The Mix : What are people talking about today?
THE SKINVESTIGATOR RETURNS IN SUNBURN!
FOR IMMEDIATE RELEASE
(June 20, 2012 – Melbourne, FL) Press release: Final Book of The Skinvestigator Trilogy coming this July.
The third and final volume of the popular Skinvestigator series is coming out this Summer. Author Terry Cronin has published each novel on a yearly basis in preparation for pre-release at the famous San Diego Comic-Con. 3 Boys Productions will release the eagerly awaited final installment The Skinvestigator: Sunburn on July 31st, 2012.
As the finale to Cronin’s Sunshine State Trilogy, The Skinvestigator: Sunburn is not content to merely match the adrenaline-charged pace of his first two novels The Skinvestigator: Tramp Stamp and The Skinvestigator: Rash Guard. Instead, it explodes with a roaring storyline that blows the doors off the series and proclaims that the very best has been saved for last. Dermatologist Harry Poe is in trouble. He’s been abducted by Venezuelan thugs from his past and is poorly prepared for their increasing level of violence. Sexy tattoos, illicit cosmetic surgery, and espionage round out the exhilarating conclusion to the Sunshine State Trilogy and may just mark the end of the career of The Skinvestigator . The dermatologist detective series is currently available at Barnes and Noble and on Amazon.com
Terry Cronin created the critically-acclaimed horror adventure series Students of the Unusual and has been a long-term advocate for independent filmmaking co-founding the Melbourne Independent Filmmakers Festival. Fans can follow him on Facebook and Twitter. Readers can also visit his Skinvestigator fan page on Facebook.
Table Talk: In the Wake of the Rook…
| Cover Art: Bob Hall |
Welcome back to Table Talk, a (wanna-be) weekly column where New Pulp authors Barry Reese, Bobby Nash and Mike Bullock babble on about whatever ricochets through their speakeasy. This week, the guys are still inhaling the euphoric fumes of rarified air that is the success of Tales of the Rook, the most recent release from Pro Se Press and Reese Unlimited. For those who have been on the lamb from all things New Pulp, Tales of the Rook has planted its flag squarely on the NewPulp best seller list since it debuted last month. If you havenâÂÂt read it yet, grab a copy and enjoy.
We now return you to your regularly scheduled gibber-gabber, already in progress at www.newpulpfiction.com.
Direct link: http://www.newpulpfiction.com/2012/06/table-talk-in-wake-of-rook.html
Follow the Table Talk Trio on Twitter @BarryReesePulp @BobbyNash @MikeABullock and Facebook.
First Look at Monsters University
We’re exactly a year away from its release, but Disney is wisely beginning to tease next June’s Monsters University with the opening of Brave on Friday. The sequel to the successful Monsters Inc. will once more feature vocal work from Billy Crystal and John Goodman, joined by Steve Buscemi, Dave Foley, Julia Sweeney, Joel Murray, and Peter Sohn. The Pixar production is being directed by Dan Scanlon.
Mike Wazowski and James P. Sullivan are an inseparable pair, but that wasn’t always the case. From the moment these two mismatched monsters met they couldn’t stand each other. “Monsters University” unlocks the door to how Mike and Sulley overcame their differences and became the best of friends.
Screaming with laughter and fun, Monsters University is directed by Dan Scanlon (Cars, Mater and the Ghostlight, Tracy) and produced by Kori Rae (Up, The Incredibles, Monsters, Inc.). The film opens in U.S. theaters on June 21, 2013, and will be shown in Disney Digital 3D™ in select theaters.
Notes:
- Monsters, Inc., originally released on November 2, 2001, was nominated for four Oscars®: Best Animated Feature Film, Best Original Score, Best Sound Editing and Best Original Song—“If I Didn’t Have You,” for which it won.
- Monsters University will hit U.S. theaters nearly 12 years after the Monsters, Inc. theatrical debut.
Yahoo and Liquid Comics set to publish motion comics
I wonder if this will move Yahoo’s stock price. From the AP:
Yahoo said Wednesday it is expanding its original offerings, partnering with Liquid Comics to offer motion-comics. The two companies said they’ll make the first two titles — created by film directors Barry Sonnenfeld and Guy Ritchie — available online later this summer through Yahoo! Screen.
Motion comics blend elements of comic book art and animation, offering some movement and action but on a limited scale. It’s gained ground and popularity in recent years as publishers big and small experiment with the medium, which can viewed online or on devices like tablets and iPads.
