The Mix : What are people talking about today?

John Ostrander: Casting About

amanda-waller-3685289This week the Internet was all a-twitter with news that the movie version of Suicide Squad, the series that I created in 1987, had been mostly cast. (You can read about it here.) The film is scheduled to debut in August 2016 and will be the first Warner Bros. DC film after the Superman v. Batman: Dawn of Justice flick that shows up earlier that year.

As with any comic book movie, there has been substantial debate over the casting, largely focusing on Will Smith as Deadshot, the inclusion of the Joker at all (whether played by Jared Leto or not) and the possibility of Oprah Winfrey playing Amanda Waller. Heck, my fellow columnists Mike Gold and Marc Alan Fishman have already chimed in. I held forth in an interview on what I thought of the casting and why. I’m going to hold forth a little here as well. I need to get a column in and it would seem strange if everyone else here was talking about the movie and the casting and I didn’t.

Let me say upfront: I haven’t seen the script and I haven’t been consulted. Nor do I expect to be. I have no track record in Hollywood and Warner Bros. is putting a lot of money into this. A lot of money. The salaries alone will be substantial. It’s not a time to be using an amateur and that’s what I am as far as movies are concerned. The film’s writer and director will have their own take on the characters and they maybe, probably will be, different from mine.

That’s how it should be. The needs of a movie are different than the needs of a comic book. When I started doing the Squad, my versions of the characters were substantially different than how they were portrayed before. I took charge of the characters, tried to keep them consistent with who they were, but I didn’t ask if I could change them up. I just did it. It wasn’t gratuitous; it was always in service of the story I was telling. I fully expect those doing the movie to do the same thing.

It makes sense that they would go for the biggest names they could get for the characters; the general public doesn’t know anything about the Squad. This movie is positioned right after the Superman v Batman flick so it’s going to be high visibility. For the sake of not only this film but for the whole DC movie franchise, it has to sell a lot of tickets. Lots and lots of tickets.

Again, let’s be honest – I’m glad that the Squad has had so many of loyal fans over the years but there aren’t enough of them to fill a single theater for more than a week and that’s only if all of them go and do it more than once. If a Squad movie is going to be a success, it has to bring in the general public in droves. How do you do that? You feature the Joker, Will Smith, Jared Leto, Tom Hardy, and maybe Oprah Winfrey. Those are names that the general public knows. They sell tickets.

Yes, I have a vested interest in a success and it hinges on the character of Amanda Waller. The name Suicide Squad, most of the characters in it – they all existed before I used them. I don’t participate financially when they get used again. Amanda is different; she was my creation and I have what is called “participation” when she gets used in other media. In other words, I’ll make some money for doing nothing more than being a swell fellow. It also depends on how important to the film Waller is and how much she is used. A big name – such Oprah – makes it more likely that she’ll have an important part. Oprah ain’t doing no cameo. Over and above the fact that I really think she would be wonderful in the part, she makes my participation better.

I want the movie to succeed. I want it to spawn sequels. I want it to have merchandising; I want an Amanda Waller action figure. I’m crass enough to admit I want it to make money because then I make money. The best way for it to do that is to be a damn good story and that’s what I want more than anything else.

We’ll see come August 2016. I can’t wait.

 

Aquaman gets his Due in Animated Throne of Atlantis

1000427919brdlefo_14cd592-e1417889522348-2714093Burbank, CA (December 4, 2014) – The newly formed Justice League members Superman, Batman and Wonder Woman discover another super hero on the planet – Aquaman – and the group must band together to prevent a war between the inhabitants of land and sea as Warner Bros. Home Entertainment, Warner Bros. Animation, and DC Entertainment unleash Justice League: Throne of Atlantis. Packed with non-stop action, the brand-new 75-minute DC Universe Original Movie comes to Blu-rayTM Combo Pack, DVD and Digital HD on January 27, 2015.

Justice League: Throne of Atlantis will be available on Blu-rayTM Combo Pack for $24.98 SRP and on DVD for $19.98 SRP.  The Blu-rayTM Combo Pack includes a digital version of the movie on Digital HD with UltraViolet.* Fans can also own Justice League: Throne of Atlantis in Digital HD on January 13 via purchase from digital retailers.

