The Mix : What are people talking about today?

Michael Davis: White Power

Rupert Murdoch is one of the most powerful men in American media” He’s a lot more Australian than American but I think he holds citizenship in both countries. Don’t quote me, I really don’t care to know if he does or not. I just find it amusing that darling of the Far Right was born “down under” and many of those on the Far Right don’t consider you really American unless you were born here.

Funny. Ted Cruz was born Calgary, Canada. That’s something, eh?

Last week Murdoch said “Since when are Egyptians not white? All I know are.” This was his response to the severe criticism being leveled at the film Exodus: Gods and Kings.

Ridley Scott’s film has taken a massive media hit because the movie is portraying historic people of color as…wait for it…wait for it…Wait…For…It

…white.

I won’t get into the rather or not the ancient Egyptians were black… OK, maybe a little. Noted American geologist Robert M. Schoch has written that the “Sphinx has a distinctive African, Nubian, or Negroid aspect to it. “

The debate rather or not the ancient Egyptians were black won’t be settled anytime soon. Who the fuck knows, they may not have been black as I believe they are. I will admit there’s a chance I’m wrong.

However, they sure as fuck were not white.

Rupert Murdoch has the money and media reach to do a lot of things. Perhaps one of the things on his to do list is to change history. Change is so people of color are wiped out of it.

Or maybe he just flunked history.

Either way, I’m having none of it.

I’m boycotting that movie, and I don’t know one person of color who’s not.

So, if you would like to join us, great! If not, that’s your right, or at least it’s your right before someone decides it’s not.

 

The Point Radio: ROBOT CHICKEN ROBOT CHICKEN Still Playing After All These Years

This week, it’s time for another ROBOT CHICKEN Holiday Special, plus the wrap up of another season of the Cartoon Network hit series. Show runners John Harvavtine and Matt Senrich talk about how much fun it still is playing with toys, plus Brooke Burns has a new trivia challenge TV show and a new co-star known as The Beast and she explains it all here with us.

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Mindy Newell: Wonder Bitch

wonder-woman-9092202“I’d love to kiss you, but I just washed my hair.” – Bette Davis

Over at GeekMom.com , founding editor and columnist Corinna Lawson wrote a review of both Wonder Woman #36 (featuring the new team of Meredith and David Finch) and Superman/Wonder Woman #13 entitled “Memo to DC: Wonder Woman Likes People. Honest.”

Corinna is not happy.

Neither am I.

Now it’s true that my opinion of the Amazon’s most recent adventures are tainted a bit by my experience in working on the title with two of the best people in comics, George Pérez and Karen Berger, in that I think we did the definitive version of Diana, incorporating and being true to the Greek mythology from which the character sprung. It’s also true that the tinge of envy I feel whenever I hear that a new writer has come on board the tile – Hey, DC!! What am I, chopped liver? – may color my reception of said new writer. And it’s also true that, if ever given the chance to write the character again, my take could be considered fairly radical – a feminist icon who is not pro-choice? Is, in fact very much anti-abortion. For reasons, good, logical reasons, I have gone into in previous columns.

But what bothers me most about Wonder Woman today is evident in the dialogue and scene descriptions that Corinna mentions in her review and that I read for myself. For instance, there is a scene in which two Amazons argue about helping their Amazon brothers….

Hold it right there!

Amazon men?

Can you say oxymoron? Emphasis on the moron.

And there’s a lot of complaining – uh, bitching – on her part.

“…how will you ever grow stronger if you need us every waking moment?” she grumpily says as she rescues some human civilians.

And she bitches while waiting for Clark to finish writing up an article, “Why does

this take so long? Do you need to learn more words? And why are you using this ancient relic of your laptop?”

And she bitches when Clark gives up the fourth taxi to someone else during a rainstorm even though it means they will be late to the theater, never mind that they are both soaked to the bone.

Because, you know, Clark is such a “super” gentleman, while Diana is an Amazon bitch.

