Category: News

DC’s January Pulp Solicitations


DOC SAVAGE #10
Written by IVAN BRANDON
Art by PHIL WINSLADE
Cover by J.G. JONES
It was the war that changed everything and brought Clark Savage, Jr., and Ronan McKenna together. But the things those men had to do as soldiers would one day tear them apart! Don’t miss this thrilling flashback to the history of the First Wave universe; a story that sets the scene for the deadly conclusion of Doc’s adventure in the Middle East!
On sale JANUARY 12 * 32 pg, FC, $2.99 US

FIRST WAVE #6
Written by BRIAN AZZARELLO
Art by RAGS MORALES & RICK BRYANT
Cover by J.G. JONES
1:10 Variant cover by JIM LEE
This is it – the cataclysmic conclusion of the miniseries that launched the FIRST WAVE universe! Every life on Earth is threatened by Anton Colossi’s mad ambition. But The Spirit is at death’s door, The Batman is near his breaking point, and Doc Savage is at the mercy of a mad scientist! The stakes couldn’t be higher – and in FIRST WAVE, anything can happen!
Retailers please note: This issue will ship with two covers. Please see the Previews Order Form for more information.
On sale JANUARY 26 * 6 of 6 * 40 pg, FC, $3.99 US

nagranowrimo-6393652

National Graphic Novel Writing Month, Day 17: Fools! I shall tell you my evil plot!

nagranowrimo-4606808The month’s half over and amazingly, I have yet to reference former Valiant Comics editor Teresa Nielsen Hayden‘s lecture on “The Evil Overlord Devises a Plot“. This must be remedied immediately because, even though you are probably deep in your story, you may have hit a few snags along the way. Her own plot advice says “steal from the best” and so I’m going to steal from her. Take it away, Teresa:

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p class=”large”>Start with some principles:

  • A plot doesn’t have to be new. It just has to be new to the reader.
  • In fact, it doesn’t even have to be new to the reader. It just
    has to get past him. (It helps if the story’s moving fast and there’s
    lots of other interesting stuff going on.)
  • A plot device that’s been used a thousand times may be a
    cliche, but it’s also a trick that works. That’s why it keeps getting
    used.
  • Several half-baked ideas can often be combined into one fully-cooked one.
  • If you have one plot presented three ways, you have three
    plots. If you have three plots presented one way, you have one plot. (I
    stole this principle from Jim Macdonald’s lecture on how to really
    generate plots, which is much better than my lecture on stupid plot
    tricks.)
  • Steal from the best.

Looked at from this angle, the Internet’s various lovingly-compiled
cliche lists are a treasury of useful plot devices. The instructions that
follow are one way to use them.

  1. Below, you’ll find a comprehensive collection of the various Evil
    Overlord lists
    . Don’t go there yet. First, using whatever method pleases
    you, generate five random numbers that fall within the following ranges:
  1. 1-230
  2. 1-150
  3. 1-130
  4. 1-123
  5. 1-94
  1. Now go to the Evil Overlord lists, which I’ve divided into five
    categories. Take your five random numbers and match them up to the
    appropriate entries in the lists:
  1. Lead Characters (Bad)
  2. Lead Characters (Good)
  3. Auxiliary Characters (Bad)
  4. Auxiliary Characters (Good)
  5. Further Evil

You now have five juicy cliches.

You’re going to make a plot
out of them. You’ll find it’s fairly easy to make a silly one, but
it’s not all that much harder to turn them into a decent one. You’ve got a
lot of potential story to work with.

  1. You’re not done yet. Before you start writing, roll one die. Take
    whatever number comes up, and generate that many random numbers which fall
    between 1 and 141. Now go to Murphy’s Laws of Combat, which follow the
    Evil Overlord lists, and find the laws that match your numbers. These are
    plot twists. Use them as needed. If your story absolutely requires that
    Gareth go from point A to point B and drop off a package at the Post
    Office along the way, but you’re finding that part dreary, tossing in
    modifiers like “Every man has a scheme that will not work” or “If your
    attack is going really well, it’s an ambush” will suggest ways to liven it
    up.

Alternately, you can go here and have them
all generated for you.

  1. You’re allowed to throw out one cliche, but only if you’re
    convinced you know another comparably lurid thing that should be
    happening there instead. You’re also allowed to use the cliches
    straight or reversed. Say you’ve drawn A-34, “I will not turn into a
    snake. It never helps.” You can have a character turn into a snake and
    find it doesn’t help, or do it and find it very useful indeed, or decline
    to do something so obviously useless and do something else instead. That’s
    fine. Just get in there and make the story start happening.

  2. You may be tempted to throw out awkward-seeming list picks and go for
    more obviously writer-friendly cliches. That’s your choice; but try the
    awkward set first. It’s figuring out how to make them work together that
    produces interesting and unexpected story lines.

  3. If you’re trying to write science fiction, it may be useful at
    this point to pull the same stunt using the mighty and compendious SF
    cliches list at http://users4.50megs.com/enphilistor/cliche.htm. For a
    perfectly shameless mixture, you can also toss in a few cliches from the
    “Things We Learned at the Movies” list—but only if you use them in
    reverse.

Me again. And since this is comics, we would be remiss if we didn’t include these comic cliche lists:

http://www.comicsalliance.com/2009/11/03/roasting-old-chestnuts-our-favorite-comic-book-cliches/

http://www.jonathancrossfield.com/blog/2008/03/comic-scriptwriting-superhero.html

http://forums.comicbookresources.com/archive/index.php/t-50446.html

And if you have a few hours to burn, you can go through the lists at TV Tropes. But be very careful– you only have two weeks left to finish writing your graphic novel, and if you go there, you can easily spend two months. You’ve been warned.

Remember: you can follow all the NaGraNoWriMo posts here!

Happy 20th Birthday, IMDB!

Did you know that Dougray Scott was cast to play Wolverine, in the summer blockbuster X-Men? He had to leave the project because of his work on Mission: Impossible II. Did you know that in Batman: Forever, strings can be seen on the helicopter after it explodes against the “Lady Liberty” statue? Did you know that Simon Weisse, prop-maker of Hellboy, was an uncredited model maker for Inglorious Basterds!?

Of course you did! And it’s all thanks to the Internet Movie Database, IMDb.com… which turned 20 today, October 17th, 2010.

