It’s summer, so we know that their kind has kicked-up their time watching online content. As a matter of fact, we’re currently kicking back with our online video community at VidCon right now. In celebration of all of that we offer up 5 of our favorite YouTube Channels. There’s something for everyone whether you want pop culture musicals, thoughtful hip-hop analysis of literary classics, cute cats, comic culture in your kitchen, or dorky teenage boy advice.
About 25 years ago I was walking from a screening at a Third Avenue theater onto a bustling Manhattan street with a Time Warner executive. My companion thought the movie we’d just seen, a movie that would be opening in a few days, was too dark for a summer entertainment and so would probably fail. Later, another kind and generous exec told me that there had been a snafu in getting the comic book adaptation I’d written to market and that my royalties would probably be impacted by the screen version of the story beating the comics version to the public. He said he’d try to get me a little extra money to ease my loss. It was a very generous offer, but in the end, an unnecessary one. The royalties were quite satisfactory, thank you.
And the movie? A hit. A big, juicy and – okay, we’ll admit it – dark hit.
It was directed by Tim Burton, starred Jack Nicholson and Michael Keaton and was eponymously titled Batman. Short, punchy. Fit on any marquee inn town.
It wasn’t Batman’s first venture into theaters. In the 40s there had been two serials, aimed at the Saturday matinee kid audience, and in 1966, a comedic take on the character adapted from a television show. I guess that those efforts did whatever they were supposed to do. But the 1989 Batman… that was something else. I don’t have the profit/loss statements – I guess those Warner folk misplaced my phone number, back then in the 80s – but I’ll happily guess that the BurtonBat exceeded box office expectations, maybe by a long stretch.
Why do you think that is? Batman wasn’t the first big production that took the superhero genre seriously. There had been the four Superman movies, with A-list directors and actors. And Supergirl. (I’m not counting Superman and the Mole Men, which sprung from yet another television program, nor the movies-of-the week, yet more television programming.)
But Burton’s stuff seemed to me to have been a game changer. Again, why? Maybe because it was a tipping point, which is defined by the excellent writer who popularized the term as “the moment of critical mass, the threshold, the boiling point.” The writer, Malcolm Gladwell, says that “…ideas and products and messages and behavior spreads like viruses do.”
So maybe the idea of superheroes as a legitimate genre, equal to westerns and crime drama and the rest of the generic amusements, had been seeping into our collective psyche for years. But the genre wasn’t quite validated until…voila – it was! Tim Burton and his collaborators delivered what audiences didn’t realize they were waiting for – a movie that had enough familiar elements to be acceptable as mass entertainment, but was also not quite like anything that those audiences had seen before, which made it a novelty.
It was a winning combination, one that’s unlikely ever to be repeated. And a bonus: I rewatched the movie last night and can report that is holds up well. After all these years, it still does the job. Does it darkly, but does it. Nice.
http://www.cakewrecks.com/home/2014/6/24/meanwhile-at-hydra-hq.html
“Minion! Did you take care of Captain America’s shield?”
Yes, commander! After today, that meddlesome schoolboy won’t even recognize his shield.”
“Exxxxcellent. Out of curiosity, what did you do?”
“Sir?”
“To Rogers’ shield. How did you sabotage it? Acid? Explosives? Radioactive vermin? What?”
“Oh. Um, I’m not sure ‘sabotage’ is the right word, sir.”
“Then what DID you do, you fool?”
“Well…”
So, George Lucas is moving to my home town. Hmmmm.
Well, that’s not literally true. Yesterday, George decided the so-called Windy City will be home to the Lucas Museum of Narrative Art (LMNA), his so-called storytelling museum that will feature George’s massive collection of paintings, illustrations and digital art. Like everybody else, Lucas gets to visit it – although he probably won’t have to pay.
Chicago beat out Los Angeles and Lucas’ own San Francisco, so, on behalf of my fellow Chicagoans, those still in Cook County and those ex-pats who never really leave Chicago – not in our hearts – let me offer a hale and hearty “na-na-na-na, na-na-na-na, hey-hey!”
