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Vengeance is a dish best served bloody!

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New Pulp Author Howard Hopkins (The Lone Ranger, The Avenger, The Spider) has announced that his novel, Blood Creek is now available exclusively for Amazon Kindle. Blood Creek is a Western novel of vicious revenge upon those who committed a heinous crime long ago and thought they got away with it, Blood Creek was originally published in hardcover under the Black Horse Western line and in large print Linford Library paperback edition under Howard’s Lance Howard penname. With a completely redesigned cover, this is its first electronic imprint, published under Howard’s own name, and will remain an exclusive Kindle release through arrangement with Amazon.com.

From the Blurb:

Fifteen years ago five unruly sons of rich parents committed a heinous crime against a young Ute woman, only to walk away unpunished.

Now a ruthless killer bent on revenge is stalking them, murdering their wives, and destroying their lives piece by piece.

After manhunter Calin Travers is mysteriously attacked, then lured under false pretenses to Sundown, Colorado, a town to which he swore he’d never return, he discovers himself face to face with old guilts and a brutal killer who has marked him for death.

“This author does miracles with the written word. He takes the reader to the heart of the story and holds them glued to the pages with passion to the very end…”
–Romance and Friends Reviews

“…believable characters and settings will have you breathing 1800s dust and seeing by the flickering light of an oil lamp as you turn every tension-filled page.”
–Tim Greaton, Maine’s Other Author (TM)

Vengeance is a dish best served bloody…Blood Creek by Howard Hopkins
Now available exclusively for Kindle.
http://www.amazon.com/dp/B006QD6VK8

You can learn more about Howard Hopkins at http://howardhopkins.blogspot.com/

MICHAEL DAVIS: Comics in Black… And White

davis-column-art-111227-2470603I am a black man.

Well that’s not really true. I’m a tall and unbelievably handsome black man. I work in television, mainstream books and comics. Most of the works I’ve created in all of those mediums have featured black people in foremost roles.

I create black characters because I’m a black creator and I’d like to see more black people represented in the media and I think it’s my job to…yada, yada, yada…

Over the years I’ve said a zillion times that the reason I create black characters is because I felt we were under represented and I did believe it was my responsibility to create characters so young black kids can feel themselves represented.

But is it really my responsibility to create black characters because I’m a black man now? Have we come far enough in the country and the industry for me to give up the fight?

When I was growing up there were no black superheroes of color except for the Black Panther and Luke Cage, Hero For Hire. So my two black superheroes role models were an African King and an ex-con who was a superhero only when he got paid to be.

As hard as I tried I just could not identify with The Black Panther; he was an African king in his secret identity. “Oh, that’s a wonderful black man to aspire to be like.” I’m sure some of you are thinking.

Really?

I was born in Queens and the last thing I wanted to imagine myself growing up to be was an African king. I’d seen enough Tarzan movies as a kid to know I would not look good with a bone through my nose. I mean… ugh.

What about, Luke Cage Hero For Hire?

Really?

Hero for hire?

Really?

Like I said, I grew up in Queens or to be more precise, the hood in Queens. I could not imagine being a superhero that sold his services, that as they say in the hood is ghetto.

The young Harlem mother and her child were coming home very late one evening. The bus they were on was empty except for the driver and some gang bangers who looked like they wanted to start some trouble.

She was not worried, there was a rule written in stone in the hood among gangs, mothers and kids were off limits.

Written in stone…

The problem was these gang bangers could not read.

 “Yo, (bad word starts with B) what cha lookin at?”

He rose, slowly removing a gun from his jacket.

 “I said (bad word starts with B) what cha lookin at?”

She was frozen in place. She had never seen a real gun before and it was at the moment she knew this was the end of her life. She held her child close to her and said softy, “Close your eyes honey it will be OK.”

The bus stopped. Cage entered the bus. Paid his fare and stared down the thug with the gun. The woman’s face lit up as she realizes she is saved!

 “Oh, thank God! He was about to shoot me! I’m sure of it! He called me a…”

Cage puts his hand up to silence her then says; “I can save you for $500, your kid for another $500 so that’s $1000,00.”

The woman looks at Cage, she can tell by the stern look on his face he is not kidding. “ All I have is $500 to my name!”

