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THE KNIGHT WATCHMAN RETURNS WITH A BIG BANG FROM PULP 2.0 PRESS!

Big Bang Comics and Pulp 2.0 Press Announce New Digital-First Comic Strip
Featuring Knight Watchman at C2E2
Veteran Warren and Shazam Award winning writer Steve Skeates on board the
Sunday comic strip-style webcomic with Knight Watchman creator Chris Ecker

At C2E2: Pulp 2.0 Press MPB (Mad Pulp Bastard) Bill Cunningham joined Big Bang co-creator Chris Ecker in announcing a new, color Knight Watchman serialized comic strip story that will feature the storytelling of Shazam Award-winning comic book legend Steve Skeates (The Spectre, Hawk and Dove, Aquaman, Pantha). This new, digital-first weekly comic strip marks the return of not only Skeates, but of the Knight Watchman to eager comic fans.

“Chris has been itching to get back to the drawing board, and continue telling the adventures of the Knight Watchman, Kid Galahad and the rest of the characters who haunt Midway City,” said Cunningham. “While Chris, Gary Carlson and I have had many discussions on taking the Big Bang brand to different media, it was Chris who went out and contacted Steve Skeates and got him on board to do a Sunday “newspaper comic strip” for the web. All the credit belongs to him. I’m just here to make sure it’s realized, and gets into the hands of Big Bang and comic strip fans worldwide.”

“Big Bang Comics has a tradition of working with our veteran comics creators like Marty Nodell, Shelly Moldoff and others. I’m really pleased to have Steve join our ranks and work with him to tell rip-roarin’ adventure stories,” said artist Chris Ecker. “This Sunday newspaper style strip is a new idea for us, but I think it fits in well with the type of stories we want to tell – Golden age stories for kids of all ages. A Sunday strip gives us the chance to reach out to the audience, and let them know what Big Bang and Pulp 2.0 is all about. ”

“I am excited about launching our first digital comic, especially in this strip format which will utilize the “widescreen look” provided by computer and tablet screens, exactly like reading the Sunday Funnies“ said Cunningham. “We’re doing it a bit “old school,” but that’s been part of our tradition from the beginning, bringing the classic “pulp” into tomorrow as quickly and inexpensively as possible so people can enjoy it. Then we’ll collect the color webcomic for print, and add even more value for our readers.”

The weekly comic strip is set to debut in August 2012, to coincide with Pulp 2.0’s release of the first and second volumes of its Big Bang Comics Collection series of books, featuring the classic Knight Watchman comics stories originally published by Image Comics plus bonus features. Artists and writers featured in these stories include: Terry Beatty, Jeff Austin, Jim Brozman, Howard Bender, Randy Buccini, Joe Shannon Denton, Frank Fosco, Paul Frike, Darren Goodhart, John Livesay:, Tony Manginelli: Mike Matthew , Christopher Page, Dan Preece, Ed Quinby, Stuart Sayger, Bill Shelley, Andrew Sheppard, Bob Steve, Frank Squillace, Tim Stiles, Taylor, Ben Torres, John Thompson, Patrick Tuller, Nigel Tully, Shawn Van Briesen, Mike Worley, and Dave Zimmermann.

For more information, or to arrange an interview contact:

Bill Cunningham, MPB

Pulp 2.0 Press

newpulpmedia@gmail.com

323.662.2508

www.pulp2ohpress.com

Facebook: www.facebook.com/pulp2ohpress

Twitter: @madpulpbastard

Aztlan: The Last Sun is now available!

One week till the End of the World!

Hold on, amigo. Before you donate the contents of your bank account to Bart Simpson’s favorite charity, tell your boss where he can stick that twelve-dollar raise he gave you, and go sky-diving off Mount Rushmore–get a grip on yourself!

It’s not really the end of the world. Not the end of the real world, I mean. It’s only the end of the world in Aztlan: The Last Sun, the first in my brand-new series of 21st-century Aztec murder mysteries– available now as an e-book from Amazon.

Imagine if Cortes never conquered Monteczuma. Imagine if the Aztecs expanded their empire from Tierra Del Fuego to Baffin Bay. Imagine if 2012 rolled around and that empire was plagued by a series of grisly murders that recalled the human sacrifices of ancient days?