I’ll bet Mayor Rahm Emanuel’s brother Ari had something to do with this. Ari Emanuel is a top Hollywood dealmaker who was the model for Ari Gold (no relation) in Entourage. He’s been referred to as a living hurricane, but usually hurricanes are seen in a better light.
“We are honored to be partnering with the city of Chicago and the many cultural, educational and community groups that have come forward with ideas about how the LMNA will add to their vibrant work… Choosing Chicago is the right decision for the museum, but a difficult decision for me personally because of my strong personal and professional roots in San Francisco,” the director said. Then again, he does live in Chicago part-time and his wife Mellody (pictured above with her husband) is a Chicagoan. We Chicagoans can be stubborn.
This is great news for my fiends at ReedPop, as the museum will be a couple blocks from the massive McCormick Place convention center on Lake Michigan, home to their C2E2 pop culture convention each spring. It’s also near Soldier Field, the Field Natural History Museum, the planetarium and the aquarium. It’s within walking distance from Buddy Guy’s Legends and the sprawling Columbia College complexes, where young media freaks go to percolate. Ergo, it’s in the heartland of heartland culture.
From the reports I’ve seen, LMNA appears to be quite a sprawling place. The architectural plans will be submitted in early fall, so we’ll see. Moving George’s massive collection to his museum is going to be a monster job.
I respect Lucas for doing this museum thing. Not just because it’s in a place I tend to visit three or four times a year (but thank you for that!), not because if you’re flying somewhere you’re probably going to be inconvenienced by having to change planes at the dreaded O’Hare International so you might as well jump on the subway, but because he is, essentially, giving his astonishing collection to the public.
Good for you, George. And, again, thank you. I’m looking forward to visiting your home away from home.
Convention season is upon us, y’all! Well actually, convention season is sort of year round these days. As Jim Zub observed recently, “There are now so many conventions that you can’t even attend the ‘best’ ones. Too many great shows.” Too true. And technically for me, convention season started with Awesome Con DC, for which I was on the ConCom. But convention reporting season for me really starts with San Diego Comic Con and wraps up with New York Comic Con (because yes, I love HeroesCon, and I know I totally have to try one year, and C2E2 would undoubtedly be great, and OMG ECCC always has so many good voice actor guests so why haven’t I gone yet – but I just can’t do it all, you know? Much as I’d like to).
So for me, it’s now time to Get Serious about prepping for conventions because SDCC is about a month away (eep!). And when I prep for cons, I ain’t kidding around – I arm myself for cons like a general going into battle, because no matter how much you plan for a con, when you get there things are not going to go as planned (kind of like how “no battle plan survives contact with the enemy,” y’know?). And since I’m not the only one who might feel overwhelmed by the wonderful chaos of a con if unprepared, I thought I’d share some of my methods (and madness? and complete OCD?) with you. So here’s how I do things. It may not be how you decide to do things, but at least it might give you a jumping off point.
Step 1: The Spreadsheet
Okay, so depending on how many cons you attend (and how OCD you are) you may not need a spreadsheet. But if you go to several cons a year, like me, a spreadsheet can help you keep track of all of the important stuff for each con. Like, for instance, the dates of the con, when badges go on sale, what you still need to do well beforehand (like booking your travel and hotel), and particular events or plans you want to ensure you don’t miss (like dinner with friends, or, for reporters, interviews you’ve set). Also which friends might be going to the same con (because if I don’t note this somewhere I will forget who’s at which cons), or what costumes you want to wear (and if they still need work before they’re con-ready), your expenses or budget, and anything important that you really don’t want to forget to pack.
So if you want an easy way to keep track of all this stuff, be a spreadsheet nerrrrrd like me. Trust me, it really can help. And you can use other tabs to keep track of other handy stuff you need to prep for.