 “Then you better tell your kid to keep his eyes closed.”

Really? Hero for Hire? Really?

Neither The Black Panther nor Luge Cage, neither of those black heroes seemed as good as the white heroes I was so in love with. Superman, Batman, Spider-Man and the like.

Superman was an orphan from another planet whose parents were blown the F up and he had a cool ass secret identity. He was Clark Kent, reporter for a great metropolitan newspaper. Batman’s secret identity was equally as badass, another orphan whose parents were shot the F up. His cool ass secret identity was rich ass playboy Bruce Wayne.

Spider-Man was another orphan whose parents were shot the F up AND as a bonus he was responsible for his Uncle Ben being shot the F up. His cool ass secret identity was a high school student and he worked for a great metropolitan newspaper as a photographer.

Why couldn’t I have a black hero whose parents were shot the F up? Why couldn’t I have a black hero who was an orphan? Why couldn’t I have a black hero whose cool ass secret identity was to work for a great metropolitan newspaper and not as a janitor?

No. I got an African king. In my mind, Tarzan (according to the movies my seven year old ass was watching) would soon rescue a white couple from a boiling pot the Black Panther had placed them in while waiting for a visit from The Fantastic Four, and I got a hero who people had to pay to protect them or in other words…

Super Pimp.

Also, Super Pimp didn’t even have a secret identity. Like I said, ghetto.

That’s what I grew up with. That’s what the African American comic book artists of my generation grew up with. It’s no wonder many of us felt it was our responsibly to create black heroes that our black kids could use as real role models, heroes that spoke to them not just in skin color but in experience.

When I was a kid a black GI Joe action figure was just a white GI. Joe painted brown. That made him black to me back then but that was not good enough for my kids when I had them.

Don’t get me wrong; I grew to love Lee and Kirby’s Black Panther. I realized just how cool it was to have an African king be his secret identity. That’s around the time I also realized those Tarzan movies were racist bullshit. Hasbro eventually came out with a black version of GI Joe that was a Black Joe. The lips, nose and even hair were modeled after black features. I still remember when I got my first real Black Joe. It was so damn cool.

As for Luke Cage, Hero for Hire?

That, in my opinion was and will always be ghetto. I mean damn, a Super Pimp? Come on! Really?

I grew up wanting and frankly needing black heroes that I could look up to and that spoke to me.

That was then.

Now, there is still need for more black superheroes as there is a need for many heroes of color but is it the job of people of color to create them?

Or…

Are the characters of any creator as valid as any other creator regardless if the creator is black or white?

In other words, would Blade be even cooler if a white guy did not create him? Would Spawn be even more badass if a black creator had created him?

Can white creators create viable black characters and vice versa? It seems the answer is an easy “yes” if you look at the success of some black characters created by non-black creators. It’s a easy yes in the marketplace to be sure but how about in the industry and the homes of those black kids who grow up wanting to be Blade?

Does it matter that an white guy created Blade? Should it matter? A great white guy and my dear friend Marv Wolfman but a white guy nevertheless.

Should we even care?

Anyone? Bueller? Bueller…?

WEDNESDAY: Mike Gold

MINDY NEWELL: Blocked!

newell-column-art-111226-2451048I’m having a good case of writer’s block today.

You know how a few weeks ago I talked about what it’s like to be a writer? One thing I didn’t mention was the awfulness of staring at a blank screen – or a blank piece of paper for those who still use a typewriter, and yes, they are out there – without a clue in the universe of what you’re going to write about.

That’s when procrastination sets in.

After a half-hour, or maybe even an hour, of sitting at the computer and absolutely nothing is coming, I suddenly realize that the bathroom really needs to be cleaned. I gather up the Comet Bathroom Cleaner and the SOS and go to it, attacking the bathtub and the toilet, the sink and the floor. I Windex the mirror. Then I decide to rearrange the shelves. Then I realize that I need to put some clean towels out.

Okay, done. Bathroom looks and smells great.

Now I’m ready.

And still nothing comes.