No need to keep on imagining. It’s all in Aztlan: The Last Sun.

MARTHA THOMASES: To Kill a Mockingbird, Mein Kampf, and Comic Books

thomases-column-art-120413-5511349It’s spring, that magical time of year when the flowers bloom, birds sing, and school libraries publish the list of books most frequently banned or attempted to be banned.

This year’s list is a mixture of new best sellers and timeless classics. You’ve got your Hunger Games, your To Kill a Mockingbird, your Brave New World and your Gossip Girl. There is a guide that explains to kids about what happens to mom when she is pregnant, and the reason it’s listed is because it is “sexually explicit.”

Look, I understand that most school libraries have limited budgets and limited shelf space. They can’t stock every book in the world. Someone has to make decisions about what gets purchased and where it gets shelved.

The problem is who gets to decide.

I’ve been the mother of a first-grader, and if there arose a ridiculously hypothetical situation wherein my six-year old came home with Brave New World, I probably would have a talk with his teacher. I think it is inappropriate (my kid would have just learned his ABCs, so I think Alpha and Beta might be a stretch), but rather than try to get it banned, I would hope to understand what the teacher was thinking. Maybe there is a new pedagogical theory that I don’t understand.

But no one is complaining about Aldous Huxley being taught to first graders.

The idea that someone is objecting to To Kill a Mockingbird because of “racism” is ludicrous. It’s a story about racism, how it affects people of all races in a community. It’s great novel, beautifully written and evocative. It’s also a great opportunity to start a conversation with students – most likely middle school or older – about how our country evolved and is still evolving.

A lot of the books on the list made their places because, according to their critics, they contain “sex,” “violence” or both. Some contain “nudity.” Some have “language.” I have trouble imagining books that don’t have at least a few of those elements. How can you describe human interactions without at least one? How can they teach the Bible (any version) or Shakespeare without them?

Some parents say things like, “I don’t want the schools teaching my child about sex/racism/war. I want to do it myself.” And that’s all well and good. However, one doesn’t teach a child by restricting information. If the school teaches something with which one doesn’t agree, one should use that as an opportunity to demonstrate one’s own position. As a Jewish parent in a predominantly Christian society, this was something I did regularly.

Some parents don’t want their children exposed to any ideas that might influence their kids to think independently. I have to wonder why these people had children. They would be happier with dogs.

Why does this matter to comics fans? Because the people who decide to ban books from school libraries are the same people who think comics are just for kids, and therefore should face the same restrictions they think are appropriate for school libraries. These people are why the American Civil Liberties Union has always included comics as part of their mission, because they remember that the attacks against comics in the 1940s and 1950s were attacks on all of us.

Our democracy can only succeed when all members have access to the marketplace of ideas. That includes Mein Kampf and Heather Has Two Mommies, Twilight and The Catcher in the Rye, Harry Potter and Captain Underpants. It also includes Superman and Spider-Man, Hellboy and Preacher, Fun Home and The Playboy.

SATURDAY: Marc Alan Fishman

 

REVIEW: Shazzan The Complete Series

shazzan-300x300-6417446Growing up in the 1960s, I first heard “Shazam” from the lips of Gomer Pyle, USMC and only later learned it had something to do with a defunct character, Captain Marvel. When I then saw ads in the comics for a Saturday morning series called Shazzan, I was confused, thinking it was somehow connected. Nope, the CBS series created by the great Alex Toth and produced by Hanna-Barbera and had the following narration:

“Inside a cave off the coast of Maine, Chuck (Jerry Dexter) and Nancy (Janet Waldo) find a mysterious chest containing the halves of a strange ring. When joined, the ring forms the word “Shazzan!” and with this magical command, they are transported back to the fabled land of the Arabian Nights. Here they meet their Genie, Shazzan (Barney Phillips). Shazzan presents them with Kaboobie (Don Messick), a magical flying camel. Shazzan will serve them whenever they call, but he cannot return them home until they deliver the ring to its rightful owner. And thus begins their incredible journey.”

