with your daughter and son-in-law and they start to laugh and they tell you that you’re sitting on something and you move your tuchas and you have been sitting on a photograph of an ultrasound of a baby in utero and just like that you are a grandmother and you suddenly realize that you have “quantum leaped” into anew life.

Like you’re visiting your parents for a holiday and you offer to go food shopping for them and you leave them laughing and talking and dancing and when you get back from the store your father is acting strangely and you think he is having a stroke and as you call your brother and 911 you suddenly realize that you have “quantum leaped” into another life.

Yeah, quantum leaps do happen and they happen all the time. Sometimes they’re great and sometimes they suck, but like electrons in the sub-atomic universe, our lives can jump from point A to point B in an instant…and like Schrödinger’s cat, our experiences shape our reality.

Oh, boy.

 

Monday Mix-Up: SUPERMANDREAS

From creator Nick Acosta:

…a new disaster movie starring The Rock called “San Andreas” is slated to premiere in theaters. From the trailer I noticed that some of the film’s big disaster set pieces (the destruction of the Hoover Dam and Golden Gate bridge) looked very familiar to me. They are almost shot for shot the same as from one my favorite movies growing up – the 1978 film “Superman.” So I decided to re-edit the “San Andreas” trailer to take out The Rock and put in a 27-year-old Christopher Reeve as Superman. I even rotoscoped him flying from the 1978 film into “San Andreas.” Christopher Reeve’s Superman was my first childhood hero growing up. I still consider him the definitive Superman and I still can hear his voice when I read new Superman comics. So it was an immense pleasure to drop him into a modern day movie and see him fly one more time in his prime. Please check out “San Andreas” re-cut to the 1978 film “Superman,” I call it SUPERMANDREAS For more info on how this was made and to compare it to the actual “San Andreas” trailer you can goto my portfolio site.

Enjoy.