Nerds, cinemaphiles, and popular comicbook/pop culture bloggers have been turning to this amazing source of sometimes useless, sometimes shocking, always acutely specific database of movies and television information now for two whole decades. Just ask yourself, where would you be without it? How many bar fights did you prevent by using your iPhone to assure your comrades that Wil Wheaton did win the 2002 Melbourne Underground Film Festival’s award for Best Actor for his performance in Jane White Is Sick & Twisted? How much money did you win in that local trivia contest because you knew that the imcomparable John Hoyt played Sire Domra in the episode Baltar’s Escape in the 1979 Battlestar Galactica? And how would you ever have wooed your eventual wife, if you didn’t amaze her by knowing that there was a video camera inside Ludo’s right horn that fed to an external video monitor inside it’s own stomach, assisting the puppeteer perform in Labyrinth? Suffice to say, the unbridled girth of information available to the populace thanks to the IMBd has allowed all of us to become living wikipedias of information!

Speaking of wikipedia…how about a little history, shall we? The IMDb was born from a pair of lists generated in early 1989 by participants in the Usenet newsgroup
rec.arts.movies. In each case, a single maintainer recorded items
emailed by newsgroup readers, and posted updated versions of his/her list
from time to time. The founding ideas of the database began with a
posting titled “Those Eyes”, on the subject of actresses with beautiful
eyes. Hank Driskill began to collect a list of attractive actresses and
what movies they had appeared in, and as the size of the repeated
posting grew far beyond a normal newsgroup article, it soon became known
simply as “THE LIST”.

The other project, started by Chuck Musciano, was briefly called the less capitalized
“Movie Ratings List” and soon became the “Movie Ratings Report”.
Musciano simply asked readers to rate movies on a scale of one to ten,
and reported on the votes. He soon began posting “ballots” with lists of
movies for people to rate, so his list also grew quickly.

In 1990, Col Needham collated the two lists and produced a “Combined LIST & Movie Ratings Report”. Needham soon started a (male) “Actors List”, while Dave Knight began a “Directors List”, and Andy Krieg took over THE LIST, which would later be renamed the “Actress List”.
Both this and the Actors List had been restricted to people who were
still alive and working, but retired people began to be added, and
Needham also started what was then (but did not remain) a separate “Dead
Actors/Actresses List”. The goal now was to make the lists as inclusive
as the maintainers could manage. In late 1990, the lists included
almost 10,000 movies and television series. On October 17, 1990, Needham
posted a collection of Unix shell scripts which could be used to search the four lists, and the database that would become the IMDb was born.

In celebration of it’s 20 year history, IMBd is hosting plenty of party games. By party games, we mean video clips (today’s features funnyman Will Ferrell alongside his director/writer in crime, Adam McKay), retrospectives, and tons of stuff to keep your thumbs  a’scrollin’. Head over to their Anniversary Page to do what we all do on IMDb… waste a ton of time learning factoids we’ll never need… but can’t stop quoting.

PULP SIGNING AND ALL PULP WAS THERE!

The Broadway Mall bookstore of Denver, Colorado played host on Sunday,  Oct. 17th to Laura Givens, pulp/sci-fi cover artist turned writer/editor and she and several of her colleagues greeted the public and signed copies of SIX GUNS FROM HELL.

Seated left to write are David Boop, Carol Hightshoe, Laura Givens, Jennifer Campbell-Hicks & David B. Riley.  The book was published by Science Fiction Trails Publishing. The signing attracted a nice crowd of friends, family and fans and a really fun time was had by all in attendance.

Laura Givens is a popular, well known cover artist who will be featured in a full length ALL PULP interview later this week.
For All Pulp – Ron Fortier

Ferguson reviews Mitchum in ‘The Wrath of God’ during THE LONG MATINEE

THE LONG MATINEE -Movie Reviews by Derrick Ferguson
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THE WRATH OF GOD

1972
MGM

Produced by William S. Gilmore
Directed by Ralph Nelson
Screenplay by Ralph Nelson and James Graham
Based on a novel by James Graham

Back in the 60’s and 70’s there was a sub-genre of the western that had these elements: a group of American outlaws/mercenaries/rogues would find themselves in Mexico or South America at the turn of the century and get involved in what amounted to a suicide mission that circumstances forced them to accept. There’s usually a huge amount of money waiting for them at the end of the mission but during the course of the adventure the outlaws would find their long buried sense of justice and honor awakened and they would abandon the money to take up the cause of the downtrodden and oppressed peasantry. This is pretty much the plot of movies such as “The Wild Bunch” “The Professionals” “Duck, You Sucker” and “Vera Cruz” but I’ve never seen this plot worked in such a goofy and flat out off the wall manner as we see in THE WRATH OF GOD.

Emmett Keogh (Ken Hutchinson) is a wildass Irishman stuck in South America during the 1920’s. He’s blackmailed into driving a truck north by Jennings (Victor Buono) who tells him it’s a load of whiskey that will fetch a helluva price in the United States that is suffering under Prohibition. Since Jennings was the guy who arraigned for his passport to be stolen, Emmett has no choice to agree. Along the way he meets Father Oliver Van Horn (Robert Mitchum) who is one of the strangest priests that Emmett has ever met since Father Van Horn drinks liquor like it’s lemonade, swears like a Kansas City pimp and totes a huge black valise carrying a Thompson sub-machine gun. It’s a weapon that Father Van Horn knows as well as a monkey knows his coconuts which he demonstrates when Emmett and Father Van Horn have to rescue an Indian girl named Chela (Paula Pritchett) from being gang raped by the soldiers of Colonel Santilla (John Colicos) The two men are forced to go on the run with the girl in tow but they’re caught by Colonel Santilla’s troops and Emmett discovers that the truck actually carries guns meant for the rebels. Jennings has also been captured by Santilla and the three men are made an offer they can’t refuse: in return for their lives they have to agree to kill De La Plata (Frank Langella) a local rebel warlord who is causing Santilla a great deal of trouble.

Posing as mining engineers, Jennings and Emmett infiltrate De La Plata’s fortress-like hacienda while Van Horn takes up residence in the village church, which has been desecrated. It turns out that De Le Plata hates priests and personally killed the last one himself. Del La Plata’s mother (Rita Hayworth) begs her son not to kill this priest and De La Plata agrees not to since Van Horn saves his mother’s life when the local mine caves in. You see, the mine is filled with gold and De La Plata has terrorized the villagers into digging it out for him. But the mine is horribly unsafe and he needs the expertise of mining engineers to get it out. Of course, the three outlaws have to kill De La Plata before he figures out that Jennings and Emmett know as much about mining as I do about Chinese arithmetic. The situation is complicated by Emmett’s relationship with Chela who has fallen in love with him and Van Horn’s increasing desire to live up to the trust the villagers have in him as a priest. And while the outlaws have no loyalty to Santilla, they also see that living under De La Plata’s rule isn’t any day at the beach either. So they make a decision. And that’s when the story really takes off as Father Van Horn begins to conscript the villagers to stand up for themselves against De La Plata, Chela marries Emmett and Jennings makes plans to break outta Dodge and save his own ass.