Although there is no such scene, something tells me that this Diana certainly lets Clark have it when he leaves the toilet seat up.

Bitch, bitch, moan, moan.

•     •     •     •     •

“Remember…the Force will be with you, always.” – Obi-wan Kenobi

Have you seen the trailer for Star Wars: The Force Awakens? It’s only 88 seconds long, but that was all it took for me to swoon and drool like Pavlov’s dog in anticipation of a return to that galaxy so far, far away.

13 months to go?

AAARGH!

 

John Ostrander: Busted Icons

bill-cosby-robin-williams-9633876You’ve probably seen the news feeds – 77-year old comedian Bill Cosby is accused of being a serial rapist, of drugging women and then raping them. He neither confirms nor denies (however, his spokespeople deny); he simply looks sad and shakes his head. We are left to wonder and question but there are 20 women accusing him and where there’s that much smoke I’ve found there is usually a fire.

And, yes, I believe the accusations. Sadly, I think they are true.

You wonder why he would do it (assuming he did). He was Bill Cosby. He was famous; he was rich. He could probably get or buy as much sex as he wanted. Which underlines the fact that rape isn’t about sex, it’s about power. It’s an act of violence in which a penis is substituted for a club. It’s every bit as brutal.

Does it matter? Another celebrity caught in a sex scandal. The only thing less surprising is a politician caught in a sex scandal.

I think it does matter. When The Cosby Show debuted in 1984, it was a game changer and not just for television. It was a sitcom that showed an upper middle class family of African-Americans. I remember the Eighties (and the Seventies and the Sixties; I go back a ways). I lived in Chicago. Not every neighborhood was integrated. When I was growing up, I rarely saw a person of color. When you don’t know anyone of a certain color or ethnicity, it’s easy to make assumptions about them, to classify them as a group instead of individuals. Prejudice comes easy.

The Cosby Show changed that. They gave us people that we could know, that we could identify with. The Huxtables were relatable. Their problems and situations were like those in most families, black or white. We welcomed them into our homes, our living rooms. It changed things.

And Cosby himself was a wonderful father figure. Warm, funny, sometimes beset by his own family. The show was smart and it felt true. That was part of its success.

It wasn’t just the show. Cosby did stand-up, telling stories about his life and family. His Jello commercials were great because he knew how to react and talk with kids. Cosby was avuncular; he was good company.

How do we separate those images now from his image of a serial rapist?

I don’t think we can.

I believe in separating the artist from their work. Picasso was a son of a bitch but he was a great painter and the paintings exist in their own right. However, the image of Cosby as a comedian, as a TV star, cannot be separated from Cosby the person. His persona is based on his life. The work is not separate from the man.

Cosby isn’t the only one. Robin Williams’ suicide changes what we thought we knew about him. He was a zany, a madcap. He was brilliant; his mind moved like quicksilver. Didn’t like this joke? Never mind; here comes another.

He was also in pain that must have seemed inescapable to him. I don’t know if I can watch Mork and Mindy or his stand-up specials and not look to see the pain underlying the mask. He and Cosby were both icons and, in the end, both are broken. We didn’t know them as we thought we knew them.

Just like the rest of us.

 

Marc Alan Fishman: If I Could Be A Super-Hero…

… I’d probably opt to not.

It’s that rare question kids pose to one another in an effort to ensure they can field their own Justice League at a moment’s notice. Why else do many of us turn to comic book heroes as children if but to live vicariously through their adventures – and in turn relish in the delight of super-human abilities?

Prior to the race to space, pulp heroes were more often than not akin to modern-day Batmen minus all the swearing, gravel-voiced threats and plucky pre-pubescent sidekicks: human beings granted the time, energy, and personal wealth enough to be at peak physical and mental strength. Around the time we split the atom. science fiction boomed, and, Superman and the mighty demi-gods of the day were joined by sets of super-powered show-offs in sparkly suits. I’d like to think shortly after said boom, the schoolyard became a breeding ground for adolescent aspirations for astronomical abilities.

