Category: News

PULP ARK ANNOUNCES FIRST ANNUAL PULP ARK AWARDS!! (Corrected version)

Pulp Ark, the Convention/Creators’ Conference scheduled in Batesville, Arkansas, May 13-15, 2011 will be presenting the First Annual Pulp Ark awards.  According to Tommy Hancock, Pulp Ark Coordinator and Pro Se Productions (the company sponsoring Pulp Ark) Editor in Chief, there will be ten awards given at the event in May, 2011 recognizing excellence in various areas within the pulp field.  A local Arkansas businessman,” Hancock reported, “wanted to contribute something to this singular event being brought to the state.  We discussed what he might want to do and he mentioned recognizing the work done by the creators (The word ‘present’ was in the previous article. Creators do not have to be present to be nominated or  receive the award.).  Being a fan himself, he wanted to let writers and artists know of his appreciation for what they do.  So, he’s funding the design and manufacture of ten awards.”
Nominations for nine of the ten areas will open November 1, 2010 and close January 31, 2011.  The only works eligible are those produced between January 1, 2010 and December 31, 2010.  Anyone can make a nomination and anyone that makes a nomination will receive a ballot.  The only people voting in these nine awards will be those who made a minimum of one nomination.   Also, each individual is allowed only ONE NOMINATION PER CATEGORY.   A person may nominate someone in all nine categories, but may only nominate once in each category.  All nominations are confidential and sources of nominations will not be revealed.  All nominations should be mailed to Tommy Hancock at proseproductions@earthlink.net.
The categories open for nomination are (in no particular order):
1.        Best Book (this includes prose novels, short story collections, anthologies.  It includes ebooks as well as traditionally printed works)
2.       Best short story (this includes stories that appear in short story collections, anthologies, magazines, and e magazines.  If from an e-mag, the story must appear on a site identified as an e-magazine, not simply be posted on a site or  blog.  It includes epublications as well as traditionally printed works.
3.       Best Cover Art (This is restricted to prose book publications, including ebooks)
4.       Best   Interior Art (This is restricted to prose book publications, including ebooks)
5.       Best Pulp Related Comic (This refers to a series, complete run, one shot, etc.  This award is for art, writing, and all other work associated with the nominated comics and the winner.  This includes epublications as well. )
6.       Best Pulp Magazine (This award is for art, writing, and all other work associated with the nominated comics and the winner.  This includes epublications as well, but the epublication must be identified as an emagazine on the site supporting it. )
7.       Best Pulp Revival (The Revival nominated must be published within the calendar year of 2010.  This includes epublications as well.)
8.       Best Author (This reward refers to the author and any published author is eligible, including novels, short stories, etc.  This includes epublications as well).
9.       Best New Writer (To be nominated, a writer must have been published for the first time in the pulp field in the calendar year of 2010.  This includes epublications as well).
A ballot will be sent out the first week of February, 2011 after close of nominations and will be open for one month from the date the ballot is issued.  All ballots must be returned to Hancock at proseproductions@earthlink.net.
The tenth category is a Lifetime Achievement Award and how this will be decided will be announced within the next two weeks, according to Hancock.  When asked about how the Pulp Ark awards compare to other awards in both categories and how they are awarded, Hancock commented, “This is not a competition with other awards.  This is further recognition of all the great work going on in pulp today.  People will comment, maybe even complain that the way we’re doing voting could be better or maybe we should have different categories or whatever it may be.  There’s always room for growth, but for this year, this is how the Pulp Ark Awards will be handled.”
Stay tuned to ALL PULP for all your first run Pulp Ark news and check out http://www.proseproductions.com/Press/pulpark.html for everything Pulp Ark!

CALL FOR WRITERS FOR NEW PULP SITE!!!

Pulp Carnivale is an alternative short fiction site that follows in the tradition of pulp magazines – a highly curated collaborative publishing space featuring varied stories of uniform quality.  This is a space for authors to gain exposure and for audiences to discover quality new fiction without a lot of noise to sift through.