Adding an extra “ho” to the Jolly Green Giant’s “ho ho ho”, the 60-foot tall Shazzan was a jovial genie, calling the kids “little masters” and never tired at saving them with regularity. The series ran from September 9, 1967 and ended on Saturday, September 6, 1969 and featured two escapades per thirty minutes and achieved just enough popularity to be repeated as part of countless series in the 1970s and 1980s before finding a home on cable. The complete 36 episode series has been collected for the first time thanks to the tireless folk at Warner Archive.

(more…)

AIRSHIP 27 LAUNCHES TALES FROM THE HANGING MONKEY

Art: Clayton Hinkle

Airship 27 Productions shared with All Pulp a sneak-peek of one of artist Clayton Hinkle’s illustrations for TALES FROM THE HANGING MONKEY, coming in May.

Tales From The Hanging Monkey offers readers daring South Seas island adventures as delivered by some of New Pulp’s best. Join writers Bill Craig, Derrick Ferguson, Josh Reynolds, and Tommy Hancock on a grand pulp adventure.

Coming soon.

For more information on Airship 27 Productions, visit them on-line at http://www.airship27.com/ and http://www.gopulp.info/

POWELL AND CHASE OFFER A GLIMPSE AT THE EARTH’S CORE!

Sequential Pulp shared some in-progress art from Jamie Chase for the upcoming graphic novel of Edgar Rice Burroughs’ classic sci-fi adventure, AT THE EARTH’S CORE. Written by Martin Powell with art by Jamie Chase and authorized by ERB, Inc. Coming soon from Sequential Pulp/Dark Horse Comics.

Slaves of the Sagoths being forced toward a dire fate, as recreated by artist Jamie Chase.
An art-in-progress view of the Mahars’ Death Arena as visualized by Jamie Chase.

A prehistoric princess personified, “Dian the Beautiful”, by artist Jamie Chase

You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/
You can learn more about Dark Horse Comics at http://www.darkhorse.com/

DC Comics July 2012 Solicitations

It’s that time again… okay, it’s a little past that normal time, thanks to the Mix March Madness wrapup, but here are the preview materials for DC Comics releases for July 2012.

What’s on tap this month? More of the Before Watchmen books, with the debut of Ozymandias from Len Wein and Jae Lee, the conclusion of the Court of Owls storyline and crossover in all the Bat-books, and the debut of the done-in-one book, National Comics, featuring the New 52 Debut (coming right at you) of Eternity.

And in the white elephant of desire category, there’s the $300 statue showing the climactic scene from The Dark Knight Returns.

Once more, into the breach? Banzai!

 

As always, spoilers may lurk beyond this point. (more…)

DENNIS O’NEIL: Springtime For Superheroes

oneil-column-art-120412-8125875So how’s the resurrecting going in your neighborhood? Despite a very warm March, it’s pretty much on schedule here in Rockland County. Oh, most of the trees are still barren, but here and there, some of them are getting beleaved; the dogwood in the front yard is growing buds and wow! – the forsythia bush in the back is covered with bright yellow flowers. So fecundity is returning to southern New York and I guess Gaia will make it through another growing season.

I’m thinking of death and resurrection partly because I’m typing this the day after Easter – a real holiday, this, because it acknowledges and celebrates something real and vital, the aforementioned fecundity. The proof, I guess, is that it – the return of the fecund – is reflected in a lot of myth/religion, the area in which we humans often attend to stuff like this. Give a quick Google to Persephone, Osiris, Adonis if you doubt. (Am I leaving a name off that list? An obvious name? Ummmm….) And don’t forget that the word itself – “Easter” – is derived from the name of a pagan goddess of fertility, Eostre.

For a while now, I’ve had an unparsed and maybe dunderheaded notion that the history of comics recapitulates the history of religion (the way ontogeny is supposed to recapitulate phylogeny?) Maybe I’ll someday do something with the idea, maybe not, but for our present purposes I’m happy to remind you that resurrection is not a stranger to comic books, though sometimes it has been more reincarnation than resurrection. I have (he said, thrusting out his chest) personally presided over the demise of Jason Todd, a.k.a. Robin The Second and, editing Marvel’s Daredevil when Frank Miller was doing the title, the very thorough scragging of Elektra and behold! – both characters are back in business, seemingly unharmed by their stays in the afterlife.