You see? I told you it was goofy. What makes THE WRATH OF GOD so much fun to watch is that you never know where this damn movie is going to take you or what’s going to happen next. There’s a plot twist every five minutes and just when you think you know what’s going to happen, it doesn’t. There are a lot of really funny one-liners thrown back and forth between the three leading men and from the amount of humor in the story you might think halfway through it that it’s a spoof of the genre. I mean, this is a movie that has Victor Buono as an action hero, for cryin’ out loud. We’re talking about a guy who’s best known role was probably as the King Tut villain on the “Batman” TV show. In this movie he has a great scene where he drives a car like a battering ram into the barricaded gates of De La Plata’s fortress while firing a Thompson sub-machine and then he jumps out to take on the chief henchman with his sword cane. And he’s totally convincing during his fight scenes of which he has several. And he has a bunch of great one liners, such as “We’re going to get along famously” which is used in this movie the same way “I have a bad feeling about this” was used in “Star Wars”

I’ve never seen Ken Hutchinson in a movie before and have no idea who he is but he’s immensely likeable as the wily Emmett who seems to tumble in and out of adventures as easily as you or I eat fried chicken. A lot of the humor in the movie comes from him as he’s constantly thrown into situations where he’s clearly way in over his head but he manages to come through with luck and sheer dogged determination that even Dirk Pitt might admire. And as for Robert Mitchum…well, he’s flat out terrific in this. For much of the movie we’re never sure what the deal with Father Van Horn is.  Not only does he carry an arsenal of machine guns and grenades in that big black valise of his but he also has $50,000 dollars that he hints he got by robbing banks. He has a great scene where he tells the villagers that he’s going to hold an all night service in the church where he performs weddings, baptizes babies and hears confessions where it made clear that he knows the rituals of The Catholic Church inside and out but he also indulges in decidedly un-priestly activities like sleeping with whores, drinking whiskey like water and cussing like crazy. He also carries a Bible that has a concealed gun inside and his cross hides a six-inch blade. Nobody in the movie really knows if this guy is actually one really badass priest or a really eccentric badass who likes to pretend he’s a priest until he spills the beans near the end of the movie.

Robert Mitchum is one of those old type movie stars I love because he looks like a man who actually looks like he’s tough enough to kick your ass with just a look, unlike a lot of the current crop of movie stars who are just too damn pretty to look like they’re as tough as the characters they’re portraying on screen. Robert Mitchum comes from the crop of actors I like to call ‘Old School Tough’. I’m talking about guys like Lee Marvin, Robert Ryan, William Holden, Ernest Borgnine and Steve McQueen. You know what I’m talking about. Whenever he’s on screen in this movie you just can’t take your eyes off him, as you want to know just like the other characters what the real deal with him is.

There are a lot of great action sequences in this movie, especially when the three outlaws finally take on De La Plata’s army in a ferocious shootout in front of the church and the final showdown at the fortress. In between we’ve got a whole series of double-crosses, fistfights, staredowns and showdowns that will make your head giddy. Trust me, this isn’t a boring movie. In fact, despite having been made back in 1972, THE WRATH OF GOD seemed to me a lot more of how current action/adventure are made with it’s healthy mix of violent action, comedy and eccentric characters which is why I think it makes enjoyable watching today.

So should you see THE WRATH OF GOD? Hell yes. If you’re a big Robert Mitchum fan it’s worth seeing just for him alone as obviously he’s having a great time with his role and the material. Victor Buono and Ken Hutchinson also turn in great performances as well. Frank Langella has a wonderful time with his role as a bad guy and his scene in the church where he confronts Robert Mitchum and tells him why he hates priests and God is an example of just plain good solid acting from both of them that goes a long way to establishing both of their characters and sets up the conflict between them nicely. THE WRATH OF GOD works as a really good cinematic pulp adventure that should be enjoyed for what it is: a great way to spend a Saturday afternoon with the snacks and beverages of your choice. If you get Turner Classic Movies on your satellite/cable provider you can wait for it to show up there but if you’re a dedicated pulp or Robert Mitchum fan, spring for the rental fee and give it a try. I don’t think you’ll be disappointed. I know I wasn’t.

Rated: PG
111 Minutes

PULP ARTIST’S WEEKEND-Interview with LANCE STAR artist James Burns!!AND CHECK OUT HIS GALLERY!


AP: Tell us a little about yourself and your pulp interests.
JB: When I was a kid I owned all 80-some Doc Savage paperbacks. I lived and breathed Kenneth Robeson.
 AP: What does pulp mean to you?
JB: Adventure stories, told in a direct, no nonsense fashion, or possibly something having to do with the timber industry…
AP: Your entry into creating comic books is rather unique compared to most. Tell us about the personal story that launched your comic book career.

JB: It’s both a scary, as well as a redemptive tale, and one actually told in my first comic Book. I had always loved comics, and had always wanted to create a comic, but I was one of those folks who talked about it a lot, but when I sat down to actually make one, I found I didn’t really have a story to tell.Then in 2002 I had a serious problem with my eyes, a detached retina, which necessitated having surgery on both of my eyes, a scary prospect for a visual artist. Needless to say, I recovered, but at last I had a story to tell, and at age 45 I drew my first comic, Detached, about the experience. AP: Let’s talk Grumbles. How did your long running weekly comic strip come about, how long has it been appearing, and where folks can find it.

JB: Grumbles has been running in Atlanta’s Sunday Paper for over six years now. I first pitched it when I heard they were starting an alt-newsweekly in town, and they were nice enough to accept it. I had a guaranteed 9 weeks of strips that they’d buy. I’m now working on week 314.I wish I were more of a self-promoter, so I could get it into more publications, but I’m happy that someone pays me to draw on a weekly basis. It also serves as an outlet for my anger at what I consider to be the stupid or cruel or selfish behavior of my fellow man, and expressing that angst on a weekly basis keeps my head from exploding.All of the weekly strips are available in an archive at http://jamesburnsdesign.com/comics/grumbles/, and I also sell physical compilations of each year’s strips at comic shows, and on Indyplanet.com.

AP: You handled the art on Lance Star: Sky Ranger’s leap from pulp anthology to comic book. How did that come about?