Pulp Carnivale is publishing 3 types of short story:

Flash Fiction: Stories of 1,000 words or less, published daily as a “News Flash”.
Short Story: Stories of differing longer lengths, around 10,000 words or less.
Serial Fiction: These stories will be 10,000 words or less and will come in weekly installments. They can be either episodic or a miniseries.

We are currently looking for stories in the following genres:

fantasy
gangster
detective/mystery
science fiction
adventure/exotic travels
westerns
romance
horror/occult

Please feel free to contact Tracy Austin, editor of Pulp Carnivale, at pulpcarnivale@gmail.com or 646-926-7857. Submissions are currently being accepted for our launch in November 2010.
By submitting, the author gives the editor non-exclusive rights to publish their works. The editor reserves the right to reject works at her own discretion.

MOONSTONE Feb ’11 releases!!!

1. SAVAGE BEAUTY
Written by Mike Bullock
Art: Jose Massaroli
Colors: Bob Pedroza
Cover A Thomas Yeates
Cover B Dave Hoover
Cover C Dave Hoover

Special “Retro Rollback Price”: $2.99 for 40 color pages!

Ripped from today’s world news comes a reimagining of the classic jungle girl genre debuting a new hero for the modern age!

Join the Rae sisters, recent UCLA grads, as they travel across modern-day Africa defending the defenseless. Guided by the mysterious Mr. Eden, they assume the identity of a mythical goddess and reveal their Savage Beauty.

Mike (The Phantom) Bullock presents a fresh new spin on the jungle girl genre, featuring real world conflicts in Africa and beyond.

*This over-sized premier issue also includes a Golden Age Sheena reprint, a look back at Jungle Girls with Michael “Robot 6” May and “lost art” from the proposed 1960 Raquel Welch/Sheena movie!

(cover A available separately. Cover B & C are 50-50)

________________________________________________________________

2. Rotten/Zombies vs Cheerleaders Flips Out #1
(W) Mark Rahner, Robert Horton, Steven L. Frank (A) David Namisato,
more (C) Brittany Jackson, Joel Gomez

**32 pgs, color, ONLY $1.99

**GREAT INTRODUCTORY PRICE!***
In this one-shot flip issue, you get NEW stories from two of
Moonstone’s hottest titles. Following a lead on the undead outbreaks
plaguing 1877 America, reluctant agent Wade investigates rumors of an
Indian curse with his partner, Flynn. They stumble into a grotesque
massacre… but that’s just the beginning of the horror they’ll face.
Who knew that these events would affect high school football players
and cheerleaders over a century later!

3. ANGELTOWN: The Nate Hollis Investigations

Author: Gary Phillips
Interior art: Shawn Martinbrough
Cover: Michael Stribling

176pgs, b/w, 6” x 9”, HC, $19.95

10 digit: 1-933076-88-7
13 digit: 978-1-933076-88-1

Los Angeles is the birthplace of noir because the brighter the sunshine,
 the deeper the shadows and the more deadly the mischief that goes on in the dark.

Angeltown: The Nate Hollis Investigations is a HC from Moonstone
reprinting the Vertigo mini series in glorious black and white — the
original critically praised sequential mystery featuring the cool,
tough private eye’s frenzied search in the shadows for a pro hoopster
wanted for murder in “Baller.”
**Additionally, Gary Phillips (Operator 5), has penned two original
illustrated prose short stories for this volume; “Hollywood Killer,”
wherein superhero pretenders prowling Hollywood Boulevard for tips are
getting bumped off, and “King Cow,” about cattle, low-riders and babes
with nazi tattoos.

_________________________________________________

4. Airboy Presents: AIR VIXENS#1
Written by Mike Bullock
Art: Ben Hansen
Colors by: Bob Pedroza
Cover:Franchesco!

32pgs,color, $3.99

More story pages than ever before!

