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Is Gareb Shamus Really Gone From Wizard World?

A terse SEC filing on Friday has led to headlines all over comics: Gareb Shamus has resigned as CEO, President and Director of Wizard World, Inc., the convention-running entity of the Wizard empire. Seeing as how Shamus is the owner and founder of the company it came as a shock. But what does it really mean? Has Shamus really been ousted from his own company — or is it just a filing to reflect some internal resource shuffling?

The latest iteration of the shrinking of the Wizard brand began about a year ago when Shamus announced that the magazine would return as a downloadable PDF. As we noted at the time, Shamus seemed almost eerily focused on this new outing, promising an audience of millions and the ability to break new comics. “We can make things cool,” he told us at the time, a perhaps distant echo of Wizard’s one time ability to actually make any new Image artist cool in their early 90s, pre-internet heyday.

The PDF continued to come out at irregular intervals, and with a declining posse of warm bodies to actually produce it, as long time staffers Mike Cotton and Justin Aclin gradually faded into the forest, leaving a skeleton staff of Shamus, brother Stephen and convention runner Peter Katz, along with new hire Kevin Kelly, who came on board as managing editor a few months ago.

Just recently, however, a couple of very strange things happened — both so quickly that we never even had a chance to write about them….

Review: Super 8

There’s a tremendous bit of nostalgia wrapped up in Super 8, one of last summer’s most pleasant surprises. For adult moviegoers, it makes us long for the pre-Internet days when a movie can arrive and surprise us. The movie is clearly director J.J. Abrams’ homage to the movies of Steven Spielberg, the ones he grew up watching thirty years ago, movies filled with the fantastic including Close Encounters of the Third Kind and E.T.

But, Abrams’ valentine is intended for today’s more jaded moviegoer and as a result, unlike the benevolent aliens who visited Earth in those two films, the ones seen in the new film are more terrifying, evoking an entirely different set of emotions. But, the innocence of childhood is retained as Joe Lamb (Joel Courtney) and his pals set out to make a movie and wind up having the adventure of a lifetime.

Like the best of Spielberg’s work, this movie evokes happy memories of childhood and family so just as important as the friendship ties is the relationship between Joe and his widower father Jackson (Kyle Chandler) in the middle American town of Lilian, Ohio.

Given the setting of the story, it makes perfect sense that the young teens are using a Super 8 camera to shoot a zombie film as the previous cycle of zombie movies was just winding down. They witness and record a train wreck that unleashes a deadly secret, one the military and sheriff Dad try to contain. Unfortunately, and just like in a good Spielberg film, odd things keep happening: there are the missing dogs, missing metal objects, and then people go missing.

Abrams knows how to ratchet up the suspense and then lull you into complacency with all the family drama between father and son and young romance as Joe notices Alice (Elle Fanning) in a new way. And since this is a film about kids, of course they unrealistically factor into the climax in ways less organic than in E.T. Still, you don’t often get two top filmmakers collaborating on something that has this much heart and soul as opposed to mere pyrotechnics (although this offers those up, too). Abrams also benefited from another winning score by Michael Giacchino.They wisely spent their $50 million budget, turning out a compelling 112-minute movie that you can enjoy at home.

Paramount Home Video sent a DVD for review and the standard transfer is excellent along with superb sound. The extras available on this single-disc package include some fine Audio Commentary from Abrams, co-producer Bryan Burk and DP Larry Fong.  There are tons of fun-sounding extras on the Blu-ray disc but we’re left without them, instead just able to see “Deconstructing the Train Crash”,  a nice featurette complete with storyboards and interviews.

MICHAEL DAVIS: The Art of the Deal, part 4

Please refer to part 1 and part 3 of this series for background. Part 2 was my attempt to try and underscore what I was trying to get across by writing these series of articles. Yeah, I still have no idea why I wrote part 2 either. To recap, I had an idea to get comics in the school system taught as a high interest low level reading curriculum.

Step by step my process was:

Come up with the idea.

Do the research.

Figure out the barriers to entry.

Developed two specific programs: one for Texas, one for California.

Wrote the business plan.

All above steps taken, so now I need a partner.

First rule of fight club: never talk about fight club.

First rule of business: never use your own money.

That’s my first rule anyhow, rather or not you talk about it is on you but the less said about who is writing you a check the better.

There was a period in my career when I wanted to own everything so I paid for everything. I had some success but realized later than I should have, paying for everything can be a dangerous road to travel on unless you have really deep pockets and can afford to lose a grip.