“This is compelling content from great storytellers, and we are excited to be adding Liquid Comics to our robust slate of premium content partners,” said Erin McPherson, vice president and head of video for Yahoo.
By partnering with Liquid Comics and focusing on animation, she said Yahoo is enhancing its premium original content.
Together with Tom Hanks’ new animated Web series, “Electric City,” ”motion comics are the start of a unique animated offering on Yahoo,” McPherson said.
Sonnenfeld’s offering is “Dinosaurs vs. Aliens.” The director of the “Men In Black” films tells the story of aliens invading earth in prehistoric times only to face off against dinosaurs.
Ritchie, whose films include “Lock, Stock and Two Smoking Barrels” and the recent “Sherlock Holmes,” will have his “Gamekeeper” transformed into a motion-comic written by Andy Diggle. It focuses on groundskeeper whose life is turned upside down by mercenaries.
Sharad Devarajan, CEO of Liquid Comics, said the titles, along with plans for more, will help expand the reach of graphic novels and comics.
“Yahoo’s impressive global reach will greatly enhance Liquid’s goal of pushing the boundaries of comic books through digital platforms and technology and enabling our creative partners to share their stories with audiences worldwide,” he said.
via Yahoo, Liquid set to publish motion comics – Yahoo! News.
Just to refresh your memory: Liquid Comics is what’s left of the former Virgin Comics line, a joint venture between Richard Branson and Deepak Chopra, which originally published Gamekeeper.
Mike Gold: Where’s Our Next Buck Coming From?
There was a time when if you were reading comics as an adult, it was generally assumed you were too stupid to understand real literature. Many of us wouldn’t read comics in public venues for this very reason.
Not me; I couldn’t care less. When it first came out, I even read Hustler Magazine on Chicago’s vaunted “L” trains. But many of my friends felt that way, and that’s why Phil Seuling’s early New York Comicons were so liberating. In the late 1960s there would be less than one thousand of us talking to one another in an elegant Manhattan hotel ballroom, and each and every one of us were awestruck by the fact that there were so many of us.
As we became the first generation since Fredric Wertham torched the medium to get into the business, we used this feeling of isolation from society to promote the level of storytelling. Comics became more character-driven and less Pow! Biff! Bam!. Before long adult fans would be able to point to a more mature level of story and art. We believed our medium was becoming sophisticated.
In retrospect, I take issue with that. We’re telling stories about people with ludicrous abilities who dress up in fantastic, gaudy costumes to either commit or fight crime and/or evil (to borrow from Dick Orkin’s Chickenman). There’s a limit to that “sophisticated” brand that we were too proud to notice.
Popular culture works like a snowball atop a mountain: by the time you hit ground level, that snowball has grown to a boulder the size of Colorado. Grim and gritty – a term I came up with to help sell GrimJack – became dark and disgusting. Heroes became as ugly on the inside as the villains were on the outside. We evolved to excess.
Before long the American comic book medium, still overwhelmed by heroic fantasy, had driven out all the stories that work for the younger audience while limiting the older audience to a steady diet of redundancy. It is possible to create a story that works for 12 year-olds (and their precocious younger siblings) as well as for 24 year-olds, 36 year-olds, and even 61 year-olds. Off the top of bald pate, I can think of a few writers who did just that, and did so brilliantly: Steve Englehart, Marv Wolfman, Len Wein, Steve Gerber, Louise Simonson, Archie Goodwin, and our own Denny O’Neil… to, indeed, name but a very few.
All too-many comic book store owners became the villains of their own childhood: “Hey, kid, this ain’t a library!” Driven by admonitions from certain of the larger comics distributors in the 1980s, kids were perceived as not having enough money to be worthwhile customers. They took too much time making their purchases. They didn’t know what they wanted. They couldn’t engage in a conversation about who stole what from whom when it came to The X-Men and The Doom Patrol.
Kids were shooed out of comic book shops, and publishers – again, at the insistence of certain comics distributors – pulled away from producing comics that were marketed towards the younger audience. Instead we started cranking out a steady diet of R-rated superhero comics, many of which were quite good and worthy of publication. But they became the snowball that ate the comic book shops.
I always thought this was a mistake, and I thought so for one simple reason: if you chase away today’s 12 year-olds, who’s going to be your customer or reader in five or ten years?
Today, we have a small fraction of the number of brick-and-mortar comic book shops we had just one generation ago. Go figure.
