Category: News

‘Baldo’ Invites ‘El Muerto’ to Day of the Dead Festivities

Starting October 27, Baldo will crossover with Javier Hernandez’s El Muerto for a week long event celebrating the Day of the Dead.

Baldo, a strip from Hector Cantu and Carlos Castellanos, features a Latin American middle class family living in America. The title character is a teenager who goes to school and works part-time at an auto parts store. He’s tormented by his brilliant activist younger sister and counseled by his loving father and grandmother.

Hernandez created El Muerto in 1998 and it features Diego de la Muerte, “who, while on his way to a Dia de los Muertos festival, is abducted by Aztec gods only to return to Earth a year later with supernatural powers.” Hernandez published the comic book erratically through the last decade only to suspend print in 2003 and has promised a digital incarnation. It ahs a devoted following and was featured in an award winning independent film starring Wilmer Valderrama.

According to Editor & Publisher, this is the third time Baldo, distributed to 225 papers across America, has featured a Latin American comic book character.  In 2005, the strip was visited by Richard Dominguez’s El Gato Negro, another independent comic book. Lela Lee’s Angry Little Girls! paid a visit the following year.

"The Day of the Dead is a special holiday for lots of Latinos and we thought this was a unique way for Baldo and his family to pray for and remember a special loved one in their lives," Cantu said.
 

‘New Moon’ Rises at Summit

The always entertaining Nikki Finke at Deadline Hollywood reports the unsurprising news that Summit Entertainment is already readying the sequel to Twilight.  New Moon is the second book in the quartet of Stephenie Meyer novels and introduces Jacob Black the werewolf heartthrob to complicate Bella Swan’s life.

Finke goes on to note that the unreleased soundtrack album is among the Top 5 Best-Selling Albums on Amazon and Borders’ exclusive 2009 calendar sold out its first printing in days. None of this is a surprise given the book series’ sales alone plus the reaction among the teenyboppers and their moms at Comic-Con International this summer.  Clearly, this is one hot property, the kind of phenomenon usually reserved for Elvis or boy wizards (and Twilight opens November 21, taking the spot vacated by that same boy).

She goes on to report that the film may have cost a bargain at $37 million and even if they spend an additional $30 million on promotion, it’s all at bargain prices compared with other Hollywood productions such as the $180 million spent on The Dark Knight’s production alone.  Clearly, the film will bring in oodles of cash to Summit, allowing them to fund the second film (and third and fourth) in addition to new productions.
 

Rossio, Spotnitz Blog Their Reactions

Blogs can be revealing as creators tend to sound off when executives to tell the press one thing or another.  Take for example; Pirates of the Caribbean co-scribe Terry Rossio.  After all the hubbub at Disney’s recent press announcement about a fourth installment, he posted the other day:

“For the record, none of the recent Pirates 4 rumors have any truth, including the so-called record 50 million dollar payday for Depp.

“Some pretty funny stuff, though. Sacha Cohen? Tim Burton? Studios are way too protective of their franchises for that sort of thing.”

And now that Tom Rothman, head of 20th-Century Fox, has said he’s actually open to a third X-Files feature, despite the poor reaction to this summer’s movie, producer Frank Spotnitz was inundated with links from fans, wanting a reaction.

His response to the fans: “I was encouraged to read Tom Rothman’s remarks as well. I anticipated the studio would wait until after the release of the DVD to make any decision regarding a third movie, but I will let you know if we end up having any news before then.”
 

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ComicMix Radio: Peter David And His Stuff

image44679-5055410The world of The Dark Tower isn’t the only location where Peter David leaves his mark. The Writer Of Stuff shares some insight on his Fallen Angel series, how The Skrulls ended up in She Hulk before Secret Invasion and why a Babylon 5 comic might not work, plus:

  • That other famous TV theme written by Neil Hefti
  • Wizard World Texas has game
  • Ready for Mad Men Jeopardy?

Get on with it and Press the Button!

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-6738505 or RSS!

 

A Noir Puppet Movie?

angel puppetIn an act that almost feels like it should have the name "Joss Whedon" attached to it, the Jim Henson Company has announced the development of a new film project called The Happytime Murders. This original film noir murder mystery will fall under the company’s Henson Alternative banner, a division that develops projects not intended for children (such as Puppet Up! and Tinseltown). From writer Todd Berger:

"In a world where humans and puppets live together (not exactly in harmony), the puppet cast of an ’80s children’s TV show called The Happytime Gang begins to get muderered one by one. It’s then up to a disgraced puppet LAPD detective turned private eye to take the case. Based on a story Dee Austin Robertson and Todd Berger, the original feature film will feature the well-known Henson style of irreverence and parody while presenting a unique twist on the film noir genre. Todd Berger (Kung Fu Panda: Secrets of the Furious Five) has penned the screenplay and Brian Henson (of Muppet fame) is attached to direct."

