The Mix : What are people talking about today?

Saturday Morning Cartoons (kinda): X-Men Stop Motion

The 1990s “X-Men” cartoon holds a special place in the hearts of many a fan, but that theme song– great the first 50 times, but if you’ve ever been at a comic convention next to a dealer that had the thing playing on a loop, you wanted to tear down their booth with your teeth after an hour.

Anyway, the team of Kyle Roberts, Nathan Pope, Zach Zellar and Colin Nance have created their own take on the famous opening. Take a look:

Marc Alan Fishman: The Superior Spider-Ploy

fishman-art-121222-1272828SPOILER ALERT: To be fair… if you’ve not read Amazing Spider-Man #700, and care about the ending, and haven’t scoured the interwebs for spoilers previously? Please don’t read this week. Go read Dennis O’Neil’s article instead. It’s better than mine anyway.

Awhile back Michael Davis and I got into a heated argument over balls. Not kickballs. Not softballs. Not soccer balls. Balls. Juevos. Or Huevos, depending on how you look at it. We bickered a bit on whether DC’s New52 was a move made with testicular fortitude. Well, I’d like to think ultimately I won. I said they didn’t use enough man-juice. They got the bump in sales they wanted, but I don’t believe for a second they “changed the industry,” “changed the game,” or did anything more than what they did after the first Crisis on Infinite Earths – but in a significantly more watered down way. But I digress. This week, I’m not here to chastise DC. This week. I’m here to celebrate a bold and ballsy move by none other than Dan Slott. His Superior Spider-Man is a gutsy concept that deserves recognition.

Slott started in on his run on Amazing Spider-Man way back at issue #546. One-two-skip-a-few-ninety-nine-six-hundred. At issue #600 Dan started what would lead to a hundred issue long game wherein he would eventually do the (mostly) unthinkable: he would kill Peter Parker, and in true comic fashion mind-swap Otto Octavious into the titular hero’s body. And he’d keep it that way. Thus, when Marvel launches Superior Spider-Man with Doc Ock as Peter Parker… we have a new(ish) Spider-Man in the 616. Balls, kiddos.

The ideology here is simple. Thwarted time and again, Octavious decided to play one of the longest cons in comic history. In bits and pieces and dribs and drabs, Doc Ock found ways into Peter Parker’s head. And after his nefarious plan succeeds, in very a Ozymandias’ way, we are left with Spider-Ock. But instead of proclaiming potential world domination, instead Slott aims Octavious towards a goal that makes him more a shade of gray than previously thought. To paraphrase: all Otto’s ever wanted (aside from a dead nemesis for years and years, and maybe a better haircut) was to improve the world. Now, with this newfound great power will come great solutions. He has proclaimed that he will be the superior Spider-Man. Natch.

Now, the whole body swap thing has been done before. As has the “replace the title character with character X.” Bucky-Cap. Dick Grayson-Bats. Frog-Thor. And yes, we know that Spidey-Classic will no doubt be back in his own body safe and sound. And let’s even be so bold as to suggest somehow Otto will get himself a new body too. Younger. Stronger. Designed with 100% more lines and angst. It’s just the nature of this business. Don’t believe me? Go look at Frank Castle. Bloodstone my Jewish ass. But that’s a whole ‘nother show, as Alton Brown might say. The key here, and the reason I’m so excited about this, is because of the sheer novelty.

It’s widely known my favorite book of 2011 was Scott Snyder’s Detective Comics, starring Dick Grayson under the cape and cowl. I had not purchased a Batman book for eight years prior. Thank you, Hush. Why did I return? Especially when I didn’t know Scott from a hole in the wall? Because of the opportunity to give me something new. And whereas seemingly all other Marvel titles being brought into the “NOW,” here Slott decided to end his pre-now run with a big bang. Everyone else put the toys neatly back on the shelf. Balls. Of course, it may be a bit unfair to say that. Slott leaves Amazing Spider-Man to go to… Superior Spider-Man. So, perhaps he’s only semi-ballsy? Nay. To start a new number one with such a concept – for however long it goes on for – is a calculated risk.

