Category: News

Happy Birthday: George Freeman

Born in Canada in 1951, George Freeman didn’t start out in comic books. He was actually designing tombstones in 1975 when he encountered the first issue of a new Canadian comic book, Captain Canuck. Intrigued, Freeman went to see series artist and co-creator Richard Comely in Winnipeg.

Comely was impressed by Freeman’s art samples and hired him on—Freeman colored the second issue, inked the third issue, and penciled and inked the fourth issue. When Comely moved to Cardston, Alberta in fall 1976 to run the local weekly newspaper, Freeman and colorist/inker/French translator Jean-Claude St. Aubin moved with him and got jobs on the paper while continuing the comic.

A few months later, they left Cardston for Calgary, which was less to Freeman’s liking—he returned to Winnipeg instead. He rejoined the Captain Canuck team in early 1979.

Captain Canuck ended with issue #14 in 1981 and Freeman moved on to other comic book work. He drew Green Lantern, Aquaman, Jack of Hearts, and The Avengers, drew a story in Batman Annual #11, and was one of the artists on the horror comic anthology Wasteland.

He also worked on the Elric series for First Comics, the Black Orchid series for Vertigo, and more recently, the Albion series for Wildstorm, among others. In 1996 Freeman was nominated for an Eisner for Best Colorist on The X-Files.

‘Tales of the Black Freighter’ Sails onto DVD

One of the big looming questions with the Zack Snyder adaptation of Alan Moore and Dave Gibbon’s Watchmen was how they would handle the Black Freighter side story.

Now we have an answer: It’s going straight to DVD, says The New York Times (via Cinematical). For those unfamiliar, the story of the Black Freighter is contained within a comic book that’s being read by a character in Watchmen. It features a man who had been captured by undead pirates and escapes, only to meet an even worse fate.

Instead of filming the Black Freighter story and splicing it into the Watchmen film (as Moore does in the graphic novel), Snyder decided to break it out into a separate film. The Times, which doesn’t usually cover such Hollywood business, uses the news as an example of efforts to drive up DVD sales, which have been stagnant:

The second film, tentatively called “Tales of the Black Freighter,” follows a side “Watchmen” storyline about a shipwreck and will arrive in stores five days after the main movie rolls out in theaters. The DVD will also include a documentary-style film called “Under the Hood” that will delve into the characters’ backstories.

Warner, the No. 1 distributor of DVDs, bills the effort as a way to renew retail excitement for little silver discs now that the once-booming market has matured.

After years of blistering growth, domestic DVD sales fell 3.2 percent last year to $15.9 billion, according to Adams Media Research, the first annual drop in the medium’s history. While it is still a blockbuster business, any decline is cause for concern because DVD sales can account for as much as 70 percent of revenue for a new film. Results for the first quarter this year were mixed, with overall sales flat but notable softness for some new releases like Warner’s box office hit “I Am Legend.”

Science Friction, by Dennis O’Neil

The following will be about a column I didn’t write and it’s Vinnie Bartilucci’s fault. But that’s okay. I forgive him.

What Mr. Batilucci did was beat me to recommending Physics of the Impossible, by Michio Kaku. This Mr. B. did in a comment on last week’s column which, some may remember, described how awkward I felt being a published science fiction writer who was abysmally ignorant of science and how one of my earliest attempts at remedy of this ignorance was reading One…Two…Three…Infinity, by George Gamow.

My plan was to save recommending Dr. Kaku’s much more recent book – it’s on current best-seller lists, in fact – for this week.

Said recommendation would have come at the end of a blather that would have mentioned yet another elderly book, The Two Cultures, by a remarkable man who was both a scientist and novelist named C.P. Snow. According to the endlessly useful Wikipedia, “its thesis was that the breakdown of communication between the “two cultures” of modern society – the sciences and the humanities – was a major hindrance to solving the world’s problems.” I encountered Mr. Snow’s slim volume in college, probably when I should have been reading something some teacher had assigned, and it must have impressed me. (I mean, here we are, all these years later, and I still remember it.) The unwritten column would have culminated in the reiteration of something I mentioned some months ago, advice from my first comic book boss, Stan Lee. Stan said, in effect, that it’s a waste of space to “explain” comic book “science” because readers will accept what we tell them.

(more…)

Random Video: Iron Man, Hulk and Spider-Man vs. Giant Robots

While I realize I’m a bit late happening upon this video, I can’t help posting it here anyways — just in case I’m not the only person who missed it. To be honest, I’m not entirely certain what this "Iron Man’s Adventure" video is intended to promote. It looks like a cinematic from a videogame, but with a cast of Spider-Man, Iron Man and Hulk, I can’t help but assume it’s tied to some sort of film promotion. Feel free to post a comment if you have any additional information about it.