From the pages of Air Fighters comes the first issue of Air Vixens
starring Black Angel, Bald Eagle and Valkyrie.

When Der Furher sent Valkyrie to smuggle secret weapons and
intelligence across Europe in a zeppelin, he didn’t expect Black Angel
and Bald Eagle to crash the party, and neither did they.

Tune in for the first issue featuring the high flying femme
fatales of the Air Fighters in this oversized, bombastic first issue!

**RETAILER INCENTIVE: any purchase of 3 or more copies, retailers will
get one free “virgin” Franchesco cover variant!

Iron Man 3 Cometh!

So, what are you planning on doing May 3, 2013? On or about that day, unless I’ve gone to a preview, I’ll probably be seeing Iron Man 3.

If that seems like a long time, it’s only a year (almost to the day) after Iron Man and Tony Stark appear in The Avengers movie.

Amusingly, Disney will be distributing both movies. Whereas they own Marvel, the distribution rights on these projects is still in Paramount’s hands so, according to Box Office Mojo, Disney is coughing up at least $115 million to assume the privilege. It wasn’t too long ago that you could buy all of Marvel for that kind of money. Paramount maintains distribution rights to this year’s Thor and Captain America: The First Avenger.

No word about cast and villains, although Robert Downey Jr. is contractually expected to repeat in the lead.

John Ratzenberger Talks About ‘Toy Story 3’

Toy Story 3, perhaps the best movie of the year, is being released on Blu-ray on November 3. In anticipation of the much-desired disc, Disney has provided ComicMix with a series of interviews, beginning with this chat.

Question: How does it feel to return to the role of Hamm in Toy Story 3? John Ratzenberger: To be honest, it feels like I never left Hamm because I’m constantly asked about the character. I bump into people at airports or I meet people whilst picking up my dry cleaning and someone will always tell me, “My 4-year-old son, Jason, loves Hammie the pig.” I’ll usually say, “Well, get him on the phone.” So we call him up and the mother will explain, “Hi honey, it’s Mommy. There’s somebody who wants to say hello.” Then they hand the phone to me and I’ll do some Hamm for them, “Hey Jason, it’s Hammie the pig. I understand you’re not eating your spinach…” I’ve been doing things like that ever since the first Toy Story came out, so Hamm has never been too far away.

Question: How would you describe Hamm?

John Ratzenberger: Hamm is a wise guy. He throws his opinion out regardless of whether anyone’s listening or not, which is what makes him so much fun. He’s a smart Alec and he’s not so offensive that people shun him, but he makes sure his comments are heard.

Question: What do you bring to the role?

John Ratzenberger: I bring whatever I have in my bag of tricks. They let me play around with the script at times, so there are a lot of my own words are in the movie. That’s the nice thing about Pixar: they let the actors experiment.

Question: How much fun did you have in the recording booth for the movie? 

John Ratzenberger: Recording the voice of Hamm is always a great experience, but all of the heavy lifting has already been done because the guys at Pixar spend four years working on the story before I’m called in. All I have to do is give them five different readings of the same line so that they’ve got a variety to choose from. That way, they’ve got a great potpourri of lines to choose from. (more…)

nagranowrimo-6393652

National Graphic Novel Writing Month Day 18: Starring Roles– The Importance of Character Analysis

nagranowrimo-6249152“It’s the
characters, stupid.”

    – Ronald D. Moore, Executive
Producer of Battlestar Galactica
(2004) and Caprica

Comics are
always filled with over-the-top superpowers, bright spandex costumes, and
universe-spanning storylines. While these flashy props were enough to sustain
the comics industry in its infancy, the modern comic reader expects more. Many
of the biggest, most complex stories are known for their iconic moments with
their characters.

