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REVIEW: Astonishing X-Men: Dangerous

Motion comics remain a bizarre hybrid of comic book storytelling and the most limited of animation (reminding one of nothing more than the 1960s Marvel Super-Heroes animation, which was reviled for the longest time. Marvel Comics has been good about exploring every new form of technology and motion comics are included. They launched the line with an adaptation of Joss Whedon and John Cassaday’s Astonishing X-Men run beginning with Gifted. Now, capitalizing on Whedon’s direction of The Avengers, the second arc, Dangerous (issues 7-12), has been released on DVD by Shout! Factory.

The stripped down disc contains the complete run without extras or any clue there was a previous volume. However, watching the nine to eleven minute segments, you may be lost by references to the previous story. The story is the one when the Danger Room becomes sentient and considers the mutants “oppressors”, unleashing a damaged Sentinel after them.

The story runs nearly ninety minutes and if you liked the comic, you will enjoy this. For those unfamiliar with the title, it will be confusing. An adaptation should have tinkered with the script to allow context to be added or references beyond the storyline to be deleted. Whedon’s gift for dialogue and character, thankfully, remains intact.

The motion aspect is exceptionally limited, especially compared with other efforts such as The Watchmen. And as usual, I find fault with a great many of the actors cast doing the voices. The foreign accents are comically thick and you can’t always reconcile the character you’re seeing with the voice you’re hearing.

This is for the diehard collector only, but at $14.97, it’s priced to move and might be a worth a look to see Cassady and colorist Laura Martin’s work on the screen.

STEEL CITY NOIR RETURNS!

Art: Dave Stokes

Steel City Noir returns to Trip City with an all-new Bite-Sized Pulp Story called “Made To Order” by writer Vito Delsante with cover art by Dave Stokes.

We were outnumbered forty to one. Bobby had already took one in the shoulder. I wasn’t feeling too great, either. Holed up in a motel in some shitty burgh called Kittanning, I picked that moment to tell him.


“Bobby, I’m pregnant.”

Want to read more?

Visit Steel City Noir at http://welcometotripcity.com/2012/04/steel-city-noir-made-to-order/

Dennis O’Neil: Touch Jake

oneil-column-art-1204191-2195395He’s not faster than a speeding bullet, more powerful than a locomotive, nor able to leap tall buildings at a single bound. He doesn’t wear tights and a cape and he has only one identity. But, I hereby submit, he is a superhero – indeed, the only superhero who currently appears in a weekly television series.

He’s a kid named Jake. The show is Touch. You can see it on Fox on Thursday nights.

Okay, so lacking everything mentioned above, what, exactly, qualifies young Jake for superherodom? Well, that’s hard to say. In fact, the continuing subplot has to do with Jake’s father and some other sympathetic adults, trying to figure out what it is that the boy does and how he manages to do it.

What they (and we) see is: Jake looks at seemingly unrelated numbers and geometric patterns, discerns connections and consequences and acting on the information/intuition, prods his father into action that averts unpleasant consequences for strangers.

So: Jake uses extraordinary powers for a common good. That alone qualifies him for a membership in the superhero club. He seems to have a Big Mission, though maybe he doesn’t and if he does, neither his old man nor we know what it is. Finally, the matter of the costume: well… Jake is either autistic or doing a darn fine job of faking it and, I suggest, the oddities of autistic behavior serve as a kind of costume – something that distinguishes Jake from the guy downstairs.

Take a bow, Jake. You’re the twenty first century superhero precisely because you don’t resemble the others of the tribe. I mean… lifting heavy stuff and shedding bullets and crashing through walls and flying and…all so last century, abilities conferred on heroes when we as a species really didn’t know much about how the universe works, when we tended to identify power with physical force and rugged – in Superman’s case, very rugged – individualism. We now know, those of us who care to know, that our world is more subtle and vastly more complicated than the world of the costumed do-gooders who popped up in the comic books of the 1930s. Their creators worked with the information they had. We have different information, and if you want to claim that ours is better, I won’t be the one to contradict you.

As the biologist J.B.S. Haldane said, “My own suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose.”

What Touch gives us, in easily digested, plot driven melodrama, is a metaphor for a truth agreed on by Zen masters and quantum physicists alike: everything in existence – and especially everything on planet Earth – is interconnected. The collapse of an industry in Tokyo today will gobsmack Wall Street tomorrow and the most infinitesimal alteration in the components of subatomic particles would make human beings impossible.

Young Jake seems to know that and maybe we can learn from him. And if we can’t…well, what he does is still fun to watch.

SATURDAY: Marc Alan Fishman

 

A Death In Our Family

I can’t begin to tell you how much I hate writing this.