Nevertheless, it features the three characters I mentioned, as well as some big honkin’ robots and some really superb CG animation. The dialogue is a bit "meh" (Spider-Man is spot-on, but Iron Man and Hulk don’t sound quite right, in my humble opinion) but the action is worth the price of, well… just check it out.

You can also watch a larger, high-res version at Marvel.com. 

 


 

 

 

Real-Life Versions of Cartoon Characters

Most digital art websites always remind me how little I know about Photoshop. For example, even if I spent the next full week with my nose in a copy of Photoshop for Dummies, I couldn’t begin to create anything like Pixeloo’s "Untooned" image of cartoon  and videogame characters.

Seen at right is Pixeloo’s "Untooned" version of Stewie Griffin from the animated television series Family Guy. Creepy, eh?

Wait until you see Homer Simpson… shudder

Head over to Pixeloo to view so-big-they’re-terrifying images of Stewie and Homer, as well as Mario (of the Mario Bros. videogame franchise) and Jessica Rabbit (of Who Framed Roger Rabbit fame). There are even a few animated versions of the images that successfuly up the creep-me-out ante.

Oh, and if you decide you want to see more of this type of "Untooned" image editing, check out the gallery of "Reality Cartoons" submitted to Worth1000.com as part of a recent contest. The images include a pair of real-life versions of Tycho and Gabe, the main characters from the Penny Arcade webcomic.

Now if we could only get an "Untooned" image of GrimJack.

Happy Birthday: Ralph Dibny

Born in Waymore, Nebraska, Randolph William “Ralph” Dibny grew up admiring escape artists and contortionists. He desperately wished he could emulate their agility and flexibility.

When he learned that many of his idols favored a soda called Gingold, which contained the juice of the rare Gingold fruit, Ralph’s natural skill at deduction kicked in. He taught himself chemistry and developed a concentrated Gingo fruit extract which, when he drank it, transformed him, giving his entire body super-elasticity.

Delighted with his new prowess, Ralph moved to Central City, donned a colorful costume, and became the superhero Elongated Man. He joined the Justice League of America a short time later. R

alph later revealed his true identity and married his sweetheart Sue Dearbon. They lived happily for many years, and though Ralph’s powers were never a match for the more powerful heroes, his cheerful demeanor and his sharp mind—he is usually considered the finest superhero detective after Batman—made him a respected, admired, and loved member of the superhero community.

Sadly, Sue was brutally murdered by a deranged friend, and her death and later events drove Ralph mad. He recovered, however, and sacrificed his own life to trap the villain Felix Faust and the demon Neron, who had tried to trick him into surrendering his soul. Happily, Ralph and Sue are now reunited, and have a new existence as ghost detectives.

Interview: Ivory Madison on ‘Huntress: Year One’

huntress-year-one-1-4841045It’s no small feet for a comic book character to last over 60 years — but that’s exactly what the Huntress has done. 

Debuting in the ‘40s as a villain for Wildcat, she was recreated for the Silver Age as Helena Wayne, the daughter of the Batman and Catwoman of Earth-2, which was an alternate universe established in the early 1960s as the world where DC’s Golden Age stories took place. However, following DC’s Crisis on Infinite Earths miniseries in 1985, the Helena Wayne version of the Huntress was removed from continuity.

In 1989, due to the popularity of the character, DC introduced a new version of the Huntress. She had the same first name and a similar costume, but an entirely different back-story and personality. The Modern Age Huntress, Helena Rosa Bertinelli is the daughter of one of Gotham’s mafia bosses. After seeing her entire family murdered by a mob hit, she vows revenge for her slain relatives. In Huntress: Cry For Blood by Greg Rucka, Huntress’ origin was revised. Originally, Helena believed that Franco Bertinelli was her father. She came to discover that her father was actually Santo Cassamento, the don of a rival mafia family, who was carrying on an affair with Helena’s mother, Maria.

The Huntress has been a member of the JLA, the Outsiders and most recently the Birds Of Prey. Not to mention, she had a recurring role on the animated hit Justice League Unlimited and a staring role in the WB’s failed television series, Birds Of Prey. Proving that her character is strong enough to survive many years and several makeovers, she returned this month in her own miniseries.

Huntress: Year One looks at the early days of Helena Bertinelli’s crime fighting career. Written by comic book newcomer Ivory Madison, the book promises to give fans of the character some real insight to her beginnings and what makes Helena the hero she is today.

I had the opportunity to speak to Madison about the new book, her love for all things Bat-related and her multifaceted career.