In Justice League: Throne of Atlantis, Cyborg discovers an imminent threat in the depths of the oceans so powerful that it rallies together the newly formed Justice League. Meanwhile, wandering thousands of feet above the ocean floor is drifter Arthur Curry, a man with strange powers who may be the last chance to bridge the ancient Atlantean world with our own. Superman, Batman, Wonder Woman and the rest of the Justice League must band together as they face off against warmongering Orm, an army of sea creatures, otherworldly weapons and perilous odds. In this all-new epic adventure from the DC Universe, mankind’s only hope of escaping from the darkness lies with the guiding light of a man – Aquaman!

“We are thrilled to introduce this exciting new Justice League film to fans with the release of Justice League: Throne of Atlantis,” said Mary Ellen Thomas, WBHE Vice President, Family & Animation Marketing and Partner Brands. “As the Justice League saga continues to expand, fans are looking for exciting new adventures for this vibrant group of superheroes and this brand-new film is sure to deliver!”

The celebrity laden cast features primetime television stars Matt Lanter (Star Wars: The Clone Wars, 90210) at Aquaman, Sam Witwer (Being Human, Star Wars: The Clone Wars) as Orm, Jason O’Mara (Terra Nova, Vegas, Life on Mars) as Batman, Christopher Gorham (Covert Affairs) as Flash, Nathan Fillion (Castle) as Green Lantern, Shemar Moore (Criminal Minds) as Cyborg, Rosario Dawson (Sin City) as Wonder Woman, Jerry O’Connell (Crossing Jordan, Stand By Me) as Superman, Sean Astin (The Lord of the Rings Trilogy) as Shazam, Sumalee Montano (Beware the Batman, Transformers Prime) as Mera, Sirena Irwin (Superman: Unbound) as Queen Atlanna, and Harry Lennix (Man of Steel, The Blacklist) as Manta.

Justice League: Throne of Atlantis delivers an action-packed addition to the ongoing series of DC Universe Original Movies, which have shipped more than 14 million units to date. The film features brand-new extra content for collectors and fans alike.

BLU-RAYTM AND DVD ELEMENTS

Justice League: Throne of Atlantis Blu-rayTM contains the following special features:

  • Scoring Atlantis: The Sound of the Deep – Every great film needs a great musical score. Filled with emotion, music takes us on a dynamic journey as we adventure with the hero. Throne of Atlantis takes us on that quest through the eyes of Arthur Curry.
  • Robin and Nightwing Bonus Sequence – Producer James Tucker provides video commentary for this exciting bonus sequence where Robin and Nightwing join forces.
  • Throne of Atlantis: 2014 New York Comic Con Panel – The entire, lively one-hour panel discussion between actor Matt Lanter, producer James Tucker, screenwriter Heath Corson, character designer Phil Bourassa and dialogue director Andrea Romano.
  • Villains of the Deep – From Ocean Master to Black Manta to King Shark, each villain operates from his own deep sense of conviction, presenting an incredible challenge for the hero in Arthur Curry, aka Aquaman. This documentary goes into the biographical details of the villains.
  • A Sneak Peak at Batman vs. Robin – An advance look at the next DC Universe Original Movie with the creators and cast.
  • Bonus cartoons from the DC Comics Vault

Justice League: Throne of Atlantis DVD contains the following special features:

  • A Sneak Peak at Batman vs. Robin – An advance look at the next DC Universe Original Movie with the creators and cast.
  • Bonus cartoons from the DC Comics Vault

Marc Alan Fishman: Suicide Squad’s Sinister Sextet

Hello movie lovers! Tis I, Marc Alan Fishman, resident ComicMix snark-do-well. I figured I might as well get at least a day out from the legendary John Ostrander on the topic that most presently has the comic book fanboys all a flutter. What’s that, you say? The recently announced Suicide Squad movie from DC Entertainment now has a cast? Well, what better to do then but react to each of the specific castings of the sinister sextet of seriously spiteful sinners.

Jared Leo as The Joker

I know what everyone is thinking. “Boo! Hiss!” they cry. Well, not me. Casting the clown prince of crime with yet-another slightly slick looking actor, with plenty of dramatic chops, seems apropos. Look kiddos. When they announced Heath Ledger, the outcry could be heard for miles around the Internet. All up until footage started leaking in dribs and drabs. And then when The Dark Knight debuted, every nerd with no-good in their hearts shut their yaps at light speed. Ledger’s Joker was a performance that will never be replicated. But with Requiem For A Dream, Dallas Buyers Club, and several smaller parts in good movies, Jared Leto is honestly not a bad choice. But, put a pin in that, because I’m going to wrap up everything with a nice neat bow before we’re done today.

