Jeff Foxworthy is back on the highly rated Game Show Network’s AMERICAN BIBLE CHALLENGE and talks about his transition from stand up comic to game show host, plus Drew Barrymore and Adam Sandler tells us about their big screen reunion in BLENDED and DC Comics cleans house in a big way.

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I needed Godzilla to give me more monster fights.  Not monsters destroying cities or people running from monsters but monsters fighting monsters.  They knew that’s what I wanted too because sequences would build to those moments where two kaiju would look at each other, screech, and charge at each other only for the camera to cut away to some human doing some dumb thing or another.  I know that this movie already cost $160 million and that’s with almost no money spent on cast so I have to assume they put all the special effects in that they could but this movie made almost $200 million in its first weekend and I assure you I do not care what the humans are doing in Godzilla, not even a little bit.

The monsters look fantastic.  I tried to parse exactly how they made them through studying the credits and it seems to be some alchemical combination of digital effects and performance capture and I can’t stress enough how perfect and plausible they look.  It probably helps that they are usually in dark smoky environments but it works better than any attempt I’ve seen with the possible exception of Pacific Rim and this is certainly trying for a grittier, more realistic look than Rim was going for.  The climactic fights are over-the-top brutal but all the way through I was impressed at how it looked like these massive creatures had actual weight and interacted with their environment in consistently plausible ways.  A sequel has already been greenlit and I’m beyond excited to see where they go with these monsters.

The humans are another matter entirely.  I mean, I guess they always look like they have weight and they interact with their environment in a plausible manner but I’m not sure they ever really affect the story.  You could take the actions of every human being out of this movie and it would affect the outcome not at all.  Nothing the humans do to stop the rampaging monsters is successful on any level.  In fact, the climactic actions of the main human character, Lieutenant Ford Brody, only serve to save people from a mistake the humans made earlier in the film.  Godzilla is the title character and he solves the problem all by himself.  I never quite got invested in the drama they tried to insert with Brody and his wife or Brody and his son or Brody and some strange other child.  I completely failed to care at all about the faceless, practically nameless, other military operatives.  I only cared a little about Dr. Serizawa because Ken Wantanabe played him and I honestly can’t tell you what happened to that character in the third act.  Everyone just sort of fades away in the backdrop of better monster action.  As much as I want to see them expand on the monster action I want them to throw all the other characters in this movie and start over with every entry.

A common lament about film in the last decade or so is that every film is either a remake or a sequel and no one is willing to try new things.  While there is undeniable truth to this, Godzilla is proof that there are plenty of new ideas and good movies to be made from old properties.  This is as different from the original film as is possible with only passing similarity to what came before.  It would be a huge mistake for anyone to dismiss this as creatively bankrupt when it’s such a fresh take on a property that was honestly run in to the ground by The Toho Company some time ago.  This is a fantastic action movie and one worthy of praise no matter what its origins are.

http://derfcity.blogspot.com/2014/05/the-end-of-city.html

I’m ending my comic strip, The City, after 24 years. Here’s the final strip.

I’m ending the strip So I can concentrate full-time on graphic novels. It’s all good. I’m not slinking away from a failed endeavor as a washed-up has-been. I’m leaving it behind in a blaze of glory, as a newly minted, internationally-best-selling comix creator. The past couple years have been the best of my career. After 30 years of toil as a (at best) cult favorite to suddenly find success? I’m loving every fucking minute of it! I simply no longer have the time, nor, quite frankly, the desire, to devote to The City. Typically, it takes almost two full workdays to write and draw one strip. That’s time better devoted to other projects.

Sigh… it seems to happen earlier every yea– What? How could you forget that the third Monday in May is Miracle Monday? Elliot will be very disappointed in you…

If you have no idea what I’m talking about (Ma nishtana ha-laila ha-zeh mi-kol ha-leilot) [[[Miracle Monday]]] is the third Monday in May. It’s from a Superman novel of the same name written by Elliot S! Maggin and published in 1981. I highly recommend reading it, if you haven’t read it before. Here’s a taste:

On Miracle Monday the spirit of humanity soared free.  This Miracle Monday, like the first Miracle Monday, came in the spring of Metropolis, and for the occasion spring weather was arranged wherever the dominion of humanity extended.

On Uranus’s satellites where the natives held an annual fog-gliding rally through the planetary rings, private contributions even made it possible to position orbiting fields of gravitation for spectators in free space.  On Titan, oxygen bubbles were loosed in complicated patterns to burst into flame with the methane atmosphere and make fireworks that were visible as far as the surface of saturn.  At Nix Olympica, the eight-kilometer-high Martian volcano, underground pressures that the Olympica Resort Corporation had artificially accumulated during the preceding year were unleashed in a spectacular display of molten fury for tourists who walked around the erupting crater wearing pressurized energy shields.  At Armstrong City in the Moon’s Sea of Tranquility there was a holographic reenactment of the founding of the city in the year 2019, when on the fiftieth anniversary of his giant leap for mankind the first man on the Moon returned, aged and venerable, to what was then called Tranquility Base Protectorate, carrying a state charter signed by the President of the United States.  The prices of ski lift tickets on Neptune inflated for the holiday.  Teleport routes to beaches and mountains on Earth crowded up unbelievably.

Interplanetary wilderness preserves became nearly as crowded with people as Earth cities.  Aboard the slow-moving orbital ships that carried ores and fossil materials on slowly decaying loops toward the sun from the asteroids, teamsters partied until they couldn’t see.  On worlds without names scattered throughout this corner of the Galaxy, where Earth’s missionaries, pioneers and speculators carried their own particular quests, it was a day for friends, family, recreation and-if it brought happiness—reflection.

But why did it become Miracle Monday? And what was the first miracle? Go get a copy and read.