Superman is probably comics’ best known resurrectee. His fans know that, in a long, much-crossed-over storyline that appeared in the early 90s, our favorite Man of Steel was put down by the villainous Doomsday and later revived by a visit to the regeneration matrix in his Fortress of Solitude. (Should I have prefaced that last sentence with a spoiler alert? Sorry…)

Superman may be the numero uno returner-to-life in the DC Comics universe, but there are others, including Green Arrow, the Flash, Donna Troy, Elongated Man, Green Lantern…You might want to complete the list yourself.

Across town, in Marvel’s universe, the death of Jean Gray, known as Dark Phoenix, was a big deal in the X-Men saga and generated some pretty a deluge of fan mail from – brace for it! – die hard fans. I’ve already told you about Elektra. Again, the list can undoubtedly be amplified.

There are pros and cons to this reviving the dead and they might be worth a longer discussion. Maybe later. For now…get your nose out of the damn comic book and look out the window. The dogwood’s blooming!

RECOMMENDED READING: The Superman stories mentioned above are available in book collections that your comics shop or online book purveyor will be happy to sell.

FRIDAY: Martha Thomases Takes Us From To Kill a Mockingbird to Mein Kampf

 

US sues Apple and book publishers over e-book prices– are digital comics next?

Uh-oh…

The Justice Department has at last filed an anti-trust complaint in New York against Apple and five publishers over an alleged price fixing conspiracy. The decision to sue comes after weeks of media leaks that suggested the government was trying to pressure the parties into a settlement.

The issue turns on whether five publishers colluded with Apple to implement “agency pricing” in which the publishers set a price and the retailer takes a commission.

<snip>

The heart of the allegations turn on whether Apple acted as the hub of a conspiracy in which the publishers sought to freeze Amazon out of the e-book market unless it changed its pricing structure. Amazon had been using a wholesale model in which it bought books from the publishers and then charged what it liked.

Amazon often sold the e-books below cost in order to build market share and, in doing so, publishers believed it was setting an artificially low floor for prices.

via It’s on — US sues Apple, publishers over e-book prices — paidContent.

The relevant question, of course, is: if agency pricing for e-books is found to be illegal, how long will the same price point hold for digital versions of comic books? Or does it not matter because DC, Marvel, et al are licensing their books to Comixology and Graphicly, which could be construed as a much stronger form of agency?

Needless to say, we’ll be watching this case with great interest.

LANCE STAR: SKY RANGER "ONE SHOT!" FLIES ONTO iTUNES!

The Lance Star: Sky Ranger comic book, “One Shot!” by Bobby Nash and James Burns arrives on Apple’s iTunes store for immediate release at
http://itunes.apple.com/us/book/lance-star-sky-ranger-one/id505101665?mt=11

About Lance Star: Sky Ranger “One Shot!”:
November, 1941. Ace Air Adventurer Lance Star accepts a dangerous mission into an enemy stronghold to stop the Nazi’s from uncovering plans for a weapon long believed destroyed. Lance flies a solo mission to Kiev where he is to plant explosives and destroy a weapons facility when he runs into an old enemy. Now, Lance is faced with a choice. Complete the mission? Or take down the Sky Ranger’s greatest adversary?

He’s only going to get one shot at this. Will he choose the mission or revenge?

Featuring high-flying adventure, aerial dog fights, explosive action, and stunning artwork, Lance Star: Sky Ranger “One Shot!” is pure pulp fun from start to finish.

You can find Lance Star: Sky Ranger “One Shot!” at http://itunes.apple.com/us/book/lance-star-sky-ranger-one/id505101665?mt=11

Lance Star: Sky Ranger “One Shot!” is exactly the sort of high-flying, action-packed air war yarn I really enjoy. It’s fine pulpish fun from start to finish. Bobby Nash and James Burns are aces! –James Reasoner

Clean, straight, refreshing. Really good. How do you go wrong with Nazis, dogfights, revenge, secret weapons? Check it out. –Flint Dille