JB: Atlanta has a vital and energetic community of comics creators, and there are frequent chances for them to get together and work on projects together. That’s how working on this comic came about, from talking with Lance Star’s creator Bobby Nash, and as a result of networking at comic shows.It was a lot of fun to work on, especially as this was the first script I’ve drawn that I hadn’t written myself. What a fun character! Who doesn’t like to draw Nazis being punched out, or fantastic air battles?

AP: You were the creator, editor, and publisher of Real Magicalism. Tell us a bit about the book and the title. Are there plans for more Real Magicalism volumes?

JB: Well, the title comes from the literary term for a dreamlike narrative style, called magical realism where you can’t really tell what’s real and what’s part of the dream. I twisted the title around to both pay homage to that genre, as well as to indicate that these stories in the anthology also contained a twist, a slant. I’m very proud of that volume, and learned a lot about pulling an anthology together. It’s quality is due to the wonderful work with which I managed to surround my own work with, which in the end made my stuff look that much better. I cannot thank the contributors enough.Yes, I’d like to do another volume when I get enough of my own work collected to start the ball rolling again.

AP: Who are some of your artistic/creative influences?

JB: I love the classic, old-school storytellers; Kirby, Wally Wood, Wil Eisner… They all share 2 characteristics – the ability to tell a story really well, and they’re all amazing visual artists.They’re something to aspire to.There may be some illustrators out there who have perfect technique, their draftsmanship might be considered superior to these folks, but in terms of pure storytelling, they’re unparalleled.

AP: What does James Burns do when he’s not making comic books?

JB: For the last 25 years I’ve created motion graphics for a living; that means things like title animations for video, cable, television, and the web. For the last year I’ve also been teaching what I know at the Savannah College of Art and Design (SCAD), here at their Atlanta campus.On the personal side, I’ve been married to the beautiful and talented Rebecca Burns, author, editor, and writer, for over 21 years.We have a beautiful 18-year-old daughter who’s just starting college. I’m a very lucky man.

AP: Where can readers find learn more about you and your work?


JB: My main website is http://jamesburnsdesign.com, from which you can find out about all aspects of my professional life, and http://jamesburnsdesign.com/comics/ to find out about my comics work.


AP: Any upcoming projects you would like to mention?


JB: Grumble Year 6 should be out before the end of the year, and I’ll also have translated versions of a couple of my strips in the Italian magazine Mamma! My plan is to take Europe by storm, and become famous over there like Jerry Lewis is in France.

AP: Are there any upcoming convention appearances or signings coming up where fans can meet you?

JB:  I tend to stick at home and not travel far afield, which means I’ll be at any Atlanta area convention that will have me. The end of the year looks busy for me, with a trip to Germany and some much-needed back surgery (perhaps I’ll get a new comic out of it… “Slipped!”) , I probably won’t be at any show until Wes Tilander’s next Atlanta Comic Convention, on Superbowl Sunday.

AP: You have served as a writer, artist, colorist, letterer, editor, and publisher. Are there any creative areas you’ve not been worked in that you would like to try your hand at doing?

JB: I think it would be fun to do a children’s book, or perhaps a novel. I’ve always envied writers. Especially comic book writers. They’re allowed to write something like “… at that moment every soul on the planet stood up, put on a crushed velvet tuxedo, slicked back their hair, and brandishing an authentic katana sword, joined the battle…” and then some poor comic artist would be expected to draw that. What a scam!


AP: And finally, what advice would you give to anyone wanting to work in comics and/or art?

JB: Talk is cheap. Lot’s of people say they want to do comic books, but all they ever produce is fan art or single illustrations.If you really want to create comic books, just sit down and start doing it. Don’t wait to get a publisher, don’t wait to get a deal, just buckle down and start learning the craft of storytelling by actually putting pen to paper and by doing it.

PULP ARTIST’S WEEKEND-ARTIST TERRY TIDWELL AND WRITER JOHN WOOLEY!

John Wooley and Terry Tidwell-Creators, Miracle Squad and Twilight Avenger 
Terry Tidwell


AP: Tell us a bit about Miracle Squad and Twilight Avenger and how these books came about?

John: The Miracle Squad is a loosely knit group of people from a Poverty Row movie studio who band together to try and prevent a takeover of the company by a powerful L.A. gangster. Running the gamut from studio head to star to handyman, they find adventure in 1930s Hollywood, and beyond.
The Twilight Avenger
also takes place in the late 1930s, but in Tulsa, Oklahoma. Tulsa was a progressive city, the “Oil Capital of the World,” the place to be in the Midwest. The banks were full of money, and Oklahoma had its share of flamboyant bank robbers such as Pretty Boy Floyd and Bonnie and Clyde. Reese Chambers, local college football star, suffers a loss at the hands of some of these bank robbers. With the help of a college chemistry professor, who was active in the design of gas weaponry in World War I, a gas gun is created and Reese dons a gas mask and goes after them as the Twilight Avenger.

  is another 30s character, a costumed hero whose alter-ego is a student athlete at an Oklahoma university during the Dust Bowl.
John Wooley

These books came about for a couple of reasons. Terry, who is younger than me by several years, was a friend of my brothers, and I found out Terry wanted to be a comic-book artist. Since I had sold a few comic-book stories to Warrens Eerie back in the early 70s, my brother thought we should meet. We did, I loved Terrys samples, and we set about trying to come up with characters wed enjoy writing and drawing. Im a huge fan of 30s B-pictures and pulp magazines, so those were definitely an influence. In fact, while I was in Viet Nam Id written a prose story called “The Return of Mr. Mystery,” in which a dying pulp writer comes face-to-face with his creations, and some of those characters ended up as members of the Miracle Squad.
That story, by the way, will be a part of the boatload of extras planned for the Miracle Squad graphic novels from Pulp 2.0 Press.
Terry: The Miracle Squad is set in late 1930s Hollywood. Miracle Studios, a Poverty Row movie studio, is being threatened by gangsters. People working at the studio band together and fight off the gangsters attempted takeover. The Miracle Squad consists of Mark Barron, head of the studio; Sandra Castle, actress, the studio’s ” IT” girl; Johnny Rice, the Amazing Miralco, serial movie actor, illusionist and escape artist; Robert B. Leslie, studio detective; Hamilton Wynde, character actor; Billy Caserta, prop man, mentally challenged giant, over 8 feet tall; and Tito Guzman, Mark Barrons personal valet and martial arts whiz.
Terry:

AP: How did you hook up with everyones favorite Mad Pulp Bastard, Bill Cunningham, at Pulp 2.0 Press?

