The Mix : What are people talking about today?

REVIEW: Batman: Arkham Origins Blackgate Deluxe Edition

It’s become a growing practice to create a special edition of popular new releases specifically for Sony and Nintendo’s handhelds, more suited to the system’s differing strengths.  When [[[Batman: Arkham Origins]]] was released recently, both systems got their own side adventure, obliquely connected to the main game, but unique in features and content. Thanks to the popularity of the series, the handheld game has been expanded and made available for all major systems, console and handheld.

Batman: Arkham Origins Blackgate Deluxe Edition is set three months after the events of Arkham Origins.  An explosion at Blackgate prison results in a chaotic takeover of the facility, headed by The Penguin and Black Mask.  Things get more serious when it’s learned that the Joker has also joined the incarcerated internecine warfare. The game has some limited free play options – you can battle the three bosses and their associated campaigns in any order, and the end game finale differs based on who you chose to fight last. The movement is largely a 2-D left-to-right progression, with jumps to other angles for certain puzzles and  boss fights.

The gameplay is similar enough to the main line of games that it’s easy enough to pick up with little trouble.  Enhanced to HD-quality, the game is still based on a design for smaller, slightly less powerful handheld devices, so it’s  not as huge and expansive as the primary title.  The Deluxe Edition upgrade adds new characters, levels and unlockables – there’s 10 special costumes to seek out, from DC stories like Zero year, the Batman 66 costume, and the Blackest Night costume which makes you impervious to damage.

baobde_suits_key-art-300x169-7244264The game is fun and entertaining in their own right, good for filling the time between DLC releases of the main games.  Likely not worth a repurchase if you got the original for the handhelds, but at this price, it’s a good addition to the series, and certainly easier to see on a bigger screen.

Batman: Arkham Origins Blackgate Deluxe Edition is available via download for most console and handheld systems now, including Steam, and coming soon on the WiiU .

Jen Krueger: Sitcom Love

Pam Halpert (Photo credit: Wikipedia)

On the list of things I originally expected from Brooklyn Nine-Nine, emotional resonance isn’t to be found. With a former Saturday Night Live cast member as the lead, I figured the show would be goofy (in a good way) and peppered with cameos from comedians. While these expectations were met early in the first season, the thing I’ve come to like most about the show is the slowly developing romantic storyline between Jake (Andy Samberg) and Amy (Melissa Fumero). But as much as I’ve enjoyed the pining these characters both think is unrequited, I keep reminding myself not to get my hopes up too much about the future of this storyline since sitcom love rarely flourishes in an enjoyable way.

I’m not sure there’s a single narrative show on TV that doesn’t have at least one romantic storyline, but very few half-hour comedies seem comfortable letting their characters actually get together. The Office was getting so much mileage out of Jim and Pam wanting each other but not being together that even after Jim put his cards on the table in “Casino Night” (sorry, couldn’t resist), the show kept inventing reasons to keep them apart. And though I’m about as big of a fan as you can find of the slow burn approach to the development of relationships in TV, I hate it when the hurdles a couple must leap feel like they’ve been put there just for the sake of adding more hurdles. Jim transferring to Stamford smacked of artificially inserted conflict, and I never bought that he’d bother keeping up a relationship with Karen after returning to Scranton and finding Pam single. And since it was inevitable that Jim and Pam would get together in the end, it drove me nuts that the show was delaying the one thing I so badly wanted to see.

I’m sure the prevailing TV wisdom behind keeping love unrequited (or at the very least, requited but unfulfilled) is that two people pining for each other provides more avenues for conflict than a happy couple does. But to that I say, watch almost any episode of Mad About You. Yes, it’s an older show that’s pretty different from the way sitcoms are today, but it’s also a show that holds up because its characters are solid and the storylines rarely depend on problems between Paul and Jamie. With the exception of the season in which their marriage is on the rocks (which also happens to be the worst season of the show), Mad About You manages to find enough conflict for the Buchmans to face as individuals or as a unit without having to resort to artificially driving a wedge between the two of them.

So if it’s entirely possible to have a happy couple in a sitcom, why do so many shows draw out storylines about couples getting together? Perhaps the difference lies in where the relationships are in the pilot. Mad About You begins with married protagonists, so the show never has to get the audience to root for the relationship to start. When a sitcom spends time building toward the genesis of a romance, though, maybe there’s a fear of viewers losing interest as soon as the hook up they’ve been waiting for finally happens. This would certainly explain the inevitably ensuing forced relationship conflict in the cases where characters actually do get together, like the “problems” Jim and Pam faced in the final season of The Office. But this way of artificially extending the will-the-won’t-they element always strikes me as undermining the depth of feeling established during the rise of a TV romance.