Like:
Step 2: The Schedule
So once you get your badge and travel and hotel figured out (try to get those nailed down first and as soon as you can to ensure you get a badge and hotel, since some sell out quickly; and to get better travel prices), you’re going to want to start thinking about allllll of the amazing things you can see and do at a con. The con’s website should have everything you need to start planning all that out, with guests you might want to meet (and get photos with, or autographs from, or commissions from, or even just tell them how awesome you think they are); and panels you might want to see; and all that jazz. Explore the whole website because hey, it’s fun to look forward to stuff by learning about it, and also you might discover some things you didn’t realize they had (like how Dragon Con lists each fan track they have, what each entails, and what they have featured on each track in the past).
Once you decide what’s going on your con Wish List of Excitement, you might want to keep track of some of it on your spreadsheet. Also for scheduling, you might want to download and use the con’s scheduling app if they have one and once it’s available (many of them use apps now, including at least Awesome Con, San Diego, Dragon Con, and NYCC). It will take some time, but it’s worth going through the whole app and adding things to your schedule or favoriting guests you want to see; and you can generally even set reminders to go off prior to panels. Note that inevitably if you’re going to a good con, you’ll end up with like, five conflicting things in the same slots on your schedule much of the time. That’s okay! You can decide later which (if any) you actually want to attend. Just throw ‘em all on there and see what sticks.
And now that you’ve got your potential schedule figured out, you can also think about:
Step 3: Costumes
(Note that this step can run concurrent with the first two, because it can take a while to get a good costume together.) If you are a costumer like me (sometimes), you may want up to three or more costumes for one con. These may require gathering of pieces, sewing, crafting, and more. I’ve talked before about how I make a convention costume so check that piece out if you want some tips on the finer points of how I do it (which is not to say there aren’t folks out there who do it with a lot more complexity and expertise than me). But generally, you may want to decide on a few costume goals, get your photo references or inspirations together, decide on your wardrobe pieces, and then (if you’re me and you just love making lists) list out all of the moving parts so you don’t forget to pack or wear any of them for the con. Again: add it to the spreadsheet! It’s good for so many things.
Including:
Step 4: Packing
Along with your costumes, there are some other things you don’t want to forget to pack for cons. Obviously this is going to depend in part on your own needs, but here are some things I recommend you wear or carry with you at the con:
• A decent-sized shoulder bag or small backpack with many pockets. The pockets are great for keeping your stuff in separate, easy to find places for if you need quick access to something.
• One of those lightweight cloth shopping bags that folds up into another tiny bag, which can later be used to carry whatever you end up buying (because if you are me, you will totally end up buying things.) I found one in the checkout line at an Office Max. You can probably also get one at The Container Store or similar.
• Comfortable socks and shooooes!!!!! And clothes, generally. But especially socks and shoes. You will be walking and standing around a lot.
• A hoodie or light sweater if you tend to get cold. If you are a gal like me, and you want something lightweight that rolls up fairly small and doesn’t wrinkle, I recommend the SeV Ladies Cardigan from ThinkGeek. I love that thing.
• Deodorant? No, seriously. Some of y’all may smell like springtime roses all day and all night long, but if you are at a con for 8+ hours, bustling through warm crowds, rushing to panels, and generally hanging out with a million other people, you might consider taking along a little travel stick of deodorant to use, because you might in fact find yourself being a gradual contributor to the dreaded con funk. And nobody wants to be that person.
• Snax! Ranging from bottled water to granola bars, trail mix, or whatever else your little snacky heart desires. It’s very important to stay hydrated and keep that blood sugar up during the go-go-go of a con. I tend to like chewy granola bars and those little applesauce pouches that look kind of like Capri Suns (which are also handy, by the way) because they aren’t crinkly or messy and are super-easy to eat while trying to be quiet in a panel or while in a hurry and barreling through a crowd on the way to your next fun event. I recommend keeping gum or mints on hand as well. Also, of course, it’s good to have some cash on hand for food and shopping.
• Your badge or badge confirmation, and ID. Seriously, don’t go all the way to the con and then realize you don’t have these. Also any medications you might need.