I pick up the pile of comics that’s lying on my rocking chair. DC’s Legion: Secret Origin #2. Superman #3. Star Trek #3 from IDW. A bunch of others. Nothing sparks my interest really. I throw them back down and go into the living room. I slept on the couch last night, falling asleep while trying to stay awake and watch The Best Of The Dr. Who Christmas Specials on BBCAmerica. The blanket and pillow are still lying on the sofa.

I fold up the blanket and put it away, throw the pillow back on my bed. I sit down at the computer again.

Fifteen minutes later I’m back in the living room. I’ve been watching Battlestar Galactica repeats on BBCAmerica and all the commercials have been driving me mad – plus it annoys me that they cut out the “Previously on Battlestar Galactica” and I’m sure they’re cutting other scenes out too. I resolve to pull out my DVDs of BSG, watch an episode or two, and then sit down and do the column. It’s only 2 P.M.; lots of time left. I put Disc One of Season Four into the DVD and sit down to watch.

Three hours later it’s 5:30.

Okay, this is bullshit. Mike is going to kill me, and I’m being really, really unprofessional here.

Back at the computer. Maybe I should write about Christmas Eve.

Drove down to my brother and sister-in-law’s with the parents, Alixandra and Jeff. The plan was to be at my brother’s in time for the start of the Giants-Jets game, which started at 1. Alix and Jeff were supposed to pick me up at 10; they got to my house closer to 11. The radio was turned to NPR and Wait, Wait, Don’t Tell Me (which is one of my favorite shows on NPR) was on, and surprise! surprise! – Neil Gaiman was the guest. Haven’t seen Neil in too many years to count, so it was fun to listen to him play “Not My Job” and answer questions about Will and Kate – he nailed them, and so won Karl Cassel’s voice for some guy from Chicago’s voicemail; no, it wasn’t you, Mike.

Settle down at my brother’s to watch the game. First half – well, let’s not talk about that – except for Victor Cruz!!! What a runback! What a catch! Then the second half – Gaints come alive. And then it’s deep in the fourth quarter, it’s a long game, it’s 4:18 – New York is leading by 6 – the score is 20-14 – and FOX switches to the Eagles-Dallas game because of “NFL rules.” Chaos reigns! I throw a hissy fit, I yell at my brother, “I told you should have gotten the NFL Network!” while he cursed and ran for a radio. Jeff, always a calm in the center of my storms, suggests streaming it on the computer. I think, “what a great idea!,” so I run to my sister-in-law’s computer and hook into ESPN.com. No visual, just real-time audio, so I might as well go back and listen to the radio with the rest of the family. But I stay long enough to hear the Gaints make a safety. And between the time I left the computer and got back to the rest of the family, there was an interception, a touchdown – and I still don’t know who made it – and Tynes hit a field goal. 29 – 14. And Corey Webster intercepted to end the game.

Go Giants!!!!

Still don’t know what the hell to write about.

Oh, I know.

Gave my eleven year-old niece Isabel the original Amethyst, Princess of Gemworld maxi-series by Dan Mishkin, Gary Cohn and Ernie Colon along with the Amethyst mini-series by Keith Giffen and the late Esteban Maroto… oh, yeah, and me! She was delighted and wanted to sit down and start reading right away – but her mom (rightly so) said no, not now. This could get me writing about the continual ignorance of the comic book business when it comes to attracting young female readers; I mean, Amethyst was back in the 80’s, and the honchos are still trying to figure it out? Some things, as the saying goes, never change.

I could tell you about how we all stuffed ourselves on an introductory course of smoked salmon, white fish, and smoked trout on various breads and crackers served with bloody mary’s, followed by a dinner of tender romaine hearts with baby cherry tomatoes in a vinaigrette dressing, braised beef tenderloin in a garlic and horseradish sauce, roasted cauliflower with parmesan, latkes (potato pancakes, as I mentioned last week) and fresh grilled squash with red onions sprinkled with honey; followed by an upside down orange polenta cake served alongside a Carvel “Frosty the Snowman” ice cream cake.

What else could I write about? Don’t feel like saying anything about politics this week. Well, I could talk about the House Republicans trying to block the extension of the payroll tax cut and how they had to cave and how the “orange man” sounded like a fool when he tried to make it a Republican victory, but, nah, just not in the mood.

I give up.

Sometimes the block wins.

TUESDAY: Michael Davis

 

JOHN OSTRANDER: An Agnostic’s Christmas

ostrander-column-art-1112251-3357761I always loved Christmas or, perhaps more accurately, I always loved the anticipation of Christmas. I loved the possibilities of Christmas. What would I get? Would others like what I gave? As a boy, my family had an Advent calendar that we used every year; each day you would open another closed window, revealing a picture or text, leading to Christmas Eve. With the one we loved best, the window would open onto another sentence of the Christmas story and that helped build the rising sense of anticipation.

My Mom created a Christmas ritual every Christmas Eve. We would have our own Christmas parade from the top of the stairs, singing a carol, bringing the Baby Jesus figurine to the Nativity scene under the tree. We got more resistant to the cheesiness of it as we got older but Mom was right and we were wrong. We would read The Night Before Christmas out loud, each taking different stanzas. My Dad would read aloud the Cratchit family scene out of the Ghost of Christmas Present sequence in Charles Dickens’ A Christmas Carol. In later grade school, my brother and I were off to Midnight Mass because we sang in the boy’s choir.

The day itself would then come with all its attendant hysteria and afterwards – it was done. The thing is, Christmas Day never matched up to the anticipation I felt for it. I don’t think it could have. What I loved most was the idea of Christmas, its possibility rather than its reality.

So here we are, years later, and things have very much changed. I’ve become an agnostic and I’ll tell you what I mean by that. I’m used to others telling me what I mean by that and it’s never quite right. I’m uncertain that God exists although I won’t tell you that a Supreme Being doesn’t or cannot exist. I’ve seen atheists who are every bit as evangelical in their disbelief as born-again Baptists are in their faith; not only does god not exist for them but they have decided you can’t believe in one either. I simply say, “I don’t know and its beyond my knowing.” If God exists for you, great. I do miss he certainty I had as a boy. Sometimes my heart yearns for what my mind can no longer accept.

What I don’t believe in is Institutional God especially the Christian one. There is no one Christian god in any case; different churches and sects get into versions of “my Jesus can beat up your Jesus.” The gospels differ and contradict themselves and the institutional churches ignore any gospel except the four official ones. There is, in fact, no “gospel truth.” Not to me.

So – what am I doing with Christmas? What am I supposed to be celebrating, Doubting Ostrander that I am.

I’m celebrating the idea of Christmas, which I have always loved most in any case. I love story and I love this story – that God so loved humanity that a part of him, his “Son,” came to Earth and became one of us, even as a newborn baby, defenseless and vulnerable.

I love the idea of that, I love that story. Story doesn’t have to be factually real to be true. If our minds have created god, then I love the idea that our minds created a loving god, one who could know what it feels like to be us. I don’t know that a god created us in his or her likeness but I believe that we have created a god – an idea or image of god – in our likeness. In this case, it’s bound up with love and kindness. I feel as Scrooge does at the moment of his transformation: “I will honour Christmas in my heart, and try to keep it all the year.”

Honour Christmas in your heart and in your own way and may you have joy of it, today and every day.

MONDAY: Mindy Newell

CHRISTMAS SALE! TAKE 28% OFF THE PRINT EDITION OF BOBBY NASH’S NEW NOVEL, DEADLY GAMES! AT BARNES & NOBLE!

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Barnes & Noble is currently running a sale on Deadly Games! the new thriller novel by Bobby Nash at http://www.barnesandnoble.com/w/deadly-games-bobby-nash/1036007379?ean=9780615553436&itm=2&usri=deadly+games+bobby+nash

Cover Price – $11.99
Barnes & Noble Sale Price – $8.63
That’s a 28% savings.

Barnes & Noble also offers the Nook e-book edition of Deadly Games! at $3.00.

About Deadly Games!

They played the most dangerous game of all and death was only the beginning…

Six years ago, Police Detective John Bartlett and journalist Benjamin West were instrumental in the capture of notorious master criminal Darrin Morehouse. Their story played out in the media, rocketing both Bartlett and West into local celebrity status.