John: Bill actually contacted us. As it turned out, hed bought the original issues of Miracle Squad and the Twilight Avenger off the stands in the 80s, and hed enjoyed them and remembered them when he decided to start his press. One phone conversation convinced me that his heart and head were both in the right place, and we were delighted to have the characters come out again under the Pulp 2.0 imprint.
Plus, Bill obviously navigates cyberspace with ease, and is hip to all the most current ways of marketing and delivering books and comics to this generation, which opens us up to a vast potential new audience. Me, I dont even understand my own website.

Terry: Bill contacted me via Facebook.

AP: Do you have plans to tell new stories with Miracle Squad and/or Twilight Avenger?

John: Wed love to. When the black-and-white comics boom went bust, we still had plenty of ideas we hadnt yet been able to get down on paper. Thanks to MPB and his Pulp 2.0 Press, we may just get a chance to do that even if it is a generation later.

Terry:

AP: Both Miracle Squad and/or Twilight Avenger have a pulp vibe to them. Are you fans of the pulps?

John: As I said earlier, Im a huge pulp fan. In fact, my love of pulps has provided me with some of my writing income over the years. Ive either edited or co-edited a number of pulp-story collections, including At the Stroke of Midnight and Thrilling Detective Heroes for Adventure House, Super-Detective Flip Book for Off Trail Press, and Robert Leslie Bellems Dan Turner, Hollywood Detective for Popular Press.
Im sort of considered the authority on Dan Turner, certainly one of the wackiest hard-boiled detectives to see print, and hes been good to me. In addition to editing a couple of Turner collections, I wrote a Dan Turner series for Eternity Comics and scripted the 1990 made-for-TV movie Dan Turner, Hollywood Detective (aka The Raven Red Kiss-Off), which starred Marc (Beastmaster, V) Singer as Dan.
Im a regular attendee at the Windy City Pulp & Paperback Convention and PulpFest (as well as its predecessor, Pulpcon). At Pulpcon 35 in 2006, I was honored with the Lamont Award, given “for outstanding effort in keeping alive the memory and spirit of the Pulp Magazine Era.”

Terry:
Growing up, I was a fan of Houdini. I used to practice escaping from ropes and such, and seeing how long I could hold my breath using Houdini’s methods ( such as forcing air into your stomach and burping it up, ha) . I owned a couple of books exposing how Houdini did his escapes. They were written by Walter Gibson, Houdini’s assistant.
Gibson also wrote the Shadow. So yeah, I read and enjoyed the Shadow too.
I think Miracle Squad has a Doc Savage feel to it, while Twilight Avenger has elements of The Shadow.

Twilight Avenger I knew of John way before I actually met him. Id heard the talk around Chelsea, Oklahoma of this wonder boy, who sat around reading newspapers when he was four years old. They said he had a monstrous comic book collection. I had a drawer half full of them. Then , while I was in junior high, I became friends with his younger brother, Mark. One day when I was over at Marks house, and John was away at college, Mark asked if I wanted to see John’s comic book collection. He led me up narrow stairs to a small room over the garage. The rooms walls were covered with old movie posters and photos. In a case of huge wooden drawers was the mother lode! He had everything: Fantastic Four, Avengers , Spiderman and something Id never heard of …. PULPS. I remember being nervous, thinking what would happen if John were to return at that moment and find his neatly stored editions strewn all over the floor.Jump to years later…… I was in college and Mark introduced us. I was trying to break into comics then and John had some cool ideas for stories. We started to work……

AP: Both Miracle Squad and Twilight Avenger were originally published in the 1980s. What makes this is the perfect time for these pulp graphic novels to return?

John: Maybe its just me, but I seem to be seeing a pulp renaissance, or maybe just a new pulp sensibility, out there in the zeitgeist right now. Part of the heyday of the actual pulp magazines was the Great Depression, and those wild escapist stories provided a few hours of stress relief for millions of strung-out and worried folks. Were in some fairly hard times today as well, and the great thing is that pulps still work, still provide some beautiful alpha waves for readers beset upon by the world, or simply looking for a little entertainment.
Both the Twilight Avenger and the Miracle Squad, I think, carry the true spirit of the old-time pulps. Were not being cynical or post-modern. We love to read this kind of stuff ourselves. I read a lot, in fact, and sometimes nothing but a pulp will do.
Well……hmmmm. Pulp-based projects have had a tough go of it over the years, with Indiana Jones movies being the one exception. I think a lot of pulp projects throughout the last few decades were presented tongue in cheek , with camp sensibilities. Theyve had these great properties such as Doc Savage or The Phantom, and just didnt take the subject matter seriously. John and I love, understand and have respect for the pulps. I think our approach in Miracle Squad and Twilight Avenger will be what makes this a “perfect time” for pulp graphic novels. YES!!!! We have untold stories, and ideas for new tales! I was a fan of Doc Savage. I was pulled in by those gorgeous James Bama covers!!! I have a collection of them now. The concept of Doc Savage and his band of five, working out of the top of the Empire State building engages me and sparks all kinds of images! Oh, by the way Lester Dent worked at the Tulsa World newspaper for a bit, way back then. John used to work for the World too!

AP: What does pulp mean to you?

John: Pulp is something more than escapism and nostalgia, although the best of it contains both those elements. But I think there has to be a sense of wonder there, too, a willingness to, as the saying goes, suspend your disbelief and give yourself over to the material, just as you would have when you were a kid.

Terry:
The world wasnt so well explored back in those pulp days. Who knew then? Maybe there was a Pellucidar at the bottom of the planet, a city of Opar in the jungles of Africa, or a group of Mayan miners tending to a secret gold mine in central America.
I guess pulp gives me a chance to imagine what it would be like to live in that era. Of course the reality of that time was that of an economic depression. Pulps were an escape then from the economic realities of the day. Hmmmm. Maybe it is the perfect time for a pulp resurgence! Creating pulp-based comics is just pure fun!. I love the design of the cars, the airplanes, blimps and locomotives of that era. I also love the clunkiness of the machines of that time, whether its an autogyro or mechanical desktop calculator. I used to be an engineer before I quit to draw Miracle Squad and Twilight Avenger. I love being able to look at these old machines and envision how they actually worked and how simple they were in terms of todays high-tech wonders. The art deco buildings and streamlined designs are beautiful. 
AP: Where can readers find information on Miracle Squad and Twilight Avenger?

John: Bill Cunninghams doing a bang-up job of publicity, and Im also going to try to have regular updates on my website,www.johnwooley.com

Im also, Lord help me, tweeting @JohnSWooley

Terry:I know John has already listed his web site. I have quite a bit of stuff concerning Miracle Squad and Twilight Avenger on my blog: http://uncannymanfrog.wordpress.com/

AP: Where can readers find learn more about John Wooley, Terry Tidwell, and your work?

