FORTIER TAKES ON ‘HUGH MONN, PRIVATE DETECTIVE!’
ALL PULP REVIEWS-by Ron Fortier
ALL PULP REVIEWS-by Ron Fortier
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| Artwork © Hannibal King |
New Pulp Author Martin Powell announced on his blog (http://martinpowell221bcom.blogspot.com/) that he is writing a graphic novel adaptation of Edgar Rice Burroughs The Cave Girl, in time for the original story’s 100th anniversary. The Cave Girl graphic novel will be released in 2013 from Sequential Pulp Comics and Dark Horse Comics.
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| Artwork © Hannibal King |
“I’m thrilled to be reunited with artist Hannibal King,” Powell said of the artist he worked with on The Phantom Unmasked and Tales of The Spider. “And, as you can see from these lovely illustrations of the prehistoric princess Nadara, the book will be gorgeous.”
The Cave Girl is authorized by ERB, Inc. Published by Sequential Pulp/Dark Horse Comics.
You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/
You can learn more about Dark Horse Comics at http://www.darkhorse.com/
Click on images for a larger view.
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| Artwork © Hannibal King |
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| Artwork © Hannibal King |
Sean Taylor posted an interesting query on his blog http://seanhtaylor.blogspot.com/. Sean asked ‘How Pure Should Pulp Fiction Be?’ Some of New Pulp’s finiest responded.
When you think of pulp fiction, what springs to mind? The hard-boiled P.I.? The lost Earthman winning and wooing on Mars? The jungle lord? The aviator adventurer? The masked vigilante precursor to the comic book super hero? Weird horror tales with skeletons and damsels in distress? (For the sake of argument, let’s all assume you didn’t immediately go to the movie with John Travolta and Samuel Jackson, even as good as it is.)
Pulp has covered many genres, and was originally so named because of the cheap paper on which it was published. Pretty much everybody who loves the style knows that.
But, over time, some genres tended to become more synonymous with the definition of pulp than others.
And some would argue that pulp itself is a genre. (For the sake of this article, we’re going to treat pulp as a style of telling a story and not a genre unto itself, since so many genres were represented within its ranks.)
To explore this idea further, we went straight to several of new pulp’s top creators. You can see their responses at http://seanhtaylor.blogspot.com/2011/12/genre-bending-how-pure-should-pulp.html?spref=tw
You might be chipper, content, full of good cheer – that is, you might a person who enjoys crowds and deadlines and the giving of gifts. This is your time and I say, blessings.
Or you might feel like you’re sucking a bare electric wire, stressed and frantic because your always busy life has become a nightmare of scurrying and doubt. (Will Granny like the pajamas? What to get for Aunt Bertha, a Scientologist who’s just declared herself to be a vegan? And nephew Horatio….doesn’t he already have every comic book ever published?)
One size never fits all, in holidaying as in everything else.
Well, which it is? Santa or Scrooge or the Grinch?
Let’s eliminate the Grinch from this discussion. Dr. Seuss was a national treasure, but – let’s face it – the Grinch is fantasy and was never intended to be anything else. And the jolly old elf? Okay, there’s a vaguely historical basis for him, but the guy in the red suit with the beard? Naw. Not for anyone older than eight.
Leaving us with Scrooge. Old Ebenezer is fiction (and was never intended to be anything else) but his is a fiction rooted in some truth. Haven’t we known a Scrooge or two? Haven’t we been a Scrooge? Show of hands, please.
I’ve just put mine down.
Oh, I can, and have, justified my Scrooge attacks with sweet reason. Isn’t Christmas really a pagan holiday, a celebration of the end of winter and the coming of spring, with its brightness and warmth? An occasion for rest and renewal? Perhaps a way to reassure ourselves that, despite the darkness, we will survive? And hasn’t it morphed into something the opposite of what it once was, a festival, not of light, but of greed and showing off for the neighbors? The season of frayed nerves and bereft bank accounts? Of terror at the arrival of the Master Card envelope?
Yeah, afraid so. But we Scrooges – in the hush of our chambers, at three in the morning, we know the real reason for our sourness, don’t we?
When one’s life is flaking apart, for whatever reason, displays of cheer and the sound of song exacerbate the anguish. So the churches and the bars and the AA meetings do brisk business on the holiest of eves, because a lot of lives are flaking. Remember Thoreau: “The mass of men lead lives of quiet desperation.” Amen, and Thoreau’s observation can be most painfully true on Christmas. So we’re not mad at the season, we Scrooges. We’re mad at ourselves for allowing our existence to become one of quiet desperation.
When the holiday is a deserted street and an empty bottle, what’s to celebrate?
We have to blame someone or some thing, and Christmas won’t argue with us.
Some of us Scrooges will awaken in the morning and, I don’t know… send a kid to buy a goose?
FRIDAY: Martha Thomases
This week the ESO Crew is back in the station as we travel to 221b Baker Street to discuss the world’s greatest detective, Sherlock Holmes. Our guests this week are Holmes Artist Mark Maddox, Holmes Author Bernadette Johnson, and Holmes Historian Tom Elmore. Also Bobby sits down with Pulp 2.0 Press publisher Bill Cunningham to discuss his upcoming Sherlock Holmes project, the return of Martin Powell and Seppo Makinen’s Scarlet in Gaslight graphic novel.
Join us for yet another episode of The Earth Station One Podcast we like to call: It’s Elementary, Dear Watson. The Game is Afoot!