A “grip” is a lot of money. Sorry, sometimes I revert back to where I grew up. You can take the man out of the hood but you can’t take the hood out of the man.

That’s not entirely bad and I’ll get back to that later.

I’ve done quite a few deals where I put up the development money and took all back end… meaning I waited for the venture to start making money to recoup and profit from it.

Sometimes paying for everything was a great idea, sometimes not so much. I don’t regret paying for development the projects I did so one but except for a passion project of mine I doubt if I will ever do it again.

If you have the cash and want to control and own everything in your deal financing everything may work for you. But before you empty your life savings to finance, direct and produce and own your project give this a thought, would anyone but you pay to do what you are about to do?

Each time I sign a deal where someone else is investing in my idea that further validates that I just may be on to something.

I mentioned above a passion project that I want control all aspects of the production. I’m holding out to completely control 100% of everything so I may bite the bullet and write the check myself but for now I’m still looking for the right partner to underwrite the venture.

The right partner is what I needed for The Action Files, my comic book reading program for schools.

And I’m back!

When looking for a partner, be very careful to consider everything, not just the money. I don’t care how much money they bring to the table – it can be a nightmare.

I’ll say it again, it can be a nightmare.

I can’t go into particulars as to why a deal or two bankrolled by a partner turned out to be a nightmare (gag order, restraining order, hit men and a angry midget among other less pleasant things) but trust me it can be so think long and hard before you take that check.

I was lucky enough to have three different companies interested in The Action Files. I met with all three and decided the best place for The Action Files and myself was powerhouse publisher Simon & Schuster. At the time they were one of the biggest publishers of mainstream and educational materials in the world.

At the time they were one of the biggest publishers of mainstream and educational materials in the world.

After a series of meetings we came to an agreement and The Action Files was no longer an idea I came up with a year before it was now about to be a reality.

There is one more step that no one seems to tell young people.

One of the things it’s very important to remember which no one talks about is the vetting process. Any serious player who is about to invest millions of dollars in your idea is going to do their due diligence and vet you. That, in layman’s terms, means to check you out.

The process may be as simple as asking for references or as in-depth as a full background check. So don’t even think about telling a company you did something that you did not do when discussing your resume or bio.

I’m not just a seller of ideas (content) but I’ve run a few entertainment divisions at major companies and was a buyer. As head of my own company I’m often pitched projects for me to take to a film or television studio, comic company or mainstream publisher that I’m already in business with. I’m approached to find financing or finance projects myself or partner with someone to create a project. I’ve been very successful in brokering quite a few deals that I did not create.

I’m currently developing a slate of projects with Wayne Brady as an example of how a partnership would work. Wayne and I are working on a book and an animated project.

Unless I know someone well personality or someone comes to me from a real good referral I almost never get involved with other peoples’ projects. I’ll give advice all day long but I’ve been burned too many times to get involved with others I don’t know from Adam. It happens from time to time but it’s as rare as a black guy from Compton voting Republican.

The vetting process can killed your dream deal faster than a sex scandal can kill your hope to be President Of The United States… Herman!

Tell people the truth about what you have or have not done. If your idea is a great idea and you have no experience at all tell the buyer. More than likely the company will respect that and proceed with that in mind.

I’ve sold TV shows and I had no idea how to produce one when I sold my first show. I have a better idea now but I’d be an idiot to think that I could produce and an even bigger idiot to say that I wanted to.

The vetting process would have outted me faster than Ricky Martin on TMZ.

It’s not just making sure your background is legit – it’s also avoiding the one bullshit line that I’ve heard a million times and it’s just bullshit.

“Disney wanted to do this but I didn’t like the deal.”

I’ve heard that line at least a thousand times in 20 years.

It’s bullshit, and unless your name is Tom Hanks or someone of that stature using that line in a meeting will surely kill any deal you had dead if it was not dead already.

Yesterday at a restaurant some guy recognized me from a CNN interview I did years ago. He pitched me this project while I was waiting for a meeting. Frankly, the idea was pretty darn good and I was considering meeting with him to discuss it when he said…

“Disney wanted to do this but I didn’t like the deal, so I’m bringing it to you.”

“Really?”

“Yes.”

“Whom did you meet with at Disney?”

Nothing from him but a blank look, because it was all bullshit. After what had to be a minute he said he had to check his notes and blah, blah, yada, yada, yada.

Bullshit.

So, if you have the next great idea and you manage to get a meeting to pitch someone, tell the truth my friend, nothing but bad things can happen if you don’t.