I have to admit, I was surprised to see Jake confess his feelings to Amy in the first season finale of Brooklyn Nine-Nine. I expected the show to draw out his pining for her well into the second season, but I was pleased to see Jake fess up sooner than I anticipated. And since the writers not only bypassed some of the romantic roadblocks I assumed were on the horizon, but bypassed them with a scene so sweet that I was genuinely touched by it, I’m hoping the show will continue to put the quality of Jake and Amy’s relationship arc over empty gambits at delaying them from getting together. And if season two starts with Amy welcoming Jake back only to learn he started dating someone while on his undercover mission, let’s just say Rosa’s disposition will look sunny compared to my reaction.

“Captain America” smashes box office, preps clash with “Man Of Steel” sequel

‘Captain America’ socks box office, eyes titanic clash (via AFP)

“Captain America: The Winter Soldier” shot straight to the top of North America’s box office this weekend — socking rivals with the biggest US April opening of all time, figures showed. And buoyed by the news, Marvel filmmakers announced they will…

(more…)

Box Office Democracy: “Captain America: The Winter Soldier”

I very much enjoyed Captain America: The Winter Soldier.  I enjoyed it so much that I want to discuss the plot in a way that will quickly get in to spoiler territory.  If this bothers you please leave now and come back later.  (more…)

How Will Agents Of S.H.I.E.L.D. Change After Captain America 2?

If you were part of the audiences that drove Captain America: The Winter Soldier to a record breaking opening weekend, you’re probably asking how is this going to affect Marvel’s Agents of S.H.I.E.L.D.? Marvel has provided us with more teasers…

Nothing will ever be the same for Marvel’s Agents of S.H.I.E.L.D. following the jaw dropping events of the blockbuster film Marvel’s Captain America: The Winter Soldier, now in theaters! In the series’ latest episode “Turn, Turn, Turn,” airing Tuesday, April 8th at 8|7c on the ABC Network, Coulson and his team come face–to-face with the Clairvoyant and must deal with the greatest threat of all…one that will hit closer to home more than they’ve ever imagined.

Watch this all-new video today and go behind the scenes to learn how Captain America: The Winter Soldier will change the course of Marvel’s Agents of S.H.I.E.L.D.

The Point Radio: The Doors Close On WAREHOUSE 13

SyFy is bring the curtain on WAREHOUSE 13 with a last run of six original episodes that begin next Monday (April 14th) on the network. Stars Eddie McClintock and Joanne Kelly, along with show runner Jack Kenny, talk about how it feels to say goodbye in such a short window. Plus 2014 has not been a banner year for comic sales and even the zombies could’t keep stores alive in March.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

Mindy Newell: Reading Is Fundamental

Dorothy: What kind of a horse is that? I’ve never seen a horse like that before!

Guardian of the Emerald City Gates:  And never will again, I fancy. There’s only one of him and he’s it. He’s the Horse of a Different Color you’ve heard tell about.

—The Wizard of Oz, 1939

I love to read.  I read every chance I get, including always bringing a book with me to read on my lunch hour.

I don’t get people who don’t read.

They make me crazed.

(more…)

John Ostrander: Whore To Culture And Other Working Relationships

I’m over at Facebook a fair amount. I use it not just for friends and family, people I actually know, but also as a way to keep in touch with fans which I think is important. I try to give them a good personal experience with me because I value them; their support enables me to make a living as a writer. Some publishers have an interest in hiring me because they know I have my own fanbase.

So I post things and answer questions or notes – sort of like at a Con – and it’s nice. Most of the fans are very respectful; sometimes, maybe a little too respectful. There have been those who refer to me as “master”. I appreciate it as a token of respect but, to be honest, I’m uncomfortable with it. To my mind, I’m just a working guy and my work happens to be writing. It’s how I make my living – buy food, pay the bills, and so on.

I’m a professional writer and I take great pride in that; people pay money to read what I’ve written and, as I’ve said elsewhere, that’s something I’ve never taken for granted and never will. There’s a big demand on your dollar today (mine too) and if you spend the money on one thing chances are you aren’t spending it on another. Maybe if you buy a comic I’ve written you can’t buy some other comic. So it’s my job to make sure you get your money’s worth.

I’m not a “fine” writer; I’m a storyteller. Both as a reader and a writer, my big interest is “and then what happened?” I’m not a stylist although I can turn a good phrase. I’m not apologizing in any way; I’m proud of what I’ve written but I know what I am and what I am not.

I had an interesting online discussion some years back with a defiantly amateur writer. He claimed he was “purer” as a writer because he didn’t accept money for his work. In fact, he claimed I was a whore and prostituting myself for taking money for something I should have done for the pure love of it.

I will confess to be a bit flummoxed by this. I wasn’t sure how to answer. I could have said that he probably couldn’t prostitute himself because nobody would pay him; it’s hard to make money if you’re an ugly whore. However, that would have been mere pique and invective and dodged the central question – does getting paid for my work inherently make one less of an artist? Shakespeare (a greater artist than I) got paid, as did Dickens, Shaw, and many other talented artists.

On the other hand, there are plenty of hacks out there who will grind out anything to make a buck. There are times I have taken an assignment, not because I loved the character or the concept but because I needed the work and the paycheck. However, I’ve never put in less work as a result. I have to find something in the character that I can relate to, into which I can invest myself. It’s not always easy but it is always necessary. In some cases I am more successful than in others but the effort is always there because I know that, at some point, someone will put down real cold cash to read it.

I write to be read. I know one of the cardinal rules of writing is, first and foremost, to write to please yourself and I do that. However, I don’t only do that. I’m aware as I write that, hopefully, someone is going to read those words as you are reading these words. If one writes only to please oneself, then I think that’s literary masturbation. I’m not saying there’s anything inherently wrong with masturbation; I’ve dated Five Finger Lucy myself. There’s the old joke that goes “if it wasn’t for masturbation, I’d have no sex life at all” and, at one point in my past, that was very true. However, I also happen to think that sex with a partner is, well, better.

When you connect with your reader, it’s like flipping the electric switch to “on”. The electricity flows and it can flow both ways. It’s that connection with the reader that I’m looking for. In my stories, I ask my reader, “Have you ever felt this? Thought this? Considered this”? If they have, then we share something. The electricity flows between us. There’s a bond between us. We celebrate a shared humanity.

That’s my job. That’s what I get paid to do. What I get paid has never determined the effort I put into the work; it has enabled me to do it without expending time and energy making a living some other way, time and energy that I need to put into the work.

I’m not a master; I could never claim that for myself. I’m a guy from Chicaguh who writes for a living; a working stiff like most of you. Most days, I love what I do and, on the other days, it’s a grind, like any other job. Overall I’m proud of the work I’ve done and I hope to keep doing it until I drop. To quote James Earl Jones in Field of Dreams, “It’s what I do.”

Photo by mpclemens cc1-2096942

Review: Scooby Doo! WrestleMania Mystery

scoobymania-300x379-4140098Vince McMahon is a certified marketing genius. Always keen to find a new way to reach a new audience, he tied pro wrestling to rock and roll, and in doing so, made it a part of popular culture to a level it hadn’t been since the early days of television.  His knack for cross-promotion has struck gold again, with a crossover between the WWE Superstars and the animated adventures of the Great Dane Detective and the Mystery Inc gang in their newest direct to video movie, [[[Scooby Doo WrestleMania Mystery]]], out just in time to help promote WrestleMania XXX, coming to your screens this Sunday, April 6.

The voices and likenesses of the current crop of WWE Superstars like John Cena, Triple H, Divas Champion AJ Lee and Santino Marella team up with Scooby and the gang in a fun throwback to the old days of The New Scooby Doo Movies, which featured guest star crossovers galore. The voice cast of Mystery Inc are the team that have been handling the job for the TV shows as well as the Direct to Video features for some time now.  Frank Welker still provides the voice of Stalwart Freddy Jones, and has also capably taken over the voice of the eponymous hound.  Mindy Cohn, late of The Facts of Life is Velma Dinkley, and voice talent extraordinaire Grey Delisle Griffin is Daphne BlakeNorville “Shaggy” Rogers is now voiced by Matthew Lillard, who proved to us in the live-action films that it is actually possible to genetically breed actors to play specific parts.

The story is set in “WWE City” a combination resort complex, production center and training camp for the superstars.  Scooby and the gang win a trip to the resort after getting a perfect score in the new WWE video game, just in time for Wrestlemania, the unveiling of the priceless new WWE championship belt, and the recent attacks by a mysterious monster, the Ghost Bear.  Seems almost like they could be, y’know, connected, huh?  The Bear is allegedly the spectral remains of a wrestling bear in a touring show, undefeated until he fell at the hands of the great-grandfather of luchador and current WWE Superstar Sin Cara. With the help of long time wrestling trainer Cookie (Chares S. Dutton) and his nephew Ruben, the gang investigates the origins of the bear attacks, which takes on an extra level of required hurry-up when Scooby is accused of stealing the championship belt. They must find the culprit (and the bear) before, according to WWE City law, Scooby and Shaggy will be forced to prove their innocence on the field of battle, facing Kane in the opening match at WrestleMania.

The film is loads of fun, with a suitably wacky storyline, mixed with well done action and chase scenes. There’s enough twists and turns to keep the viewer guessing until the mask is whipped off the baddie. The superstars’ charisma carry over to the animated form, and it’s clear everyone had a good time making the movie.  Also included on the disc is a behind the scenes documentary featuring the wrestlers’ voice recording sessions and an episode of underappreciated classic of the Doo continuity A Pup Named Scooby Doo, a show The Wife and I loved so much, we named our child after one of its characters, namely Shaggy’s baby sister.  (Thank goodness we had a girl, or we’d have had to name her “Red” Hoerring.)

Scooby Doo WrestleMania Mystery is available now on DVD and Blu-Ray.