John: Same places.

Terry: www.miraclestudios.com is my art studio. It was named after Miracle Studios in the Miracle Squad. You can see lots of my current work there. Also at Miracle Studios blog at http://miraclestudiosblog.wordpress.com/An interview by Doug Kelly featuring John and me and our work on The Miracle Squad will be published soon in Back Issue magazine, published by Two Morrows Publishing . http://twomorrows.com/John and I are in an exhibit at the Oklahoma History Center in Oklahoma City. If you go there you can watch videos of us going on and on about comics, ha. Art from the books is on display and the Twilight Avenger costume, complete with gas gun and magnesium light stands there in a glass case! Check it out here…..http://www.okiecartoonists.org/Information about John and me, as well as art from Twilight Avenger and Miracle Squad, is on display at the Toy and Action Figure Museum in Pauls Valley, Oklahoma, where we were both inducted into the Oklahoma Cartoonists Hall of Fame. http://www.actionfiguremuseum.com/oklahoma_cartoonists.htm
 

AP: Any upcoming projects you would like to mention?

John: I have two books scheduled to hit the shelves next spring: Wes Craven: A Man and His Nightmares, from John Wiley and Sons, and Shot in Oklahoma, a history of movies made in the state, from the University of Oklahoma Press. With Pulp 2.0 Press scheduled to bring out the first of the Miracle Squad/Twilight Avenger books around the same time, it should be a pretty lively season for me. Thankfully.

 Terry: Im working on two new graphic novels which will debut at Comic Con next year: “Blood Code” which is a new Uncanny Man-Frog book, and “Liberty” set in a futuristic dystopia where a Joan of Arc type character, leads a boy scout army against the evil status quo.


AP: Are there any upcoming convention appearances or signings coming up where fans can meet you and pick up copies of Miracle Squad and/or Twilight Avenger?

John: At this point, I plan on making the Windy City Pulp and Paperback Convention in Chicago on April 15-17, and PulpFest in Columbus, Ohio, July 29-31. Im sure there will be other signings and appearances for one or both of us.

Terry: I will be at Comic Con next year. Look me up!

AP: Thanks, John and Terry.

John: Thank you, Bobby. We appreciate it, and if theres anything else you need from me, please let me know.

 

National Graphic Novel Writing Month, Day 16: You Can Do It!

At this point, those of you participating in NaGraNoWriMo are halfway there. Congratulations! You have made it past the initial excitement and momentum into the phase where you really have to put the pedal to the metal to keep going. Can you do it? Absolutely!

As a NaNoWriMo veteran and someone who keeps daily and monthly writing goals, I am familiar with the doldrums that come with the halfway point. You might start second-guessing your character ideas or worrying that you have fallen too far behind to catch up. You might feel you are a little bit ahead of the game and that you can afford some wiggle room. Some of you might even be throwing your hands in the air in dismay and wondering when you became so masochistic. No matter what you’re feeling right now, though, you have made it to the halfway point. If you’ve made it this far, you can make it all the way to the finish!

The thing about being in the middle of a project like this is that it can feel overwhelming. Your ideas don’t seem as shiny as they did when they began, and the road before you seems to be stretching into the distance. Two weeks seems like an eternity, and finishing your graphic novel seems like a fever dream. You may be feeling irritable and short-tempered. That’s perfectly understandable, because this is the hardest part of putting the story together. It’s the glue that connects the introduction to the conclusion, and sometimes it feels like that glue just isn’t going to stick. Every creative genius has been in this place, so don’t worry: you’re in good company. (more…)

PULP ARTIST’S WEEKEND-TIM SALBER INTERVIEW


AP: Hi, Tim! Please take a seat. I want to thank you so much for permitting ALL PULP and myself the opportunity to interview you. Would you care for a cup of coffee or tea, a tall, ice-cold glass of lemonade, loganberry or sweet tea? I’d offer you an espresso but the diminutive alien that lives in our machine has invited some friends over to convert it into a transtemporal spaceport!
TS: You know, I have that same problem and have just given up on espresso. By the way, the little buggers are called Pithians, and there is an interesting anecdote about them in my book. I’ll have a small shot of Satchel’s Fire Water if you have any. I just love the flavor, and the little flames that burst out of your mouth after each sip are a real hoot.

AP: Salber? Is that French? How did you meet Tim Storm? Are you old school chums?