Today, Morehouse, still a master game player and manipulator, commits suicide while in prison. His death initiates one final game of survival for the people Morehouse felt wronged him the most. At that top of the list are Bartlett and West, who must set aside their differences to save the lives of Morehouse’s other victims and solve one last game before a dead man’s hired killers catch them and his other enemies.

Deadly Games! is a fast-paced action/thriller featuring action, suspense, murder, and the occasional gunfire from Author Bobby Nash, the writer of Evil Ways, Domino Lady, Lance Star: Sky Ranger, and more.

Visit BEN Books at http://ben-books.blogspot.com/.
Visit Deadly Games! author Bobby Nash at http://www.bobbynash.com/.

Saturday Morning Cartoons: “The Pogo Special Birthday Special”

pogo-christmas-6567584A slightly less conventional (and certainly less played) Christmas special for you– from 1969, we bring you The Pogo Special Birthday Special, which also works as a holiday special for Valentine’s Day, Harbor Day, the fourth of July, and the entire month of Octember.

And it’s a Christmas special too? Well, any special which has Albert the Alligator and Beauregard performing and arguing over the correct lyrics to “Deck Us All With Boston Charlie” simply has to be a Christmas special.

So sit back, relax, and listen to June Foray as Pogo, Les Tremayne (yes, Mentor from Shazam!) as Churchy LaFemme, Chuck Jones as Porkypine, and Walt Kelly hisself as Albert The Alligator and P.T. Bridgeport.

And if you’re of a mind to, you might want to order a copy of Pogo: The Complete Daily & Sunday Comic Strips Volume 1. It’s worth it.

MARC ALAN FISHMAN: Kickstart My Heart

Here it is kiddos. My next-to-last article of 2011. I figured I might as well abuse what little power I have here and spend my time shamelessly shilling for a shot at your shekels. You see, my li’l studio, Unshaven Comics, launched a Kickstarter project all for a single goal: we want to turn our drawings into reality. For those not in-the-know about the Kickstarter movement, allow me to Wikipedia it for you:

Kickstarter is a site built to let creative types reach out to the world like a PBS telethon. People pledge money, receive fun rewards for doing so, and if the goal amount is reached by the end of the deadline, the project is funded. Some people raise money to publish their books, music projects, or films… others use monies raised for research and development of prototype products. There’s just a ton of awesome projects out there. And when many people toss in small amounts of cash, these indie projects are given a shot to become reality. In the instance of Unshaven Comics… we’re raising money to fund the creation of a costume for one (or more) of our superheroes… “The Samurnauts.”

Since professional grade costumes require professional grade funds, we figured it was a worthy cause. As of this writing, we’re only $122 away from meeting our goal. If we go over, we could potentially afford more costumes. It’s quite exciting. If nothing else, we’ve produced (with our great partners at Marktime Media) a funny video in which our resident penciler and painter threatens to sleep in your bed and stab you. I swear that wasn’t even scripted. And it was funny enough to make Kevin Smith (yes, that Kevin Smith) back us. For what it’s worth, we’re just as shocked as you are. He’s a stand-up dude. But Marc, you protest, what does making a costume have to do with publishing independent comics? Why friend, I’m glad you asked.

At a convention, when you’re just an artist sitting at a wee six foot table amidst more popular and important creators, you’re forced to do just about anything to stand out. Our writer and latent sales machine, Kyle Gnepper, has developed a keen sense of urgency during these times. He reaches out to any within earshot. “Pardon me sir, can I tell you about my comic book!?” He shouts. When we’re lucky, the fine patrons of the con will come and listen to our pitch. Thus far, it’s paid off.

In 2011, we’re proud to say we’ve sold 820 books face to face. 820 times, people have said “I like the cut of your jib, and I want to monetarily show it.” And so, we look to 2012, to improve upon these numbers, and continue to gain a head of steam within the industry. With a live-action Samurai-Astronaut walking the convention floor? We might just get there.