Most of us in comic land know that a shiny new #1 on the shelf is an invitation to hop on board the bandwagon before it’s too late. I missed the boat (er… wagon) already on Daredevil, Hawkeye, and a few others outside the big two. To start a book by throwing out the previously known characteristics of your lead hero is something even more refreshing that Bucky-Cap and the like. Octo-Spidey has a cold and calculating mind behind the bright spandex. He has knowledge of the underworld other heroes would not be privy to. And he has all of Peter’s knowledge on top of his own. That’s two super-scientists for the price of one, for those counting. All of these things contribute to an amazing (superior? Nah, too easy) amount of potential energy. So long as Slott can convert that to kinetic energy he has an opportunity to redefine a hero with decades of backstory (and a ton of it truly despised). Goodbye clone saga. Goodbye “One More Day.” Hello new stories. For however long they last.

Speaking of that length, I cite Señor Miguel Oro. “…It’s not merely a matter of execution: eventually, the readers’ patience will wear out. The trick it to make the arc so compelling you don’t want it to revert. That’s some trick. But even then, you’re racing against the reader’s expectations.”

And therein lies the ultimate question. How long can Dan Slott keep the ball in the air. The longer he does it, the more attention will gather around the book. I mean, with a major motion picture looming not too far off in the distance, can Slott successfully maintain a Spider-Man that isn’t? Only one way to tell. And while I only read “Ends of the Earth” on his Amazing Spider-Man run before being lured elsewhere… I for one will jump on board as long as he delivers.

Dan Slott, the balls are in your court. Now (heh), use them.

SUNDAY: John Ostrander

 

No Boom Today…

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The Mayan Apocalypse has been averted… but who did it? Superman? The Doctor? Buffy? Chuck Norris? John Constantine? Sam and Dean Winchester? Booster Gold (yeah, right)?

Cast your vote now! We want to know who to put on speed-dial when we have a boom tomorrow. There’s always a boom tomorrow. Sooner or later– BOOM!

THE ADVENTURES OF NICHOLAS SAINT CONTINUE AT PRO SE-FOR FREE!

Continuing its serialization of Tommy Hancock’s THE ADVENTURES OF NICHOLAS SAINT featuring Santa Claus and company viewed through a Pulpy prism, Pro Se Productions proudly presents Day 4 of this novella, featuring stunning art work by David L. Russell at http://pulpmachine.blogspot.com/2012/12/the-adventures-of-nicholas-saint-day-4.html!  And remember, catch up on all previous chapters at http://pulpmachine.blogspot.com/p/the-adventures-of-nicholas-saint-free.html

DAY FOUR features CHAPTER THREE- FIRST, FROST!

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Logo by Perry Constantine

FORTIER TAKES ON ‘ARCHIE MEETS NERO WOLFE’!