But then, we grow up. For some of us, we still cherish these previous flights of fancy. We chase windmills, and exorcise our personal demons (a great example by my compatriot, John Ostrander, wrote about last week). I’d like to think that every time I’ve put written word to page (as few as that’s been, all things considered), any character involved who happened to be beyond human has left me that opportunity to think of the world through eyes that can’t exist. And each time I’ve concluded the story, I’ve been thankful that I didn’t live in the world I’d created – even when it ended on the happiest of notes.

If I were to have a super power, I’m realistic about the end results. Super strength? Useful if I had to move furniture. Otherwise, it’s a burden. I imagine a life where I try not to decimate private property when my boss asks me to redesign the company holiday card for the third time, or to have to command the muscle control enough to ensure patting my son on the back doesn’t leave him a cripple. It exhausts me just thinking of it.

Perhaps telepathy? Certainly the lure to peer inside the minds of everyone I know would lead straight down a path of inconsolable anguish. For every fleeting thought about me I’d take as positive might then be trampled by a mental shudder when I lumber by. I need to lose a few pounds, and being forced to hear it idly from every passerby with a working brain would drive me up a mountain to never return again.

Super speed? Well, if it came with the metabolism, I’d sure love to be lithe. But if I didn’t immediately go public with a display of my powers in order to snag some celebrity endorsements? I’d run myself straight into the poorhouse trying to stay sated. Also? I hate running.

And flight? Well, I’m pretty sure Southwest Air would still be cheaper, and they give me a Diet Coke.

The reality of the world we live in – the one where innocent men can be murdered by those we pay to protect us, and walk away without punishment or remorse – is simply too real to handle the surreal. Ration and logic dictate that any person with a power comparable to those that exist in our funny books would be subject to no known amount of stress, guilt, and responsibility. Plus Heroes kinda showed us that most people would keep it a secret and end up serial killing time travelers who couldn’t hold our attention for more than 13 or 14 episodes. But I digress.

Uncle Ben’s wise-words for his young ward can’t hold any truer for our society. With great power comes great responsibility. Yet, those in this world with actual power, use it and abuse it without a second thought. Philanthropy walks hand-in-hand with lobbying, and self-interest. No good deed is done in our world without a litany of trolls ready to refute it.

Remember when we all dumped buckets of ice water on our heads in an attempt to raise some money and awareness for a terrible disease? Of course you do, because you live in California, and you saw folks wasting precious drops of water, and how dare they! The cynical response to every mitzvah (look it up, goyem) weakens our mutual calls for peace and prosperity. Every election is a slap in the face to the party that “loses.” Every man we’ve voted into office (even if he didn’t win the popular vote) is held to impossible standards and is eventually eviscerated by pundits and bloggers alike. No one can do right without immediately being told they are wrong.

And Rao help us… if a man stood above all others and used his powers for good – say curing the sick, feeding the hungry, and preaching that the world should spend more time loving, and less time killing – well, I get the feeling he’d end up on the cross for even attempting it.

 

Martha Thomases: Big Black Friday

Did you have a nice Thanksgiving? I hope I did. I’m writing this in advance, of course, because journamalism (sic).

Anyway, unless something very terrible happens between the time I write this and the time is is published, you are reading this on Black Friday. This is a relatively new “holiday” devoted to shopping.

I hate it.

To me, Thanksgiving is a holiday about being grateful for what we have, our families, our friends, our health (if we’re lucky). It should not, to my mind, be followed by a greedfest, one that manipulates us into feeling guilty if we don’t spend enough money.

I, myself, am susceptible to this manipulation. If I watch enough television, I find myself wanting diamonds from chain stores. Chain stores!

Still, I’d like to use my bully pulpit here to recommend something else to consider when planning your holiday gift-giving. Yourself.

Do you have a lot of little kids on your list? How about, instead of buying them plastic toys that will break or bore them within the week, you give them a coupon good for ten hours (or more or less) of story-time. I had great times with my kid going through the DC Archives together. That was me and my kid. You’ll find books in your own collection that are right for yours.