The plot is said to be a mix between Pulp Fiction and Avenue Q with a plethora of sex, violence, and outrageous puppet-humor. The plot may also seem a bit familiar to fans of the TV series Angel from a episode in season five titled "Smile Time" in which Angel becomes a puppet after investigating a series of murders that take place on a children’s show of the same name (not to be confused with "Happytime"). We’ll be sure to keep you updated on the film as more details develop.

‘Sleeper’ Scribe Signed

Newcomer Brad Ingelsby has been hired by Warner Bros. to adapt WildStorm’s Sleeper into a feature film. Ed Brubaker and Sean Phillips’ short-lived sf/crime comic lasted two 12-part maxiseries and was somewhat tied to the greater WildStorm continuity.  In fact, the first maxiseries ended and spun events into the Coup D’Etat crossover event.

Ingelsby sold his first screenplay, Low Dweller, to Relativity Media just this March. They then hired Ridley Scott to direct and cast Leonardo DiCaprio to star which, if the cameras actually roll, will bring the scribe a cool million dollar payday.

Sleeper is about Holden Carver, nicknamed The Conductor, who is fused with an alien artifact that makes Carver impervious to pain. Instead, he can store the pain and transfer it to others, a rather nifty skill. He is then sent undercover to infiltrate a criminal organization. When his contact (in the comics, Tao’s John Lynch) is killed, Carver is left with no allies.

According to Variety, the film adaptation, without continuity ties, will be produced by the very busy Sam Raimi with Star Road Entertainment partner Josh Donen.

Brubaker and Phillips enjoyed working so much together that they now produce Criminal for Marvel’s Icon imprint.

Marvel Adds Six Exclusive Digital Comics

Marvel has increased its original online content today, announcing six new initiatives with the first of these titles debuting next Wednesday. Once they are on all online, fans can expect three or more web-exclusive stories each Wednesday.

The details, according to a press release:

Marvels Channel: MONSTERS, MYTHS and MARVELS
Coming up on Marvels Channel: MONSTERS, MYTHS and MARVELS: Galactus… devourer of worlds… embodiment of a cosmos… oldest being in the universe… totally made up? Join reporter Gordon Allsworth as he ventures to expose the lies and unearth the truth about the foremost foe of the Fantastic Four. Prepare for your world to be turned upside-down as experts de-bunk Galactus and explore the financial motivations for creating such a being. With limited (fake) commercial interruption, from writer Frank Tieri and artist Juan Santacruz

Halloween Special Issue
Frankenstein might be one of the most misunderstood monsters out there… so it’s just his luck when an overprotective mother temporarily blinds him, thinking he was attacking her daughter. Fortunately, Frankenstein stumbles into Jack Russell, a.k.a. Werewolf-by-Night, a friend who understands Frank’s plight. That is, until the full moon comes out… Make sure you sign-on for this special Halloween Monster Mash, from writer/artist Dean Haspiel!

American Eagle: Just a Little Old-Fashioned Justice
Leaping out of the pages of Thunderbolts, Jason Strongbow aka American Eagle, tribal leader and former super hero, keeps the peace throughout Navajo lands. So when a super villain on the run crosses onto the rez, pursued by one of Tony Stark’s Initiative teams, Strongbow must give them all a hard lesson in down-home justice in a story from red hot scribe Jason Aaron and superstar artist Richard Isanove!

FIN FANG FOUR
There was a time when giants walked the Earth! Monstrous creatures! Products of science gone MAD!!! But what happens when some of these terrible titans try to play nice?  Find out as Googam, Elektro, Gorgilla and the purple-pantsed Fin Fang Foom himself do the unthinkable and become functioning members of society. Well, not TOO functional…creators Scott Gray and Roger Langridge welcome back Marvel’s favorite enfants terribles in five gut-busting stories sure to unleash the Marvel Monster within!

Kid Colt
Tom DeFalco saddles up for a four-part western adventure featuring the classic Marvel western hero. Wanted by the law for killing a man in cold blood, Kid Colt thunders through the Wild West with guns blazing while trying to prove his innocence.