My project from idea to signed contract took a solid year and a lot of work. The Action File reading program started in 1996 and has since moved to Pearson Learning where it’s still going strong.

As you go forward remember my second rule of business: don’t let anyone discourage you or try and kill your dream. Dreams do come true and maybe there’s a tip or two within this series that can help a little bit towards yours, young Jedi. Good luck… and if Disney wants to do your project let them.

Wednesday: Mike Gold

LATEST PAGE OF FLYING GLORY!

The scanner device, that now looks into the future, predict a possible rescue for Debra,
but will it be to late before Dr. Molly Payne discovers a way to destroy Flying Glory.
Find out in the latest page of FLYING GLORY AND THE HOUNDS OF GLORY
as we continue to celebrate the 10th Anniversary of the comic.

Review: “Spaceman” #1

We all know Brian Azzarello and Eduardo Risso work well together. Uttering the duo’s name automatically triggers thoughts of quality. I know for me, the pair rests near the top of creative teams of the last decade. Sometimes, though, I believe we forget how truly great these guys are together. We acknowledge their high esteem in the medium, but after a while we get into the habit of just accepting without truly seeing. We lack the sort of realization you can only experience when you’re sitting down with one of their comics–the sensation that as you turn the page, you know you’re reading something special because your mind is being blown.

Azzarello and Risso do comics how they should be done. These men, along with colorist Patricia Mulvihill, construct sophisticated worlds and atmospheres and then tell you all about in just as sophisticated a fashion. The approach is reserved and cool. The necessary hints are subtly placed, and the reader’s own effort tells the tale. Azzarello/Risso books are, simply said, confident, independent and sexy.

And Spaceman #1 held the crown as the single best comic book of October. Easily.

With Spaceman, we’re told the story of a genetically engineered man who’s life-long purpose was to go to Mars. In reality, his goal was never reached, and when we meet him he’s simply a junkie trapped in a world of decay.

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Spandexless Talks: Bernie Mireault & To Get Her

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Photo by Kathryn Delaney, taken from Bernie Mirault’s blog

by Matthew Horowitz

Lean in close. No, closer.

To Get Her is a comic for people who like comics rife with detail and nuance. Set in Montreal,  To Get Her chronicles the oft-fought battles of a ten year relationship, and the emotional casualties inflicted on both sides. In this corner, Gordon Kirby, highly sympathetic cartoonist that quits a paying job washing dishes to return to his art. In this corner, we have Janet Ditko (yeah, Kirby and Ditko, I enjoyed that too) the long suffering breadwinner of the couple who longs for a more rewarding existence. 

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Harlan Ellison releases four new books

harlan-books-all-4-covers12-6164149Harlan Ellison, once called “the 20th century Lewis Carroll” by the Los Angeles Times, invites you to explore his 56-year career in four new books.

These four volumes, designed to bring Ellison’s writing to a new generation of readers while collecting rare works for his long-time fans, gather classic stories, entertaining essays, unpublished teleplays, and the author’s never-before-reprinted second novel from 1960.

Bill Willingham on “Fables” vs “Once Upon A Time”

Cover of Fables Vol. 1: Legends in Exile

Comic Book Resources gets Bill Willingham to talk about the similarities between the long-running Vertigo comic series Fables and Once Upon A Time:

For those of you who just came in, let’s start with some of the basics. “Once Upon a Time” is a weekly TV series showing on the ABC television network. It’s just over a month old now, having aired four episodes by the time of this writing. It was created by Adam Horowitz and Edward Kitsis.

“Fables” is a monthly comic book series, published by Bill Willingham, the author of this essay.

Both series explore the notion of popular fable, folklore and fairytale characters, native to a fantasy medieval setting, but still living today in modern day America. Let’s discuss.

via Bill Willingham on “Fables” vs “Once Upon A Time” – Comic Book Resources.

The Point Radio: Backstage At COVERT AFFAIRS

That old Technical Boogey Man took us out of theme on Friday, but we’re back today with plenty to share including more backstage dish from USA Network‘s COVERT AFFAIRS. For example, how Chris Gorman trained to be “blind”, how Piper Peabo speaks all those languages and why the producers can’t seem to plan ahead. Plus those WATCHMEN 2 rumors and an early Christmas gift for FRINGE fans.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

“John Carter” Trailer Convinces Us

We admit it, we’re hooked by this trailer. Edgar Rice Burroughs’ John Carter of Mars has a look and feel that separates it from our previous visual incarnations while remaining faithful to the source material. With this and The Hunger Games in March, suddenly that month is starting to feel like summer.

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