Will Smith as Deadshot

Well, I think this comes as the shocker, no? Will Smith is a conundrum of an actor. Sometimes, he hits them out of the park. Lead roles in Men In Black, Ali, Independence Day and countless others cement him as being more than capable of balancing humor with a serious side. Of course for every spark in his IMDB file, it comes balanced by serious fizzles of failure. Hancock, After Earth, and Wild Wild West do plenty to make me waiver on how this casting catches me. Suffice to say I could care less about the issue of Floyd Lawton being black. What I’ll care about most is if the script calls for a equal amount of cocky humor with deadpan deliveries in between.

Tom Hardy as Rick Flagg

Dude. It’s Bane being the badass good guy. And there’s almost no chance he’ll have an indecipherable accent and a mask covering his mouth! Count this one as being just fine by me.

Margot Robbie as Harley Quinn

Hmm. Really? I don’t know if I’m skittish more because Ms. Robbie hasn’t been in anything I’ve personally seen, or because we’ve already hit on the fact that The Joker is in the picture. No offense, but when the two of these kooks share a screen, Mark Hamill and Arleen Sorkin have set the precedent. Call me a closet cheerleader for good roles for men and women, but something about having this twosome announced makes me hope that Leto is in and out, allowing for a Harley that’s allowed to be more than something nice to look at.

Jai Courtney as Boomerang

What, he couldn’t be a captain? Damnit. Mr. Courney’s resume is very action-heavy. So it bodes well that the once laughable Digger may have a bit more of an edge to him. That being said, if the dude is still hurling boomerangs, no amount of black leather and cool one liners will quell a common moviegoer.

Cara Delevingne as Enchantress

Ms. Delevinge is too new an actress for me to know whether she can play an uncouth sorceress supreme. As with everyone else announced here, I’m less worried about the name attached to the role as much as the role itself.

You see, John Ostrander’s original series pitted C-Listers on missions that could easily wipe them from continuity. I highly suggest you go read his run, if you haven’t already. Looking over this announced cast – complete with three known names – begs me to ask the heavier questions beyond the frivolous. The Suicide Squad comprised of well-seasoned villains, as played by the likes of Leto, Smith, and Hardy, feels like “suicide” isn’t anywhere in the game plan. More to the point, if you believe The Joker has a chance at biting it on the big screen then you don’t know good business. Hmm, given DC’s track record now and again, maybe he will die.

The key to Suicide Squad being a success lay firmly in the hands of the writers. As a comic book fan and writer, I’m still trying to wrap my head around how one would ever choose The Joker to be on anyone’s team. And will the desire to give Will Smith a few too many quips come to pass? And isn’t the Enchantress a bit overpowered for a team consisting of muggles?

On top of this, rumor has it that Lex Luthor will be making an appearance. Hmm. A known Superman, Batman, Flash, and Wonder Woman villain all being united for a team. Seems like the through-line to Justice League is right here.

At the end of the day, all I personally care about is a good story. If the characters are presented in a form agreeable to their pulpy roots, I don’t mind how modern things need to be presented. With a trio of powerhouse actors on board, there’s no lack of talent. But there’s something to be said about having too much of a good thing. With a bloated cast (remember in addition to the sixth known cast members, and Luthor… there’s also Amanda Waller, as well as whatever heroes may exist in the flick) and seriously over-qualified villains leading the charge, color me holding my breath this picture doesn’t chomp down on the cyanide pill long before the ending coda is playing to an empty theater.

 

The Point Radio: Tony Denison Plays It Tough

Tough guy actor, Tony Denison, has made a career out of playing the heavies in CRIME STORY, SONS OF ANARCHY, NYPD BLUE and more, but for there past few years he’s been comfortable on the other side of the law in the cast of TNT’S MAJOR CRIMES. We talk about how he makes both types of character believable and the role of the anti hero on TV today. Plus we begin our exclusive first look at MARCO POLO, the new action series coming only to Netflix and set it debut in just a few days.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

Martha Thomases: Short Stories

Excuse me while I talk about world affairs for a bit. I promise this will come back to comics.

One of the talking points about ISIL, the crazy people in the Middle East beheading hostages and slaughtering hundreds (thousands?) of others is that they are successful because they are so savvy with social media.

Now, I confess that my Twitter skills aren’t great. However, I hadn’t been able to figure out how one could assemble 140 characters (or a video, or a Facebook page) to make a person want to become a suicide bomber or cut off heads. Sure, maybe there are psychopaths who would respond, but that’s a tough crowd to get together for a focus group.

On Saturday, this story ran in my local paper, with both an explanation (at least, one I could understand) and a potential solution.

The ISIL propaganda works, not because people are inherently suicidal or sadistic, but because we are, each of us, desperate to be the lead character in our own stories. If you’re a Muslim kid in a place with a depressed economy, no job prospects, and nothing to do, it can be very appealing to think of yourself as representative of The Prophet on Earth, dedicated to avenging the wrongs done to your people.

Of course, it’s not that simple, but it offered me a way to understand. And it offered Suleiman Bakhit a way to save the lives (and, in my opinion, the souls) of those most susceptible to ISIL’s propaganda. Mr. Bakhit created a comic book that offered other, better ways for a kid in ISIL’s target market to be a hero.

This made me think about the reasons those kids (in this case, in Jordan) didn’t have the kind of pop-culture heroes we take for granted in this country. And then, it made me think of how we hold up different kinds of heroes to different segments of the American audience. Straight white people get Superman, Spider-Man, Batman, Iron Man, Wonder Woman, the Flash, Green Arrow and more.

Quite often, it’s not enough.

When a publisher of super-hero comics, or a director of super-hero movies, etc., chooses to change the race or gender of an established hero, there is a predictable outcry. White fans insist the change was made to be “PC,” and not possibly because the comic creators or director had a story he/she wanted to tell.

Even creating a character who isn’t straight and white can be denounced by fans. I remember very well at the launch of Milestone that we got a lot of flack from comic book fans because DC was distributing comics that starred hardly any white people. Again, they insisted that DC must be doing this out of some kind of PC pose, not because the stories were good. As DC’s Publicity Manager, I saw a lot of those complaints, and I can assure you, they were real and they were nasty. If there are any doubts, you can ask our own, beloved Michael Davis.

I don’t know why it’s news that we each want to be the hero in our own story, the lead in our own movie. One of the ways I can tell if a comic or film (or novel or television show) is good is how difficult it is to imagine a story starring a minor character.

A good story is a good story. That is enough justification for it to exist. If, in addition, a good story offers its audience a way to consider a world without terrorism, that’s even better. And if a good story inspires its readers to heroically change this world without joining ISIL or other terrorist groups, that’s fabulous.

If that story requires an African-American Batman, I’m cool with that. We all know they’ll just change it back in a few months, anyway.

 

Tweeks: Penguins of Madagascar

penguins-of-madagascar-posters-benedict-cumberbatch-37742626-1214-1600-1012349We took time out of our busy pie eating schedule over Thanksgiving weekend to see Penguins of Madagascar because who can resist penguins, right?  And who can resist Benedict Cumberbatch as a wolf? Watch our review and find out if this is a movie fangirls and families can see together.

 

Dennis O’Neil: Crossovers – And That Ostrander Bozo!

Before we get into this week’s topic, if we ever do… Who does this Ostrander bozo think he is? In a recent Facebook post, he told the world that he was about to start preparing a holiday meal. He was preparing to do this only about a month after undergoing bypass surgery.

Well. It so happens that some 12 years ago I had some bypass action and a month later, was I cooking up a feast? You kidding me? A month later I was mostly lying around catching up on my sloth. Wasn’t in the kitchen, wasn’t taking out the recyclables, wasn’t down here in the office tapping at the keyboard. Nope. Just sprawled on the couch, being torpid.

But Ostrander is being a chef and doing a weekly column and for all I know, writing comic books and for all I know, swimming the Hellespont. I have to admit, I’m a little hurt. I guess I expected better from a fellow midwesterner.

Spoiler alert: completely different subject.

Which is this week’s crossover event. Not in your newest comic book. Crossovers in comics have become so common that they hardly qualify as worthy of notice, however much marketing departments might wish it were otherwise. But crossovers between television programs remain still relatively rare.

Before we soldier on, a bit of clarification: a crossover is not a mere appearance of the lead character from one venue in another lead character’s venue – Batman popping up in an issue of Superman, for example. That’s a guest appearance. A crossover happens when a story is begun in one place and ended in another. Lex Luthor blows up Gotham City in Detective Comics and Superman pastes it back together in Action Comics. As noted, pretty ordinary in panel art but not elsewhere. But not unheard of. A few weeks ago, some evil stuff was done in an episode of the venerable Law and Order SVU and the story wrapped in Chicago PD and if memory serves – and won’t that be the day! – an oldie, Homicide: Life on the Street, once did a similar stunt with the Law and Order franchise.

Now, the crossover trope has, in a way, come full circle. Characters who started life in comics are doing comics-type crossovers on television. On Tuesday, if my TV listing is accurate, Arrow and some compadres will visit the Flash and on Wednesday the Flash will operate on Arrow’s turf.

I leave it to the brainier among you to mine this programming for significance. I will allow myself only this with which to close: I think that our television brethren know, really know, how to do superhero material in their medium. It’s been a bit of a learning curve as they encountered and solved the narrative problems we comics guys have been bumping into for decades. The comics-begotten shows are all honorable entertainments and one of them, Gotham, is, I think, more than that.

The only question left to ask is, does John Ostrander agree? Or is he too busy building a garage?

Mike Gold: Committing Suicide

So now we’ve got most of the Suicide Squad movie cast – Tom Hardy as Rick Flagg (who probably won’t be turning into Bane), Will Smith as Deadshot, Margot Robbie as Harley Quinn, Cara Delevingne as Enchantress, Jared Leto as The Joker and maybe – just maybe – Oprah Winfrey as Amanda Waller. Jai Courtney will be playing Captain Boomerang, not to be confused with Nick Tarabay, who plays the part on the Arrow and Flash teevee series.

Warner Bros’ dedication to the complete separation of television and movies is why they’ve been the go-to studio for such great superhero movies as Catwoman, all but the first two Superman movies (and only half of the second), the third and fourth Batman movies, Steel, Jonah Hex, Green Lantern, and, oh yeah, the theatrical version of Constantine. Maybe Tarabay’s Boomerang will take a vacation from the Flash and Arrow shows (et al) around the time of the Suicide Squad movie, but the actorectomy will still annoy the faithful… as will the different Flash and Green (or not) Arrow performers. It is the faithful who now drive the bus. Our hyper-excited word-of-mouth makes for nine figure opening weekends.

They can change Amanda Waller performers all they want. They’ll never run out of black actors, and thus far they’ve employed so many in the role they can fill all the empty seats at New York Jets games.

In fact, I’m very pleased to see the Suicide Squad getting the big-budget treatment. It’s a good concept, one that came out of the Legends series I named and edited. This version was created by ComicMix columnist and massively talented writer John Ostrander, who also created the aforementioned Ms. Waller. And for the record, ComicMix reviewer Bob Greenberger edited that book. So expect to see the ComicMix crew at the mandatory night-before screenings.

I’m not the only person who has raised the question of how much is too much. I can’t fault Hollywood for Hulking-out on a fad: that is what Hollywood does. Can the market support all this? Even if the “product” is uniformly great – and good luck with that ­– there’s only so much of one thing to go around. I just hope we get excellent Wonder Woman and Doctor Strange flicks.

Warner Bros. must learn the lesson that has worked so well, so fantastically well, for Disney’s Marvel Studios. They must respect the source material and they must show that respect on the screen at all times. It’s not good enough to simply have wonderful CG – we get that on Doctor Who. It’s not good enough to have name actors. You have to play the material for the faithful – establish your characters and treat them sympathetically.

Of course they’re creating their own reality. We do that all the time. But to quote another ComicMix columnist, Dennis O’Neil, “sure it’s phony science – but it’s our phony science.”

When it comes to writing from the sense of wonder, truer words were never spoken.

 

 

Emily S. Whitten: Adventures in Podcasting with Made of Fail

Made of FailYou know what’s awesome? When, completely unexpectedly, your two amazing friends who started a fun geek culture podcast  back in 2008 and have been dedicating their time to making it bigger and better ever since, schedule a conference call with you and your friend Cleolinda Jones, and tell you they want you to have it. Like, you know, if you want it and stuff.

That’s what happened to me one month ago. And now, ladies and gents, I’m the new co-host of the podcast Made of Fail! Which is so awesome that it even has its own page on TV Tropes. Of course, there is some reasoning behind this change. You see, way back in the annals of history (a.k.a. 2008), Cleolinda (the author of the Movies in 15 Minutes parodies and book, who you may also remember from this ComicMix interview), was invited to be a guest on Made of Fail. Naturally when she told me, I started listening to it, discovered what a great podcast it is, and continued to listen and be a fan of the show. Eventually, co-founder Kevin O’Shea and I bonded over Terry Pratchett and Discworld  fandom and he invited me to be a guest on the show, too. Since then, I’ve been a guest on four episodes; and Cleolinda has been a guest on, oh, thousands (give or take). And we’ve both become good friends with the original hosts.

What’s really cool about this podcast is that the co-founders and original hosts, Kevin O’Shea and Dayna Abel, are great friends who started the show just to, essentially, share the geek things they are enthusiastic about. The listener base started out pretty small, as just their friends and family; and as it grew, it seemed to retain that family-and-friend vibe, spawning new circles of friends who met through the show. I am fortunate to have been part of this circle for years now, meeting both online and in-person friends (including Kevin and Dayna) thanks to the show. And I am most fortunate to have been one of the people who came to mind when they realized that, for various reasons, they needed to pass the torch of the show to a new pair of friends.

I’m really excited about this opportunity, and Cleolinda and I both have lots of great ideas for future episodes, which we hope to keep true to the original intentions of the show. And, in the spirit of this being such a warm, friendly, familial-feeling sort of show, I’d be super-happy if some of the ComicMix family (I have many families!) wants to check out the show as we take over. So in case you’re looking for something fun to listen to, here’s an episode listing for most of the past episodes, including episode 40 which features both me and Cleolinda; and here’s this past month’s transition episode, featuring both the old co-hosts and the new! Give it a listen, eh?

And until next time, Servo Lectio!

 

Box Office Democracy: “The Penguins of Madagascar”

I wondered after seeing The Penguins of Madagascar if the people at Dreamworks knew they were releasing their action-oriented animated movie so close to the masterpiece that was Big Hero 6. If, perhaps, they thought Disney was on the verge of a misstep and they could capitalize or maybe they just greatly overestimated the quality of their movie, it can be hard when you get too close to a project. Unfortunately, it isn’t any of these things, DreamWorks Animation must know at this point that they’re putting out inferior films but that holiday weekends mean parents need things to do with their kids and that they just need to be good enough. That’s all Penguins of Madagascar is; it’s good enough.

I’m clearly not the target audience for this movie as I never much cared for the Madagascar franchise and even within those films the penguins didn’t really do it for me. They can be funny enough in small doses but there’s only one joke here, the penguins are always doing wacky things and their plans are always especially zany and frequently fall apart, and it can only be told so many times. They also never fail at anything, certainly not anything with stakes, so the most that ever happens is the penguins become embarrassed and that lack of stakes is fine as something to the side of a bigger story but it can’t carry a whole picture.

There’s a glimmer of hope in the new things Penguins of Madagascar brings to the table. There’s a faction of secret agent animals called North Wind with members voiced by a collection of name actors like Benedict Cumberbatch, Ken Jeong and Annet Mahendru and most of the things I’ll remember from this film came from these characters. There’s nothing especially fresh coming from any of these characters, in fact Cumberbatch’s wolf Classified is, by the end of the film, doing bits I remember The Fonz doing on Happy Days but at least those are jokes that work. The North Wind characters work and are used sparingly enough to not overstay their welcome and that’s enough to feel like a big success in a movie like this. I would also be remiss not to mention John Malkovich’s character, Dave the octopus, which never feels like much more than Malkovich getting an easy paycheck but the character has an utterly vexing bit where he’s always doing celebrity name puns which feels like an attempt to connect with the bored adults in the audience and while it didn’t quite work for me there’s some kind of genuine effort there and it deserves recognition.

There’s an unshakable feeling of laziness in the animation. There are sequences like the chase through Venice or the slow motion sequence in the finale that look tremendous and so lack of effort is the only explanation I can come up with for how lackluster huge chunks of the rest of the film look. The backgrounds feel flat and static, there is an incredible conservation of motion and I suppose that’s easier or cheaper but it makes for such a lifeless product. Couple this with the plot that feels like a slapdash attempt to string together set pieces that cam before any of the script came together and you’re left with a movie that feels like it exists not to say anything important or push the boundaries of a genre but to make a quick profit by keeping a family busy for an afternoon. It’s not fun to watch and Dreamworks Animation can and should be doing better.

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