If your kids are a bit older, you can amend the coupon to hours of play, as super-heroes, or hours of working together to create your own comics. You’ll both get stories out of making stories.

It’s a little bit more difficult to find non-material comic-themed gifts for people who are not children. Here are a few I would like to receive:

  • An editing and organizing of my stuff. Some of it is really good and I’ll want to read it again, if I can find it. Some of it is really good, but I probably won’t want to read it again, and some library might accept it as a donation. And some is just junk I haven’t thrown out yet. If someone would do all this for me, I would consider it to be a great gift.
  • A drawing of a super-hero costume designed just for me. It would show that the person giving it understand that I simultaneously want to be a super-hero and yet don’t want anyone to see my actual body in spandex.
  • An afternoon or evening indulging my fantasies. Not sex fantasies, but comic book fantasies. Maybe this means a long conversation about what kind of super-powers we’d like to have, and what kinds of crime we would like to fight. It would be the gift of being eight years old again. Maybe it means going over back issues of Zap Comix and laughing too much about the Fabulous Furry Freak Brothers. That would be the gift of being young and cool again.

Again, your specific friends and family will have different kinds of appropriate gifts. The specifics aren’t important. The gift of yourself is.

If you don’t have time to give, at least not in quantity, there are still lots of great comics and graphic novels from which to choose. Before the holidays come, I’m sure my colleagues on this site will have their own suggestions, as will I.

Just one more thing. If you are considering buying me chain store diamonds, this is the only chain that is acceptable.

 

Tweeks: Giving Thanks For Hunger Games: Mockingjay Part 1

effie-replaces-fulvia-in-mockingjay-1251546The Tweeks are definitely Hunger Games fangirls, but how did the first half of the final book in the trilogy stand up in cinematic form?  This week the girls weight in on Francis Lawrence’s job of hobbiting (breaking a literary property into unneeded multiple movies) Hunger Games: Mockingjay Part 1.

Dennis O’Neil: Dirty Words, Done Dirt Cheap

Somewhere or other I read, or maybe heard in a lecture, that the area of your brain that activates when you use a naughty word is different that the part that activates when you aren’t being a pottymouth. Interesting, because it means that somewhere, some time, back in the murky eons those words that you never heard coming from a pulpit had some survival value. If they didn’t, evolution (Evolution?) wouldn’t have bequeathed to them their own little piece of cerebral real estate.

I wonder if they still own it.

Because there’s nothing special about such words, not any more. Once, in the Catholic days of my youth, I heard those words only on what we might deem special occasions, usually when someone was seriously pissed off. (“Pissed off” was, I think, considered more vulgar than sinful, but still. you wouldn’t say it at Thanksgiving dinner.) I heard them very little until I joined the Navy and then I probably heard them pretty often and after my discharge, not so much again, and now…

Holy cow! All the time! The movies. The television programs! The most common usage is what when we were genteel we might have called “the F word.” Often, on basic cable and broadcast shows, it’s bleeped and I wonder why, say, Jon Stewart uses it so often knowing that we won’t actually hear it but we’ll know what it is anyway. He doesn’t need it to get his points across, surely, and we already know that he’s sophisticated and worldly because, you know, he’s a television star. (I also consider him to be a national treasure, but that’s a whole other discussion.)

The F word was pretty shocking in some contexts, but it wasn’t the biggie. That distinction, the young me might have claimed, belongs to the GD word because that hair curler, is specifically forbidden by nothing less than the 10 Commandments themselves. Surely you haven’t forgotten “Thou shalt not take the name of the Lord thy God in vain”?

The GD word is sprinkled throughout J,D, Salinger’s book The Catcher in the Rye which is taught in middle schools and so I guess it’s okay with most folks.