DC’s Final Crisis saw the return of Darkseid
and a time-travelling bullet, but we all remember it for the simple image of
Superman holding the lifeless body of his best friend – Batman – in his arms,
sorrow filling Big Blue’s face. Marvel’s Civil
War
brought heroes toe to toe with one another, splitting teams and
friendships alike. What became iconic was the bitter struggle between two men
who used to be best friends: Iron Man and Captain America, then Stark’s grief
over his actions leading inexorably to the death of Steve Rogers. 

Imagine a
photo in a frame. A couple is standing in front of the Eiffel Tower, quite
happy. The frame is a fun pewter souvenir from the Tower itself. The focus –
however – is still the couple. Stories are just the same. We may set it in a
creative, dramatic setting. We may dress it up with superpowers, costumes, or
deep philosophic meanings. None of this works, however, without the characters
to drive the story. If the characters don’t ring true, the entire story falls
apart. Characters are how we – the reader – access, understand, and empathize
with a story. 

When dissecting your characters, whether protagonist,
antagonist, or a mere cameo appearance; they need to feel real. The
three-dimensionality of a character can make or break your story, no matter how
brilliant of a plot you’ve devised or how epic the setting. Creating a
believable character involves a precarious balance between two not-so-small
aspects: uniqueness and universality. (more…)

MOONSTONE MONDAY-Interview with Mike Bullock on SAVAGE BEAUTY


MIKE BULLOCKWriter/Co Creator, SAVAGE BEAUTY, Moonstone Books

AP: Mike, just what is SAVAGE BEAUTY?

Mike Bullock: Savage Beauty is a myth, a legend born long ago and whispered down through the ages of the goddess Anaya. The dual divinity of Anaya takes form as either a golden beauty who blesses the faithful or an ebon angel who brings punishment to evil men. For centuries, many worshipped Anaya, and she protected her followers from colonial empires, slaver traders, poachers and the like who sought to exploit her people. Then, suddenly around the beginning of the 20th century, the goddess simply vanished.

Now, as her people cry out for justice Anaya has returned as suddenly as she left. Woe unto those who would visit evil upon her people.

AP: What were your inspirations/influences for SB?

MB: Everything from current world headlines out of Uganda, the Sudan, D.R. Congo and Somalia to a variety of mythology rooted in cultures of Eastern and Southern Africa.

AP: Why, Mike? Why a jungle comic in this modern market? What about SB will make it stand out with today’s readers?

MB: Ed Catto and Joe Ahearn enjoyed what I was doing in the pages of Phantom and had a desire to work with me on a new book. At the same time, Ed also had an affinity for the jungle girl comics and pulps of old, but didn’t want to do one unless it was fresh and real, not “just another pretty face”.

After Ed and Joe batted a few ideas back and forth they came to me and asked if I could do what I was doing in Phantom but with a new character, a jungle girl character. There’s only one rule: it has to be relevant.

The idea intrigued me, and since I really didn’t feel I’d yet scratched the surface of what I wanted to do with Phantom, they had me hooked before they were even done pitching it. I then spent the next few weeks pouring through all sorts of African mythology, which is
incredibly interesting and highly recommended to anyone who likes mythology of any sort, and I cobbled together the myth of Anaya from two or three existing mythologies. One thing I found fascinating is that there are over 1000 languages spoken in modern Africa, yet only a handful of mythologies exist through all these cultures; shared
mythologies that transcend languages, borders, regions and ethnic boundaries.

Anyway, I digress. So, I took that mythology and used it to flesh out the two main characters, Lacy and Liv Ray. I then created a back-story that would give them a reason to be in Kenya, to witness firsthand what you don’t really see on the nightly news. Then, I brought in a shadowy organization that has its own agenda in all this. Once all the
groundwork was in place, it was back to cruising along just as I was with Phantom. Anyone who enjoyed the Invisible Children or Checkmate arcs, will find more of the same in the pages of Savage Beauty.

AP: Where does the goddess Anaya come into play?

MB: Well, the girls become the avatars of Anaya, protecting her people and dishing out healthy doses of smack-down on those who would exploit them.