ALL PULP REVIEWS by Ron Fortier

ARCHIE MEETS NERO WOLFE
By Robert Goldsborough
A Mysteriouspress.com Book
221 pages
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If you are a lover of books, then the passing of a favorite writer brings on a great deal of sadness; especially if that writer had been the author of a well loved series.  Such was the case for thousands of mystery lovers when Rex Stout passed away in 1975.  For all intents and purposes this also brought about the demise of his beloved characters, Nero Wolfe and Archie Goodwin.
The following eleven years saw most of Stout’s Nero Wolfe mysteries reprinted countless times in various editions; all of them treasured by his fans.  Still the thrill of joining these familiar figures on new cases seemed to be a lost cause.  Then, in 1994, journalist Robert Goldsborough wrote “Murder in E Minor,” a brand new Nero Wolfe mystery much to the delight of the majority of Stout fans.  Note, I say majority.  In matters such as these, there will always be the vocal purists who see new stories as sacrilegious and prefer such fictional heroes end their careers with the death of their creators.  We are clearly not of that attitude.  We thoroughly enjoyed Goldsborough’s efforts and felt he had captured Archie’s voice perfectly.  He would go on to write six additional titles in the series ending them in 1994 with “The Missing Chapter.” 
At which point, annoyed by the criticism of that minority we mentioned, Goldsborough went on to create his own original mystery series featuring a Chicago reporter of the past named Snap Malek.  Several of these have won prestigious genre literary awards.  Still, when looking at our Nero Wolfe titles on our bookshelf, we regularly hoped that some day he would return to that familiar brownstone on West Thirty-Fifth Street in which dwells the rotund detective and his handsome legman, Archie Goodwin.  That he has done so in such a spectacular fashion is a cause for unabashed celebration.
Not only has Goldsborough answered our pleas, but he has gone beyond our wildest dreams in offering up the story Rex Stout never did; the tale of Archie’s first meeting with Nero Wolfe.  Painstakingly culling through Stout’s canon, Goldsborough took the slim nuggets seeded throughout the dozens of books and short stories and meticulously put them together in a working timeline.  From these morsels he then went on to craft a truly complete and traditional Nero Wolfe mystery only with a major difference; we finally are allowed to witness the first ever meeting between these two remarkable characters. Let us assure you, it was worth the wait.  Reading “Archie Meets Nero Wolfe,” had us remembering our teenage high school days when we first picked up our first Wolfe paperback.  This book is in essence a joyous family reunion.
It should be noted that the very first Nero Wolfe mystery, “Fer-De-Lance,” appeared in 1934 during the days of the Great Depression.  Goldsborough deftly sets his story in the same era wonderfully researching his background for authentic slang, clothing, automobiles and the city itself so the reader is transported back into that time. 
Now the book’s actual mystery plot resolves around a rich hotelier’s eight year old son being kidnapped.  The man hires the famous Nero Wolfe to save the boy.  Wolfe, as is his habit, then recruits his regular group of private investigators; all of whom are quite familiar to any fan of the series.  Only this time there’s a new face in the crowd, an eager beaver fresh of the bus from Ohio who has connected himself with operative Del Bascomb.  His name is Archie Goodwin and he is very, very eager to show Wolfe how capable he is.  As ever Goldsborough delivers a true by-the-rules puzzle astute readers will relish in trying to solve before Wolfe’s traditional in-house gathering at the finale.  But the true heart of this book is the fun in watching a young, brash, would be private-eye encounter the man who is going to be his mentor and closest friend.  Goldsborough again captures Archie’s voice brilliantly and in doing so takes us on the ride we’ve all been waiting for a long, long time.
Mystery fans, if you or a loved one is a Nero Wolfe fan, you could not give them a better Christmas gift this year than, “Archie Meets Nero Wolfe.”  Then watch the smiles on their faces when they unwrap this truly great book.  Tell them Santa sent you.

The Point Radio: HOW STUFF WORKS Heads To TV

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The popular podcast HOW STUFF WORKS moves to a new medium early in 2013 when the Science Channel launches the HSW television series. We talk to the guys behind it on how they are creating a hybrid reality show/situation comedy, plus doing an episode dedicated to comic book movies. Meanwhile, KOJACK gets closer to a reboot and DC says goodbye to THE SPIRIT.

Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

AMAZING STORIES-BETA TESTING PHASE 1 BEGINS IN 2013!

Amazing Stories, the world’s first science fiction magazine, opens for Beta Testing of Phase 1 on Wednesday, January 2nd, 2013.


Fifty+ Writers Sign On to provide genre-related content!


Experimenter Publishing Company

Hillsboro, NH

December 20, 2012

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The Experimenter Publishing Company is pleased to announce the reintroduction of the world’s most recognizable science fiction magazine – AMAZING STORIES!


Set to relaunch with a Beta Test of its new Social Magazine Platform, Amazing Stories will feature content from 50+ bloggers, covering an enormous array of subjects of interest to genre fans.


“We’ve got authors and agents, bloggers and editors, pod casters and broadcasters; we’ve got gamers and game designers; artists and art collectors; pulpsters and indie authors; we’ve got Hugo winners, John W. Campbell Memorial Award winners, John W. Campbell Best New Writer winners, Nebula and Hugo Award winners and nominees and winners and nominees of many other awards;  people who review films, people who make films; we’ve got fanboys and fangirls; we’ve got former editors of Amazing Stories, writers who’ve become synonymous with the field and writers who are just getting started; comic artists, book reviewers; traditionally published authors, self-pubbed authors and authors who’ve done it all.  The response to my request for participation was phenomenal – it couldn’t be more perfect if I had set out with a list of must-haves!” said Steve Davidson, publisher. 