It, and the F word, have become everyday language and so I once more wonder if they set off cerebral alarms and if they don’t, have we lost something? We must have taboos for a reason. It’s not the words themselves we’re concerned with – they are, after all, just words – but the very existence of taboos. Get rid of them and maybe we’ll also be getting rid of something we don’t know that we need.

And wouldn’t that be fucked up!

 

Mike Gold: More Superhero Movies of the Ancients

Last week, I taunted you with visions of ancient superhero movies – serials, as they were called back then. Today we’d call them really low-budget webcasts. Here’s a few more worthy of your consideration, and this time we’re delving into a trio of iconic heroes from the pulps and newspaper strips – and now, of course, comic books.

the-shadow-6920190The Shadow is the best-known of all the classic pulp heroes, and for a very good reason: many of the more than 300 stories published were quite good. Walter B. Gibson created something magical – a series with a lead character who had plenty of secrets but no secret identity, aided and abetted by a slew of agents who had no idea who their master was. The character’s popularity was enhanced massively by a highly successful radio series, one that gave The Shadow an alter-ego and a female companion and took away most of his agents.

Sadly, The Shadow didn’t fare as well on the silver screen. I don’t think the sundry producers could ever reconcile the differences between the pulp stories and the radio show, and they certainly were restricted in the deployment of violent action. But there is one major exception, the 15-chapter Columbia serial from 1940. Whereas they did a decent job of using three agents (including Margo Lane), the real beauty of this production was the man who played the lead, Victor Jory. A talented and accomplished actor (A Midsummer Night’s Dream, The Adventures of Tom Sawyer, The Miracle Worker), Jory had the additional benefit of actually looking like The Shadow and his adopted form of Lamont Cranston, as portrayed in the pulps. Serials generally lacked verisimilitude; The Shadow had it in spades. And it’s a damn fine actioner, by serial standards.

spider_serial2-3922375If you found The Shadow pulps to be lacking in action, The Spider made up for it and then some. Every plot revolved around a madman’s quest to destroy humanity. New York City got trashed more often than a Thing vs. Hulk fightfest. The death count in your average Spider story was at least in triple digits. The books should have been published in red ink.

Obviously, they couldn’t duplicate that degree of violence in the movie serials. But they got the flavor and the spirit right, giving the Spider a real costume (he didn’t have one in the pulps), keeping his cast of associates intact, and using Warren Hull, who played the lead, in the various disguises typical to the pulp hero. There were two Spider serials: The Spider’s Web and The Spider Returns, and both are quite worthy.

flash-gordon-9076016I’ve left the best for last. The one series of serials I would recommend even to people who don’t like serials or kids who can’t handle black and white and cheesy special effects.

The Flash Gordon serials, Space Soldiers, Flash Gordon’s Trip To Mars, and Flash Gordon Conquers The Universe, are blessed with a cast that, by and large, looks as though they were designed by Flash Gordon creator Alex Raymond. All three follow the spirit and direction of the classic newspaper strip, and the first serial is as close to a literal transition from comics to film as I’ve ever seen. Whereas Buster Crabbe is impeccable as Flash and his relative inexperience as an actor inures to the benefit of this part, it is Charles Middleton as Ming who steals the show, as well as the popcorn off your lap.

In my jaded worldview, Middleton’s Ming is the best villain on film, period. He’s evil, he’s imperial, he’s a warrior, he’s a master scientist. He is everything Fu Manchu wanted to be. Middleton pulls it off with style and aplomb without overacting – which, in serials, is unique. The only actor who comes close was Roger Delgado as the original Master in Doctor Who. Even when Ming is being cooperative with our heroes, he doesn’t have a shred of sympathy to draw upon. Ming’s nobility works hand-in-glove with his position as Emperor of all he sees.

These serials are generally available from the usual sources – you might have to Google around for The Spider, but the Flash Gordon trio is easily available. Much of it all is on Hulu, YouTube, and sundry other streaming services.

These are the characters that provided the budding comic book medium with its backbone. It set the standard for all future heroic fantasy films. Check a few out.