You see, our model for the Blue Samurnaut, Erik, is an amazing dude. He and his lovely wife Cherise (who just-so-happens to be our Yellow Samurnaut) have taken to travel with us from con to con… walking the floor and praising our name. Cherise has no problem making fast friends. You see, comic fans appreciate a mini skirt and high heels. Erik’s attempt to wear either hasn’t resulted in positive promotion. And rather than watch him continue to stand behind Cherise as she waves, and flirts, and passes out fliers… we want to see him armored up, shaking hands, kissing babies, and fighting evil! With a presence on the floor, we gain more eyes on our product. Marvel and DC already have recognition. We are but a pebble in the ocean of comic books. But we’d love to be a samurai-astronaut shaped pebble in 2012. That, and if funded, Erik said he’d storm the DC booths and fight Dan DiDio to the death.

Of course I’m not asking for just a handout. As you’ll see with our Kickstarter, there are plenty of prizes to be had. And since I’m the sort who likes to make an offer you just can’t refuse, allow me now to Billy Mays up this deal:

If you support the Kickstarter (if you haven’t already), and mention you heard about it from my comic mix article…I’ll gladly throw in an additional poster print of any sketch completed on Unshaven Comics’ website. I’ll also throw in the knife set, an additional cutting board, and trial subscription to Wizard Magazine. Scratch that. Just the poster print, and maybe a big shout out on my podcast. Fair?

Like I said in the beginning, I hate to be so shameless this week, but well, Wednesday is my birthday. I turn 30. And I have a kid on the way. And I love you. Did I mention you should have read this article while listening to Sarah McLachlan’s In the Arms of An Angel?

In all seriousness, I hope you and yours have an amazing Christmas, and a Happy New Year. Don’t worry, I’ll be back on my hater-train next week… ready to spew anger and loathing on something comic related. In the mean time, check out the Kickstarter, and give till you can’t give no more.

http://www.kickstarter.com/projects/1975185747/the-all-new-samurnauts-time-to-armor-up

CHRISTMAS DAY: John Ostrander

The Point Radio: SPARTACUS Coming Back With A VENGEANCE


Starz brings us a new (full) season of SPACTACUS in a few weeks and we talk with the cast about what to expect, plus NBC gives us Free TV and we’re celebrating our birthday!

THE POINT PODCAST will take the day-after-Ho Ho off, but we will be back on Friday December 30th! MERRY CHRISTMAS To All!


The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

COMIC VETERAN BRIAN AUGUSTYN DEBUTS ‘MR. GABRIEL’ IN COMMANDER XMAS SPECIAL!

This year, Jay Piscopo and his company Nemo Publishing have released yet another COMMANDER XMAS SPECIAL featuring great takes on Piscopo’s character by various writers and artists!  Also in this issue, a new comic and character is introduced by well known Comics Veteran Brian Augustyn!   Read on about Brian’s great new pulp character, MR. GABRIEL!

ALL PULP: First, thanks for joining All Pulp today, Brian.  Share a little about yourself, both professionally and personally.

BRIAN AUGUSTYN: Thanks for having me. Let’s see, I was born in Chicago, where I grew up and caught the comics bug in the 1960s.   Never lost the bug, either. Discovered mystery and science-fiction paperbacks too–and grew up a full media fanatic.  I did a bit of the fanzine scene, and so on, did my own crude comics, and experimented with story and story telling.

In the 80s I was part of the independent comics boom (following the Teenage Mutant Ninja Turtles), working friends Paul Fricke and Scott Baederstadt on a book called Trollords. Had a lot of fun there and that led me to DC in 1987, where I worked as

an editor for almost ten years. Edited Flash, Wonder Woman, The Justice League franchise and a lot more. Started writing for them too, eventually producing “Gotham By Gaslight, the first of what DC began calling “Elseworlds,” alternative takes on the major heroes–finding, hopefully, fresh perspectives and fun comics.

I went freelance in 96 and have written, Flash, JLA Year One (both with Mark Waid), and Crimson, and Out There, both with Humberto Ramos for Wildstorm/Cliffhanger.

I’ve written several hundred comics, some YA novels, story books, game scenarios and mortgage checks since then.

I’m married, have two almost grown daughters and live in Arizona at the moment.

AP:  You’re involved in the Commander Xmas online book that Nemo Publishing and

Jay Piscopo are known for around this time every year.   You’re introducing an original character.  Tell us about Mr. Gabriel.  Who is he, what’s his mission/purpose, etc.?