AP: Tell us about her supporting cast/characters?

MB: The first supporting cast member is the mysterious Mr. Eden, owner of Eden Holdings, LTD, a commodities importer/exporter. He was born in Uganda and used his incredible business savvy to go from the son of a local farmer to one of the world’s wealthiest men. I don’t want to say too much more about him, for fear of spoiling anything, but we’ll soon discover Mr. Eden is a lot more than just a rich businessman.

Next up are Lacy and Liv’s dad, Johnny Rae. Johnny’s an ex-action movie superstar turned film producer. After his first two films were worldwide hits, he and his wife “took the money and” ran to Kenya, where they planned to retire in comfort and raise their daughter, Lacy away from the materialism and moral depravity rampant in the US. Not
long after arriving, they found Kenya wasn’t the utopia they’d first imagined, and found themselves adopting Liv after rebels murdered her mother. They stayed in Kenya for nearly a decade before some venture capitalists and Johnny’s old movie company lured him back to the Southern California. He now runs Rae Gun pictures, which has a
mysterious connection to Eden Holdings, LTD.

AP: What about the villains? You can’t have a good comic story without villains, right?

MB: Glad you asked. The first to show their face are the PLA, a rebel army similar to the LRA, a real life army currently committing unthinkable crimes against humanity in D.R. Congo after having been run out of Uganda. The PLA is led by two men, the first we’ll meet is Lumus Okoye. Another we’ll see throughout the opening story arc is a French arms dealer simply known as Richaud, or The Frenchman, as the locals call him.

AP: What are the immediate plans for SB? Any hints into her upcoming adventures?

MB: the first story arc moves from Kenya, to Uganda and into D.R. Congo. After that, you can expect Anaya’s long arm to reach into Somalia, Mozambique and across to the US, Europe, the Middle East and elsewhere.

Author Signing This Saturday!


Barry Reese, Moonstone Contributor as well as writer for Wild Cat Books, Marvel Comics, West End Games, Pro Se Productions and Airship 27, will be signing books at Kema’s Hobby Bookstore in Gray, Georgia from 11 am to 3 pm on Saturday October 23, 2010! The store will have copies of all Barry’s books for sale, including all five volumes in The Rook Chronicles, Rabbit Heart, Guan-Yin and the Horrors of Skull Island, Savage Tales of Ki-Gor and more!

MOONSTONE MONDAY-Interview with Beau Smith, Captain Action Scribe!

Beau Smith, Marketer/Creator, Writer of CAPTAIN ACTION story, Moonstone Books

AP: Tell us a little about yourself and your pulp interests and your mission to make manly comics.

BEAU: I’ve been writing comic books since 1987 as well as marketing them. I was in the third grade when I decided that I wanted to “make” comic books, I was always entranced by the colorful art and characters and spent the next few decades trying to figure out how I was going to put a check beside this goal of mine. Being from a smallish town in West Virginia, it wasn’t easy. Even as a kid I had been drawn to the pulp style painted covers of the magazines and paperback books I would see at the newsstand and drug store. I believe it was Argosy or Stag Magazine that mesmerized me with their sometimes lurid, yet adventurous covers of a manly man saving a beautiful woman with torn clothes from some wild boar or crazed Nazi. I wanted to read and write that kinda stuff.

AP: How did you get your start as a writer and how did it lead to marketing gigs?

BEAU: Tim Truman, creator of SCOUT and co-creator of GRIMJACK, gave me my first break in comics. Tim and I had met at Chicago Con around 1984. We found out we are both West Virginia boys and that set the cart off to full throttle. We also shared the same interests in comics, film, TV and books. Tim introduced me to Dean Mullaney who was the publisher of Eclipse Comics. It seemed at the time (1987) they were in need of a Sales Manager in the direct market. Since my background was sales and marketing, as well as knowing comic books, Tim hooked me up with a meeting with Dean at the American Book Sellers Association in Washington D.C. It was there I also met Chuck Dixon who was also a buddy of Tim’s and writing Airboy for Eclipse. Things started to roll and next thing you know, Dean hired me and Tim asked me to write a one page gag strip in the back of SCOUT called “Beau LaDuke’s Tips For Real Men”, based on the character that Tim and I co-created as a supporting cast member in SCOUT. (The character just happened to look like me…) So there I was in my early 30’s making my third grade dream come true. I wished I had gotten the job a little sooner, but life does tend to throw curve balls at you from time to time.