Amazing Stories’ Social Magazine platform is designed to create an interactive environment that will be familiar to fans with blog content designed to encourage discussion  and take things beyond the usual user-generated content model for social networks.


The Amazing Stories Blog Team will cover (for now – more coming!) fourteen popular topics – Science Fiction, Fantasy, and Horror, (lit), Film, Television, Gaming, Comics and Graphic Works,  the Visual Arts, the Pulps, Audio Works,  Anime, the Business of Publishing, Science and Fandom itself. 


At this year’s Worldcon (Chicon 7 the 70th Worldcon, Chicago), Toastmaster John Scalzi talked about what it was to be a fan and concluded by saying

We are diverse – and we are all in this together.”


We are diverse – and we are all in this together, a sentiment that captures the very heart and soul of what it means to be a fan.  Amazing Stories aims to be a vehicle through which the diversity of fandom can come together. 


Amazing Stories’ relaunch will take place in two phases.  Those interested in participating in the Beta Test of Phase 1 should contact the publisher at steve.davidson33@comcast.net.  Participants will receive full access to the site with Member status and will receive on-site benefits as the project moves forward.


Phase 2 will introduce additional interactivity and user-customization to the site.  Following the completion and testing of Phase 2, the magazine, featuring both new and reprint fiction, essays, photo galleries, reviews and more will begin publication.  Readers who are interested in what the magazine will look like can read two Relaunch Prelaunch issues on line, or download them from the Amazing Stories store.  (Additional Amazing Stories themed product is also available here.)


Experimenter Publishing is pleased to introduce the  Amazing Stories Blog Team:


Cenobyte, Mike Brotherton, Ricky L. Brown, Michael A. Burstein,


Catherine Coker, Johne Cook, Paul Cook, Gary Dalkin, Jane Frank,


Jim Freund, Adam Gaffen, Chris Garcia, Chris Gerwel, Tommy Hancock,


Liz Henderson, Samantha Henry, M. D. Jackson, Monique Jacob,


Geoffrey James, J. J. Jones, Peggy Kolm, Justin Landon, Andrew Liptak,


Melissa Lowery, Barry Malzberg, C. E. Martin, Farrell J. McGovern,


Steve Miller, Matt Mitrovich, Aidan Moher, Kevin Murray, Ken Neth,


Astrid Nielsch, D. Nicklin-Dunbar, John Purcell, James Rogers,


Diane Severson, Doug Smith, Lesley Smith, Bill Spangler, Duane Spurlock,


Michael J. Sullivan, G. W. Thomas, Erin Underwood, Stephan Van Velzen,


Cynthia Ward, Michael Webb, Keith West, John M. Whalen, Ann Wilkes,


Karlo Yeager, Leah Zeldez


BACKGROUND:


Originally published in 1926 by the father of science fiction, Hugo Gernsback, Amazing Stories helped to launch both the science fiction genre and its most enduring feature, science fiction fandom.  The magazine is well known for its Frank R. Paul covers and for publishing the first stories by many iconic authors such as Isaac Asimov, Jack Williamson and Ursula Le Guin.  Published continuously from 1926 until 1995, followed by two brief resurrections from 1998 till 2000 and again from 2004 thru 2005.  In 2008 Hasbro, the then current owner, allowed the trademarks to lapse and publisher Steve Davidson applied for and eventually received them in 2011.


Additional history and background on Amazing Stories can be found at the Science Fiction Encyclopediaand Wikipedia.  A complete gallery of all 609 previous issues with publication history is also available.


The Experimenter Publishing Company was created in 2012 for the purpose of returning Amazing Stories magazine to regular publication.  The company  shares the name of the original magazine’s publisher as homage.  The trademarks for Amazing Stories were acquired by Steve Davidson in 2011,  the previous owners having allowed the marks to lapse in 2008, at which time application was made for a new incarnation of the same title.