You get all this and more at http://www.esopodcast.com/.
Download this podcast from Itunes or Subscribe to our RSS Feed at http://www.esopodcast.com/.
Next week, Earth Station One steps back inside the TARDIS to review the new Doctor Who Christmas Special as well as a roundtable discussion with some special guests about our favorite holiday-themed stories as we travel from 2011 to 2012.
And we would love to hear from you. What are your favorite holiday-themed stories? Leave us a comment at http://www.esopodcast.com/, at the ESO Facebook Group, email us at esopodcast@gmail.com, or call us at 404-963-9057 with your list. We might just read yours on the show.
The ESO Crew
Now this is the way to spend your Christmas loot!
Teenage Mutant Ninja Turtles co-creator Kevin Eastman has moved his entire studio into Meltdown Comics… and he’s gonna auction the entire thing off in one giant lot to benefit the Hero Initiative.
The KEVIN EASTMAN ART STUDIO auction will run for 10 days beginning Dec. 25th, Christmas Day, at 9:00 PM (PST). It will wrap the evening of January 4th at 9:00 PM, which will be the final night of the 35 DAYS OF KEVIN EASTMAN event at Meltdown Comics in Hollywood. Swing by for the huge blowout closing night party!
And before you do, check out this video in which Kevin walks you through the studio and some of the items.
On Christmas night, you can seek out eBay merchant: oranj And here are some of the highlights you’ll find contained within this treasure trove!
After the success of the first Table Talk with questions from readers, Barry Reese, Bobby Nash, and Mike Bullock decided to continue taking questions “from the audience” every now and again. This week, the guys tackle the topic of archetypes and working with different characters.
New Pulpâs Table Talk – Readers Questions, Take II is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2011/12/table-talk-readers-questions-take-ii.html
Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. Weâd love to hear your thoughts and questions.
Have a question you want the guys to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns ASAP.
Thanks!
New Pulp Fiction.com
One wonders if somebody at Marvel is thinking about doing the same thing to comic pirates…
A New York man has been sentenced to a year in federal prison for illegally uploading and distributing a copy of “X-Men Origins: Wolverine” before the movies premiere.
Forty-nine-year-old Gilberto Sanchez was sentenced Monday in Los Angeles federal court. The judge also imposed a year of supervised release and numerous computer restrictions.Sanchez pleaded guilty in March to one count of uploading a copyrighted work being prepared for commercial distribution.
Prosecutors say he admitted uploading a “workprint” copy of the 2009 film about one month before it was released in theaters, then publicizing the upload on two websites.Prosecutors said in court documents that the film proliferated like wildfire throughout the Internet, resulting in up to millions of infringements. Sanchez has a prior conviction for a similar offense.
via NY man gets 1 year in prison for X-Men piracy – Yahoo! News.
Holiday-themed comics have long been a tradition, along with holiday-themed… everything else. That’s cool; if you can’t make a buck pushing Santy Claus, when can you?
As far as our four-color medium is concerned, we inherited the tradition from the newspaper strips. These guys went all-out, and back when there were still a lot of continuity strips stories would be interrupted for Christmas and New Years (Hanukkah rarely, Kwanza, Ramadan and Saturnalia never) or, better still, holiday themes would be incorporated into the ongoing story. This was carried over into proto-comic book form when Will Eisner and his largely Jewish crew produced their annual “Christmas Spirit” story.
Outside of Santy-themed covers, it took a while for the comic book publishers to reliably produce annual holiday fare. The two that lasted the longest where Archie’s Christmas Stocking (with variations on that title, including the all-embracing evil “holiday” word) which started in 1954, and DC’s Rudolph The Red-Nosed Reindeer, licensed from Robert L. May, who owned the glowing streetkill. That title commenced in 1950. Dell had special Christmas editions of the various Disney and Warner Bros. cartoon characters, and before long most other publishers jumped on the sleigh.
As a child, Rudolph The Red-Nosed Reindeer confused me. That’s a statement you don’t often read, but it’s true. The original series ran for twelve years, which meant twelve issues. All were unnumbered. At some point I understood DC didn’t number their first issues (I later discovered why), but I knew Rudolph to be an annual event. A collector even as a child, I wanted to know how many issues I had missed. The title continued in various formats – giants, tabloids – until it was no longer worth the licensing fee. Yet holiday-dedicated superhero comics continued; DC was way ahead of the curve with its Holiday Special (sic) going back at least to 1980.
This year, we continue to have holiday output from Archie – including a trade reprint of Stocking stories – and a pretty nifty tome from Marvel that first appeared as individual digital stories. This latter book is one of my favorite Marvels of 2011. But unless I overlooked a page in the Diamond catalog, nothing from DC Comics. No Christmas title, no Holiday title, nothing from the company that pretty much started it all.
At first I thought Mark Waid just didn’t need the money this year and is probably overbooked writing every seventh title published. But then it dawned on me.
Maybe Bill O’Reilly is right. Maybe there is a War On Christmas. After all, those bleeding hearts at Warner Bros. studios now have full control of the company, and Bill and his friends at the New York Post keep telling us they’re heartless bastards. I guess this is proof.
O.K. Fine. I’ve got my Marvel holiday comic, and my Archie reprints, and besides, I firmly believe there ain’t no sanity clause. But I’m sentimental enough to wish you-all a wonderful holiday season.
Quite frankly, we deserve it.
THURSDAY: Dennis O’Neil