TS: Salber is actually of German origin and means “Salve Maker.” My early ancestors must have been alchemists of sorts. I’ve used the stage name “Tim Storm” for many years as a musician, as my pen name, and also when signing my artwork. I started singing for a rock band during my high school years, and our drummer enjoyed doing things to get my dander up. When I would get angry he would tell me “Calm down, Stormy.” I eventually realized that he was simply having fun with me, somewhat like the friendly rivalry between Monk Mayfair and Ham Brooks, so I took it all in good humor and started using the name. It sounded more like a name worthy of a pulp hero, or rock star than my given surname.
AP: Are you a native of Florida? Where were you born and raised? Could you tell us little about your family as you were growing up?
TS: My father worked as an engineer for NASA during the Apollo program. Having grown up and lived most of my life near Kennedy Space Center, I was lucky enough to have the opportunity to view countless launches of the Apollo and Saturn rockets, and eventually the Shuttle missions from my own back yard. Naturally, I became interested in the exploration of space and how it might play a role in mankind’s future. The space program stimulated my imagination, and I eventually began to wonder and speculate about the grander mysteries of the universe, such as the relationship between time and distance, as well as the anomalies of space, so these are some of the elements that are crucial to the plot of Magenta Zephyr and the Universe Bender. To quote from the book; “The universe is populated with phenomena that defy human understanding and challenge the laws of physics as we understand them. It is a boiling cauldron of cosmic soup peppered with unique singularities that blur the distinctions between matter and energy and distort the very fabric of time and space.”
I have one brother and three sisters and, although we all pretty much had our own interests growing up, we are a very close family as adults and we try to get together as often as possible. I am happy to say that my family members are some of my closest and most respected friends, though I am really the only one of my immediate family who is so immersed in the arts. Neither of my parents and none of my siblings have had the inclination to follow that path. I don’t really know why I seem to pursue all of the arts with such fervor. I’m always thinking creatively and just seem to view life as one big opportunity to continually create something interesting and unique. Maybe it’s because I so admire the great creative minds that have contributed in a positive way to our culture.
AP: What kind of books did you read when you were young? What led you to start writing fiction? What were your favorite TV shows? Did you participate in school sports? Do you remember the first movie you saw?
TS: As a boy I was first inspired by reading Mark Twain’s works featuring Tom Sawyer and Huckleberry Finn. My friends and I would build our own rafts and travel through the canals and swamps throughout Brevard County, FL and I began to realize that you can create your own adventure simply by exploring the world around you. Around the age of nine or ten I began to develop an insatiable desire to read everything I could get my hands on, and decided that I would like to create my own adventures to share with others.
During my teenage years I was deeply moved by the themes and style of Ken Kesey’s book One Flew Over the Cuckoo’s Nest. Other authors whose writing had a deep impression on me are Tom Robbins and Kurt Vonnegut, Jr. I really enjoyed their unconventional writing style and it helped me to understand that you can really create your own unique voice as an author. Some of my favorite authors are Robert A. Heinlein, Mark Twain, Edgar Allen Poe, Arthur Conan Doyle and Edgar Rice Burroughs. As far as modern authors, I love any well-written mystery or thriller with a unique protagonist.
I’ve always had a vivid imagination, and wrote my first novel at the age of fourteen. It was a detective novel set during the Great Depression and featured two young friends who had a penchant for solving crimes. Since then, I have developed a great number of story outlines and intend to develop them further in the future. Right now, I’m focusing on promoting Magenta Zephyr and the Universe Bender, but hope to get back to spending more time focusing on my writing soon. Many people have inquired about the sequel, so I suppose I really need to get cracking on that . . .
Some of my favorite shows while growing up were Star Trek, Night Gallery, The Twilight Zone, Night Stalker, and (believe it or not) Leave it to Beaver and The Andy Griffith Show. Though most of these were older programs and in syndication at the time.
AP: What inspired you or Tim Storm to create a female pulp hero like Magenta Zephyr? What gave you the idea for Magenta Zephyr & The Universe Bender?
TS: Since most famous fictional heroes are male, my intent was to create a strong iconic heroine that people could identify with. I wanted to write an adventure that would be fun and entertaining to read, whether the reader is a fan of science fiction or not. Being a musician, it seemed natural to incorporate some of those experiences into the novel as well, so the title character, Magenta Zephyr, is a musical superstar and an iconic heroine in the mold of the old Pulp Fiction heroes. The story features quirky characters, unique plot elements, and a healthy dose of humor. Along with presenting some of the deep questions posed by the mysteries of the universe, the book also deals with themes of human spirituality and other issues confronting humanity in a manner that is intended to stimulate the reader’s imagination. I wanted to write a book that has universal appeal and rises above the classification of a science fiction novel, in the same way that the Harry Potter novels have wider appeal among readers than books that are classified as “fantasy” novels.
AP: What is Magenta’s connection, if any, to the Wold Newton family of pulp heroes?
TS: I’m a huge fan of iconic fictional heroes such as Sherlock Holmes, Ellery Queen, and the old Pulp Fiction heroes, The Shadow, The Avenger and my all-time favorite Doc Savage. Magenta Zephyr is a larger-than-life heroine modeled after some of those old pulp magazine heroes and she is a direct descendant of Doc Savage and Tarzan, as presented in Philip Jose Farmer’s Wold Newton family tree. Many of the characters in the book are descendants of famous fictional characters linked to the Wold Newton universe, which is my way of paying tribute to the pulp genre.
AP: What was your weirdest childhood experience?
TS: I used to have extremely vivid dreams and terrifying nightmares. My bedroom windows faced a densely wooded area and I actually believed that I was visited by spirits that would drift out of the forest. I would wake up and I could feel them touching me and one time even seemed to be embraced by one of these ethereal creatures. I would try to scream but could neither move nor make a sound. As I grew older, I learned that these experiences are called “Sleep Paralysis” and are common for some people. It is a dream-state in which one is not fully asleep, yet not fully awake either. It is believed that these experiences are the origins of the Incubus and Succubus myths, and I can tell you first-hand that they are truly terrifying. I recently saw a documentary in which people were subjected to magnetic fields around certain areas of the brain and this state was induced. Many of the subjects experienced the presence of strange beings, and the doctor who was directing the study hypothesized that these might indeed be actual interdimensional beings, or possibly what we call “angels.” (Insert scary music here) It’s an extremely interesting phenomenon that has always intrigued me. Perhaps a subject for a future novel . . .
AP: Did you keep in touch with your childhood friends? Did any of them encourage you to be an artist, author or musician? Who introduced you to the Man of Bronze? What was the first Doc Savage story you read? Was Doc the first piece of pulp fiction you read?
TS: Interestingly enough, I still keep in constant contact with my closest boyhood friend, the person who introduced me to Doc Savage when I was about thirteen years old. His father was a huge fan of Doc Savage and my friend, Chris, would give the Bantam paperbacks to me after he and his father had finished reading them. I believe the very first adventure that I read was “Red Snow,” and I was instantly hooked! I began collecting them and buying them myself, and eventually acquired the entire Bantam catalog. I still own the entire collection as well as every other Doc related item I can find. I have about 20 of the original pulps, as well as all of the Street and Smith hardbacks. I probably have one of the most extensive Doc Savage collections in existence and still think that Doc is the greatest literary hero ever. I really tried to create a similar iconic character with Magenta Zephyr and think that I succeeded on many levels. Although, Magenta is more sensitive and artistic — much more able to relate to people on an emotional level than the stoic Doc. My friend Chris also introduced me to some of the great music that I grew up on . . . I owe him a huge debt for introducing me to the world of Doc Savage and influencing my taste in music.
AP: Where did you go to school? Were you a member of the drama club or school band?
TS: After the Apollo program ended, my family moved to Daytona Beach, where I attended my first year of High School. Then we moved to San Jose, California where I finished out my High School years. I was heavily involved in the Drama Clubs during high school and my most exciting and memorable times were with the crazy, creative people who tend to gravitate toward the performing arts. My proudest achievements during those years were playing the starring role as Randall McMurphy in “One Flew Over the Cuckoo’s Nest,” and writing and producing a play for children, based on my first novel, which was presented to numerous elementary schools in the San Jose area. I played the alto saxophone in the school band during my junior high years, but eventually dropped it and took up the guitar.
AP: Where did you get your graphic design training?
TS: I am a self-taught artist, spending much of my time in elementary school daydreaming and drawing cartoons. I had the opportunity to hone my skills as a graphic artist during my eleven years working for the newspaper, FLORIDA TODAY, based in Brevard County. I worked as a Creative Services Graphic Designer, developing and designing advertising campaigns for local businesses, as well as large national corporations. I’ve been employed as a writer and graphic designer for the past 15 years, and I enjoy helping people translate their ideas into reality, but my illustration and fiction writing give me the freedom to express my own creative ideas.
AP: What instruments do you play? Have you ever been the frontman for a band? Can we listen to music you’ve written somewhere on the internet?
TS:I play guitar and sing, and have been the frontman for a group called Shadowfax during the late 70’s and shared the spotlight with my songwriting partner, Barry Hicks, in a band called The Imposters during the 80’s and 90’s. I have a CD of my own original songs available online at:
I’ve been working with my partner, Barry, to mix some of the studio tracks that we recorded through the years and we hope to release a CD of the Imposters’ music sometime in the next year.
AP: Would you say that Magenta’s first outing in MAGENTA ZEPHYR AND THE UNIVERSE BENDER is speculative fiction or an outright tribute to space opera of times gone by?
TS: I would say that it is an equal measure of both. Although it has many of the elements of a traditional pulp story, it is written in an unconventional style and is unique in its presentation of those elements. I consider it to be a tribute to the pulp genre, but written for a modern audience.
AP: What books are you, currently, reading? Was there a summer blockbuster of a movie that you savored?
TS: I am a voracious reader, at least 2 or 3 books a week. I’ve been reading a lot of Clive Cussler, and I love the writing team of Douglas Preston and Lincoln Child and their Agent Pendergast novels. Agent Pendergast is an eccentric FBI agent whose eccentricities rival the great Sherlock Holmes. Also, love James Rollins and anything by Dean Koontz. I am really enjoying reading a lot of the new authors who incorporate historical elements with modern adventure and intrigue.
As for movies, I am thrilled by the proliferation of superhero-based films and I’m really looking forward to all the new Marvel hero movies that are planned for release in the coming years. Modern computer animation has made so many things possible on film that just couldn’t be done before, and I really enjoy any film that incorporates some of that amazing imagery. Lord of the Rings, Peter Jackson’s King Kong, The Transformers, X-Men . . . I just love all that stuff!
AP: Speaking of blockbusters, not only have you written one but you’ve also created something that no else has done before! What can you tell us about THE GREAT COSMIC BOOK?
TS: That’s one of my favorite parts of the novel. I use quotes from the Great Cosmic Book throughout the novel and actually incorporate it into the storyline. It’s an enigmatic book of irreverent universal wisdom that appears mysteriously throughout the universe. Its source is unknown and it is often found in hotel rooms, in place of the Gideon’s Bible. How the book is distributed is unknown, but it often appears in place of lost or stolen personal items and trinkets of negligible value.
I’ve created an online version intended to be an eternally expanding collection of new and original quotations; simple adages with profound insight into the mysteries of the universe, whether sublime or mundane. All visitors to the site are encouraged to submit their own contributions, as well as to browse through the existing entries. A couple sample entries:
“In the beginning one infinite spark ignited all of this divine madness.”
“When it starts to rain save the fire.”
I hope some of your readers will visit
AP: Do pigs fly?
TS: Not yet, but in the Universe according to Magenta Zephyr, famed geneticist Dr. Lunden Fogg, a descendant of the renowned adventurer Phileas Fogg from Jules Verne’s classic “Around the World in Eighty Days,” eventually creates the world’s first flying pig, a momentous achievement which has unfortunate consequences.
AP: Are there any book shows or comicbook conventions that you’ll be attending soon or in the year ahead?
TS: I am planning to attend some conventions in 2012, do some book signings and promote Magenta Zephyr, but it all depends on my work schedule.
AP:Is this your first published work of fiction?
TS: I’ve previously written and illustrated two children’s books; Monkey See, Monkey Do and Way Over Yonder. Magenta Zephyr and the Universe Bender is the first book that I’ve had published for more mature readers. It’s intended for an audience ranging from young readers to adults. (Side note: I also created the cover art for the novel.)
AP: Best part about writing?
TS: Writing is a form of therapy for me. It’s a great way to escape from the daily grind, vent my creative energy, and express myself. It’s a fantastic way to reach out and connect with people. It’s my hope that Magenta Zephyr and the Universe Bender will entertain people, stimulate their imaginations, and perhaps, on a deeper level, contribute to our culture in a positive way. Since this is my first full-length novel, that may be too much to hope for, but I believe those are the ultimate goals of most authors, and what motivates those of us who express our ideas through creative fiction.
AP: Biggest challenge in writing it Magenta Zephyr and the Universe Bender?