CONTACT:


For more information regarding Amazing Stories, the Blog Team and the Beta Test of the new site, please contact Steve Davidson via email at steve.davidson33@comcast.net


To contact one of the Blog Team:


Tommy Hancock http://www.allpulp.blogspot.com, http://www.prosepulp.com, http://www.ideaslikebullets.blogspot.com

J. Jay Jones

Barry Malzberg

Farrell J. McGovern http://www.can-con.org

Lesley Smith

Bill Spangler

Michael J. Sullivan http://www.riyria.com

Stephan Van Velzen http://www.rantingdragon.com

Karlo Yeager

A Doctor A Day – “The Idiot’s Lantern”

Using the new Doctor Who Limited Edition Gift Set, your noble author will make his way through as much of the modern series as he can before the Christmas episode,The Snowmen.

The Queen’s coronation increased sales of televisions in Britain faster than Howdy Doody did in the US.  But when one store sells sets for less than could possibly be profitable, The Doctor fears they may have an ulterior motive to expose everyone to…

THE IDIOT’S LANTERN
by Mark Gatiss
Directed by Euros Lyn
“Are you sitting comfortably?  Good! They we’ll begin…”

The proprietor of Magpie Electricals is near bankruptcy until a strange new partner offers a way to turn his business around.  With the queen’s Coronation coming up, he suddenly finds a way to make TVs available for the outrageous price of five pounds a pop.  Needless to say, they’re selling like mad.

magpie_electricals__1920_x_1200__by_jarrrp-d4rdljm-300x187-2196629The Doctor and Rose arrive (accidentally, of course – they were aiming for Elvis’ appearance on Ed Sullivan) as sales are skyrocketing.  But at the same time, people are being taken from their homes, under blankets, by people claiming to be police.  Clearly seeing the proverbial Something is Going On, the pair investigate by visiting a family with one of Magpie’s tellys.  The husband is a right boor, controlling the family with an iron hand, but the wife and son are distraught.  Their grandmother has been transformed to a mindless, faceless shell.  Apparently, it’s been happening all over town, and it’s they who the police have been collecting up.

The Doctor finds where the victims have been collected and convinces the Detective Inspector to help solve the mystery as opposed to just cover it up. And Rose confronts Mr. Magpie, only to learn that he’s under the electronic thumb of an energy being called The Wire, who has been draining people of faces and brains via the new TVs.  Alas, she’s shortly in no position to impart this knowledge, as she’s promptly wiped.  When the police find her and bring her in, The Doctor goes cold and scary, vowing that there’ll be no stopping him.

They break into Magpie’s shop and find a number of odd things – a portable television set some three decades ahead of its time, and trapped in the televisions in the shop, the faces, and presumably the minds, of the victims of The Wire, including Rose.  The Wire plans to transfer itself to the portable set and connect up to the transmission station at Alexandra Palace, where it will be able to feed on everyone watching the Coronation.   Can The Doctor stop the plan in time?

Mark Gatiss’ episodes so far have had a very personal feel – large stakes, but ultimately featuring a small cast.  This one has London in the balance, but ultimately it’s about one family, and how the members of the family respond to the horrific changes around them.

The Doctor has had bad experiences on tall broadcast towers; he fell off one to his death, or at least regeneration, in Logopolis.  He’s faced more than a few energy-based foes as well—the Nestene Consciousness, the formless Gelth in The Unquiet Dead, and there was this foe from the Troughton days…oo, showed up twice…can’t seem to summon up its name now, can’t imagine why…

Magpie Electricals makes many more appearances in the series— since Mr. Magpie himself came to an unfortunate end, it’s presumed someone bought the brand name and used its notoriety to turn it into a powerhouse brand for literally centuries to come.  The Magpie brand shows up in all sorts of Earth-based technology up to and including the launch of Starship UK.  There’s been no suggestion there’s anything untoward going with them (tho one can never be sure), it seems more like it’s become a brand like the various products of KrebStar Industries on The Adventures of Pete and Pete, or the various food and cigarette trademarks in Quentin Tarantino’s films.