BA: Mr. Gabriel might be a supernatural/celestial being, though he seems to be human in every way. Let’s just say that he gets things done and saves people in mysterious ways. His mission is to help those in need or distress. In my mind, he shows up when most needed–though how he knows is part of his mystery. He’s known in New York, so people in trouble do seek him out, including the NYPD. Gabriel does not carry a gun, and probably won’t engage in fisticuffs very often, but is capable, diligent, and pretty unstoppable when he starts work. He’s a tall, solid, handsome guy in a Mitchum-esque

way, and favors white suits, fedoras and trench coats.

AP:   And the story he appears in in the Xmas special, what can you share about that?
BA: It’s Christmas Eve 1935, a young couple is visiting NYC and are mysteriously attacked. The husband is shot, the wife goes missing and an enormous blizzard shuts the city down. The clock is ticking because the woman is pregnant, due to deliver at any moment, and the plummeting temps and blinding snow put her and the baby in terrific danger. But, Mr. Gabriel is on the case and has a soft spot for baby’s born on Christmas.

AP:   What appeals to you about the pulp type characters?  Mr. Gabriel is obviously in that camp, but what about that sort of story appeals to you as both a writer and a fan?

BA:  In general, I have been a fan of pulp style fiction since discovering the paperback reprints of Doc Savage in the 60s. I love genre fiction, from detective stories, space opera sci-fi, even westerns. I like high action stories with large, colorful characters. Obviously, that’s what I’ve done for 30 years in comics, and now I’m happily stretching my prose muscles. Some of the most popular modern genre fiction from Dan Brown’s DaVinci Code novels, to Lee Child’s Reacher series, Preston & Child’s Pendergast novels, and so on and on, prove that fan interest in this kind of material is high.

AP:   Christmas stories are interesting creatures, every genre has one.  What about a Pulp Christmas story you think  makes it stand out from other Christmas stories?
BA: Good question. I think Christmas stories are sentimental by necessity and pulp-style writing allows free reign to writing emotion that more “serious” fiction might avoid. I want the reader to be thrilled, wowed and maybe choke up a little even.

 

AP:   Why would a modern audience want to read Mr. Gabriel?  What appeal does a

character set in the past have for readers today?

BA: Nostalgia for a simpler time? Fondness for potboiler thrillers? A search for heroes? A good way to escape into a fun place for a while?

Probably all of the above and much more. I promise that reader a thoughtful, caring and resilient hero solving problems with wit, determination and maybe some magic.

 

AP:   What are the future plans for Mr. Gabriel?  Any other Pulpy projects you’re working on?

BA:  I have plotted a Mr. Gabriel novel, which I plan to start writing soon. The amazing Jay Piscopo has been very encouraging and supportive in pointing me in this direction. It’s like I’m rediscovering my craft all over again.

I want to start writing a lot more prose (genre) fiction, so I’m also planning some stories with other heroes and settings as well. Not sure where I’ll place any of that, but I am excited to write them all the same.

 

AP:  Brian, thanks so much for your time!  Merry Christmas!

BA:  Thank you Tommy. Hope you enjoy the special. Merry Christmas!

What Publishers Don’t Do

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This week’s tempest in a book-pot was sparked yesterday by the fine writer Michael Chabon, but it could easily have been any one of a thousand other authors. In an interview with the Washington Post, occasioned by the upcoming flood of his back catalog into electronic formats, Chabon complained about his royalty rates:

When it’s comes to royalties on a paper book, that rate (25 percent) is completely fair when you think of the expenses a publisher takes on — the delivery trucks and the factory workers and the distribution chains. But it’s not fair for them to take a roughly identical royalty for an e-book that costs them nothing to produce.

There have, of course, already been a dozen or more impassioned blog posts and hurt tweets, from various publishing folks, taking offense at that “nothing to produce.” It is wrong, and horribly wrong, and all of us who work in the business know how much time and effort and agida goes into turning a manuscript into a readable ePub file, or its multifarious brethren. And that’s only the beginning of the process — merely making something exist is the simplest part. One might hope that we all could take that as read by this point — that Publishing, as a verb, is much larger, and encompasses many more complicated, useful, necessary processes than the simple printing and warehousing of books.

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