COMICMIX: How did you end up working on Huntress: Year One for DC?

IVORY MADISON: I’ve always wanted to write comics. I’m a DC Comics person and I’ve always been obsessed with Batman and anything Gotham-related.

It all started when I tried pitching a reintroduction of Batwoman and they said they were already doing it. I was briefly thrown, and had to shift gears or lose my momentum. I wrote a Batman one-shot, which they bought, and that got me the opportunity to pitch something for Huntress. That led them to step back and say, “Hey, we need a foundation for this character. We need a Year One.” I was very lucky to walk into that. (more…)

The Ghost of Wertham, by Mike Gold

As comics fans, we should always be on the frontlines of the war to protect freedom of expression.

After all, it was our medium that was forced into a severe case of arrested development for a decade. Beginning in late 1940s and led by mascot psychiatrist Fredric Wertham, the Saturday Evening Post and the Readers Digest, comic book creators became seen as nothing less than child molesters and the medium was pressured into “Comics Code Authority” censorship and became trapped in its “childish claptrap” image for a generation. Hundreds of cartoonists, publishers, editors, and engravers lost their jobs; those that were among the fortunate few who remained gainfully employed told their neighbors they were “commercial artists” or some such lest they be chased out of suburbia by an angry mob.

For the past 20 years we’ve had a dangerous clown in the Senate who, when he’s not trying to get our armed forces to blast every Moslem in the middle east into smithereens (yep; it’s Memorial Day, so let’s honor our brave men and women by bringing them home from Iraq) is busy trying to raise our nation’s children on behalf of their evidently incompetent parents. Sadly, I’m talking about one of my own senators,

“independent” Joseph Lieberman of Connecticut, a man no more independent than Karl Rove or Dick Cheney.

Senator Joe has actually threatened artistic creators with government censorship if they do not bow to his whims. Yeah, I know, I already compared him to Rove and Cheney so telling you he wipes his ass with the Bill of Rights is kind of redundant. Joe’s spent the past two decades – and our tax money – intimidating the forces that produce video games, movies and music he doesn’t appreciate, all the time hiding under the Great Flag of Cowards, the one that reads “save the children!” Now, he’s turned his attention to YouTube. (more…)

Are Comic Books Hurting Movies?

ironman-9688286In about 355 BC, Aristotle laid down the ground rules of theater in Poetics, with the notable rule that “opsis,” or spectacle, is the least important element, and should never come before plot, character or theme. Nowadays, the summer movie season is all about spectacle. The bigger the better, with Iron Man and Indiana Jones and the Kingodm of the Crystal Skull just the latest to bring excitement to the silver screen.

But not everyone’s pleased. Writing on the Huffington Post, Jack Donaldson says the rising influence of comics movies has been negative because of the explosion of computer animation in all types of films.

By their very nature these films rely on effects a lot, making them commonplace and just not that impressive. When you watch a computer generated Iron Man climb to the reaches of Outer Space, it’s not nearly as impressive as trying to figure out where Chris Cooper’s teeth went, or Gary Sinise’s legs. It’s not that I have a thing for missing limbs … I have a thing for special effects that make the real world seem a little more spectacular. What does a 100-foot wall of sand, with a face and fists, that is set on destruction in Spider Man 3, really do for anyone? It seems that more and more movies are made like last year’s Transformer’s, which showcased almost no action scenes that featured real actors, and I’m not impressed.

While I certainly understand the sentiment, I’d say it’s misplaced anger, as the use of CGI was already spread far and wide before comics movies gained traction. Really, it was the evolution of CGI that allowed for believable superhero movies.

And if you look at the best comic book movies, they excel because of quality stories (see Iron Man and the first two Spider-Man films), and the computer animation simply adds a little spectacle, just as Aristotle intended.

Happy Birthday: Kobra and Jason Burr

The Burrs were vacationing in India despite Mrs. Burr’s advanced pregnancy. Her condition attracted the attention of the Cobra Cult because the timing coincided with a prophecy about a man who would lead them into the Kali Yuga, the fourth age of the world. He would be one of a pair of Siamese twins, and Mrs. Burr was carrying such a pair.

When they were born and then separated on May 25, the cult stole one of the newborns (Jeffrey) and made it look as if he had died during the operation. Devastated, the Burrs took their remaining son, Jason, home with them.

Jeffrey was raised as Lord Naga, also known as Kobra, and began setting his plans for world domination in motion as soon as he was fully grown. Unfortunately for him, the twins retained a psychic link, and the authorities soon realized this—they recruited Jason and began using his link to foil his brother’s plans.

Kobra eventually killed Jason, but was killed himself by Black Adam and Atom Smasher years later.

 

 

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks