You know how sometimes you lie in bed late at night, eyes closed, willing your brain to stop humming that stupid pop song, or stop thinking about the errands you forgot to run today, or stop telling you to get up and write down that story you just had an idea for, because by gods you have to get up at 6 a.m. for work and your boss is going to be really super unhappy if you fall asleep at your desk?

Do you have a brain that works like that? A brain that never seems to shut off, and is always reminding you of ideas or tasks or things you need to write down right now or you might forget them and then they’ll be gone forever and wouldn’t that be terrible? Yeah, my brain is just like that; and at least a third of the time those ideas my brain won’t stop having are about comics and pop culture and what I think of them or want to write about them. Luckily (maybe) for you, I’ll now be writing down those ideas here on ComicMix each week for everyone to read. Hurrah!

Hi, by the way. I’m Emily, and I’m happy to be here as the newest ComicMix columnist. I’ve been writing in one form or another since directly after birth. (I believe this to be true even though I have seen no photographic evidence of it. This is because for years my dad mostly took photos on slide film, which requires a special projector to view, and so even though he swears up and down that there are many, many photos of me as a baby I’ve only seen about two, one of which featured me with birthday cake on my face and the other of which featured me dressed as a clown. But if I ever see more I am sure they will be of Baby Me writing very studiously). I’ve also been writing online since 2002, and blogging and tweeting (unofficially) as the Marvel character Deadpool since 2008.

Most recently, a number of webcomics written by me and drawn by artist Marc Vuletich have been featured on pop culture and comics movie news sites Reelzchannel and MTV Splash Page, and the lovely folks at the Tonner Doll Company featured a guest post by me about the awesomeness that is Deadpool.

But even with all that, I still have plenty to say here! For instance, did you ever wonder what Tony Stark or Loki or Black Widow might smell like? Next Tuesday, I’ll be reviewing the Marvel Avengers colognes and perfume that were designed to smell like the Avengers movie characters (and may even give one away to a lucky commenter)! Or perhaps you want to know why Cable & Deadpool was the most dysfunctionally awesome buddy adventure ever? I might just write about that. Did you like the webcomics I linked above? New ones may show up here! The debate about digital comics; a look at comics and merchandise marketing from a woman’s perspective; copyright infringement and legal issues in comics (did I mention I’m an attorney?) – no topic is safe from me! So I hope you’ll click on over each week to see what’s new.

In the interim, show of hands: who’s psyched for The Avengers on Friday? I know I am. In fact, I’m so excited (or perhaps insane) that I’m going to the Ultimate Marvel Marathon on Thursday so I can see all six relevant Marvel movies in a row. Anyone else here doing that? (And what’s in your Marathon Survival Kit?) Are you dressing up for the movie? Doing something else special? Tell me all about it in the comments so we can be excited together!

And don’t forget: I’ll be back next Tuesday, so Servo Lectio!

Well, hey: Excelsior! was taken.

WEDNESDAY MORNING: Mike Gold Can Count To 32!

Today I’ve come up with a brand new superhero and I’m proudly unveiling him right here. ComicMix – meet The Lazy-Man™*

The date of this writing is April 29^th, 2012 and it just so happens to be my birthday. Somehow after working all month on two other book projects a TV project and various other stuff like Comic Con and staying up drinking tequila most of last night, somehow Lazy-Man just came to me!

Wow. What an unexpected yet not unwelcome birthday gift!

I work really hard but last week was such a bitch on my time and gray matter that towards the end of the week I felt overwhelmed and a bit depressed. But somehow at the very depths of those emotions came Lazy-Man!

Who is Lazy-Man?

Why, Lazy-Man is all of us when we have reached a point where we just need to be lazy. I say Lazy-Man is all of us, but on the one in a billion chance that this bullshit idea I made up just because I’m too exhausted to think of something to write about catches on, let me be clear-Lazy Man is me and me alone.

Yes, Lazy-Man is me (if it hits big) you (if it goes nowhere) all of us (me, hits big; us, goes nowhere) and sometime we must embrace our inner Lazy-Man and recharge.

I see Lazy-Man as a six-issue mini-series, which coincidently fits my “must write about comics” criteria for ComicMix.

Lazy-Man’s story is told via his journal entries. The first of such are here as a ComicMix exclusive:

From The Journal Of Lazy-Man

April 29, 2012

Yesterday morning I did not exist. Yesterday afternoon I was not alive. Last night at around 11pm I was born fully formed.

My mother was called Tequila my father’s name was Fatigue. Together they made me. I am Lazy-Man! Beware me! Beware my wrath! Now go! Go before you fall victim of Lazy-Man!!

But-before you go, can you hand me the remote?

*Lazy-Man: trademark & copyright Michael Davis 2012. All Rights Reserved.

TUESDAY AFTERNOON: The Debut of Emily S. Whitten

Anna Torv & John Noble join in our coverage of the recently renewed FRINGE, with some interesting insight on playing duel roles – and speaking of that, Eddie Izzard talks more about his debut as Long John Silver on SyFy‘s TREASURE ISLAND this Saturday and how he seems attracted to unique roles. Plus with AVENGERS Mania days away, the SuperHero Movie News is flying in.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

It’s interesting to watch different interpretations on a given character. Later this summer we’ll see Andrew Garfield as Peter Parker/The Amazing Spider-Man and can compare/contrast it with Tobey Maguire’s version in the previous three Spider-Man movies.

For me, it’s even more interesting when you compare two different versions in two different media. You can do that with Spider-Man or any of a number of different superheroes recently. The upcoming Avengers movie will offer that in spades.

The one I’m focusing on here, however, is the character of U.S. Deputy Marshall Raylan Givens, created by Elmore Leonard in a number of short stories and books, the most recent being Raylan. He’s also the central character on FX’s Justified, which just wound up its third season recently.

For many, Elmore Leonard is the best crime novelist writing today and one of America’s best novelists – period. Lots of his stuff has been adapted to movies, including 3:10 to Yuma, twice, and Get Shorty, which resuscitated John Travolta’s career) He’s not always expressed pleasure with adaptations of his work but he’s pleased with Justified which is as should be seeing that he’s listed among the writers for the series and is among the executive producers.

The character of Raylan Givens is a throwback, a frontier type lawman in the modern world.  He’s not above prompting the bad guy to draw on him, dispensing his own kind of justice in a way that works as justifiable homicide. Hence the title. He cuts it a little too close in Miami and gets sent back to Kentucky from whence he came and to which he’s not real keen to return.

The cowboy imagery is re-enforced by the cowboy hat that Raylan habitually wears. In the books and short story, he wears an open road Stetson hat, flat brimmed, similar (according to Leonard) to the hats worn by the Dallas Police at the time of the shooting of Lee Harvey Oswald. In the TV series, it’s a hand-modified Stetson 4x beaver with a basket weave embossed leather hatband, with a three piece buckle set. Does it make a difference? It does to Elmore Leonard who does not care for the TV version. I’ve seen both hats and, well, Elmore Leonard is wrong. There, I said it. And it underscores what has to happen in adapting what works on the page to what works on the screen, big or little. The hat on Justified is a better visual.

Raylan Givens is laconic, iconic, and charismatic, especially as embodied by Timothy Olyphant for the TV series. Elmore Leonard has a great way with dialogue and the TV series stays true to that. It also keeps true to Leonard’s worldview and sense of character. I read somewhere that the producers of the TV series approach the writing by asking, “What Would Elmore Do?”

In watching the series and reading the prose, it’s interesting to see how plot elements in Raylan were taken and adapted to the series, some more successfully than others. There’s a plot involving illegal harvesting of human kidneys that plays better in the novel than in the series, mainly because on TV it gets squeezed in as a subplot and done in essentially one episode.

On the other hand, the TV series has made changes that were brilliant. Boyd Crowder, played by Walton Goggins, dies at the end of the story Fire In the Hole. The TV series wisely let him survive and change and grow into a truly compelling character. Mags Bennett, played by Margo Martindale who won an Emmy for her portrayal, is new to the series, to the best of my knowledge, although her sons are in Raylan along with their father.

There’s a plot involving a coal company and the woman representing it to the community that it has poisoned and that’s about the same in both the book and the series. Elmore Leonard has used elements and characters that have appeared in the series just as the series has used characters and elements that have appeared in the stories.

It’s apples and oranges, I know, but if I had to pick, which would I prefer – the series or the novel? To be honest, I prefer the TV series. The novel, Raylan, is more like a series of linked short stories; each one has its own climax and then it’s on to the next one but there’s no overall climax. Each season of Justified has worked as an entity of its own and reaches a single climax to end a given season.

Both are worth the investment of your time and together they form a sort of alternate universe take on the main character, Raylan Givens. Same guy but slightly different incarnations. It’s a concept familiar to comic book readers or viewers of Fringe. Ah, Fringe. That’s another column at some point in the future.

MONDAY: Mindy Newell

Seriously, it happened so slowly, I never saw it coming. It’s long been a fact: Marc Alan Fishman is a card carrying member of the DC Nation. But then, something changed. Flashpoint was one epic-crossover-super-event-that-changed-everything too many. With the New 52, I’d made a steadfast rule: In order to conserve money and my sanity, any book that delivered two issues in a row that left me bored or was just terrible I would remove from my pull list.

Like every red-blooded nerd worth his salt, when a book is dropped from my box, I can’t help but seek to replace it with something new. And now that I look across the board, Marvel is now on equal footing, book-for-book with my pull list for DC.

More important, every Marvel book on that list is one that when I see it on the shelf, I get truly excited. Truth be told, I get Blue Beetle, Batgirl, Justice League Dark, Green Lantern Corps, and Resurrection Man – and they are good comics, but none of them excite me anymore. I’m slowly coming to terms with it; New 52 be damned… Make Mine Marvel.

Simply put, right now Marvel is putting out better books than DC. I welcome the flame war and argument from the interwebs. Based solely on the Marvel books I’ve read in the last three-four months, DC pales in comparison in story depth, quality, scope, and clarity. A few examples, you ask?

Take the Fantastic Four. Jonathan Hickman’s run on the title has been compared to Kirby and Lee’s initial run; and said with sincerity. His “War of the Four Cities” multi-year arc was as epic as any DC “Crisis” without the multitude of mini-series. While it did spawn a second book, FF, the grandeur has been well contained. Even better, FF brings the ideology of the family and creates an excuse to explore more of the Baxter Building collective without over-saturation. It’s a riff, not a rip-off. Compare this to the four Green Lantern titles being pumped out at DC and you can see how a little consolidation can really tighten up a title’s overall quality.

How about the newly relaunched Defenders? Matt Fraction’s “vacation” title is a glorious send up to an old and mostly forgotten secondary team… dusted off, polished up, and presented wonderfully in the modern age. While only five issues in, I’ve been nothing but impressed up until now. In fact, Defenders #4 easily tops my list of best comics I’ve read for the year. The year is early, yes, but amongst dozens and dozens of issues, I’ve little doubt it won’t falter from my top ten by years end. It’s a comic not afraid to be written with a smirk… that knows when to be deadly serious, or just go for the nut shot. Something Justice League International tried to do, and fell on its face for attempting.

For those following my reviews on Michael Davis World, you’ll no doubt also note my recent jaunt into Spider-Land with the Amazing Spider-Man title. With the promise of the “Ends of the Earth” storyline being a good jumping on point for new readers, I dove into a title and character I’ve always wanted to read, but never did because of the bad mojo that came with the book. Ask anyone about Spider-Man’s most recent bullet points and I doubt you’ll see a face light up when discussing One More Day, the Other, or even Spider-Island. That being said, the series thus far has been a joyous romp. A Saturday morning cartoon concept with a hidden maturity, that has a perfect balance of comic-book-quirk with well thought out plot development.

And over in Invincible Iron Man? Well, Matt Fraction is proving what a truly potent writer he is by shaking off the grime of the horrendous Fear Itself crossover crud and taking his baby book back to form. His long-winding plot of Mandarin’s careful and calculated destruction of Tony Stark has been a slow burn that’s been a long time coming. And when everything recently came to a head, we got a moment in comics I’ve dreamed of reading since I finished The Watchmen – an arc where the hero loses because he’s been out-matched. It was bold, ballsy, and has me chomping at the bit for more.

All this, and I’ve not even mentioned Daredevil or Ultimate Spider-Man. I’d love to, but well… I’ve not read them yet. But they are high on the list for me to catch up on, the second the next DC book takes a dive in my box. Resurrection Man? I’m looking at you.

Now, of course, Marvel isn’t perfect. Just a few weeks back on my podcast, a lifelong X-Men fan told me he’d literally given on comics all together because of the terrible decline of his favorite mutants. And let’s give credit where credit is due: Fraction and Hickman’s bold pacing is very much in-step with Geoff Johns and Grant Morrison’s work on Green Lantern and Batman over the last 60 or so issues. Anyone who read “Batman R.I.P.” can see what “The War of the Four Cities” or most of the run on Invincible Iron Man is being inspired by (not directly mind you… but certainly in conceptual scope). And DC is not without its own amazing titles. Action Comics, Batman, Animal Man, Swamp Thing, and Green Lantern always float to the top of my reading pile when I pick them up.

This of course leads me to ask the bigger questions. Was the New 52 not powerful enough overall to keep me from being lured away? Is Marvel just in a great rhythm right now? Will X-Men vs. Avengers cause some major crisis to interrupt all the goodness coming out in their top titles? Or with the second wave of new books (Dial H and JSA are both looking mighty fine to me…) hitting shelves soon, will DC reclaim me?

Don’t worry, I’ll let you know.

SUNDAY: John Ostrander Feeds The Chickens