Back in the late 1970s, I was editing a home video consumer magazine called Video Action. Amusingly, I staffed the publication with freelancers from the comic book community – people who excelled in the art of visual communications and popular culture. It wasn’t long before I received a letter from Martha Thomases and John Tebbel inquiring about writing opportunities. They presented their pedigrees and cited a whole bunch of mutual friends as references. They could have stopped at Denny O’Neil and Larry Hama.

John and Martha quickly became good friends. There isn’t enough bandwidth in all of Apple’s clouds for me to detail the nature of that friendship and divine the depth of the love I have for them, so instead I’ll focus on one element. There is nothing I value more than brilliant conversation with good friends. It takes wit, intelligence, experience and personality to pull it off on an ongoing basis, and I would swim upstream in piranha-infested waters to spend a few hours with these two.

A few months ago, the three of us met for a wonderful meal at a midtown Manhattan steakhouse. The three of us arrived separately, and John and I arrived early. We got into a deep conversation about how much the James Bond novels meant to us as kids but, upon later reflection, how Ian Fleming was a genuinely crappy writer and what the hell did JFK see in him anyway? By the time Martha arrived we had moved on to our favorite topic, the genius of Jack Benny and his stylistic influence over the next two generations of comedians (Benny begat Carson, Carson begat Maher). When we were seated, we moved on to an array of topics. This was typical for our dinners, but because we had that time before Martha arrived it was, for me at least, an important bonding event. We left vowing to get together again soon.

Several days later – it might have been longer; right now it seems like moments later – Martha called to tell me John was in the hospital after significant medical trauma at home. In short order, we learned he had lung cancer.

John appreciated the irony of having a particularly nasty form of lung cancer despite his lack of an addiction to tobacco. Martha showed more strength in spirit and in love than one could imagine, but none of us were surprised in the least.

You know this story doesn’t end well. John died yesterday. And that, folks, sucks.

Martha’s birthday is tomorrow. Their friends are gathering this weekend to be with her; we were planning on that anyway when we all knew John was in dire straits. It’s a lousy way to celebrate her birthday, but her essence is beautiful and she’s one of the most grounded people in Manhattan. By and large you do not cope with the death of our closest loved ones, but eventually you accept and understand you are surrounded by the love and support of your friends and family.

The ComicMix community lost a member of our family this week, and we grieve as we celebrate John’s wit, intelligence, experience and personality. Our hearts go out to Martha and to their son Arthur, and I know I speak for the extended ComicMix community, our bloggers, our commenters, our friends, co-workers and associates, in offering our love eternal.

– Mike Gold

FARMERIANS REVEAL BIG NEWS FOR FARMER FANS ON PODCAST!

From www.pjfarmer.com


April 13th Yesterday Christopher Paul Carey and Michael Croteau were guests on the Book Cave doing a podcast all about the ancient civilization of Khokarsa. Give it a listen if you haven’t already. If you are not familiar with the Book Cave, hosts Rick Croxton and Art Sippo do a terrific job interviewing a wide variety of people regarding genre fiction, pulps, movies, tv, you know, all that entertainment we love.

In the podcast Chris and Mike mostly talk about the new webpage they created, Explore the World of Lost Khokarsa for the series, and the soon to be released,GODS OF OPAR: Tales of Lost Khokarsa. In case you’ve been living in a cave we’ll point out that this volume contains three novels: HADON OF ANCIENT OPAR, FLIGHT TO OPAR, and the brand new conclusion to the series, THE SONG OF KWASIN. The latter title being a collaboration between Philip José Farmer and Christopher Paul Carey.
But, then the interview took a turn for the unexpected with the announcement of another brand-new book set in Khokarsa. If there is one complaint many people have about the Khokarsa novels, it is that the Gray-Eyed God, Sahhindar, does not show up enough. Seriously, anyone who has read TIME’S LAST GIFT knows who Sahhindar is, and we want to spend more time with him. A lot more time in fact. Farmer really took the old adage, “leave them wanting more,” a little too far in this case. That is one of the reasons Christopher Paul Carey’s novella, Exiles of Kho, has us so excited. Not only is it an origin story, but Sahhindar plays a prominent role!
If that doesn’t get you excited, how about this: artist extraordinaire Mike Hoffman not only supplies the gorgeous cover art, but interior illustrations as well. It gets even better, read on if you dare… The signed limited edition novella will be published in the late summer or early fall of 2012 (hopefully in time forFarmerCon VII where Chris will be a guest). You can preorder the book now for $15 plus shipping and there are two very compelling reasons why you need to do this. First, if you preorder by June 30th, your name will appear in the book on the acknowledgments page. Second, only a small number of copies will be printed beyond the number preordered. So if you don’t preorder the book, there is a very good chance you will miss out on the tale of how Sahhindar significantly influenced the course of events in the ancient civilization of Khokarsa.

Take a Closer Look at Pixar’s Brave

Brave will be out in June so Disney is cranking up the publicity machine. Here are some concept sketches to give you more of an idea about the filme, featuring Pixar’s first heroine.

MERIDA (Voice of Kelly Macdonald)

Passionate and fiery, Merida is a headstrong teenager of royal upbringing who is struggling to take control of her own destiny. She feels most at home in the outdoors honing her impressive athletic skills as an archer and swordfighter, and racing across the magnificent Highland countryside with her faithful horse, Angus. With a spirit as vibrant as her untamed hair, Merida also has a softness of heart, especially when it comes to her wee triplet brothers. As the daughter of the King and Queen, her life is weighted with responsibilities and expectations, causing her to yearn to preserve her freedom and independence. When Merida blatantly defies an ancient tradition, the consequences of her actions prove disastrous for the kingdom. She must race against time to make right the result of her reckless behavior, her journey compelling her to look inside to discover the meaning of bravery and reveal her true fate.

ANGUS

Black as night with ivory muzzle and fetlocks, Angus is Merida’s powerful Clydesdale and her most trusted confidant. Angus is Merida’s escape from castle life into the deep forest and the highlands beyond. Merida target shoots from her perch on his broad back and is able to coax him into one adventure after another. Angus can be balky, stubborn and faint-hearted at times, but is ultimately a devoted and faithful friend to Merida.

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WHO IS RICK RUBY?

Bobby Nash and Sean Taylor discuss the creation of The Ruby Files at Josh Reynold’s blog. Please check it out at http://joshuamreynolds.blogspot.com/

And check out these other Ruby Files interviews:

THE RUBY FILES GETS PULPED! The creative team behind the new anthology interviewed by the PULPED! podcast. http://pulped.libsyn.com/webpage/pulped-the-official-new-pulp-podcast-the-ruby-files-gets-pulped

All Pulp’s The Ruby Files Round Robin Interview: http://allpulp.blogspot.com/2012/03/all-pulps-round-robin-interview-ruby.html

And there’s a free preview download at http://www.taylorverse.com/Rick%20Ruby%20Preview%20Edition.pdf

You can learn more about The Ruby Files and Airship 27 at http://www.airship27.com/
You can learn more about Ruby co-creator Sean Taylor at http://www.taylorverse.com/
You can learn more about Ruby co-creator Bobby Nash at http://www.bobbynash.com/

Visit the official The Ruby Files website at http://rickruby.blogspot.com/

MICHAEL DAVIS: The Greatest Story Never Told, Part 3

Please read the last twoweek’s installments before reading this. Thanks!

What has gone before, quick and dirty recap… I’d sold (in my opinion) the second greatest idea in the history of comics to one of the greatest publishers in the business. It was to be written by one of the greatest writers (Dwayne McDuffie) with art by a guy (me) who was going to make sure this time he got it right.

All was right in the world. Except for one teensy little problem. The editor assigned to the project wanted to change one thing…

Me.

A few days after Jenette Kahn assigned the editor, Dwayne went to meet with him to map out the production schedule.  I was living in Los Angeles and the meeting was in the New York offices of DC. There really was no reason for me to be there. After the meeting Dwayne would call and fill me in.

I couldn’t wait for that call. In hindsight, yes, yes I could have.

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MEET LANCE STAR: SKY RANGER AND THE RUBY FILES CREATORS

New pages were added to the official Lance Star: Sky Ranger website at http://www.lance-star.com/ and the official The Ruby Files website at http://rickruby.blogspot.com/, which gives links to shows, conventions, signing and other appearances made by creators who worked on those title.

Meet The Ruby Files Creators. New Appearances page added.

Meet Lance Star: Sky Ranger Creators. New Appearances page added.

If you’re at any of these shows, please stop by and say hello. These creators would love to meet you. Tell them All Pulp sent ya!
www.lance-star.com/p/creator-appearances.htmlhttp://rickruby.blogspot.com/p/appearances.html

The Point Radio: THE LUCKY ONE From Bookshelf To Screen

This weekend, THE LUCKY ONE opens in theaters bringing a best selling love story to the Big Screen. We talk to Zac Effron, Taylor Schilling and Blythe Danner on how each one took on their roles in the film. Plus there’s more on the final season of EUREKA with Colin Ferguson and news on DC’s revival of a familiar comic title.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.