But, today, it appears we’re beginning to see some drift towards retro-expansion. More on this next week.
THURSDAY: Dennis O’Neil
Gerry Giovinco: What If?
Does it infuriate you to hear about comic book creators, especially the aged ones, struggling to get by financially, without health benefits, and working menial jobs because they can no longer find work in the comics industry while their creations or characters whose legacy theyâve passionately contributed to continue to rake in grotesquely monolithic profits for the corporations that currently own the copyrights and trademarks to them? Donât you think that anyone should be upset about this, except maybe the soulless, money grubbing powers of the corporate world that have driven the globe into economic crisis?
Surely, the average person gets it. You know, the dreaded 99% who feel that we have to live with our hand out just to get by, constantly in debt so that we can live co-dependant on the new staples of life like TVs, cars, computers, and cell phones, not to mention upsized happy meals that make our asses so fat we need therapy because we no longer fit the impossibly ideal image of the perfect body that has been created by the same bastards that sold us the 64 ounce Big Gulp. Ahem.. Maybe people donât get it because it has to do with the arts. The efforts of creative types, with the exception of those few that rise to the top of the heap and rake in the big bucks, are rarely understood. People expect that the arts are practiced by those that do what they do because they love it, itâs fun, and itâs not really work. This  thinking perpetuates the romantic ideal of the so-called âstarving artist.â This is true wether it is painting, music, dance, theater, literature, film or comics. The creative community, however, understands that though we all appreciate that our work is a âlabor of love,â it is also a lot of hard work that requires great dedication, sacrifice and expense. This work, no matter how much we may enjoy it, has value, especially when it is making gobs of money for somebody else.
So, when I see comic artists struggling and am completely stymied when one canât even expect a decent burial because of his poverty, it is probably only other artists that I can expect to fully appreciate the knot in my gut. This is why I am wondering where all the support for comic artists is when it comes to the ethical injustice of no compensation for work that was created under the auspices âwork-for-hireâ at a time when no one could have anticipated the economic power of modern media. Where is the support from other artists, other entertainment fields and their unions, especially those who are benefitting most from adapting comics to other mediums, like film. So I ask. What if the Screen Actors Guild, the Directors Guild of America, and the Writers Guild of America came to the defense of comic creators who have never successfully unionized and, as they do for themselves, show a force of solidarity for the people that created the source material that is creating extremely lucrative jobs for their members? What if the long list of prominent actors that portrayed characters from comic books in films took a stand to support those creators? What if the âAâ list writers and directors showed some moral scruples and held a higher ground? I understand that it would be impossible to to fully effect every comic creator that may have participated in making the comic book characters that have become stars on the silver screen the cultural icons that they are today. I also understand that the rights to ownership of these characters are legally embroiled by the federal copyright laws that were lobbied successfully by the big corporations. None of that, however, justifies letting some of these talented creators struggle in abject poverty, living hungry on the streets with no healthcare, doomed to be buried in an unmarked pauperâs grave while others, including other artists, get rich off the fruits of their creations.
The comic industry does not have a union but it does have advocates. The Comic Book Legal Defense Fund and The Heroes Initiative are two organizations that have been formed to offer services to protect comic creators. Both organizations could benefit greatly if they were to receive generous donations from those that are currently benefitting the most from the success of comic book characters in film and related merchandise.
It has been reported that âSince its inception, The Hero Initiative (Formerly known as A.C.T.O.R., A Commitment To Our Roots) has had the good fortune to grant over $500,000 to over 50 comic book veterans who have paved the way for those in the industry today.â In contrast, if we were to signal out just Robert Downy, Jr. who is reported to have made $50,000,000 off of his role as Iron Man in the Avengers film and ask him to donate a mere one tenth of a percent of that salary to The Hero Initiative, he would match every penny they have ever spent to support comic creators in need. These stars are a generous lot and, in fact, need to be philanthropists just to write off their taxes. Robert Downy, Jr., himself supports, Clothes Off Our Back, Midnight Mission, and Orca Network. Why wouldnât he support some struggling comic artists that created the opportunity for him to make his millions?
What if every actor, writer, and director, especially those that reaped the mother load reached out to support these two organizations that protect struggling comic creators? It wouldnât make certain creators as rich as they could be if the industry was fair, but it would guarantee that comic artists who dedicated their lives to their art and our enjoyment could be a little more secure and might not die penniless like so many before them.
What if everyone reading this blog took it upon themselves to pursue this campaign and contact their favorite actor from a comic book film requesting their aid? What if we all made a difference?