TS: The biggest challenge in completing the book was finding the time to write while
working full-time and keeping up with other daily obligations. It’s also difficult, as an author, to find that fount of inspiration and maintain enthusiasm for writing while dealing with the pressures that we face in this modern world. They’re the same challenges we all face, day to day, in motivating ourselves, setting priorities, taking care of our responsibilities, and making time to do what’s most important to us.

AP: What did you learn about writing you didn’t know before?
TS: I suppose it’s the same in any field, but I didn’t realize that writing is an art that requires an immense amount of dedication and personal discipline. While writing a book, an author has to really immerse himself in the characters and the world he is creating in order to maintain continuity in plot and style. If you’re not already a successful novelist, time is a precious commodity, so an aspiring author has to sacrifice leisure time and curtail their social life if they really want to fulfill their aspirations and complete a book. In learning how much effort it really takes to maintain focus and complete a full-length novel, I developed a deep respect for authors and professional writers.

AP: What’s next for you as a writer?

TS:I am currently working on an outline for the sequel to Magenta Zephyr and the Universe Bender, and I intend to write a series of books chronicling her adventures. I am also writing and illustrating a children’s book titled, Linus Hart, Private Eye, featuring a young lion in the title role and a cast of animal characters that I’ve developed over the past few years. In this particular book, I plan to include puzzles and educational elements, such as vocabulary and math exercises for young readers. I have numerous other projects in development including some treatments for animated cartoon series.
AP: Any parting shots? Someone you would like to say “Hello!” to? Something you’d like to unabashedly promote?
TS: Magenta Zephyr and the Universe Bender is published by iUniverse and is available at iuniverse.com, barnesandnoble.com, amazon.com, and other online retailers. Anyone interested in learning more about the book or purchasing it can visit the official web site at www.greatcosmicbook.com or the Magenta Zephyr web site and leave some quotes of their own.www.magentazephyr.com. Also, anyone interested in hearing my music can listen to clips and purchase tracks at www.cdbaby.com/cd/timstorm http://www.cdbaby.com/cd/timstorm

AP: Thanks again, Tim, for graciously allowing us the opportunity to interview you on behalf of ALL PULP! Good Luck and God Bless You on your current and future endeavors!!

TS: My pleasure, Sarge! I really appreciate the opportunity to share my love of the pulp genre and shamelessly plug my book!