AP: As a Marketing Advisor you’ve worked for several companies and recently joined IDW Publishing’s Library of American Comics imprint (which includes some pulp like comics within its vast amount of material) as its new Director of Marketing. What can we expect to see from this imprint?

BEAU: We want to continue to collect and publish important comic books and comic strips that have been the foundation to the comics we read today. Readers need to know the history of comics and see where the influences and traditions have come from if they expect to grow into the future. The upcoming Genius Isolated: The Life And Art Of Alex Toth http://www.libraryofamericancomics.com looks to be one of the most anticipated releases in our catalog of books yet. It will appeal to not only readers, but professionals on all sorts of creative levels as well.

AP: There seem to be many different opinions about what can be defined as pulp. How do you define pulp and what do you look for in a pulp story as a writer and a reader?

BEAU: Pulp is like trying to describe the term pop culture, it’s hard to pinpoint it to one certain arena. Personally, I’ve always related pulp to that of noir. A traditional sense of thrilling stories with a grit to it. It’s adventure with a moodier light cast on it. You have examples of Doc Savage, The Shadow, Mike Hammer, there are just so many variants, nothing wrong with that. I like a big canvas. I look for that peculiar slant on adventure or sci-fi that you don’t usually get from mainstream. If someone were to suggest a new book and say “Well, it’s kinda like Tarzan with a sci-fi twist.” I would be the first person to order it. I believe it’s a mix of traditional with a new layer.

AP: Where can readers find information on you and your books?

BEAU: as always, folks can find out what recent crimes I’ve committed on my official website www.flyingfistranch.com or find me on Facebook (Beau Smith) and Twitter. (BeauSmithRanch) As far as the work we’re doing at The Library Of American Comics we have the website http://www.libraryofamericancomics.com and the IDW Publishing webiste www.idwpublishing.com

AP: What upcoming projects do you have coming up that you can tell us about at this time?

BEAU: In December 2010 from IDW Publishing, I will have my new original graphic novel, Wynonna Earp: The Yeti Wars (Full color, 104 pages, $17.99) In January from Moonstone, you can find an action packed Classic Captain Action story that Eduardo Barreto and I are doing called “White Lies.” It’ll be in the Captain Action Winter Special book. I also have a new project, a full blown western coming up from a major publisher for 2011, but that’s all I can say right now on that.

AP: Do you have any shows, signings, or conventions coming up where your fans can meet you and buy you a beer?

BEAU: I will be a special guest at this year’s Mid-Ohio Comic Convention in Columbus Ohio. (November 6-7) http://midohiocon.blogspot.com I hope a lot of folks come by and see me there. I ain’t much to look at, but I can talk the skin off a chicken.

AP: And finally, what does Beau Smith do when she’s not writing, marketing, or kicking ass?

BEAU: I don’t know about the kicking ass part, I’m not getting any younger. I might have to let a ball bat do the majority of the talking for me these days, but mostly I read (A lot!), do five miles a day, work with weights three days a week, watch some fine TV like Human Target and Burn Notice as well as some movies that interest me in a manly sorta way. I walk my dogs, my wife and I enjoy the empty nest thing and I try and run my son’s adult lives as much as I can. I have lunch with my long time buddies once a week and discuss things only adults with 12 year old brains should talk about and I guess that’s about it. If I did anymore we’d hear police sirens in the background.

AP: Thanks, Beau.