And now, another added bonus! Those of you that are huge fans of Chris Kalnickâs NON the Existential Extraterrestrial and Depth Charge both featured here at CO2 Comics will be thrilled to find out that our old buddy NON is back in a new installment titled âA Sensory Neuronâs Quandary.â The feature begins today and will be updated every Sunday. Mr. Kalnick will be sure to have you all questioning the true âmeaning of life.â
The Point Radio: School Is Out But The Spirits Are In
Tomorrow night (9pm ET) SyFy premieres SCHOOL SPIRITS, a new reality based series from the creators of CELEBRITY GHOST STORIES and Mark Burnett Productions. They go inside high schools and colleges where paranormal activities are noted – and we get to tag along. right here. Plus an apology to President Bush from “The King” and TMNT gets shelved.
The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.
Emily S. Whitten: Ask Deadpool, Because You Just Won’t Get These Answers Anywhere Else
Hey everyone! Emily here, and all ready for a great Tuesday column! Today I’m going to be talking about cosplay. I read an article a little while ago, about why women cosplay, and whether they –
Why women cosplay? Well ain’t it obvious? So they can look smokin’ like Lady Deadpool an’ stuff.
Um, Deadpool? What are you doing here?
Dontchya remember? You promised me I c’d take out my backlog’a Twitter questions by answerin’ ‘em on yer column this week!
…I did, didn’t I? Well crap. I had this whole great column about women and cosplay ready to go! Are you sure you don’t want to come back next week??
Em, I love ya, but GTFO.
*siiiiigh* It’s all yours, man.
RIGHT. Well now. Since we ain’t been properly introduced yet, ‘sup, people’a ComicMix. My name’s Deadpool, an’ I come in peace.
[Well we all know that’s a big fat lie.]
[Shaddup.]
Okay, maybe I come in peace an’ a little bit’a mayhem. Guess it kinda depends on my mood what you’ll get, an’ th’ way my brain works, who c’n predict? But right now, I’m feelin’ all mellow an’ $#!% ‘cause I just ate ten chimichangas, five enchiladas, an’ a chalupa. Also a coupla churros. You ever had a churro? Man, I c’d eat those things all d –
[FOCUS, MAN.]
All right, alright. So, yeah. All fulla food an’ mellow an’ happy an’ ready ta clear up some’a those burnin’ questions people are always askin’ me ‘cause they know I’m th’ world-wide expert on everythin’ on Earth, ever. Also a pretty good consultant fer death an’ th’ afterlife an’ life in other galaxies. Also I play a mean game’a shuffleboard.
[WILL YOU GET ON WITH IT ALREADY??]
So now that ya know why we’re all here, let’s get on with it, eh?
[I get ta say “Eh?” ‘cause I’m Canadian.]
[So you say.]
Ah-hem. On ta all th’ burnin’ questions, is what I say!
…
…But no questions about burnin’ as it relates ta you, yer pants, an’ that donkey ya met last week, ‘kay? Last time I got one’a those kinda questions I couldn’ sleep right fer a week fer all th’ nightmares. They got other people fer those questions, capeesh? I’m a merc, not a doc!
So, yeah, let’s see here…last month’s laundry…IOU from Cable after he borrowed my WD-40; man, that’s old, I bet I c’d collect some killer int’rest on that…souvenir slice of Agent X’s pancreas (he never missed it!)…ah! Twitter questions!
Oh, hey. This one just came in, from @foresthouse.
Emily says: Wade!! Don’t forget to post the comic that @MarcVuletich and I did in your Tuesday @ComicMix column!
Crap! I almost forgot, didn’ I? Stupid shimmyin’ brain cells. Emily said I c’d only answer questions here if I remembered ta post the latest comic she an’ Marc Vuletich did. I let ‘em hang around th’ office sometimes ta chronicle my amazin’ life. Here’s what happened last week…
…Not my proudest moment. And now, on ta th’ rest’a th’ internets:
@Gohanguy22 asks: “Who would win in a fight? Justin Bieber or Aquaman”
Ah, geez, another one’a these “who would win” questions where th’ answer is just so obvious I don’ know why there’s even a question. I mean, here we got Justin Bieber, The Dude Formerly Known As A Hairstyle, who’s basic’lly recycled pop songs, a few dance moves, an’ a big cheesy grin; versus Aquaman, th’ freakin’ king of Atlantis, who c’n like, breathe underwater, make sea creatures dance th’ merengue if he wants ‘em to, an’ punch through submarines. Also th’ dude c’n swim up Niagara Falls.