RANKING THE JAMES BOND FILMS, PART 2: Numbers 13-4

Here I present Part 2 of my rankings of all the Eon-produced James Bond films.  Last time we ranked and examined 23-14.  This time we count down from number 13 to number 4.  Next time we’ll do the top 3.

On with the rankings:

13. Skyfall

O-ver Ra-ted!  I do not understand all the love for this movie.  Sure, it looked great and had some nice action—but so did “Quantum of Solace” and a bunch of the others listed beneath it here.  The plot had gaping holes, the villain succeeds at every single thing he wants to accomplish, the last reel of the film is actually dull, and the time frame for the character is impossible to pin down.  (He’s early in his career!  No, wait!  He’s the aged, grizzled spy, nearly washed up!  No—wait! Etc.)  It gets bogged down in the zillion nods to previous films and everything that happens in the first three-fourths seems clumsily contrived to set up the situation the producers desired at the end.  Not a favorite by any means.
12. Diamonds are Forever

It hasn’t aged well at all, it rehashes previously-used storylines, and parts of it don’t make a lick of sense after repeated viewings.  Even so, while not greater than the sum of its parts, it does contain some fantastic parts.  In particular you have to love the two assassins and the sublime Charles Gray as Blofeld.  And above all we get Connery back for one last go-round in the Eon series.  Dumb but fun.
11. For Your Eyes Only

The other particularly watchable Roger Moore Bond film (besides “Live and Let Die.”)  The bit with him romancing the teen-aged skater is a bit creepy, as he’s starting to show his age by this time.  But the more straight-ahead spy story is a welcome relief after the last few entries.  And the crossbow-wielding leading lady is terrific.
10. Dr. No

Crude—nobody associated with the production had quite found their footing yet—and it looks like it was filmed on a budget of about seventeen dollars.  But it’s undeniably fun, and the DNA for the entire rest of the series is on display here, though it hadn’t quite gelled yet. 
9. Tomorrow Never Dies

I have a soft spot in my heart for this one because it was the second in Pierce Brosnan’s run, and he’s my favorite Bond of all; and because it features the great Michelle Yeoh as a Chinese agent to rival Bond himself.  I would pay good money to watch a movie series or read a book series featuring Yeoh’s solo adventures—or Tiger Tanaka’s.  It’s also fun that the villain is a sort of Ted Turner/Rupert Murdoch mashup.
8. Live and Let Die

The first and best of the Roger Moore run.  The voodoo stuff is genuinely frightening—certainly it was to this kid back in the Seventies!—and the iconic moments like the jazzy Bourbon Street funeral and the rotating bar booth remain pleasant memories.  And Moore was still young enough to seem plausible in the role.
7. Thunderball

The Connery films were starting to seem a bit similar at this point, but the underwater stuff was new at the time and the villain was about as fun as any before him—though setting him on a ship and giving him an eyepatch might have been a bit much.
6. Casino Royale

Daniel Craig exploded onto the screen as one of the best Bonds of all, in one of the absolute best movies.  Parts were confusing to me at first; a lot happens in this movie.  Ultimately, though, it’s dark and intense and so much fun.
5. On Her Majesty’s Secret Service

George Lazenby is underrated, in my view, while the film itself is somewhat overrated by Bond aficionados, in my view.  The whole bit in the allergy clinic in the middle gets a little sillier with repeated viewings, rivaling the worst of Moore’s excesses later on.  But it’s a really good spy story and there’s no denying the power of the ending.
4. Goldeneye

My favorite Bond actor in his best Bond film.  I love nearly everything about this movie.  We’d waited so long for Brosnan to play the part.  When it came out,  it represented a (you’ll pardon the expression) quantum leap forward in the sheer “epic-ness” of the series, back to what they’d been able to achieve (for far less money) in Connery’s heyday.  It sports a supporting cast, including Alan Cummings and Sean Bean, as good as any film in the series.
So there you have my numbers 13-4.  Next time we’ll look at the three best James Bond films of all, in my estimation.
Be sure to visit www.whiterocketbooks.com to listen to our James Bond podcast episode (or find it on iTunes) and also to check out the many great books we have available.  See you next time!