Amazing Spider-Man
Peter Parker’s life is very involved and even with three issues a month, there’s just not enough time to touch on everything or everyone. So to help solve that, Spidey Brain Trustee Bob Gale brings you an ongoing collection of stories taking place within and around current Spidey continuity, exploring his supporting cast and missed adventures. A lot can happen to a web-head in any given day…And it’s time you found out what’s missing!
 

Bonds Bests Batman Where it Counts

James Bond and Batman may rival one another for who has the best gadgets, but the British espionage agent bests the Caped Crusader where it really counts.  In the current issue of Condé Nast Portfolio, on sale today, an article calculates how much the franchise has earned since its inception. Ian Fleming’s literary creation has generated $13.8 billion in business from the first novel through the most recent film, Casino Royale. His next film, November’s Quantum of Solace, will only add to those numbers.

The article breaks down the categories and estimates that the original 14 Fleming books in addition to the 30 authorized sequels and related titles have brought in a cool $1 billion on their own.  The article notes that Sebastian Faulks’ novel, Devil May Care, released earlier this year became the fastest selling hardcover fiction title in Penguin’s history despite poor reviews. The appetite for Bond fiction remains large.

The film series, from Albert Broccoli and his heirs, began in 1961 with Sean Connery portraying the spy in Doctor No.  The official 21 films alone have brought in $11.6 billion plus whatever the original Casino Royale and Connery’s return in Never Say Never Again added to the totals.  Home video sales are estimated to have generated $400 million before the Blu-ray releases coming shortly from Fox Home Entertainment.

Bond remains a licensing machine with video games accounting for $812 million alone plus other toys and games in the mix.

The article notes that other huge money machines include Harry Potter, Frodo Baggins, and Batman.
 

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New ‘Star Trek’ Photos Revealed

trekcover-9870447Bones McCoy might not be a magician, but someone at Paramount is casting a spell over the internet as the studio unveils several new photos from the upcoming Star Trek reboot. The photos were divvied out by the company to different Web sites, and are also featured in the recent issue of Entertainment Weekly. The magazine has an exclusive cover depicting James Kirk (Chris Pine) and Mr. Spock (Zachary Quinto), the stars of the upcoming film.

This is the second time this year that Paramount has deliberately distributed production stills online for their movies. Earlier this year, Paramount assigned different character portraits from G.I. Joe to carefully chosen Web sites, including IGN and Latino Review. (more…)

The Man of the day After Tomorrow, by John Ostrander

And every fair from fair sometime declines / By chance or nature’s changing course untrimm’d

Shakespeare, Sonnet 18

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The Superman of today is not the Superman of the Thirties, nor of the Eighties, nor the Superman that will be. At some point the Man of Tomorrow becomes the Man of the Day After Tomorrow. He will evolve and change as he has since his creation. Everything changes, everything evolves. The alternative is death and extinction.

The principal problem (IMO) with the most recent Superman film, Superman Returns, is that director Brian Singer wanted to go back and make the Superman 3 film that he felt should have been made. However, that interpretation of Superman belonged to the era in which the original Christopher Reeve Superman was created. Say what you want about Smallville, it at least re-interpreted Superman as if he had come to Earth recently and was a young man today. Sure, at the start it was a little Superman 90210, but so what? It translated the mythos into something recognizable for our era. In fact, in this its supposedly last season, after losing two of the lead supporting cast members, I think the show has gotten better. It borrows heavily from the comic book mythos that spawned it but has consistently thrown a new spin on that mythos. Superman Returns didn’t.

It’s not just Superman; comics as a medium needs to re-invent itself, to adapt to changing times. I love, honor, and respect the comic book retailers but they are in hard times and its going to get harder. Comics are a niche market and the retailers are part of that niche.  There’s x amount of fans buying the books and they have y amount of cash to spend on them. DC and Marvel play the same games from the Eighties with continuity heavy crossovers and attempts to crowd one another off the shelves. None of this grows the market.

One of the things I like about ComicMix and other sites like it is that we are where the eyeballs are, where the future of comics is going to lie – here on the Internet. This is where you can grow the market. It’s cheaper to produce stories on the Internet – no cost for printing or shipping, no distribution or retailer percentages – and you can still package the material for trade paperbacks which is where the real money is in comics anyway. Most of all, it has the potential to reach people who don’t go to comic book stores.

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