• Your camera, smartphone, charger, extra battery or on-the-go charging device, or any other tech you may need to communicate and memorialize your fun. Also consider an iPod if you are going to be waiting in line by yourself a lot and don’t always feel like talking to strangers.
• A small notepad, a couple of pens, and a Sharpie or two. They just come in handy, you know? Also anything you might want to get signed.
• Business cards, if you intend to make connections with folks for any reason.
• Aaaaand… anything else you can’t live without. Having all of these things, and having done the other steps prior to the con, will prepare you for the ultimate end game of…
Step 5: Having A Great Time, Even If Nothing Turns Out As Planned
Like I said, no battle plan survives contact with the enemy, and no con plan actually works out the way you expect. You will miss panels you want to see or people you want to meet, you may discover that your costume is way less easy to navigate through a crowd than you would have hoped (oops!), and other things will turn topsy-turvy. But being prepared will minimize any panic, stress, or issues that you might have with all of that.
And after all, things not going as planned may turn out to be the best thing that could happen. Because cons are magical and wonderful things full of fun and excitement, and missing that first panel may mean you run into your favorite actor in an elevator, or step into a less-full panel that turns out to be epically awesome, or decide to roam Artists Alley or the con floor and discover a new favorite artist or an exciting piece of con merch. So if you want to have a good time, it’s great to be prepared; but also, to be flexible – be both and I guarantee you’ll have a great time.
Got some other prep tips that help you out at a con? Feel free to share them in the comments!
And until next time, Servo Lectio!
http://thedissolve.com/features/exposition/618-were-losing-all-our-strong-female-characters-to-tr/
Many modern action movies, including How To Train Your Dragon 2, are visibly trying to make their female characters more than trophies and are only making them set pieces…
He’s “That Guy” – the funny one! Ron Funches is making a big name for himself, taking his unique style of comedy to NBC’s UNDATEABLE and @MIDNIGHT on Comedy Central. So what makes HIM laugh? We find out, then we explore the CSI reality show that started it all. MEDICAL DETECTIVES is headed back to cable and we talk to the guy who is guiding it there – plus Rosario Dawson becomes a part of DAREDEVIL.
THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just get the free app, iNet Radio in The iTunes App store – and it’s FREE! The Point Radio – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE – and follow us on Twitter @ThePointRadio.
When was the last time a comic artist switching companies made the New York Times?
http://www.nytimes.com/2014/06/23/books/leaping-from-marvel-to-dc-in-a-single-bound.html
John Romita Jr. will makes his series debut on Superman at DC Comics on Wednesday.
A quarter of a century ago, I went into New York to catch the first showing of a movie starring a certain caped crusader, and then went over to DC Comics to talk with everybody there. I had to do it in that order, because there would be no other topic of discussion in the office that day. Not that there had been much of one in the country before that, as any flat surface in America had a bat-logo pasted on it.
Now there are many retrospectives about the release of [[[Batman]]] out today and how it changed the comics and movie industry forever. But what I want to point out is that in comics, we can’t help but poke fun at our neighbors’s failures and successes. And so it was that Steve Gerber, Bryan Hitch, and Jim Sanders III gave us The Sensational She-Hulk #19 and Nosferata the She-Bat:
The Sergio Leone “Spaghetti Westerns” did not simply add a new chapter to the genre…they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful Of Dollars, to the film Quentin Tarantino calls “the best-directed movie of all time,” The Good, The Bad And The Ugly, Leone’s vision elevated Westerns to an entirely new art form. This definitive Leone collection of the most ambitious and influential Westerns ever made includes more than five hours of special features that uncover buried gold in these gritty classics – plus a newly remastered version of The Good, The Bad And The Ugly.To win this copy, tell us why you think the Man With No Name has become an iconic pop culture figure. We want your submissions no later than 11:59 p.m. Friday, June 27. The decision of ComicMix‘s judges will be final. This contest is available only to readers in the United States and Canada.
For your information here are more details on the release.
Bonus Features:
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Columns / Glenn Hauman / News
Stephen Colbert, we have your writer for “The Chronicles of Amber”!
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