So, obviously, th’ answer is: Justin Bieber. ‘Cause even though Aquaman c’d snap that little feeb’s neck like a tiny piece’a coral or drown him in three feet’a water or have him eaten by piranhas no problem, ev’rybody knows th’ King of Atlantis’d be too dignified ta bother fightin’ or drownin’ somethin’ that silly an’ inconsequential.
Also, what’s th’ point? Ya get rid’a Bieber, an’ ya just know there’ll be another Bieber along ta replace him soon enough. They got, like, a factory somewhere or somethin’.
@Flobberknocker wants ta know: “you versus 100 chimichangas. Who wins?”
Well obviously th’ first round goes ta me. I’d be eliminatin’ th’ competition left, right, an’ center. Hooverin’ up those chimichangas like it ain’t no thang. Knockin’ ‘em down an’ goin’ in fer th’ kill while they cried fer their wussy mommy chimichangas. Then, sure, I might haveta stop fer a few, ‘cause 100 chimichangas is a lot of chimichangas. So yeah, I’d take a breath, get someone ta mop my brow an’ squirt water in th’ general direction’a my mouth, maybe tell some people passin’ by ‘bout how I was eatin’ 100 chimichangas (okay, I’d tell everybody passin’ by, but just ‘cause “chimichanga” is fun ta say, it’s not like I like ta brag or nothin’).
But hey, then I’d be right back in th’ ring, ‘cause ya know, I’m like th’ Chimichanga Terminator, lookin’ those tasty deep-fried burritos in th’ eye an’ bein’ all: I’ll be back. An’ they’d be quakin’ in their little guacamole-covered boots, cryin’ tiny sour cream tears, ‘cause ya gotta know chimichangas are cowardly little things; ya’d almost feel sorry fer ‘em in this scenario ‘cept they’re just so damn delicious! So yeah, th’ second round would be mine, all mine! An’ before ya know it they’d all be gone an’ I’d be sittin’ all fat an’ happy in my easy chair with a smile on my face an’ th’ Golden Girls marathon on TV. Challenge accepted; mission accomplished.
…But hey. I ain’t gonna lie. This is Mexican food, here. We all know who wins round three.
@Kingvilehelm inquires: “If you had a baby would you train it all Kill Bill style or let it have a normal childhood”
A baby? A cutesy-wootsey itty-bitty widdle baaaaabyyyy?? …Ah, who’re we kiddin’, is there anyone, anywhere in this world or any’a all th’ ridiculously large collections’a alternate Marvel universes out there who would leave me alone with a baby long enough ta raise it?
[Unless it was baby Cable! You looked after him for awhile, don’t forget.]
[Yeah, and then when Cable got to his teen years he took him to Intercourse, PA in hopes it would live up to its name, remember?]
[Fair point.]
Yeah, pretty sure th’ whole’a th’ Marvel multiverse’d frown on me bein’ allowed ta raise a baby, not that I’d know what ta do with it if I did get one – I mean, I know there’s somethin’ involvin’ diaper-changin’ an’ all that, but I ain’t touchin’ that $#!% with a ten-foot pole (all puns intended)! That’s def’nitely someone else’s problem.
But…maybe…someone in another universe’d be interested in improvin’ th’ shallow end’a th’ gene pool with ol’ Wade, eh? Hmm...I wonder what that’d look like…
@flanaganbennett asks: “Deadpool, what do you think of this bunny?”
OHMIGODSOCUTE!!
…You have found my one weakness, good sir. Yo, verily, I take off my mask ta you.
Well, that’s it fer this week, feebs an’ fans! Come back next week, when Emily tells me she’ll be here with what I’m sure’ll be a super rivetin’ column about costumes an’ stuff. I mean, not nearly as rivetin’ as me answerin’ questions, but hey, we don’ wanna spoil you all, now, do we? Not ta mention Emily just came over ta stand near th’ keyboard an’ she’s kinda tappin’ her foot an’ gesturin’ fer me ta leave an’ I’m not sure if she’s gonna invite me back anytime soon. But…I’m sure she’ll let me near her computer again one’a these days, an’ if she doesn’t, you c’n always come visit me over at Ask Deadpool!
So until next time, chimichanga!
WEDNESDAY MORNING: Mike Gold and those kids…











